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A New World
From the acceptance of the deficiencies of our world derives a necessity to create "A New World". This album explores this process of transformation. It is a search that uses movement and stillness to attempt to reach a space where reality can make sense again. As in all voyages, there is excitement and unease as we move through the unknown.
Malayeen
Malayeen is the trio of Lebanese musicians Raed Yassin (a founding member of 'A' Trio, one of Lebanon’s most renowned free improv outfits), Charbel Haber (a former member of experimental rock bands Scrambled Eggs, XEFM and BAO), and Khaled Yassine (a former member of Tunisian oud player Anouar Brahem’s oriental jazz ensemble). Malayeen was born from Yassin and Haber's love for the music of quintessential Egyptian guitarist Omar Khorshid, and their desire to create a contemporary trio that would …
Feign To Delight Gaiety Of Gods
2024 stock Amazing Double CD form Shalabi Effect on Annihaya Records.
Push Comes To Love
Reknowned modern artist and Krayola kollaborator delivers a soundtrack for every man: love, sex, death, and sweet sweet pop music.
Bay of Rainbows
*2024 stock* “There is no hurry to this music, but there is great depth,” observed London Jazz News about Danish guitarist Jakob Bro’s trio with two kindred-spirit Americans: bassist Thomas Morgan and drummer Joey Baron. This poetically attuned group follows its ECM studio album of 2016, Streams – which The New York Times lauded as “ravishing” – with what Bro calls “a dream come true,” an album recorded live in New York City, over two nights at the Jazz Standard. Bay of Rainbows rolls on waves o…
Arbour Zena
*2024 stock* “I consider this one of my most richly lyrical and consistently inspired works,” wrote Keith Jarrett of “Mirrors”, the almost half-hour long concluding piece on Arbour Zena. “Jan Garbarek’scontribution is irreplaceable and ecstatic.” It is easy to agree that Arbour Zena as a whole is one of Jarrett’s most exceptional albums. Evocative writing for strings, beautiful playing by Keith and Jan and by Charlie Haden at his most soulful, and a glowing panoramic production make this 1975 re…
Tub Of Deep Green Ink
A limited CDr included with the A Castle Popping LP (R11, 2015). Tub of Deep Green Ink compliments the nature of the A Castle Popping, presenting ten tracks from 2011-2014. Ranging from layered string recordings, like the pastoral 2012 piece Inverness String Variations, to computerized-vocal experiments, as with ADR Aria & The Wind Sick (both from 2014). Human voice is dissected and stitched back together; examined under odd light. 2011’s Rooms of Night explores the interior of Sean’s old house …
Micromegas
Seeing Matthew Erickson perform live is an impressive experience. The sound he gets by blasting his saxophone through his Fender Twin literally shakes you to the core. Erickson has a great ear for experimental music; exercising tasteful timing and restraint, which I am finding to be more and more important. Whether performing in the sax-guitar duo Sudden Oak, or solo as Radiant Husk, his sonic presence has earned the respect of many.
Future(s)
This CD of songs, grittily arranged and produced is noticeably more straight-ahead than ReR’s usual releases though it sits comfortably within the broad range of Steve’s tirelessly experimental output. This is a project with a long history: Steve and his main collaborator Todd Dadaleares have been writing, recording and performing together for longer than MeRCy’s 20+ year existence and David Fields (drums) and Tim Inman (keyboards) are also long servers. New, for this phase of recordings …
Along Came Joe
Recorded at Freedom of the City festival, London, England on 1st May 2006.
Radio Banana
Just when you think it's all over, along comes something completely unpredictable - in this case, a modest but uncompromisingly original confection that mixes latin brass arrangements (sort of), great drumming, medium wave radio and the many characters of the accordion. Simplicity, complexity, surprise, familiarity -and all without undue fuss but adding up to something exotic and new. Radio Banana is a record that wears its heart plainly on its sleeve. It doesn't play by genre rules, or fashion …
Crimson Voyage
The Return of Sai Yoshiko! At first glance, the partnership between Jojo Hiroshige and Yoshiko Sai seems implausible. After all, what could the King of Noise and the mystical folk singer have in common? Released in 2001, and marking the first musical work from Sai in over two decades, Crimson Voyage is dark swirling ambience, a spirited improvisation between a master of dark noise, and one of Japan’s most underrated singers. Sai’s voice, still as exhilarating as it was during Mangekyo, bursts fo…
Future Percussion + Sotto e 'Ncoppa
Tip! This bundle includes the two recently reissued Future Percussion and Sotto e 'Ncoppa. A lost bit of 70s Italian modal jazz, with spiritual overtones and global percussion from drummer extraordinaire Tullio De Piscopo – an incredible set of heavily rhythmic grooves recorded in Milan in 1978 – originally a tiny edition effort on Carosello Records, and the most impressive rediscovery yet from New Platform! For the occasion, the Tullio De Piscopo Quintet meets Argentine percussionist Luis Ag…
Music Without Musicians
Paul Panhuysen, Het Apollohuis in Eindhoven, was invited by De IJsbreker in Amsterdam in 1997 to curate a program of mechanical orchestras. This book documents the orchestras created by the six artists Trimpin, Frédéric Le Junter, Ulrich Eller, Ad van Buuren, Pierre Bastien and Harald Kubiczak. The CD features original recordings of each of the six orchestras. The accompanying essays by Kitty Zijlmans and Leon van Noorden use the programmatic title of the project, ’Music Without Musicians,’ as a…
Opera - Graphics And Typography (Book)
Very beautiful book about the work of Ton Homburg. Ton Homburg took care of the layout of all the publications released by Het Apollohuis: invitations, posters, books, leaflets, LPs,CDs.
Phoenix: The Music Of Ernö Király
Kiraly's experimental music stems from two sources, the first of which is his country's traditional folk music, while the second is Edgard Varese, whose '+'"'+'Poeme Electronique'+'"'+' had an incredible impact on Kiraly when he first heard it. Thus the high pitched gypsy violin, the energetically strummed guitar and the eerie rumble of electronic music come together to create a marriage of sounds that are both ancient and modern. Kiraly (like Partch) is also an inventor of musical instruments, …
Variety Orchestra
Followers of our Quarterly will recall, about 6 years back, Woodbury's inspired arrangement of 'Shenandoah', which managed to embrace the whole of America history in under 10 minutes. Since then he has been working on completing this collection, his first full ensemble instrumental CD. The interest starts with the ensemble itself, half as expected for Latin, Jazz and Big band arrangements and half traditional American: pedal steel, banjo, accordion and fiddles. One thinks of Van Dyke Parks', and…
Tuba Intim
Contemporary music for tuba and a revelation of an under-utilised musical voice. For stretched and traditional techniques. Includes works by Lutz Glandien (Tuba and Tape), Morton Feldman, Igor Stravinsky and Michael himself. Excellent collection; and unusual.
The Wind Rises (Electropleinair Sound Diary)
First released in Hungary in 1987, this is an extraordinary work combining ensemble playing, documentary recording, studio manipulation, electronics and some stunning compositional conception. Featuring Marta Sebastjen, the Amaninda group, WYXOMPHONIC group, Mandel Quartet and a star gallery of other instrumentalists of all kinds. A unique work we worked years to acquire - a masterwork in every sense.
Zgamoniums
File under early Russian industrial rock/art; Harry Partch, incorporating primitive analogue electronics. A legend in art and industrial music circles, ZGA was formed under the old regime in Riga, Lavia, in 1984, by Nick Sudnik and Valery Dudkhin. Unable to rehearse acoustically because of the neighbours, they invented their own instruments from scrap and springs and shaped metal fitted with contact microphones; these were not just noise instruments, but ways of accessing complex pitches, strang…