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Intrinsic energies of mythic worlds! Pathways was originally issued on LP in 1975 as part of Sun Ra’s ill-fated and short-lived ABC/Impulse! partnership. This Modern Harmonic edition has been exquisitely mastered from the four-track session reel. The Impulse! LP was formatted as “Quad Compatible”—short for “quadraphonic”—which you could enjoy if you had four speakers, a custom quad cartridge/stylus, and a quad decoder integrated into your ’70s hi-fi. (None of this technology ever achieved wide c…
* First ever reissues of this iconic demonic slice of Saturnian splendor, one of the most coveted releases in the Ra canon! Features the emblematic “Nuclear War” anthem, earmarked to be played like an air raid siren when we as a society decide to pack up and call it a planet. A cut further popularized by Yo La Tengo. Stunning new cover art blending favorite elements from the handmade original Saturn pressings. * While the most renown track in this omniversal opus is the atomic expletive-filled r…
Sun Ra, notorious for his aggressive keyboard attack and seemingly schizophrenic stylings, here offers a unique selection playing the celeste-like Fender Rhodes electric piano, which has a distinct sound (think Doors' "Riders on the Storm") and an interesting history. This is Ra sound at his most relaxed and contemplative state.This Sun Ra 1980 solo set at Haverford College has been kicking around the internet and in the digital libraries of Ra collectors for years, though it has not previously …
Temporary offer. "Drummer Roy Haynes was just about everywhere in the golden age of jazz, recording classic albums with some of the most legendary names of the genre. The hard-bop-verging-on-post-bop Out Of The Afternoon is an excellent example of the adventurous spirit that was taking flight in the jazz world in the early 1960s. Haynes swings as the leader of this 1962 Impulse! session, featuring A-list jazzmen Roland Kirk (multiple instruments including stritch and nose flute!), Tommy Flanagan…
2022 Repress. "Joe McPhee's solo album, Tenor literally changed my life. The recording (one of his first for Hat Hut, in September 1976) displayed his unique ability to integrate unconventional sounds and extended techniques with pure melodicism, and it permanently altered my perspective on what the saxophone could do and what music could be. Nation Time was recorded six years earlier, but ideas regarding the integration of means and methods were already at the forefront of McPhee's approach to …
The Fall returned to Rough Trade in 1983 to release a pair of singles ("The Man Whose Head Expanded" and "Kicker Conspiracy") and Perverted By Language, their sixth proper studio album. Perverted By Language hints at the band's shift towards a distinctly pop approach, one that they would perfect via their Beggars Banquet output that immediately followed. Yet again, the force and panic of their initial Rough Trade recordings remains the foundation for much of the album. A transitional recording i…
**Edition of 500 copies, pressed on color vinyl LP with a bonus track** From the 70's Canterbury scene, one of the greatest pieces of work in the genre. Matching Mole was the first band formed by Robert Wyatt after the seminal Soft Machine experience. An incredibly tight unit featuring Phil Miller (Hatfield and the North) on guitar, Dave McRae (Nucleus) on keyboards, Bill McCormick (Quiet Sun, 801) on bass and Wyatt himself on drums and vocals. Released in 1971 Little Red Record was Mole's secon…
2025 stock The classic self-titled LP from Canterbury super group Matching Mole, originally released in 1972, is now reissued on White Vinyl, with the addition of the bonus track 'Memories Membrane'! The line-up included former Soft Machine-drummer Robert Wyatt, David Sinclair of Caravan on organ and piano, Phil Miller on guitar and Bill MacCormick (formerly of Quiet Sun) on bass.
*2024 stock* "Two brothers, Roger Eno and Brian Eno, released their first collaboration in more than a few decades. Released in March of 2020,, the brothers reunited for a full-length album called Mixing Colours. (For those unaware that Brian Eno has a creative brother out there, well, he does. In 1985, Roger Eno released a brilliant set of piano treatments called Voices.) It’s easy to think that the released album wasn’t all of the music they worked on. Deutsche Grammophon's release is called L…
2025 stock Foreverandevernomore is the 22nd solo studio album from Brian Eno and the first since January 2017’s Reflection. The 10-track album was recorded and produced by him at his studio in West London and sees Eno singing on the majority of tracks. It’s a sonically beguiling, ultimately optimistic exploration of the narrowing, precarious future of humanity and our planet. As Eno himself concludes, “Briefly, we need to fall in love again, but this time with Nature, with Civilisation and with …
Non Standard Institute is a piano drone project by sound engineers Max Loderbauer (Sun Electric) and Tobias Freund (Pink Elln, Sieg Ûber Die Sonne), both prominent techno producers whose careers date back the mid-1980’s.
Compared to their earlier work in, “Plays Non Standards” is an exploration into a completely different direction. The music is based on the sounds of the grand piano played by Loderbauer and the subtle electronic “treatments” by Freund, with the help of vintage Roland DEP 5 and …
"Was it yesterday or tomorrow?"
That release is a tape that Atom Heart did for the first edition of the Ambient City radio at the Museum of Contemporary Art in Helsinki 1994.
"Finnish experimental veteran Mika Vainio has kept up a brisk output of new music as of late. In the second half of last year, he put out collaborative albums with Joachim Nordwall and Stephen O'Malley, and on the solo front came Kilo, an arresting set of fierce, heavy rhythms reminiscent of his work in Pan Sonic. Vainio's latest solo effort is Konstellaatio, an atmospheric and often-poignant journey from his legendary Ø project.
Konstellaatio is Ø's first proper full-length since 2008's Oleva, …
The second in a series of posthumous Mika Vainio releases on Säkhö, celebrating the work of a true, electronic music visionary. The tracks on Kiteet, released under Vainio’s Ø alias, were initially written for the 1997 Snow-Crash exhibition in Milan but never used. Five of the eight tracks found their way onto later albums, three have never been released anywhere. As you would expect from an artist with Vainio’s immense stature and pioneering legacy, Kiteet is a mesmerising listen, built from so…
“Noe’s Lullaby is a mysterious recording in several senses of the word. Portuguese composer David Maranha has chosen to be obscure regarding instrumentation, listing the performers (a septet) but not what they’re using to produce the sounds. From the aural evidence and what one can discern from past projects of his, it appears that such devices as stroked metal strings, wine glasses, harmoniums, guitars, and percussion (all with perhaps some electronic modulation) are among them. The music itsel…
Double CD, digipack. Superior Viaduct and new artist label, W.25TH, continue to be the home for Cindy Lee with the physical release of the celebrated album Diamond Jubilee. Universally praised, shortlisted for the 2024 Polaris Music Prize, and already hailed by Pitchfork as the third best album of the 2020s, anticipation and conversation around the record has been high. Cindy Lee is the performance and songwriting vehicle of Patrick Flegel (who previously fronted influential indie group Women). …
In 2012, the Wergo label celebrates its 50th anniversary. For half a century, Wergo has been synonymous with contemporary music. The label's catalog reads like a virtual who's-who of modern music, both in terms of composers and performers. From the beginning, the intent of founder Werner Goldschmidt (from whom the label derives its name) was to provide listeners with a snapshot of current musical activity and innovation. Goldschmidt's label and mission, now managed by the publisher Schott, is ma…
2025 stock "Musica Ricercata" of 1951-53 is a collection of 11 piano pieces which even with their traditional character went beyond what was considered appropriate for performance in Hungary in the early 1950s. The tenth piece, e.g., was considered too "decadent" because of the abundance of minor seconds. The short "Capriccios" and "Invention", written in 1947-48, reveal convincingly the emergence of Ligeti's musical identity. "Monument · Selbstportrait · Bewegung" (three pieces for two pianos) …
György Ligeti's "Requiem" for soprano, mezzo-soprano, two mixed choirs and orchestra is one of his most impressive compositions - especially, when directed by Michael Gielen - and at the same time "the" requiem of the 20th century: Sound which is chromatically layered moves gradually from the lower registers to the higher, thus changing from mourning sounds into the promise of the eternal light. In the Kyrie the polyphonic net which was previously static begins to move gently. It was a part of t…
'Composed in 1970, Mantra, for two pianos and ring modulation, was one of the decisive turning points in Karlheinz Stockhausen’s career. The 70-minute piece not only signalled a break with the text-based intuitive works, relying heavily on improvisation, that had come to dominate his output towards the end of the previous decade and a return to fully notated scores, but also introduced the idea of melodic formulae, the “mantra” of the title, which Stockhausen would eventually develop into the or…