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Violichte
*42 copies limited edition*
Reissue of a tape made by M.B. in 2010. Two longs pieces of magnetic minimalism made of loops of viola and hertzian waves. A work dedicated to Italian composer Giancinto Scelsi, father of microtonal music. Usual non-standard handmade packaging made with special ribbed paper, a cutout of a vinyl record, a metallic treble clef, and some inserts. CD-r is in vinyl-like black polycarbonate.
The black-dye vinyl CD-R is contained in a handmade sleeve (approximately 13 x 13 c…
R.C.E.
*30 copies limited edition*
The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 10x10 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a printed bi-folded of 12x24 cm. open and 12x12 cm. closed, approximately (paper 120 gr. thick).
Subtitle: Exasperating sonata in three dissections for enharmonic pianoforte, industrial oscillations and digital emissions.
January 2016
*30 copies limited edition*
Celebratory release for the tenth anniversary of the first track, released digitally only.This edition is entirely handmade.The CD-R is contained in a plastic sleeve with a frozen look, sealed with metal staples.A polyester print is attached to the front of the plastic sleeve.Inside the plastic sleeve is a paper sleeve containing the CD-R and a small insert with liner notes.The envelope and insert are printed on special high-quality lined paper.
Live At R.P.M. 01.01.1983
*30 copies limited edition* The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 10x10 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a photocopied insert in the format of a mini poster of the dimensions of 20x40 cm. open and 10x10 cm. closed, approximately (paper 80 gr. thick).The only difference in this reissue is the picture on front sticker that is a negative of the first edition
Phonemissions
Tip, very special package! *36 copies limited edition*
Reissue of a tape made by M.B. in 2013. Probably this is the most experimental side of Bianchi. It was recorded as a live improvisation in the stairs of a building in the Industrial Zone 1 in opera. Here M.B. is alone with his voice, tubular effects, mechanical percussions. The package is completely handmade with wire mesh, with an industrial sculpture made of corrugated pipe, tongs, screws and metal pieces, assembled to the wire mesh with e…
Industrial Murder / Menstrual Bleeding
*60 copies limited edition*
The edition is handmade.The package consists of a black envelope of embossed cardboard (thickness 250 grams) that has two printed stickers in the center of both sides.The envelope is closed with two double black satin ribbons (one is black and one is red) that hold two metallic pendants, the one on front It's the clock hands, the one on back It's the symbol of the female gender.Inside the package there are:-CDr professionally printed in a black paper envelope-cover pr…
08
Tip, few copies available! **Edition of 100** Dissimilar works documenting different experiences. A collection of disparate live and studio recordings, sourced from field recordings and weird self-made instruments. A curious mix of acoustic and electronic sounds like many little voices buzzing and screaming in a desolate mechanic land establishing an otherwordly surreal landscape. At times bizarre, at times claustrophobic.
The Crystal Suite
On The Crystal Suite, Paul Schütze channels J. G. Ballard’s The Crystal World into slow‑burn electronics and guitar haze, rendering time‑sick landscapes where matter ossifies, light fractures, and contemporary collapse glows with eerie, faceted calm.
Ash Tapes
**Edition of 50** Transcendent sound that floats in the ether, dragging with it memories, affections and all the resulting emotional load. Rarefied music, characterized by an impression of impalpable lightness, which in the placid undulations of "Mare Tranquillitatis" and the crystalline transparencies of "Rain People" effectively amalgamates loops, drones and guitar reverberations. On the second of the two CDs, the sound material opens up to new colors and in "Everyone" welcomes echoes of moder…
Damaged Future
**Edition of 100** Unlike the electro-acoustic suite “Combustion” which inaugurated the catalog of Anomala Soundscapes in the split album together with Daniele Pecorelli, Mark Schaub’s new work develops on various levels articulating between very dissimilar styles and sounds. The trait d’union between these short compositions is the attempt to recreate the apocalyptic scenarios of Ballard in music, an author so dear to a certain industrial culture that here once again he returns to the center of…
KCRW Session
On KCRW Session, Oneohtrix Point Never’s MYRIAD Ensemble re‑imagines four Age Of‑era pieces as live, tectonic mini‑epics. “Love In The Time Of Lexapro,” “RayCats,” “Toys 2” and “Chrome Country” are stretched, bent and coloured by a full band - Kelly Moran, ADR and Eli Keszler - turning studio collages into muscular, sci‑fi chamber performances.
Magic Oneohtrix Point Never
On Magic Oneohtrix Point Never, Daniel Lopatin turns his alias back on itself, building an FM‑radio hallucination that scans through pop ballads, new‑age satire and junk‑media collage. Mutant songs, warped DJ chatter and scavenged broadcast detritus form a self‑portrait of OPN’s first decade, mapped as a day spent spinning the dial of a half‑broken soft‑rock station.
We'll Take It
“We’ll Take It” is Oneohtrix Point Never’s most terrifying hydraulic banger on Age Of: a car‑dealership nightmare where late‑stage consumer desire turns into industrial, post‑digital overload. Swerving drums, “sideways ragtime” piano and mangled vocals enact the moment when “we don’t even know what the price is” but buy anyway, stretching under four minutes into a cavernous, supernatural infinity.
Mectpyo Bakterium / Genocide O.T.M.
Numbered edition of 600 numbered copies in a trifold 10" inch sleeve with original artwork. Re-issue of the Maurizio Bianchi's early Lp Mectpyo Bakterium . Included in this re-issue is a bonus disc with 55 minutes of ultra rare material officially published on CD for the first time here.Disc 1: First two tracks are from the 1982 LP 'Mectpyo Bakterium' released by DYS Records, USA. Third track is from '40 Days/ 40 Nights' compilation on Stratosphere Music, Japan. Fourth track is from 'Internation…
The Mental Answer 1
Originally published in 1984, this obscure Italian outfit centered around Pietro Mazzocchin was very active in the industrial/noise scene. He put out several cassettes under different moniker: Swastika Kommando, The New Sadism, Observation Clinique and also as Lyoto Music togheter with Pierpaolo Zoppo of the legendary Mauthausen Orchestra. Some of his tapes were published by Broken Flag (UK), Recloose Organisation (UK) and Aquilifer Sodality (Italy). "Music for psychotic states. Compulsive noise…
The Sound Placing Land Bridge
During a research in his archive Giancarlo Toniutti found two unfinished compositions recorded with Tiziano Dominighini in 1981-1982. Those compositions were mostly made of improvisation sessions using synthesizers and a guitar. Giancarlo Toniutti decided in 2013 to complete the compostions and recorded new material througout 2013 and 2014. The new compositions were made of several field recordings made in the countryside nearby a highway road. All the compostions were then mixed together in 201…
Material Action 2 N·A·M
First ever re-issue Lp re-issue of this classic Merzbow recording originally released on Chaos. Originally issued in 1983 in Lp format by Chaos in Japan. Masami Akita is aided here by Kiyoshi Mizutani. Classic old school junk noise for an intense and quite psychedelic album! A must have.Cover and labels are a near exact replica of the originals. Includes a 30 cm x 30 cm cardboard insert with cover artwork. Clear / white / yellow splatter vinyl! Edition of 302 numbered copies.
Storage
First ever vinyl re-issue of this classic Merzbow album. The first two track were originally published on LP on the ZSF label in 1988. Masami Akita creates in Storage a very experimental and atmospheric album with a masterful use of scraping sounds and metal percussions but also with a very effective use of silence. A strongly hypnotic and creepy sounding early analog Merzbow album. The third track was published as an extra track for the CD reissue issued in the Merzbox is re-issued here for …
Muu/Nh 31.4.1982 / Menses 30.2.1982
First ever official CD re-issue of Maurizio Bianchi two albums recorded in 1982. "When in the summer of 1982 I bought a device for the echoes, my twisted idea was to transform pre-recorded sounds into something inaudible and shocking, while keeping intact the original intensity. And so I proceeded to transform Menses and Moerder Unter Uns in two bloody clumps of foggy echoes and dark reverberations. Thus they were birthed the two works in question, which came to light in very few copies, only fo…
1980 - 2016
M.B. - 31.04.1980 was recorded at Mectpyo Studio, Milano, in April 1980. Unreleased track. A musique concrete track made mostly using lp records played at the wrong speed and made into frantic loops. There are also the occasional and unexpected bits of dialogue! A very interesting M.B. early experiment.
Dedali - 31.04.2016 was recorded at The Shadow Factory, Lugano, in April 2016. A dense and hypnotic track. Dedali here uses treated field recordings and voice samples creating a very warm organi…