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Where Are We Going, Today
Christian Wolff, piano, objects, charango, flute. Antoine Beuger, voice, whistles, EWR recordings (1995) of Christian Wolff’s “Stones”.Antoine Beuger started composing music in 1990 and has released on his own label, Edition Wandelweiser Records, as well as Erstwhile Records. Beuger’s work is best exemplified by two releases, his first, Calme Étendue (Spinoza) and A Young Person’s Guide to Antoine Beuger. Calme Étendue (Spinoza) is an album that attempts to take the 17th century philosopher Spin…
Mosquitoes and Crabs
Chulki Hong, turntables, guitar, electronics. Will Guthrie, drums, percussion, electronics. Recorded by Taku Unami, Mullae Arts Village, Seoul, South Korea, 20-22 October 2016. Mixed and edited by Taku Unami.Will Guthrie is an Australian drummer/percussionist living in France. He works in many different settings of music: live performance, improvisation and studio composition using various combinations of drums, percussion, objects, junk, amplification and electronics. Born in 1976, Hong Chulki …
The Whistler
A year ago, Graham Lambkin continued the ErstSolo series with "Community" (in conjunction with Keith Rowe's quadruple "testament"), while the even more prolific Taku Unami appeared in duo with Devin DiSanto on the live performance recorded at the Fridman Gallery in New York in 2015. The material reworked for "The Whistler" comes from two days of field recordings in gardens, streets and parks adjacent to St. Peter's Cemetery in Poughkeepsie, New York, as well as some recordings made by Lambkin at…
Busman's holiday
This album is a meditation on the inner mental environments that one encounters and endures during times of work-related travel. The music contained herein should be well suited for headphone distraction in airports, bus stations, train stations, subway terminals, and in the confines of the seats related to these methods of mass transportation.Recorded, edited and mixed by Kevin Drumm and Jason Lescalleet in 2015.
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"Busman's Holiday opens with audio taken from an iconic scene in John Boorman's…
Making a
Graham Lambkin first heard Keith Rowe's sixties work in AMM as a teenager growing up in Folkestone, a small town in Kent, England, and for him it was very influential. That same year, Lambkin formed his now legendary band The Shadow Ring and Lambkin says, For Darren (Harris) and I, AMM was one of the groups that gave us licence to just do what we wanted, regardless of whether it fitted with convention or employed 'accepted' techniques, and did so from a very English standpoint which held g…
Estudando O Samba
This is one of Tom Ze's best albums ever – and it's monsterously hard to find. The record is a fantastic blend of post-Tropicalia styles – and it features some strange arrangements that perfectly illustrated Ze's insane approach to songwriting. As with much of Ze's music, the actual sound is incredibly hard to describe – and the album bristles with imagination and creative fire. Documenting Zé’s most fertile and creative period, this album documents his kaleidoscopic experiments in the be…
Correio Da Estação Do Brás
2012 reissue, long out of print. A fluid, low-key effort, with less of the challenging, music box melodies of his earlier efforts. This is a record which eases its way past your ears (and I mean that in a good way!) It’s not sappy or unchallenging, but it is a lot smoother and less overtly avant than the stuff David Byrne loves so much.” – slipcue.com
Tom Zé began his career together with Caetano Veloso, Gilberto Gil, Gal Costa, and Maria Bethânia. As a composer, he influenced Caetano and …
Brussel Live
Highlights of their first 2 concerts in about 20 years, live in Brussels (2007-2008), shows the trio of Gilbert Artman, Jac Berrocal and Jean-Francois Pauvros anarchistic, powerful and controversial as ever. Uncertain rockers, exacerbated freejazzmen, pranksters, Jean-Francois Pauvros: guitarist, Jac Berrocal: trumpeter and vocalist, Gilbert Artman: drummer and pianist are a bit of everything, rock stomping, boring the avant garde, enraging the virtuosity. Trespassing the unbreakable with the su…
Music from Patch Cord Productions
No doubt you know the name Mort Garson from his myriad writing, conducting, and arranging credits, topping a thousand in total: the Kim Sisters, Gi Sönne, Lola Novaković, Pfc. Craig Brown, Emilio Pericoli. Or failing that, his sides for Patti Page, Mel Tormé, Rosemary Clooney, Percy Faith, and Mr. Magoo himself. Which is to say, Mort Garson’s road to cool cultural caché and the sublimity of Plantasia meant a decades’ long journey through an underworld of sophisticated, international, string-lace…
Works For Cassette
Here be the final drone / hypnogogic statement from Taiga Remains. The man behind Taiga Remains has now shelved this moniker; but he's far from hanging up his hat, as he now works under his given name Alex Cobb -- also known as the philosopher king who benevolently reigns over his Students Of Decay. There are those at the Agency who can claim to speak with the poetics of corrosion, and we have long admired the sympathetic aesthetic in Cobb's gorgeously elegant compositions for guitar, bells, tap…
B85 - Ballabili “Anni ’70” Pop Country
Although library music has always had the purpose of accompanying TV and radio shows, documen- taries and TV news, it is difficult to track down most of these masterpieces composed by some of the greatest composers of those years. Anonymity is one of the distinctive traits of this music genre, being in most cases difficult, if not impossible, to find out where these tracks had been used. The liner notes of these works often spark the reader’s curiosity: the notes are in fact detailed description…
Room for the Moon
Kate NV is the project of Russia-born recording artist, songwriter, and producer Kate Shilonosova. Best known in her hometown of Moscow as the lead singer and founder of the post-punk garage band Glintshake, Kate NV is also a performer in the experimental Moscow Scratch Orchestra and releases music under an alternate alias, NV. "Room for the Moon" is Kate NV's third album and second for RVNG Intl. "Room for the Moon" was inspired by memories of 70s/80s Russian and Japanese pop music and movies.
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Skins n Slime
Oliver Coates’ skins n slime is a caliginous anatomy concealed by a drone-metal membrane, feeding upon mechanized strand distortions and thriving amidst its harmonic waste.
In his follow-up album to 2018’s Shelley’s on Zenn-La, the British cellist and producer leads an impassioned performance of string through viscous, synthetic modulation, triggering a darker side of his compositional sensibilities. Shelley’s experimental dance hybrids are substituted here for scorching color palettes and bruta…
We Are Not The First
For those who maintain the more mutable dance music is, the deeper its impact on human evolution, RVNG Intl. presents We Are Not The First, an Epic conducted and deconstructed by Chicago artist Hieroglyphic Being and the J.I.T.U. Ahn-Sahm-Bul. We Are Not The First combines the musical forces of Marshall Allen, Daniel Carter, Greg Fox, Shelley Hirsch, Shahzad Ismaily, Elliott Levin, Jamal Moss, Rafael Sanchez, and Ben Vida in deep dialogue with each other and humans’ hidden sonic history. Tracked…
Blau
P version on 180 gram vinyl. On the Red Album Rot, Conrad Schnitzler laid down the direction his musical artistry would take. His second solo , The Blue Album Blau, originally released in 1974, offered confirmation of his intent. Maybe the "Red" and "Blue" tracks were recorded in the same session. The structure, sound and timbre of both LPs are so similar as to suggest that this was the case (an unverified assumption nevertheless!). Far more important than this historical pedantry is the fa…
Kangaroo Kitchen
n 2018 Mikroton Mikroten Festival offered a special occasion to record five important musicians from the Swiss experimental music scene.
Joke Lanz was born in Basel in 1965 and now lives in Berlin. He is a pioneer of the electronic independent scene and a crossover artist whose work spans improvised and experimental music, noise and turntablism, performance art and musique concrète. In addition to theatre and film music, radio works, installations and objects, there are two constants in his work…
Sink
It took 15 years since its foundation to release their first album. Sink was formed in Berlin in 2004. Though their music is improvised, Sink play, perform, sound and feel as a band with a distinct band sound. Their sound ranges from typically Berlin Echtzeitmusik related mixed electroacoustic and acoustic soundscapes which can, but need not, result in a minimalistic groove. Sink already appeared on “Echtzeitmusik Berlin” compilation we produced in 2012.
Andrea Ermke is a sound artist from the s…
Wabi Experience
The story of the making of the album was complicated, almost mythological. Instead of retelling the original story we give a word to Federsel, the initiator of the project:
It all began in 2002, or it might have been also in 2001, I don’t remember anymore. For whatever reason, I had an idea to remix songs of Czech country hero Wabi Daněk, who’s music I remembered from my childhood, from singing around the fireplace. I thought this will be some sort of funny game for me, with which I will spend f…
Something Wrong There
The science fiction yearning for utopia sometimes falls into dystopian space. Kurt Liedwart with Ken Ganfield and Petr Vrba tried to follow the impulse of getting to the ideal world but their most powerful and fearful predictions and prophesies came to the fore and “Something Wrong There” happened all the time. Liedwart recently became dissatisfied with the improvisation’s disability to create sonically fresh sound worlds and completely remixed the studio recordings. Did it prevent him from maki…
Punkt
Petr Vrba explores non-idiomatic improvisation using trumpets, clarinets, vibrating speakers and other electronics which made him one of the most active experimental musicians in Prague. He works with a lot of projects like Prague Improvisation Orchestra, Poisonous Frequencies, NOIZ, Doppeltrio, Rouilleux and Junk & The Beast. “Punkt” is his second release on Mikroton following “Trailer” with Veronika Mayer released in 2017.
Kurt Liedwart, a Moscow-based musician and curator of Mikroton Recordin…