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*2022 stock. 40 copies limited edition* Do you like the sound of fast forward? What about pitch bending feedback and fast foreward? What about stuttering spewing bent feedback on fast forward? What about stabbing your guitar with an ice pick? Did somebody kick the cord out? Side B picks up where side A left of more or less but introduces more variations on a theme of digital stuttering collapsing cities of electronic cyrstals. This tape is pretty short but that's okay as it's likely to bend your…
*2022 stock. 150 copies limited edition* Red Lebanese presents Pilote De Ligne by Bruxelles based producer Buntlax. Music Composed And Produced By Buntlax Between 2008 And 2015. Lyrics Written By Constance Barrère From England. Samples By Veshelite. Visuals Made By Guillaume Del Marmol. Released By Red Lebanese 2015 (C) Instruments Used: KAWAI SX240, WALDORF Pulse, MFB 522, KORG EMX-1, ACIDLAB Bassline2, NOVATION Nova2 aka , VOCODER NEXT VoxII, KORG Monotron.
The endemic concept of Oceans is to be a platform really available to all/and it is for this reason that the co-production with Fango Radio - Dissipatio.label - Dire Graft - Diazepam - Dischi Devastanti Sulla Faccia - Workin' Klass Noize [support], wants to extend to a process of integration and exchange up to the creation of a collective without fixed base and components - beyond genres, categories, egosystems - mobile and ready to change continuously. The result of this methodology, in which m…
Australian born, Sweden based artist John Chantler returns to Room40 with his fifth solo edition. Tomorrow Is Too Late was commissioned by INA GRM for their Présences Électronique festival in 2018 and sees Chantler significantly expand the horizons of his acoustic palette. Moving from subtle microtonal movements to passages of intense harmonic saturation, Tomorrow Is Too Late is his most dynamic work to date. A powerhouse of reductive intensity that bares witness to Chantler’s uncompromising son…
Wolfram Schurig's musical career began with instrumental playing. After basic training on the recorder, his concert studies with Kees Boeke, one of the protagonists of historically informed performance practice, left their mark on him. This experience plays an important role in Schurig's working method as a composer: "You simply write music differently when you are on stage yourself. You owe it to the performer to deliver something that is playable, and in which he can find himself as a co-creat…
* Numbered edition of 200 copies in a folder cover. * Recorded and Mixed at Lowest Music & Arts, Telecom Studio 1981 - 1982. Percussion, Recorder, Effects, Artwork – Masami Akita (Merzbow) violin – Kiyoshi Mizutani. Remastered from Original Cassette Tape in Feb 2018 at Munemihouse, Tokyo. Originally Released on Cassette by Lowest Music & Arts in 1982.
**2022 stock** Sonatas and Interludes for Prepared Piano, a cycle of 20 short pieces for prepared piano (a piano modified by inserting nuts and bolts and other objects between the piano strings in order to produce percussive and otherworldly sound effects) by American composer John Cage. Created in 1946–48 after the composer had been introduced to Indian visual and performing arts, the cycle was intended to represent the so-called permanent emotions—the heroic, the erotic, the wondrous, the comi…
In process of stocking. Ultra rare mid-70s UK acid folk rock recordings. Features sitar, moog, acoustic and electric guitars, assorted percussion instruments to create a Popul Vuh like soundscape. If you can imagine the perfect blend of Eastern trance/psych and English hippy acid folk rock, this would be it. Very cool and freaky. Earthforce were an offshoot of Ebling Mis and Oa Band formed by Steve Bayfield. Hailing from the UK, the band was influenced by a wide variety of music including Englis…
This debut release by the regular working trio of Dave Rempis, Joshua Abrams, and Avreeayl Ra is a perfect example of what makes Chicago such a fertile breeding ground for improvised music; three musicians of widely varying ages, backgrounds, playing experiences, and musical interests join forces to deliver moments of both sublime beauty and volcanic energy, continually tempered by the seamless narrative momentum that they weave together in a seemingly effortless way. Although the trio has only …
* 2021 Stock* Nocturnal Earthworm Stew is a glorious experiment in electronic music, capturing the vitality and early curiosity of the 1970s. An earlier press statement called it "Serious headphone music made under the influence of Stockhausen, John Cage, Ornette Coleman, Stravinsky, Frank Zappa, Weather Report, Charles Ives and others." The influence of prog and space rock is pronounced, and contributions from Canadian prog legends Nash the Slash and Martin Deller (of FM) solidify Nocturnal's p…
**2021 Stock** The rarest, and I would dare to say best, folk/psych album from Peter Howell and John Ferdinando, musical brainchildren behind Ithaca, Agincourt, Alice Through the Looking Glass, and Tomorrow Come Someday. This fifth Howell/Ferdinando album had just been completed in or around 1974 when the partnership came to an end. Howell had been working at the BBC as a studio manager since 1970 (he’d provided a stiff upper lip voiceover for John Peels Top Gear shows), but he was now offered a…
* 2021 Stock * Aura was a San Francisco Psych-Funk band that formed in 1974 and played extensively throughout Northern California. By 1976, the band recorded their first and only album at Pacific Recording Studio in San Mateo. The original title of the album was meant to be “Sativa”, but out of fear that promoting the joys of marijuana would be too controversial, the band omitted the title and just left it as “Aura”. Over the ensuing decades, the Aura album has grown in stature to become a major…
Among the greatest artefacts of 1970s Latin American music, Lion Production’s first ever vinyl reissue of Montevideo Blues lone, self-titled LP, stands as a rare document of revolutionary music being made in Uruguay, and a crucial counterpoint to the sounds of Tropicália from Brazil. Fusing the rawness of rock with indigos Uruguayan rhythms, not to mention plenty of heavy grooves, it’s easily one of the most captivating records of its day.
Documentation '20 Years Inventionen', CD III. The string quartet 'sei-jaku' by German composer Klaus Lang, documented on this CD, was performed on 6/30/2002 in the Großer Sendesaal of the SFB Berlin by the Arditti String Quartet during the festival Inventionen 2002.
Two compositions by the young Austrian composer/organist Klaus Lang who currently lives in Berlin/Germany. Der Wind und das Meer for viola (Barbara Konrad, viola) The Sea of Despair for String Quartet (Amras Streichquartett)
Just arrived, this is the newest edition RZ release focused on a radical electronic (+ Ensemble) music by Clara Maida "During the first years of my compositional research, my goal was to mark out, in my music, the flux of the psychic energy at work in the unconscious and its underlying structure. At the time, I was going through an analytical process favouring access to this unconscious activity, and my readings in the field of psychoanalysis were helping me in the effort to elaborate a musical …
A beautiful sound art compilation featuring works by Ellen Fullman, Horatio Vaggione, Fast Forward, Takehisa Kosugi, Mario Verandi, Olga Neuwirth, celebrating the 35 years of the Berliner Künstlerprogramm. Comes with 32-page booklet.
Ellen Fullman: Transmission Particle 1 for Long String Instrument and Oboe (2001; 9:00 min)[Ellen Fullman, long string instrument; Eliza Slavet, oboe]Horatio Vaggione: Scir for contrabass flute and tape (1988; 11:37 min)Beate-Gabriela Schmitt, contrabass fluteFast F…
German composer Michael Reudenbach's works and studies from 1991-2009 are presented in a six-panel digipack with a 22-page booklet of notes, images and photos
Born in 1934, Christian Wolff is the last surviving member of the group of composers that also included Morton Feldman and Earle Brown, which gathered around John Cage in New York in the 1950s. Wolff's own music has remained faithful to that Cageian experimental tradition ever since, and the eight works for pairs of instrumentalists here show how, in the right hands, the varying degrees of freedom his works allow their interpreters can produce astonishingly beautiful results. The common denomina…