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Ending(s)
While certain recognizable fingerprints are found throughout the body of Daniel Lentz's (b. 1942) work, he has never been content to settle within one particular style or mode of music for long, moving ever forward in an evolutional continuum, an overriding arc that defines his growth as a composer -- beginning with traditional music, diverting into electronic music, moving into performance art pieces for his various touring groups, then sallying into minimalism, followed by work distinguished f…
Postcard From Heaven
The harp is a strange and compelling instrument that in its technological ancientness beckons composers and listeners alike to bask in its heavenly aura. Like hand drums and acoustic guitars, the immediacy of a harp's sound production demands an intimate, one-on-one relationship between listener and instrument/performer. This intimacy is why composers of all stripes write music for harp－it strips away habit and affectation. Its limits are challenges that distill the essence of a composer's style…
Music from the Tudorfest: San Francisco Tape Music Center, 1964
In the spring of 1964 Pauline Oliveros organized a festival celebrating the work of pianist David Tudor, which featured compositions by Oliveros, George Brecht, Toshi Ichiyanagi, Alvin Lucier, and John Cage. The Tudorfest was a watershed event in the brief history of the San Francisco Tape Music Center, which not only provided its members with an opportunity to collaborate with Tudor, but also to promote their own work. Co-sponsored by KPFA, the Tudorfest demonstrated the artistic diversi…
In My Own Time
Tip! *50th annyversary deluxe edition* Recorded over a six month period in 1970/71 at Bearsville, In My Own Time was Karen Dalton's only fully planned and realized studio album. The material was carefully selected and crafted for her by producer/musician Harvey Brooks, the Renaissance man of rock-jazz who played bass on Dylan’s Highway 61 Revisited and Miles’ Bitches Brew. It features ten songs that reflected Dalton's incredible ability to break just about anybodys heart – from her spectral evoc…
African Electronic Music 1975-1982
2018 repress; Double LP version. Cameroonian musician Francis Bebey is truly one of a kind. He entered the music scene with his African compositions for classical guitar. He gave recitals while pursuing a career in journalism and then as an international civil servant. The same creative impulse also led him to write pop songs, some of which (based on novels he had written) became big hits in Africa and in the French-speaking world. But few people know that in the '70s, Francis Bebey delved into …
Eleki Bushi 1966-1974
The aftermath of World War II gave rise to a global phenomenon that saw new generations of young people rise up determined to forge new paths from their elders – culturally, politically, and musically. Japan was no exception and the recent past made the local youth angrier, hungrier and even more determined to fully experience something different from their parents. The country caught on to the early rock & roll craze almost in tandem as it was happening in the States. Teenager Chiemi Eri singin…
Lolito's Theme / Beloved Gift
Dynamite cuts gives you a wonderful hard to find Jazz 45, from the Canadian P.M label. Bernie Senensky, a superb piano player, set the pace with this Hard Piano driven jazz groove. With a little treasure on the flips with Beloved Gift, a superb interlude that ends with Heavy bass hip hop vibes
Elegy / The Kettle
Dynamite Cuts takes a different move from the funk & soul and is proud to be able to press for the first time on 7" vinyl, two Colosseums' killer rock club tracks. Our A side is the powerful up-tempo "Elegy" a funky love song, with steaming guitars and heavy groove, massive club track back in the day! On the flip is the "The Kettle" heavy rock groove sampled by Fat boy slim for "Ya Mama"
Perfect for all good music collectors
Tribute To Obabi (Ogun) / E Pluribus Unum
Edited exclusively for Dynamite Cuts, this 1972 African rhythm takes you to a time of human percussion, and energy, of another time. The entrancing, hypnotic saxophone and extraordinary vocals fill your ears like liquid gold. Sensational.
The Last Poets are a group of poets and musicians, rising from the late 1960s African American civil rights movement. Jalaludin M. Nuriddin, an Army paratrooper who chose to go to jail instead of fight in the Vietnam War, founded the group in prison after conve…
Inner City Blues
Dynamite Cuts 45s series is proud to release two Jazz-funk n soul gems by the wonderful Brian Auger's Oblivion Express. Two killer tracks from this classic album both for the first time on 7" vinyl; taken from the mega rare private press and incredibly hard to find LP "My Song of Something".
Mr. Clean
Back in the 80s I became a big funky jazzy and soulful vinyl collector. Which opened the world of the late great Mr. Weldon Johnathan Irvine music, I managed to collect all of his LPs and singles back in the day. All have a place in my heart, back in the 90s I was also lucky enough to meet him. Licensing & Compiling for a small label called Hubbub records. Mr. Irvine was such a calm and gently person who just oozed music. He sadly passed away in 2002, which was a shock. But now years later It is…
Fly Me To The Sun
Fly Me To The Sun is a breathtaking German library gem from the hallowed Coloursound label. Originally out in 1983 it features two Polish composers, Andrzej Marko and André Mikola. If outré synth-funk is your thing, you need this record. Almost blindingly luminous with positive vibes and radiant optimism, Fly Me to the Sun is a collection of funky, sun-dappled compositions for synthesizer and live instruments like drums, bass and guitar. A dope blend of beatbox driven future jazz and electro pop…
Egon Bondy's Happy Hearts Club Banned
** ltd 700 copies on black vinyl housed in reverseboard printed sleave with printed inner sleave. Comes with lyric booklet, poster and postcard inserts ** Formed in 1968, The Plastic People Of The Universe – named after a Mothers of Invention song and heavily influenced by Frank Zappa and The Velvet Underground – were iconic figureheads of the Prague Underground, a loose collective of Czech poets, philosophers and artists considered a threat by the Communist government. Banned and jailed under …
Noise in My Head: The Actionistic Music and Art of Joke Lanz
Joke Lanz was born in Basel, Switzerland in 1965. In 1989 he created the noise music - performance, art - installation project Sudden Infant in connection with the Schimpfluch-Gruppe art collective. For more than 20 years Lanz has been one of the most prolific and profound artists working in the border zones between performance/body art and improvisation/noise. Noise In My Head documents Lanz's myriad activities and features: photos from installations, performances and actions; visual wor…
Quality Control
A giant of Scandinavian experimental music, Lasse Marhaug has been active in sound creation since his teenage years. His interests have spanned a wide range of styles: from improv jams to film sound, from humorous collages to crushing harsh noise works. This non-stop activity has resulted in a massive body of recorded work and numerous live performances all over Tellus. Besides his solo work he has collaborated with a multitude of fellow sound artists on stage and in the studio. In the everflowi…
Balls The Size Of Texas, Liver The Size Of Brazil
Opener "God Damn This Ugly Sound" is less an exercise in composition and more in locating, as it is a six-minute excerpt from a medical record documenting the sounds of various diseases. The rest isn't as obtuse, as it segues nicely into the looping guitar feedback and shrill squeal of "Blues for Sterling Hayden," which could easily be an exercise in sheer noise blast, but is instead a carefully controlled track that demonstrates just how subtle the duo can be, even under such 'extreme' conditi…
Distort Orgasm
Sometimes there is this sensation: "I knew this was going to happen." It clicked right away when Dan mentioned they had initiated a collaboration with Lasse. I have a deep respect and decent knowledge of their past works, but I could not imagine what to expect (besidesit being a first class job). Lasse is a chameleon-like collaboratorand Dan has been firmly straying from the scorched domains of harshnoise. After a long and anxious wait, playing "Distort Orgasm" reveals a work where both artists’…
The Quiet North
Back in 2006, Lasse Marhaug released an album with Joachim Nordwall from the Skull Defekts and Johannes Helden called When The Ice Is Leaving, Scandinavia Is Burning. With a title like that, the album should have been all fire and brimstone of Nordic noise: abusive, throttling, and demonic. It was not. Instead, that was the album you would expect from an album called The Quiet North; and The Quiet North is certainly not quiet. Pure brutalist noise is what Marhaug has in store for us. This wall o…
Dans Le Salon Du Nous
Since 2004, Laurent Gérard alias Èlg (Opéra Mort, Orgue Agnès) has never ceased to draw the sonic equivalent of concentric spirals and labyrinths made of cedars, brambles and guts. By constantly renewing his instrumentarium over the years, he has built improbable bridges between musique concrète and songwriting (Vu du Dôme, Mauve Zone), diagonal spoken word and wormhole (Amiral Prose), electronic incantations in crypt and blob choirs (Mil Pluton, La Chimie). The language is sometimes francophone…
The Great Silence
Recorded by Jørgen Træen at Duper in Bergen, Norway, September 15th 2003. Performed by Lasse Marhaug Produced by The Golden Serenades. Cover photo by Gunnar Marhaug. Originally released on CD by PacRec in 2007.