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Walking through the night. I’m not even supposed to be here today, and so is Silent Bob.New news of dying migrants. No attention for the paperless, what can the sailors do when the captain feels mean? Meanwhile Guy Maddin tells us his tales of amnesia, incest, death, and transfiguration decked out in low-rent expressionism and dime-store surrealism. Such a joy, joy, joy to meet somebody new. The insonnia of the homeless in the Termini train station addressing Heinrich Heine, trying to convince u…
Rhodri Davies was commissioned by the London Musicians’ Collective to put together an ensemble and present a new work for each of the five nights of the 14th LMC Festival of Experimental Music in 2005. Since then the group has invited a number of musicians to join the core members of the ensemble. The current full line up consists of the trio heard on this CD as well as Angharad Davies and Lina Lapelyte.
Morden Tower is one of Britain’s best-known cultural landmarks. For the past 45 years, hundr…
“…for it feels like being overwhelmed by an external force, entering an alien world, but full of glorioles, and this doesn’t happen anytime but dependent on specific preconditions, and it takes a special nature glowing from inside, that’s that. A strange occurrence breaking off the everyday chest, and it is a copulation of mind, an excess, a secret…” - Friederike Mayröcker. Und ich schüttelte einen Liebling.
A veritable mind excitement is taking place when Tamara Wilhelm, Kazuhisa Uchihashi and …
Can you say something about a quartet for guitars?
Hmm. Where to start?
Well let’s start with why “Affetuoso e sostenuto”? And what about those track tittles: “Ineptitude”, “Awkward”, “Gaucheness”, “Underwhelm” and “Failing”?
Google “Affetuoso e sostenuto” and probably a reference to Haydn will appear on the screen, a nine minute section from his String Quartet Op. 20. No. 1 ( the third movement). For the musicians on this recording after an examination of the score their very first instruction …
In Why Is The Sea So Blue Margareth Kammerer continues to explore songs in experimental music contexts, elaborately interweaving lyrics into nine wistful soundscapes. Originally recorded in 2006, with the band consisting of Christof Kurzmann (voice, saxophone), Axel Dörner (trumpet), Burkhard Stangl (vibraphone), Werner Dafeldecker (double bass), Big Daddy Mugglestone (percussion) and Marcello Silvio Busato (drums), the album’s final shape emerged with the production of Valerio Tricoli in 2011, …
The first Mikroton release featuring Russian musicians Ilia Belorukov, a saxophonist from Saint-Petersburg, and Kurt Liedwart, an electronic and computer musician from Moscow who also runs the label. It’s their second longplaying work following Obwod which was released on Copy For Your Records. On the new CD the duo goes even further into the realm of unknown contriving to work with silence, space and chance with their traditional means like sinewaves and saxophone’s long tones. Saxophone prepar…
The recordings for the piece were gathered over the course of a year from Huddersfield, Stirling, Aberdeen (United Kingdom), and s’Hertogenbosch (The Netherlands). These were used to create an installation consisting of over 100 tracks that were remixed in real time during each performance. The set up varied from show to show, sometimes playing through 6 speakers and 3 subs, and at other times, through 12 speakers etc. The performers were positioned at the centre of the audience, who in turn, we…
Ten years ago, a week before Christmas in 2002, Teruto Soejima, a Japanese experimental/avant-garde music critic, organized a festival at a small live venue called Knuttel House, located in the east side of Tokyo. Named as “Independent Underground Music Festival”, it was held with the following message by Mr. Soejima:
“Today in the advanced improvised music scene, new artists keep coming up one after another. In there, free jazz, contemporary music, techno, prog, traditional music, experimental …
The French WPB3 trio explores areas between abstract minimalist contemporary concrete instrumental improvised music and energetic noisy free jazz with an uncompromisingly totally free approach.
Nusch Werchowska has been involved in improvised music since she met Barre Philips in 1993. A pianist who is able to translate a conversation between Debussy and Cecil Taylor as well as John Cage using all kinds of prepared techniques. She played with numerous musicians in the field of improvised music su…
Limmat is the second CD from Günter Müller, Jason Kahn and Christian Wolfarth, following their first album Drumming released in 2005 on Creative Sources. Recorded during one afternoon in Kahn’s Zürich studio, “Limmat” features three unedited improvisations melding microsounds, percussive mastery and swaths of noise and static into a mesmerizing whole.
Originally from Los Angeles, Jason Kahn has lived in Europe since 1990. He has performed or recorded with musicians such as Günter Müller, Norbert…
Over three decades Jason Kahn developed his unique sonic language, now exploring the interaction between sound and space using a compact setup of percussion and analog synthesizer. He has performed and recorded albums with Günter Müller, Norbert Möslang, Kim Cascone, Arnold Dreyblatt, Steve Roden, Dieb13, Richard Francis, Ryu Hankil, Jon Mueller and many others. He ran his own Cut label from 1997 to 2008, releasing 25 albums.
Asher is one the most interesting new composers in the United States, …
It is now 5 years that I travel to Latin America. My home base in Buenos Aires; and from there to almost all the other countries. When I arrived there first, I did not know much about the music scene, especially about any scene committed to “New Music” or “Improvisation”, but with the time i encountered a lot of movement, a lot of interesting music (of any form or genre) and I encountered musicians, that if they had been born in the so called “civilized West” would be within the most important p…
Cym_bowl is Günter Müller’s fourth solo CD. On cym_bowl he follows even more consequently the idea he already realized on his last album reframed; focused on the sound of one cymbal and one singing bowl; he feeded his iPods with dozens of variations of processed sounds. Afterwards he conceived with recorded material from sessions he improvised with processed cymbal and bowl sounds only the 4 pieces for his new album. cym_bowl could easily go as a symbol of getting lost in time.
Exploring the expressivity within intense states of being, Latinx identity, and pluralistic sensibilities, Helado Negro’s Private Energy is an engrossing statement achieved through lyrically personal and political avant pop music. Private Energy carves a deep groove through the electronic music landscape, challenging to best Brooklyn-based artist Roberto Carlos Lange’s previous accomplishments under the Helado Negro moniker. Half a decade and half a dozen albums later since Helado Negro’s 2009 d…
Due to an overwhelming number of reissues and to the steady and meticulous work of collectors and passionate music lovers who have been spreading the word about it, the realm of Italian library music has moved from being some kind of hidden cult to becoming a well defined niche. Authors such as Alessandroni, Umiliani, Sciascia, Tommasi and Sorgini have become more accessible to the uninitiated, while prices of the original presses of their records keep surging.Among the multitude of composers th…
From the legendary Deneb series, one of the grooviest Italian library ever. Amedeo Tommasi and Gerardo Iacoucci (alias H. Caiage) at their best. An explosion of heavy organ sounds, jazz & psych-beat, with killer drumming breaks and mellow tunes
Presenting one of the greatest works by maestro Armando Trovajoli; a solid Italian easy listening masterpiece. After its commercial debut in 1968 as an original soundtrack of famous Italian TV-movie, this record gained renewed interest in the 1990s when four tracks were compiled in the immortal Easy Tempo series. From then on, La Famiglia Benvenuti has not only been considered one of Trovajoli’s most sought after records, but has achieved the status of being the manifesto of the Roman swin…
So(u)len(skin(ner) is the second solo LP Katt Hernandez has released. After 13 years as a veteran of the variated wonderments of the experimental music scenes of the east coast, Katt moved to Sweden. She became a producer at Fylkingen and several other organizations for new and experimental music, started making electro-acoustic music alongside her long beloved violin at EMS and the Royal Music Academy alike, and is playing all about Sweden and further with a burgeoning tumult of new and fantast…
**Full-color picture disc, released in an edition of 233 copies. 2021 Stock ** Much of Matt Shoemaker's recorded output prominently features the use of field recordings (see his "Tropical Amnesia One" CD), but in this case he has eschewed such grounded measures and has instead sculpted a two-part puzzle which seemingly exists on some other plane(t). Layer upon evolving layer of sonic phenomena is still the methodological trademark, but the content is almost entirely electronic, lending a great d…
** 515 copies ** Here, finally, is the gorgeous presentation that astronomy domine Rick Reed's music so richly deserves: Two black vinyl LPs, pressed on 180-gram virgin vinyl, with full-color labels, inside black poly-lined sleeves, housed in a matte-finish full-color gatefold jacket adorned with Reed's vibrant and fantastically evocative paintings. Included with each copy of this set is a full-color download card featuring access to high-quality MP3s of the complete contents of the vinyl record…