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Defragmental
Cotton Ferox key members Carl Abrahamsson and Thomas Tibert have composed, performed and produced groundbreaking music since the late 1980s. After their time in White Stains and several solo projects, Cotton Ferox have been their main mothership. Always producing cutting edge stuff, they have also always made an issue out of collaborating with other interesting artists. In both White Stains and Cotton Ferox, they’ve worked together with industrial pioneer/legend Genesis Breyer P-Orridge. Some ex…
Solo Etudes I
"We begin with the flickering, fire-like erraticism of the first track. Despite bearing the title of “Snow”, I’m drawn to imagine the very opposite: an intense heat that billows and dwindles across the stereo frame, suddenly erupting from left to right as if devouring an oil slick, promptly receding through oxygen exhaustion. To what extent are these fizzing, crackling chords – presumably electronics, but ultimately too distorted to accurately identify – under Hahn’s control? To what extent does…
Fragen
Kluster - Cluster - and now Qluster - an extraordinary shedding of skin of one of the most important german electronic groups. Hans-joachim roedelius was there from the beginning (kluster from 1969 on with conrad schnitzler and dieter moebius; cluster from 1971 on with dieter moebius; qluster with onnen bock since 2010). Little need be said about roedelius, whose collaborations with conrad schnitzler, cluster and harmonia earned him a worldwide reputation as a pioneer of electronic music. Onnen …
358 Oblique
Baltimore’s PJ Dorsey has traversed a lifelong journey delving into psychoactive music which can alter one’s cognitive and conscious state. He harnesses his experiences to create music as Tarotplane. Using guitar, effects and processing he produces time suspending soundscapes - immersive music for merging the mind and body. 358 Oblique is the follow up to First which was released on Aguirre Records in 2015. Find yourself adrift in the lapping waters of a slow unraveling sea of sound, a sp…
Roananax 1999 / Obliq 2014
Roananax 1999 (Axel Dörner, Robin Hayward, Annette Krebs, Andrea Neumann) and Obliq 2014 (Hannes Lingens, Pierre Borel, Derek Shirley). Powerful archive recordings from the legendary group Roananax at the very start of 'Berlin reductionism'. Combined on a split disc with a beautiful example of reductionism 15 years on played by Obliq, a group of younger Berlin-based musicians.
Sometimes we all disappear
A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.
The Harmonics of Real Strings
Four realisations of John Lely's simple but brilliant composition 'The Harmonics of Real Strings', which is basically a very slow glissando along the full length of one bowed string. Anton Lukoszevieze plays one realisation on each string of the cello, following the harmonic transformations as they occur and producing an extraordinary example of 'the virtuosity of restraint'. John Lely originally composed the piece in 2006, and it was recorded in April 2014. "When I'm composing I'm learning, ask…
Spinet and Violin
Recorded At Christoph Schiller's Atelier, Basel. Painting by Andrew Lutz. Recorded By – Christoph Schiller, Morgan Evans-WeilerSpinet – Christoph Schiller, Violin – Morgan Evans-Weiler
Tse
Beautiful and thoughtful music by the trio comprised of Cyril Bondi (indian harmonium, pitch pipes), Pierre-Yves Martel (viola da gamba, pitch pipes), Christoph Schiller (spinet). Improvised, but on the basis of a pre-agreed sequence of pitches, allowing the musicians to explore melody in a way that is rare within improvisation. "Five pieces by a new trio, who improvise but on a pre-agreed sequence of pitches, allowing a much greater use and exploration of pitch and melody than is usual in impro…
Momentary Encounters
Finally the second batch of CDs in the highly-acclaimed Canadian Composers Series is here.Momentary encounters(5) (2015) by Heather Roche (clarinet). Any three players (2016) by John Lely (melodica), Simon Limbrick (vibraphone), Anton Lukoszevieze (cello). A grey, bent interior horizon (2016) by Cristian Alvear (guitar), Distributed tourism (2014/17) by Mira Benjamin (violin), Simon Limbrick (vibraphone), Heather Roche (clarinet), Nancy Ruffer (flute), Anton Lukoszevieze (cello).Four fine, delic…
Extinguishment
In some experimental music circles melody is virtually verboten, but you have often embraced it in your work. Do you feel that you are to some extent going against the grain in this?AG: First off, I think melody can be defined separately from harmony. I think of melody as a single voice or layer, and with multiple layers, I like them to overlap in non-structured ways. I am interested in homophony more than polyphony or harmony, where if you take a cross-section through these independent lines y…
Aftermaths
Works for solo piano by Mark R Taylor, beautifully played by Teodora Stepancic, the first CD release by a remarkable but neglected English composer whose piano works present a metrically rhythmicized exploration of a generative spectrum, here featuring works dating between 1979 and 2018 and performed by Serbian pianist Teodora Stepancic.
Lines and Tracings
Two compositions, one by composer Michael Pisaro and performed by the electroacoustic ensemble "Ordinary Affects" including violinist Morgan Evans-Weiler, then an acoustic composition from Evans-Weiler himself performed with violin, clarinet, cello, harpsichord and piano; both exquisite works that draw out tone and time in patiently unfolding fluidity.
Dethick
Another church, another country, and another unique collaboration. Angharad Davies combines with Japanese sound artist Rie Nakajima and the virtuoso cellist from Distractfold ensemble, Alice Purton, in a series of explorations in the small church in the Derbyshire village of Dethick. The trio improvised, then developed and refined ten short pieces across two days, producing music which is as good as improvisation gets.
Tocando fondo
Two slowly unfolding improvisations from trumpeter Leonel Kaplan using extended and unconventional techniques, and electronic artist Klaus Filip performing on sine waves, in a two part extended piece recorded in Buenos Aires after the two met in live performance.
Breaths
Three works from Italian composer and pianist Federico Pozzer in his "breathing" series, compositions where the musicians follow the concept of inhaling, exhaling, and pausing, set against certain fixed actions or interactions as they devise their own musical actions."My first 'breathing pieces' were written at the end of 2016... I was looking for a solution that could overcome both the players' freedom in decision-making and the strictness of the score. What I wanted was to lead musicians towar…
The Boundaries of Intimacy
The Boundaries of Intimacy foregrounds works that are very restrained and quiet, but as always with Frank Denyer, there is a sense of tension or danger in the air that occasionally explodes and cuts across the music."Most of the music on this CD is soft, some of it very soft indeed. To achieve the optimal listening level, think of the musicians as being just over the other side of the room in which you are listening, rather than in another grander space. Imagine them performing intimately, witho…
Unconscious Collections
Three fresh and engaging pieces recorded during a meeting in Basel in June 2019 of Argentine guitarist Tomás Cabado and Christoph Schiller on spinet. The first piece is an improvisation, the second a composition by Christoph Schiller, and the final piece is composed by Tomás Cabado.
Hyazo
A new album from the trio who released Tse in 2016, and - along with violinist Angharad Davies - Awire in 2018. Three compositions of quiet and delicate beauty, two by Christoph Schiller, and the title track by Cyril Bondi.Cyril Bondi: Indian harmoniumPierre-Yves Martel: viola da gambaChristoph Schiller: spinet
Iteration
Two improvisations from an astonishing Munich performance in May 2019 by the Berlin-based duo of Lucio Capece - bass clarinet, slide saxophone, room acoustics and mini-speakers & Werner Dafeldecker - double bass.
"The two pieces were recorded last year during our live performance at the ‘Offene Ohren’ concert series in Munich. On the disc are two unedited improvised sets. Lucio and I have known each other for many years and play together periodically. So the music was maybe ‘pre-planned’ to some…