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Aoi no Ue. Obscure Tape Music of Japan vol. 1
Volume one of Omega Point's Obscure Tape Music of Japan series, featuring Joji Yuasa's "Aoi-no-Ue" (1961) and "My Blue Sky" (1975). Joji Yuasa (b. 1929) is one of most important composers in Japan after World War II. "Aoi-no-Ue" was composed for experimental theater at Sogetsu Art Center. The sound of this work is made from the chants of Japanese traditional "Noh" theater. "The text is recomposed by me keeping the original words. And it was sung in the style of Noh-chant by three brothers ... Th…
In Otherness Oneself
Kaja Draksler states that “as a person who speaks and understands different languages, I have an impression that my identity is multifaceted, I have to lose something in myself in order to let the “spirit” of a new language inside me. So in this way I am constantly becoming in otherness myself.” In building this album pianist and composer Kaja Draksler worked on developing specific musical languages for each piece. She attempted to restrict herself to maintaining each language although as she po…
Amiandos
Yannis Kyriakides evokes memories of a site and of the workers of the mines of Amiandos, reflecting on a past not that far gone. In 7 pieces he tells profound stories of loss, and of the fascination for a magnificent and malignant stone. Amiandos is Kyriakides 8th album on Unsounds records.
Kofu II
* Glass-mastered CD housed in a die-cut customised debossed outer case (14.5 x 14.5cm) with rounded obi, 16pp inserts with words in Japanese and English from Meitei. Offset printed, full colour on premium matt paper. * Meitei’s 2020 album Kofū was the bold bookend to an expedition, where sounds were first navigated and then subverted in 2018’s Kwaidan and 2019’s Komachi. All three albums were Meitei’s attempt at immersive storytelling, reimagining moments of Japanese history he felt were being w…
Kofu
* Limited edition CD including 16-page inserts with words in Japanese and English from Meitei and design by Kitchen.Label founder Ricks Ang * It began with ‘Kwaidan’, a simmering study on the lost art of Japanese ghost story-telling. Then there was ‘Komachi’, baptized in the earthly winds and static that define its comforting sonics. On ‘Kofū’, Meitei masterfully closes his trilogy of lost Japanese moods with an engaging interrogation of artforms and aesthetics as a provocation — or, as fashion…
Komachi
** Limited repress in standard black vinyl edition ** Meitei considers himself an old soul, often preoccupied with the customs and rituals of the past. Recently Meitei lost his beloved 99-year-old grandmother, a woman who he considered to be one of the last remaining people to have experience and understanding of traditional Japanese ambience. His music and art is driven by a desire to cast light on an era and aesthetic that he believes is drifting out of the collective Japanese consciousness wi…
Hydration
Following the release of his album trilogy (Kwaidan, Komachi and Kofū), Meitei has established himself as a defining voice in contemporary Japanese music. By sharing intricate sonic stories and impressions of his nation's rich culture, he has built an aural world around his notion of the ‘lost Japanese mood’.  His latest project, under the new moniker Tenka, aims to work without the boundaries of theme, storytelling or audience expectations. Spending many hours in the mountain forests that he li…
Räkenskapens Dag
A small chunk of early 80's Swedish DIY underground history from the legendary but rarely heard Fysisk Fostran. Based in the small town of Stenungsund north of Gothenburg and roughly active between 1980 and 1984, the group released a few cassettes as well as a fabled 7" that due to mysterious complications only exist as a testpressing in 4 copies. Fysisk Fostran were inspired by the early UK industrial sound as well as post-punk and synth music, this combined with the young age of the bandmember…
I Saw The Outer Limits
Mind-stretching analog synth wizardry from the legendary Matsuo Ohno, sound designer for Astro Boy and many other Japanese films and TV programs. His first non-soundtrack release, from 1978, is a massive, undulating galaxy re-released here on CD with a bonus mini-CD reissue of a rare 1970 flexi-disc Play On Animals, rated as one of 2011's top releases by Byron Coley of The Wire. This reissue of his stellar 1978 LP I Saw The Outer Limits presents him at the peak of his powers, combining his maste…
I - Kamermuziek
Biggest Tip! "Muziekkamer is a minimalwave project by Martin Keuning and Cees van de Oever, based in Leiden, the Netherlands, in the 1980s. The first album, 'I' (aka Kamermuziek), is a self-healing calm unified by hushed-toned electric guitars and faint synths, while the second album is a more experimental and pop minimalist/electronic sound, similar to Kubus Kassettes' work. The guitar harmonics are hazy. The long, dreamy parts, with a vague layers of guitar harmonics, is one of the best ambien…
Neumusik - The Complete Edition by David Elliott (Book)
425 pages, softcover, 17x24 cm All six editions of this UK fanzine, 1979-1982  Book containing all six issues of the Neumusik fanzine which David Elliott edited between 1979-82 while at university. The 'zine focussed on European, electronic and experimental music which had come out of krautrock, French progressive rock and the more esoteric side of British post-punk. David travelled extensively meeting musicians in Germany and France, and for a year was based in Strasbourg. Interviews and articl…
Then Through Now
Henry Dagg and Evan Parker improvised together for the first time as part of the Free Range series in Canterbury, Kent, on December 2, 2021. For the performance, Evan played soprano saxophone, and Henry developed a new electronic instrument called the Stage Cage, to both process Evan’s live sound as well as generate its own sounds. The Stage Cage includes four valve test-oscillators, a pair of ring modulators, frequency shifter, chromatic zither, and a variable tape delay system (consisting of t…
The Homeland Of Electricity
*In process of stocking.* The second album for the DiN imprint by British Electronic Musician Scanner sees Rimbaud utilising a different toolset from his first album, An Ascent (DiN63), released in July 2020. Here he focuses in on several Elektron instruments such as the Analog Four, Analog Rhythm and Digitakt. Whilst his debut album was forged live in his studio during the start of the global pandemic here Rimbaud was after a lighter, more optimistic tone. Rather prophetically Rimbaud states th…
Coil
DiN label boss Ian Boddy follows up his 2020 studio release “Axiom” (DiN64) with another vinyl album length slice of vintage electronic music synth heritage. Whilst there are many focusing in on the world of possibilities of modular synths to the detriment of form and composition Boddy uses his 40 plus years of experience to create six succinct slices of analogue warmth and emotion. The title track which opens procedures is a case in point. Boddy crams into its seven minutes more drama than many…
Witch's Scream
*Includes 20 page booklet.* Each with five decades of musical knowledge and experience in free improvisation under their belts, the trio of saxophonist John Tchicai (also heard, for the first time on record, on vocals), bassist Reggie Workman and drummer Andrew Cyrille got together in New York in September 2004 to record Witch's Scream. Although they are all veterans of improvised music going back to the vital free jazz scene of New York City in the early 1960s and have often played together in …
A Love Sonnet For Billie Holiday
A Love Sonnet For Billie Holiday brings Wadada Leo Smith, Jack DeJohnette and Vijay Iyer together for the first time in this meeting of creative giants. Smith first met and played with DeJohnette in the late 1960s and the two have collaborated with increasing frequency since DeJohnette participated in the first recording of Smith´s Golden Quartet more than two decades ago. Smith´s and Iyer´s first collaboration also goes back almost two decades. This recording marks the first time these three un…
Ancestors
Despite the fact that they've shared several stages over the past 40 years, Ancestors marks the first occasion that trumpeter Wadada Leo Smith and drummer Louis Moholo-Moholo have ever recorded together. Smith, one of the true progenitors of creative improvised music, has made numerous duo recordings with drummers, among them Ed Blackwell, Jack DeJohnette, and percussionist Adam Rudolph. Moholo-Moholo, a founding member of South Africa's Blue Notes, has also made duo recordings, usually with pia…
Rosa Parks: Pure Love.
Acclaimed trumpeter, multi-instrumentalist, composer, and educator Wadada Leo Smith has released an oratorio of seven songs inspired by the iconic civil rights leader Rosa Parks. In his own words, Rosa Parks: Pure Love. An Oratorio of Seven Songs is "concerned with ideas of freedom, liberty and justice, a meditation centered around the civil rights movement." Looking at Smith's more than 50 years of creative and artistic vision, this release is yet another inspired organic musical direction that…
Celestial Weather
With Celestial Weather, Wadada Leo Smith and John Lindberg employ a spare, conversational approach. Smith whispers on the mute and issues plaintive cries with the open horn. Lindberg bows and goes pizzicato. Smith searches for and finds very un-trumpet-like sounds-squawks and squeaks and whistles. Unlike Smith's large scale offerings, that often feature massive cacophonies, space is a major facet of the sound. It is music that is reflective and serene. The disc's centerpiece, the five part "Cele…
Solo: Reflections And Meditations On Monk
Wadada Leo Smith comes to the music of Thelonious Monk from a childhood admiration of the artist. As a pre-teen he was already playing trumpet and composing and instinctively knew that Monk's understanding of music and sound would influence his own creativity. Smith believes that the quintessence of Monk can best be found in his solo work. The same can be said for Smith who has produced two previous solo collections including Creative Music—1 (1972) and Solo Music: Ahkreanvention (1979), both on…