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**500 copies, DMM Pressing** Like many Canadians, Joseph Shabason and Ben Gunning like to untangle themselves from urbanity and disappear up north a few times a year. Unlike other cottage-goers, Ben and Joseph don’t while away the ur-time on jet-skis and lounge on docks reading pulpy mysteries. Instead, they bring a car full of synths, drum machines, saxophones, guitars, samplers, effects, and recording equipment to jam the days away in a cabin-fever inducing haze of wood smoke, cedar musk, hot …
12 short live solo guitar, like a portrait of the Austrian musician at a time of his course, oscillating between minimalism, American primitive, improvisation or noise. Guitar’s lover will be pleased.Some tracks with field recordings from Steve Bates.Mastered by Martin Siewert.
The Oval Language is an autonomous art project founded in 1987 in Leipzig, East Germany, by Klaus-Peter John and Frank Berendt, and continued to this day by John. Its fields of activity are multifaceted and have included sound-noise performances, conceptual works in open spaces, installations, land art projects, photography, etc. The Oval Language has collaborated extensively with various artists, among others Nicolai Angelov, Koyo Axel Guhlmann, and Guido Hübner of Das Synthetische Mischgewebe.…
In the original liner notes for Chuck Jackson's On Tour (1964), Bob King describes Jackson "a man with pent up talent." Consequently, this LP is the sound of that talent erupting all over the stage of the famed Apollo Theater, the same venue where Jackson had been discovered a few years earlier.Jackson leads the airtight band through raw, sweat-soaked versions of his hits I Wake Up Crying and Any Day Now, giving the audience their money's worth and more. He also includes well-chosen covers, like…
Split LP by Throw Down Your Hammer And Sing and Sheldon Siegel. Throw Down Your Hammer And Sing is the trio of Nate Wooley, Fred Lonberg-Holm and Jason Roebke, Sheldon Siegel is the trio of Erik Heestermans, Gerard Hermanand Gino Coomans. Two sides of grainy textures and truly happening improv. This album was a co-production of Smeraldina-Rima and croxhapox. The artwork was made by Berlin-based artist Hannelore Van Dijck resulting in two different LP-sleeves, each sporting two different drawings…
String Quartet 1, 2 et 3 composed by Reinhold Friedl (Zeitkratzer) and performed by Quatuor Diotima.Reinhold Friedl’s string quartets do not pretend to be string quartets, they are anti-Goethe. There is no sophisticated conversation of four elder gentlemen, sitting in armchairs. The music is physical work for the performers and intended to be physical pleasure for the listeners. All three quartets are based on the same idea: smooth transformations from a given texture into another one. The rando…
Ingrid Schmoliner, prepared piano, voice. Elena Kakaliagou, French horn, vocals. Corvo Records’ new LP + download release Nabelóse shows Austrian prepared piano virtuoso and yodeler Ingrid Schmoliner and the French horn player Elena Kakaliagou from Greece, putting their hands and voices on traditional folk music from both countries. Ingrid Schmoliner & Elena Kakaliagou form a duo that creates dark interpretations of ancient songs and tales from mountains and the sea.Recorded at Alte Gerberei, St…
2018 release ** "INERT/E is Lars Åkerlund (electronics) and Kasper T. Toeplitz (bass and electronics). After years of navigating in similar musical idioms - somewhere between noise, contemporary or “experimental” music – using traditional instruments as well as electronic or digital devices (Åkerlund used to be a classical guitarist, Toeplitz composed many orchestral or ensemble pieces), now they both make a large use of computers. They have worked with Dror Feiler and Zbigniew Karkowski, among …
In November 2016 while working on new material, Kostas Kefalianos recorded several ideas on tape between Kos & Athens. Almost a month later, all this recorded material had been rearranged and mixed by Panos Alexiadis who filtered and captured some of the best moments included in those tapes and eventually ended up in Phlegma, the second release from Kefalianos on Thalamos.
Misopedia is Allen Mozek’s (Good Area, No Intention, Vitrine ) first release under his own name. Side A consists of Anatomy of Nothing, while Earthbound Editions constitutes the B side. Misopedia is a recreation and a document on tape of the strong feelings Mozek has as a listener. Listening as a form of participating. Recorded in 2016 & Mastered by Sean McCann"Between walls is where all the furniture is and the books and the people" -Hannah Weiner "When a duck is not a duck" -Ethan Stowe
Dark and gloomy string arrangements by Michigan’s Michael Collino (Dog Lady Island, Alien Passengers) on both sides, concluding to an intentional dragged out silence on side B to complete those sounds of loss. “Funeral Zither” at its best.
To The Scaffold is the new solo material from Clay Kolbinger (Math Balance Volumes, Private Anarchy) under his Termite Acropolis moniker. Decaying tape music is spread across the 6 pieces of this tape, completing a foggy wilderness.
Edition of 400 copie, on marbled vinyl. Yannick Franck (Orphan Swords, RAUM) presents his new project: Mt Gemini. A deconstruction of ska, rocksteady, and skinhead reggae from the '50s, '60s, and '70s. Rather a passionate deconstruction of a genre than compositions or remixes per se, this incantatory tribute favors abstraction using loops, distortion, compression, variations of speed and height, and effects (delay, reverb, chorus). Recorded in different states of altered consciousness, Mt Gemini…
Although the band never released an album during the years of their activity, Wilde Flowers is certainly to be counted among the foundation stones of the Canterbury scene of the mid-to-late Sixties. After their departure from the band, the members formed other two seminal groups of the Canterbury Sound: Soft Machine (Robert Wyatt, Kevin Ayers, and Hugh Hopper) and Caravan (David Sinclair, Richard Sinclair, Pye Hastings, and Richard Coughlan)
Monster Mélodies presents an unpublished recording of Opus Minor, an underground Parisian group with undeniable musical qualities, who gave numerous concerts during its brief existence from 1970 to 1973 but never had the opportunity to publish its recordings. The record consists of an instrumental track, seven songs sung in French and three more songs in English, in which the band, beyond its influences, creates its own musical universe. In September 69, at the École Normale Supérieure of Cachan…
Never released side-project by Ame Son leader Marc Blanc. An intriguing, marvellous mixture of acid folk, electronic experiments, provocative lyrics & slam poetries and almost post rock stridence. As usual, Monster Melodies was not cheap on the bonuses: a beautiful fanzine is included, as well as a postcard insert (see the additional pictures). Strictly limited to 1000 numbered copies with transparent blue wax.Edited for the first time, the record (1000 copies only) is a blue vinyl presented in …
By 1981, after four years of DIY electronics, it was time for a change. For Philip Sanderson that change came in the form of film. At first, requests came from friends for soundtrack work, and by the end of the decade he was making short experimental 8mm films himself. On One Of These Bends is a collection of unreleased songs, soundtrack work and obscure cassette-only pieces from the 80’s which reflect Philip’s shift in focus. It was a departure from the industrial music he had been making with …
After leaving Blue Cheer in 1969, guitarist Leigh Stephens, whose pulverizing roar was an essential element of the band's original sound, made his solo debut with Red Weather. In contrast to his former band's stripped-down metallic blast, Stephens spread his musical wings to explore new musical territory. Although Stephens' trademark guitar sound is still prominent, it's featured in a more eclectic context that encompasses elements of avant-psychedelia and electric blues. Also featured is stella…
Carliot - it's never too late Orchestra praises Per-Åke Holmlanders 40-year-old music-making and brings together new and old music friends he met over the years in this "recycling project". The range of music this evening is beautifully wide - tango, free improvisation, beat, jazz and contemporary sounds both from here and from the far north.
By any standards and from several directions, Hotel America is demanding work. It’s a five-movement piece stretching to 76-minutes. Composer Szilárd Mezei conducts an ensemble of 15 musicians and three actor/singers and employs musical methodologies ranging from densely composed to free jazz and free improvisation. The verbal content is also challenging: the actor/singers perform lengthy poems in Hungarian, a language little-used outside Hungary and a few surrounding territories.Hotel America is…