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The influence of two American composers – John Cage and Morton Feldman – has been decisive on Walter Zimmermann. With Cage, it was his music from the late forties – works like the String Quartet, the Suite for Toy Piano and the Six Melodies – that caught his attention: works underpinned by precise numerical construction, yet with an engaging directness of expression. Feldman has been an inspiration to Zimmermann’s lyrical impetus, and Cage to his constructivist urges. Yet the two do not always …
Small repress available! Biggest Tip possible! ** English/German edition. 288 pp + 5CD plenty of incredible music, most of which have never been heard before ** From the Wolke Verlag imprint, who've already brought us incredible books like Karl Berger's "The Music Mind Experience", "FMP Free Music Production - The Living Music", Peter Brötzmann's Along the Way, and George Lewis' "Composing While Black. Afrodiasporic New Music Today", to name only a few and a great many more - comes one of the m…
Luigi Gaggero, a native of Genoa, has graced the stages of Europe’s most prestigious venues. He is currently Chief Conductor and Artistic Director of the Kyiv Symphony Orchestra as well as musical director and co-founder of the Ukho Ensemble Kyiv, with which he has recorded acclaimed CDs of con- temporary music repertoire. Before launching his conducting career, Gaggero performed for 25 years as a cimbalom player and percussionist, collaborating with the finest European orchestras and ensembles …
**English/German edition. Hardcover** With Watching with my Ears, the Wuppertal artist Jorgo Schäfer presents the works he has made over 20 years during the Vision Festival in New York. The Vision Festival is an annual world festival of free jazz (free improvised music, avant-garde jazz, etc.), where other arts such as dance, poetry, spoken word and visual arts also play an important role. „When the Wuppertal bassist Peter Kowald invited me to the Vision Festival in New York in the summer of 2…
English music hall songs, often comic in essence, were omnipresent in the United Kingdom from around 1850 until after 1918. Reflecting societal, political, racial, and gender attitudes, these concentrated communications reflected their historical moment. Sighing for the Silvery Moon: English Music Hall Songs Reexamined by Benjamin Ivry, a biographer and cultural reporter, focuses on the songs themselves in performance as preserved on early recordings and films. As reflections of bygone sensibili…
KiSS – Kinetics in Sound & Space: This acronym stands for the research project established in 2019 by the partner universities HfMT Hamburg and HAW Hamburg.
Museum directors, scholars, journalists and editors explore the variety of relations between sound as an object of investigation. Issues of sound as a medium of art and culture and possibilities and conditions of exhibiting sound art will be discussed. Sound art has become an integral part of art and music festivals for several decades, and is shown in museums, experimental venues and public spaces. Sound art requires a special approach in the way it is curated, conceived, produced and reenacted…
Sounding Fragilities enacts a polyphony of writing on contemporary composition, music and performing arts in relation to music theatre. Co-edited by a theatre and performance scholar and by a composer and artistic researcher, this anthology considers its field of investigation through the lens of positionalities. Irene Lehmann and Pia Palme invite readers into intimate encounters with an artist’s practice, feminist and queer perspectives, and personal explorations into aspects of musicology, the…
Sound Studies and Sonic Arts is a postgraduate program of the Berlin University of the Arts. Since 2017, the program has served to deepen the theoretical and practical skills in sound-related theory and practice, particularly in cultural studies, musicology, aesthetics, sound art, sound design, and media production. It evolved from the program Sound Studies – Akustische Kommunikation which was established in 2005.While the Master’s program Sound Studies and Sonic Arts pairs theoretical discussio…
“These Vocal Adventures chart a decades-long exploration of soundscapes – ones produced by the outside world but most prominently those created through free improvisation in music. The expedition into this realm of musical experience and expression has taken the author across oceans and continents, with diverse musical encounters providing invaluable sources of inspiration and a wealth of learning and teaching opportunities while enriching her own ideas and approaches along the way. This book as…
The phenomenon of “graphic” scores has been a subject of fascination, controversy, and a flourishing of artistic talent since its inception in the aftermath of the Second World War. The scores of that age, despite their compelling visual presence, nevertheless remain elusive: the means of performance are obscure, and they resist conventional analysis. This study reconsiders graphic scores from the perspective of Information Theory, derived from studies of “ergodic” texts: the ergodic score requi…
Super Tip! * English version. 400+ pages, large-format book, very heavy * This book is dedicated to the history of the music label Free Music Production (FMP), which from 1968 to 2010 achieved incomparable things as a Berlin platform for the production, presentation and documentation of music. Based on many conversations from over thirty years with key protagonists such as Peter Brötzmann or Jost Gebers, Markus Müller tells the success story of a musicians‘ initiative that emerged in the context…
No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse – anything was possible in the cosmos of Albert Ayler’s soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane’s late work was unmistakably shaped by the influence of his younger colleague…
The 14th Darmstadt Jazzforum held in October 2015 focused on different aspects of identity in jazz. The participants talked about the perception of female instrumentalists, about „male“ or „female“ sound, about homosexuality, about references to the body as well as about the denial of the erotic element in music, about Jutta Hipp, Ivy Benson, Clare Fischer, Sun Ra and others. The conference participants looked at jazz history, but they self-confidently also looked at the jazz scene of today. The…
Super Tip! An expanded reissue of mega rare 1979 unknown vanity pressing LP that blends ethnological field recordings, musique concrète principles and introspective synthesiser music from this cult European studio maverick and historic collaborator of COS, Philippe Druilet, Marc Moulin and John Surman. Alain Pierre’s Mondo movie soundtrack to the controversial Des Morts shares very few stylistic rivals, but fans of Jodorowsky’s The Holy Mountain soundtrack and some of the more eldritch early sa…
Temporary Super Offer! *2024 stock* Known amongst a small group of teenage friends as T.R.A.S.E. (Tape Recorder And Synthesiser Ensemble) this previously unearthed and fully formed electronic music project was spearheaded by a 16-year-old schoolboy as an extension of his woodwork, metalwork and science classes in 1981. Composed and recorded using a self-made synth, audio mixer and electronic percussion units T.R.A.S.E would bridge the gap between a love for sci-fi horror soundtracks, Gary Numan …
As one of the most enigmatic figures of the 1970s Italian soundtrack and library music network, Emma De Angelis and her short recording career provides thirsty fans of speedball psychedelic rock and drum heavy instrumental funk with a tight discography. Emma was the younger sister of award-winning composers Guido And Maurizio De Angelis. While simultaneously pursuing a career as an illustrator and set designer the De Angelis family contacts would lead Emma to the offices of Romano Di Bari, …
Groundbreaking three-track 7" EP -- the very first aural glimpse of the future of progressive Europe at the hands of physical sound sculptures glaring in the face of premature technology. The Lasry-Baschet unison united husband and wife Jacques and Yvonne Lasry plus their son Teddy (later creating Magma with Christian Vander) and hard material sculptors François and Bernard Baschet (later working with William Klein). Promoting "Instruments Non-électroniques", Lasry-Baschet's humanistic music lat…
This long-lost Parisian skin flick Jeunes Filles Impudiques (aka, Schoolgirl Hitchhikers) marks a particularly vulnerable period in the career of one of the most underrated and misunderstood directors to emerge from the rising smoke of the 1968 Parisian social explosion. From a director with early links with the Paris underground, the Letterists, the surrealists, improv theatre, and the free-press comes the reclaimed audio tracks from one of his rarest celluloid moments -- but let's not confuse …