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Huge Tip! *Limited edition of 400 copies.* Since 1983, Justin K. Broadrick (Godflesh, Jesu, Council Estate Electronics, The Sidewinder, etc.) has been producing largely solo, but sometimes collaborative, work under the Final moniker. Beginning as a more obviously power electronics-inspired project it has during the past two decades or so evolved into one which still retains that sonic intensity but has a more expansive sound. 'I Am the Dirt Under Your Fingernails' is the latest album, closely fo…
This month's Electronic Sound cover star is the supremely talented Suzanne Ciani, and we have an awesome red vinyl seven-inch by the American modular virtuoso to supplement the issue. Suzanne Ciani's long and intense connection with modular synthesis started after meeting Don Buchla in the late 1960s. She soon became obsessed with the Buchla 100 and 200 systems, taking a particular interest in how the voltage-controlled quadrophonic capabilities enabled her to move sounds around a room. More tha…
Beautiful edition! Takis was born in 1925 in Athens. Preferring, as a matter of principle, to teach himself rather study in a institution, he left Greece in 1954 and lived as a citizen of the world, traveling through Europe and the USA. Some of his earliest manifestations in the 1940s consisted of explosions carried out in open places. His first Signals date from 1954: they were rods consisting of piano wires which created musical vibrations as they stuck against each other in the wind. In fact …
We Jazz Records presents the second volume of their reworks albums dealing with source material from the Helsinki-based label's catalog. This time around, it's Carl Stone's turn to tackle the source albums at hand and filter the label's output through his musical lens.
We Jazz Reworks is an idea that repurposes some of the label's output 10 albums at a time. That is, the label invites producers whose music they love on board, and one by one, they tackle 10 albums worth of source material, of whi…
Five years in the making and representing the twenty-year story of a pioneering British jazz-rock fusion band with strong Latinesque influences… whose alumni over that period included over thirty well-known British jazz musicians… but a band you might not have heard of… or have any of their eight albums… we have finally come up with ‘Variation and Creation: The Story of PAZ’. The album was produced in cooperation with the families of Dick Crouch and Geoff Castle, the heart of the of the band ove…
Trevor Watts has been at the forefront of the Jazz and Free Improvisation scene since the 1960s and is highly respected by his peers and quite rightly so. Much of the UK listening audience though, seem to be unaware of the amazing breadth of Trevor’s works on a global scale. With that in mind, Jazz in Britain have decided to try and address this issue with this release.In 2022 we issued The Art Is In The Rhythm which featured an improvised performance of Trevor in partnership with drummer, Liam …
*100 copies limited edition* West Midlands: The Paranormal Origins of Black Sabbath by dbh and the Dark PoolWarwickshire: Meon Hill by PPYO (The Primitive Youth Percussion Orchestra)
- C-30 printed cassette housed in library case- 6x panel reseach note sleeve- Unique OS map cut-out piece- D/L code
Volume 12 in the 24x volume set of ceremonial county cassettes.
Krautrock, what is it anyway? A genre, a derogative term, a song by Faust, … or: a welcome (and recurring) opportunity to talk about all of this. The music associated with the term in question has eagerly been canonized. From the enthusiastic and idiosyncratic ramblings of Julian Cope’s “Krautrocksampler” to encyclopaedic approaches like Alan and Stephen Freeman’s “Crack in the Cosmic Egg”, there are plenty of books to read and lists to discuss: Who’s in, who isn’t? The quarrels and disputes sur…
1989 release ** 20th Century piano music by Nikolai Roslavetz, Arnold Schoenberg, Karlheinz Stockhausen, Luciano Berio, Brian Ferneyhough, Sylvano Bussotti, Salvatore Sciarrino.
1997 release ** "Excellent debut album by two mysterious musicians from Wales/UK. Their music sounds like they have adapted parts of 'Sternklang' by Karlheinz Stockhausen for ten distorted guitars. Their focus is upon pure noise with an intent to locate, draw out and revel in it's hitherto hidden harmonies. Using the rough sound of variegated tape-manipulations with some acoustic instruments such as flutes and woodblocks they enjoy to produce feedback drenched drone chaos that flutters and filte…
Australia's Chris Abrahams, widely known for his work with legendary trio The Necks, has amassed an impressive solo discography over the past three decades. With four electro-acoustic editions already published by Room40, the label announces Chris's first piano solo for the label. Appearance is two longform pieces for piano that weave and mesh to create a sense of flow and subtle shifting which unfolds into eternal variation.A note from Lawrence English: "I first met Chris Abrahams sometime in t…
1994 release ** "Everything about this album, from the artist's name and album title to the rather cheesy cover photo of a smiling tuxedo-clad man on a beach surrounded by congas, suggests to a cynical eye that Arriba! Con Montego Joe is kitschy exotica on par with Martin Denny or Les Baxter. And while that style of music has its fizzy charms, it turns out that Arriba! Con Montego Joe is something much meatier. Collecting the entirety of the two albums Montego Joe (born Joseph Sanders) made for …
2006 release ** "On this album, in 12 songs presents relaxed sort of dark folk rock from France. From first minutes, music full a melancholy and romanticism, will transfer you deeply, to the farthest, warm, and probably for a long time the lost memoirs. Where it will want to come back again and again... Guests musicant Eric Roger (ex-Sol Invictus, Gae Bolg)."
LP version. Chris Abrahams returns with Fluid To The Influence. Building upon the foundation of his previous three editions for Room40, Abrahams charts out a divergent course through lilting piano flows, distended organ passages, thunderous electronic eruptions, and focused concrète explorations. Fluid To The Influence spans a huge spectrum of sound, each movement calling forward to the next in a flowing motion that demonstrates Abrahams's commitment to and interest in the album as an artistic f…
Maybe these titles, torn as they are from cinema screens and the pages of literature and philosophy, give a feeling of romantic or sexual love or some dark pool of nostalgia but that’s not it, or it could be if you want it for yourself but not for me, not now; for me it’s about the teeming proliferation of complex events in the world, their vivid, hyperreal intensity as this human life steps closer to its end and their sense of fading, like a mist that thins out to leave not a clear bright day b…
1993 release ** "Following a successful European tour with Italian industrial musick giants Sigillum S, Phallus Dei expanded to a three piece unit with the addition of multi-instrumentalist Mk. E & drummer, multi-instrumentalist Richard van Kruysdijk. With the additional help of Joris Huijbregts (who had previously played with Richard v. K. in the band Lament), the band recorded their follow-up album Cyberflesh. The sound of the group had progressed greatly on Cyberflesh, forming a more matured,…
For a number of years now, Splintered have played a sporadic selection of live shows in London, Krakow and Wroclaw. Due to the fact the original members found themselves both still getting on well together and being able to tap into the chemistry that was there until the group ground to a halt in 1997, the idea of recording new material was never far away. As such, between 2021 and 2024 Splintered began working on new material and managed to finish a few songs that are now presented on the first…