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Hardcover, 364 pages. Photographic/Artist book, with little text contribution (mostly written in Italian). Fra zero e infinito is a comprehensive monograph published by Fondazione Mudima in 2018, dedicated to Giuseppe Chiari, one of Italy’s most influential conceptual artists, avant-garde composers, and a central figure in the Fluxus movement. Edited by Gino Di Maggio, Achille Bonito Oliva, and Daniele Lombardi, the volume gathers critical essays, archival documents, and photographs that trace C…
Hardcover, 506 pages. Totale libertà is an extensive monograph dedicated to Sylvano Bussotti, one of Italy’s most original and influential composers, visual artists, and performers. Published by Fondazione Mudima in 2016 as part of the Fluid XXXIII series, the volume is curated by Daniele Lombardi and features contributions from leading critics and artists including Gino Di Maggio, Ivanka Stoianova, Luigi Esposito, Marcello Panni, Francesco Di Marco, Franco Brambilla, Gianluca Ranzi, and Bussott…
*200 copies limited edition* In 1984, Música Electroacústica Mexicana was released as the third volume in the series Colección Hispano-Mexicana de Música Contemporánea, co-curated by Antonio Russek and artist Ángel Cósmos. This anthology served as a tableau of the contemporary state of Mexican electroacoustic music, featuring works by Russek, Raúl Pavón Sarrelangue, Roberto Morales Manzanares, and Vicente Rojo Cama. It marked the first-ever electroacoustic music release from Mexico. Although exp…
Originally released in 1968. Jerry Moore was working as a folksinger in Greenwich Village when ESP-Disk' artist Randy Burns brought him to the label's attention. Recorded in August 1967 at Impact Studios, NYC, the soulful Life Is a Constant Journey Home (also issued at one point as Ballad of Birmingham, acknowledging its most famous and important song) is so legendary that we'll just let the press quotation below describe it. But please also consider this: that's a heckuva band Mr. Moore's backe…
Recorded in Baarn, Holland on December 21st, 1966, Music From Europe was a strong statement of European free jazz from one of its first and strongest leaders, Gunter Hampel. Over the beautifully structured compositional suites are strong blowing and improvising by both reedmen (Hampel, Breuker) and the elastic rhythm section (Veening, Courbois).
One the real folk/oddity classics of the ESP-Disk catalog, in a league with the best of Ed Askew. When MIJ, aka Jim Holmberg was found by ESP, yodeling by the fountain in Washington Square Park, on a hot, summer Sunday afternoon, he explained that an auto accident had fractured his skull and impaired his hearing. But it had also altered his perceptions and enabled him to do things that he did not understand, but which worked musically. The next day ESP sent him into the studio. With Onno Scholtz…
2024 stock. The album Entschlummern sollst du, sollst entschlummern (engl.: Thou shall slumber, slumber, shall thou) brings us the first ever released recordings of four string quartets by Frieda Bertelsohn Martholdy (1878 -1907), a composer yet unknown to most of us. The first listening makes undoubtedly clear what an original voice as a composer and what an astonishing achievement from the performers we are witnessing here. Frieda Bertelsohn Martholdys thoroughly modern sounding music fluently…
Originally released in 1966. Featured artists: Albert Ayler (tenor sax), Ed Blackwell(trumpet), Don Cherry (trumpet, cornet), Sunny Murray (drums), Gary Peacock (bass), Roswell Rudd (trombone), John Tchicai (saxophone, alto sax). Michael Snow is a Canadian national treasure, a true Renaissance man. He assembled a stellar group to improvise a sound track for his art film, titled Walking Woman, featuring a silhouette that is rumored to have been inspired by Carla Bley. Digitally remastered. Manufa…
Edition of 300. One fine evening in Rotterdam, after witnessing him walking around in a circle with a stick for half-an-hour, Lukas Simonis asked Dominic Robertson (aka Ergo Phizmiz) to join him in a rapid-fire songwriting bonanza. Many songs resulted, tunes about mermaids, mistakes, compost manufacture, celebrity perverts, geometry, and so on. Lukas is a guitar wizard and a king in the world of weirdoes. Dominic is just... a weirdo, but he is England's greatest entertainer, so that's ok. Make w…
Dagored present the first extended vinyl release of Nico Fidenco's soundtrack for the 1966 film, Per il Gusto di Uccidere. This is a classic soundtrack from the great Nico Fidenco, composer of Black Emanuelle (RED 204LP, 1975), for the western movie Per il Gusto di Uccidere from the cult director Tonino Valeri, who also directed My Name Is Nobody (1973) and Day of Anger (1964). Fidenco is linked to the tradition of the great spaghetti western soundtracks such as the ones composed by Ennio Morric…
The Dagored label proudly presents its second collaboration with Sync Film Archive, a video production based on and inspired by the music from an incredible LP of Italian library music from the '70s. Sync Film Archive is an archive of over 10,000 amateur films in 8 mm, Super 8, and 16 mm formats, filmed from the '20s to '80s. The Archive recovers home movies from all over the world to conserve, restore, catalog, and digitize sociological documents that would otherwise disappear. Ritmico, by the …
2025 stock 1992 release. Frank-O-Fest is a loose grouping of Milwaukee old-timers led & directed by John Frankovic, who recorded this in one cloudy session in a church in 1992. Utilizing percussion, sitar, bouzouki, trombone, pipe organ, jews harp, didgeridoo, bass, cello, bamboo & clay flutes & more, this is a long, form-defying floatation exercise in space-out improvisation.
*Repress of 250 copies on clear vinyl with insert* Robert Turman first came onto the industrial scene in the late 70’s as the ominous ‘other half’ of legendary noise outfit NON. Shortly after recording the classic 1977 single Mode of Infection, Turman went on to pursue his own unique vision as a solo artist. Fusing every possible influence at his disposal while laying his ideas down on self-released cassettes like Flux (1981), Spirals of Everlasting Change (1987), Way Down (1987) and the massive…
Chris Brokaw is the consummate underground rock musician. In a career spanning thirty-plus years he has been in countless bands (Come, Codeine, Charnel Ground, The Lemonheads, to name a few) has been a sideman with everyone from Thurston Moore to GG Allin, pounded countless stages on nonstop tours, and played on over seventy recordings, including lp's, ep's, cassettes and soundtracks. 'Puritan' is his tenth solo lp and it's a killer.
From the hypnotic repetition on the extended instrumental outr…
Based in Baltimore, M.C. Schmidt is one half of the acclaimed electronic duo Matmos. As half of Matmos, Schmidt has worked with Terry Riley, Björk, Kronos Quartet, Peter Rehberg, INA-GRM, Rrose, Marshall Allen, Horse Lords, People Like Us, Keith Fullerton Whitman, Antony Hegarty, William Basinski, and many more. Batu Malablab, his first solo album, works a dislocating magic, indulging in a tradition of western fantasy of non-western music. Recalling gamelan-inspired experimental classics such…
A punk trio that is influenced by middle eastern psych, free jazz, and improvisation. While not recorded in a traditional studio, these recordings represent the first studio-produced sounds from this group. The group is built around Joel Robinson and has had as many as eight to ten members in recordings and live performances, but more recently has been focused on a trio that composes music that challenges every notion of what rock, punk, or psych can be; however, at the same time, the music is c…
2025 stock A harrowing layered work of solo saxophone and electronics, Descension is at once beautifully elegiac and unflinchingly primal. Patrick Shiroishi is one of the key artists to emerge from the current L.A. free improvisation avant-underground; his first vinyl release is a spiritual journey that reveals his deeply reflective and unique musical vision. Descension is a sonic meditation on the legacy of a dark history and its echoing relevance in the present era.
The 1969 follow up to Silver Apple’s debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Contact is where the Silver Apples began inhabiting that sound with more urgency and experimentation.Sourced from the original master tapes plus inner sleeve with unseen master tape box photos. Featuring the original controversial artwork with the Silve…