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The soundtrack to Dario Argento’s 1982 giallo was written and performed by Claudio Simonetti, Fabio Pignatelli, and Massimo Morante – three musicians from Goblin’s initial lineup who were responsible for some of that band’s most memorable work. But by this point, only one of the three was still in the band; Fabio Pignatelli. In the years before Tenebrae, Goblin had changed hands and the band of old was no more.At the request of Argento, these three musicians got back together to give it one more…
Finally, justice has been done and maestro Ennio Morricone has managed to bring home the coveted Oscar statuette. Multi-awarded and acclaimed by a vast public, the Roman composer had come close five times, but had never been on stage to receive the award for an extraordinary career.Among his unforgettable compositions was Metti una sera a cena with which he won his first Nastro d'Argento in 1970. The film, based on a play (1967) by the same director G. Patroni Griffi, tells the story of a rich b…
This mini-CD follows on from Akemi Ishijima's previous electroacoustic composition on Variations 2 -- A London Compilation. It includes one new piece and a reissue of "Ab Ovo," previously released on 5 Composers Second Coming on Fylkingen. The two pieces explore a broad range of traditional electronic techniques, both subtle and powerful. "Time Drops" (2000) -- a single stroke of a bell, in its decay, sometimes evokes a sense of infinity in our mind. "Time Drops" is an attempt to express such id…
Franco Battiato moved into the 1970s on the crest of the progressive rock wave. This 1972 impossibly strange record inhabits that nether world of pop music, electronics, politics and experimental rock. Fetus is an album beyond all definition. It's a masterpiece of daring and wild risks that work every single time. Battiato takes us through eight uniquely super-detailed songs that tug at the heart strings as no other experimental record ever could."Fetus is an album beyond all definition. It's a …
Franco Battiato's wonderfully lively 1973 concept album Pollution is an audaciously psychedelic album drawn from the space rock dimension with good portions of electronics and keyboard layers. Drawing heavily on the VCS3 synthesizer, Battiato and company (besides himself, three backing band members play synth as well) give Pollution an extreme electronic edge. With comparisons to Ash Ra Tempel, Faust, and Pink Floyd, Pollution was declared 'genius' by Frank Zappa.
One of my favourite walk is in the harbour of my hometown, because of the sound brought by the wind. For long time I have day-dreamt about including that sound in my own music. I got to the point reading the poem Prologo al buio by Erri De Luca (from Opera sull’Acqua e altre poesie, Einaudi 2002). In the poem there is a Hebraic quote from Genesis, before the third verse (hence the title of my composition, the Italian for “before the third”): “vrúah Elohím merahèfet al penè hammàim”, that means, …
*175 copies limited edition* NEY, a self-titled debut, is an unbridled exploration of a band’s beginning, a tapestry of intimate field recordings, deconstructed fragments and spontaneous encounters, pieced together in two long-form recordings. During the isolated years of the pandemic, Lisa Fabian, aka Mondlane on ‘The Blue Hour’, traced thoughts, sung melodies and fleeting sentiments into an archive of extemporary field recordings and scattered written notes. In dealing with the loss of a loved…
begin form here...
begin from here...our world lives when their world ceases to existbegin from here...with hopes, between silent skies, while world breathes again and the fever subsidesbegin from here...and to those who strike blowsbegin from here...while we keep goingbegin from here...while we mourn, we also fight
We will be wherever the fires are lit!
We will be wherever the fires are lit, a sort of sequel to Tashi Dorji’s first DC release Stateless, takes the torch and storms forward, with t…
Following up on 2021’s Scuro Chiaro, Nati Infiniti is a 40-minute piece split into five movements, based on an immersive audio installation that Cortini originally created for the Sónar Lisboa festival in 2022 where it was presented across four floors of the Museu de Lisboa’s Moagem. Cortini later debuted the live performance at Berlin’s Atonal festival in 2023, reimagining the work as a unique, evolving dialogue. The record is mixed by Grammy nominated recording engineer, producer, and mixer Ma…
Shidaiqu literally means "songs of the era", a term used to describe a hybrid musical genre that first began permeating through the cosmopolitan city of Shanghai in the late 1920s. Blending western pop, jazz, blues and Hollywood-inspired film soundtracks with traditional Chinese elements, the shidaiqu represented a musical and cultural merging that would go on to shape a golden age of Chinese popular song & film in the pre-communism interwar period.
Waiting for Your Return brings together a wide…
A sonic portal to a parallel universe where neon-soaked dreamscapes transform the stark realities of a post-pandemic world. Music for a forgotten future, where echoes of the 80s cast long, enigmatic shadows through a rich tapestry of emotion that charts a journey from isolation and fear towards healing and hope. This is the journey of Season One and Season Two, the debut companion albums for the solo project of Italian composer Battaglia, both out this fall on Four Flies Records.
In 2020, as the…
A sonic portal to a parallel universe where neon-soaked dreamscapes transform the stark realities of a post-pandemic world. Music for a forgotten future, where echoes of the 80s cast long, enigmatic shadows through a rich tapestry of emotion that charts a journey from isolation and fear towards healing and hope. This is the journey of Season One and Season Two, the debut companion albums for the solo project of Italian composer Battaglia, both out this fall on Four Flies Records.
In 2020, as the…
Apodiktische Gewissheit ("apodeictic certainty") is the title of a cooperative audio-visual project from Berlin-based artist Gerhard Mantz and Wolfgang Voigt. The project is premised on a digital video piece from Gerhard Mantz. Steadily flowing geometric forms and themes move evenly around a fixed center towards the viewer. A hypnotic undertow-like effect of seductive beauty emerges - impossible to elude. Wolfgang Voigt seizes on the digital aesthetic and the mechanical flow of the images, givin…
Recorded in the 1980's and snapped up upon arrival in Europe by the Soho Boho's, Acid Jazzuals, Cuboppers, Jazz Massivists and Mojo Jazzmuziker, "Le-Le" by The Arpeggio Jazz Ensemble is a unique one off spiritual soul-jazz outing with avant garde touches and more than a hint of afro-cuban orientalism.The percussion drenched title track has that special worldwide sound and the cool jazz get down groove of "Wet Walnuts and Whipped Cream" is a DJ's delight, whether played over the airwaves or to a …
Sun Araw’s tenth studio album, Lifetime, continues to investigate space as a motionless field against which many motions are observed! Stasis: wheels within and wheels without! “Dripping Magnetizations! Arcs of Slowing Rotations!” Two LPs at 45 RPM. Mixed by Cameron Stallones & Jake Viator, Mastered by JJ Golden. Please enjoy this adventure in sound.
We Jazz Records presents the debut album of AINON, a Helsinki-based ensemble founded by cellist-composer Aino Juutilainen, released 4 September. On "Drought", the four-piece plays music influenced by jazz, contemporary music and classical music, all morphed together into a highly inspired musical vision. The music of AINON might be best described as "spiritual avantgarde jazz", with original compositions and the individual voices of the four players both playing an integral part in the music. In…
LP version. In 1983, electronic musician Rudolf Langer (Tyndall) and guitarist Peter Preuß teamed up to form a duo by the name of LAPRE (LAnger + PREuß). Aligned with the second generation of the Berlin School, their output is incredibly varied: from repetitive sequencer patterns via playfully cheerful synth pop all the way to atmospheric, hypnotic minor key expanses. It's all there. By 1984, LAPRE had released two tapes and a 12" vinyl. Bureau B's compilation presents the most compelling tracks…
The seventh issue of We Jazz Magazine, "Universal Beings" for Makaya McCraven. 128 pages 174 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Makaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Peter Evans by Andrey Henkin, Amina Claudine Myers by Seymour Wright, Adolphe Sax by Harry Eddy, Ronald Snijders by Mike Bindraban, introducing our new columnist Mats Gustafsson, Puristamo Helsinki pre…
The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Ma…
The twelfth issue of We Jazz Magazine, "Worldwide" for Gilles Peterson. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes Gilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word / Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of …