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Stunning conscious avant-garde free jazz featuring Roland P. Young originally released in 1975 on the eclectical 1750 Arch records.

"The next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer & multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums &-counting flagship ensemble. Joining the core NIS of Abrams (guimbri & bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) & Jason Stein (bass clarinet) are Hamid Drake (percussion), Josh Berman & Ben Lama…

*2025 Repress!! 150 copies limited edition* Rich in musical associations yet utterly singular in its voice, joyous with an inner tranquility, the music of Natural Information Society is unlike any other being made today. Their sixth album in eleven years for eremite records, descension (Out of Our Constrictions) is the first to be recorded live, featuring a set from London’s Cafe OTO with veteran English free-improv great Evan Parker, & the first to feature just one extended composition. The 75-…

Four side-long improvisations by the Taj Mahal Travellers, recorded in a single day at Nippon Columbia in Tokyo on 19 August 1974. The group formed in 1969 around electric violinist Takehisa Kosugi.

10" coloured vinyl edition. Ten tracks drawn from the 1954-56 Pacific Jazz sessions. Chet Baker Sings is a record that arrived too early for its own audience. In 1954 a twenty-four-year-old trumpet player set down his horn, leaned close to the microphone, and sang as if confiding something he wasn't sure he wanted overheard. What the era received as a flaw - a voice too soft, too high, too undefended for a man - is exactly what now sounds like the future turning up ahead of schedule. There is al…

On this new LP Harry Bertoia shows why he may have been the first industrial musician. Bertoia often referred to his sound sculptures as a "collaboration with industry" and on this new LP Bertoia is intentionally creating heavy, rhythmic music he described as "mechanized," "mechanical" and "factory like." This first edition is packaged in a full color sleeve with metallic inks. Mastered by Tom Eaton at Sounds & Substance.  Recorded in 1971, percussion and repetition emulate the pounding rhythms …

This is a boxed set of six consecutive CD releases from November 2017, re-edited in chronological order from the "G.R.O.S.S." CD-Rs that recorded live performances in the 2000s, the mature period of Aube's activities. Aube is a noise project by Akifumi Nakajima, born in Kyoto in 1959.Since the 1980s, he has been using synthesizers and other devices to create small-scale sounds as a hobby. In 1990, he was in charge of the music for the installation "Water 1990" by the artists Soichi Arichi and Ta…

Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. The event gained international acclaim for its adventurous architectural design, visual art and electronic music. Some of Japan’s most renowned composers were involved, but also present were the now-legendary rockers, the Flower Travellin' Ban…

In 1991, Yuji Takahashi and Mamoru Fujieda collaborated in staging a sound installation at the Sezon Museum of Art in Tokyo, making extensive use of the new artistic possibilities provided by the advent of personal computers. In this installation, a culmination of their investigations into the aesthetic use of new technology, these two renowned leaders of Japanese experimental music used sensors and transducers on objects and in the space itself, via MIDI conversion, to trigger pianos, synthesiz…

*100 copies limited edition* Tibor Szemző is presenting two compositions on his new album Snap #2 – The Other Shore and the first release of his CUBA. As the title implies, Snap #2 can be considered a sequel to his cult album Snapshot from the Island (released in 1987, 2000 and 2020). In that first album the island was a metaphor for isolation and now Snap #2 offers Szemző’s reflections of his visits to real islands, Cuba in 1988-1990 and Japan in 1992-1994. As usual, Tibor Szemző processed the …

Edition of 400, on black vinyl. This is pure gold for the electro-Miles Davis’s lovers.  The great saxophonist Gugliemo Pagnozzi directs his band in compositions built on improvisation flows that unfold starting from a minimally organized accompanying rhythmic cell in continuous transformation and in the making, which in turn is developed and modified during the executive-improvisation flow chasing instant dialling. Pressed at Optimal Media.

In December 1977, at the tail end of a decade he had helped to electrify, Bill Connors brought a nylon-string guitar into Oslo's Talent Studio. Three years earlier, he had walked away from Chick Corea's Return to Forever at the height of its commercial ascent, trading a 200-watt Marshall stack for the spruce-and-cedar intimacy of the classical guitar - a decision that stunned his fusion-era following and quietly redirected the course of his work. Of Mist And Melting, his second leader date for E…

Masterful trio interplay reliant on deeply honed three-way communication and a refined sense of understatement make Fred Hersch’s third recording for ECM an essential entry into the piano trio canon. Hersch tackles a handful of 20th century compositions – spanning from standards to less frequented jazz tunes – as well as three originals, with Drew Gress on bass and Joey Baron on drums – two longstanding companions of Fred’s who have played with him on and off since the late 80s and early 90s res…

Guitarist John Abercrombie – who has recorded as a leader for ECM since 1974 – returns with a second album by his quartet featuring Marc Copland on piano, along with longtime rhythm partners Drew Gress and Joey Baron. Extolling 39 Steps, the group’s 2013 album, the Financial Times said: “The emphasis is on subtle intrigue, flowing lyricism and the interplay between the leader’s warm, cleanly articulated guitar and Copland’s piano… with bassist Gress and drummer Baron equally supple and sinewy co…

On Un Rêve Sans Conséquence Spéciale, Heldon compress their sound into a harsher, more pressurised zone, where sharpened synth-guitar structures pulse, splinter and recombine, holding tight form even as they threaten to rupture.

Second edition of 500 on transparent green vinyl. The third stanza of Friedrich Hölderlin’s poem ‘Dem sonnengott’ evokes a narrator who is tortured by Spleen until slumber makes his childlike gloom disappear with music. Although today’s readers might judge these nineteenth century musings of the Imagination as mere stylistic platitudes, they also still speak beyond the grave as universal truths. A mere two hundred years later, similar anxieties and hopes are still channeled through various art f…

Sutcliffe Jugend Vol. I and Vol. 2 'Campaign 1979-2000'. Two Box Sets and 20 LPs celebrating Sutcliffe Jugend’s 44th Anniversary of their first music experiments in 1979, VOD-Records is proud to announce the release of an ultimate deluxe retrospective set including 2x10 LPs wooden box with booklet, certificate and t-shirt with special sleeves + booklets + t-shirt.  Founded in 1982 by Kevin Tomkins, who would depart less than a year later to join Whitehouse, the English transgressive art unit, Su…

Adrian Smith of Luton spent three years playing in punk-inflected bands with his brother Derek (Those Nervous Surgeons, Half Nervous) before retreating alone to a bedroom and a synthesizer in 1979. What emerged was something no one in his immediate environment was making: long, atmospheric, analogue pieces built from hand-played sequences, emotionless production, and a palpable air of melancholia. His first two tapes, From the Silent Days and Absolutely Safe, were given only to friends, having n…

A collection of intimate songs traced from the spectral darkness by Asahito Nanjo, the notorious leader of some of Japan’s key underground psychedelic units (High Rise, Mainliner, Musica Transonic, Toho Sara, etc) Recorded between 1980 and 1988 and previously only available in a cassette micro-edition released by his La Musica Records label in the mid-1990’s. Remastered and available for the first time on vinyl and digital. “A compilation of secret projects recorded over a period of twenty years…

'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the a…

Here we have an early live recording of the legendary Japanese noise band Hijokaidan, commonly known as the "King of Noise," which was made during their performance at the "Answer 81" event that took place in 1981 in a location known as "Kyoto TakuTaku." Although the recordings of this event were originally featured on their first album, "Zouroku No Kibyou," even though it was only a section of the album, it has now been finally made accessible as an independent work together with the entire rec…

The three volumes dedicated to Piero Umiliani, Armando Trovajoli and Ennio Morricone combined in one VINYL volume to be released by Cinedelic.

*Edition of 160* “An album without titles is a blind date with the listener, who is forced to make an extra (or lesser) effort to clearly grasp both the evident and the more hidden elements of a track, in order to form a personal perception, uncontaminated by pseudo-literary or ‘programmatic’ elements.” “!?” is an album with an unpronounceable name, made up of tracks identified only by their duration, and the two tracks shortened in the vinyl version carry the longer duration that appears on the…

2026 repress with new cover art, which is the original artwork designed by Takao firstly released on his private Bandcamp page in early 2018. "Stealth" is the aptly-titled debut album from Tokyo-based composer/producer Takao. Gliding in under the radar with thirteen slyly sweet and subtle miniatures, these pieces are refreshing light-explosions of gentle harmony and modestly grand melodies. Fans of New Age and tonal minimalism wil enjoy this music, but its brevity reveals a pop-influenced aesthe…

"Active from the late 1980s through to the present day Contrastate have released several critically acclaimed albums. Their early experiments in music were heavily influenced by the industrial and experimental music and art scene of the 70’s and 80’s. Contrastate’s idiosyncratic take on challenging, industrial tinged music has certainly changed and evolved through the years. Their current sound insinuates itself inside the dark ritual ambience of the electronic avant-garde shot through with a ve…

* 2022 repress * Rarely do two types of music meet on a level where they threaten to cancel each other outlet alone create something even more meaningful in their mutual vanishing. But the music created within the seminal Murder Ballads (Drift) by Martyn Bates (Eyeless in Gaza, & parallel solo career) and Mick Harris (Napalm Death, Lull, Painkiller, Scorn) creates just such a world. Murder Ballads (Drift) evolves Martyn Bates vocalisations / storytelling song-voices, by turns expressed as labyri…

Following Murder Ballads [Drift] (SR 506LP), here is, for the first time on vinyl, Murder Ballads [Passages]. Post-isolationist, deep ambiance, and folksong re-emerge in this first vinyl outing of the classic Murder Ballads [Drift] by Mick Harris and Martyn Bates. Rarely do two types of music meet on a level where they threaten to cancel each other out -- let alone create something even more meaningful in their mutual vanishing. But the music created within the seminal Murder Ballads [Drift] by …

** Black Vinyl edition **  Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he w…

*200 copies limited edition* "Once upon a time, Lol Coxhill and Veryan Weston shared a home in a grand neoclassical mansion from the Regency era, located in the garden city of Welwyn Garden City, about 40 km north of London. That mansion was Digswell House, which at the time was run as a space for young artists to live and work. It wasn't just musicians—painters and sculptors gathered there too. Lol moved into Digswell House in 1976 and lived under the same roof as the already-resident Veryan fo…

Joining their newly launched Luminessence audiophile vinyl-reissue series, the legendary imprint, ECM, digs deep into their own vaults and comes up with an absolute gem: the guitarist John Abercrombie, the bassist Dave Holland, and the drummer Jack DeJohnette’s groundbreaking 1975 LP “Gateway”. Rooted in approaches drawn from free jazz and unquestionably springing from both Holland and DeJohnette’s time working in Miles Davis’ electric fusion band at the end of the 1960s and early '70s, it’s a r…

Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. In May 1945, the Allies defeated Nazi Germany, putting an end to the European front of World War II and the Third Reich. In the immediate aftermath, German youth were tasked to create their own culture. Krautrock is this unlikely success story, as hundreds of bands-including Kraftwerk and Can-seemed to sprout overnight in…

In 20 Jazz Funk Greats Drew Daniel (of the experimental band Matmos) creates-through both his own insights and exclusive interviews with the band-an exploded view of the album's multiple agendas: a series of close readings of each song, shot through with a sequence of thematic entries on key concepts, strategies, and contexts (noise, leisure, process, the abject, information, and repetition). This is a smart and unusual book about a pioneering band.

*200 copies limited release* Roy Rutanen’s self-titled album has remained a best-kept secret among psychedelia and acid-folk collectors ever since its original release in 1971. What could have been the solid foundation for a promising career in the music industry was abandoned due to the lack of label support, subsequently surviving as a one-off museum piece, accessible to a select few who can afford the price commanded for original copies. This is the time for Roy’s music to shine through with …

*300 copies limited release* Cheval Fou was one of the most important, prolific and authentic psychedelic outfits that thrived on the margins of the French underground during the first half of the 70s. A precursor to the by now more well-known and equally outstanding space-rock formation NYL, Cheval Fou’s salvaged recordings are a testament to the purest made-in-Europe free-form, freak-out psychedelia. Just picture an amalgamation between Group 1850’s Agemo and Amon Duul’s Phallus Dei, with Dash…

*100 copies limited edition* After Mirthrandir, Lift and Easter Island, we continue bringing you the cream of the crop from U.S. Prog Classics, with the reissue of ID’s 1977 album Where Are We Going. In this case, you can guess the music from the band’s name, a regression into the depths of the unconscious (Freud’s antecedent term for ID in the structure of the cunning invention called ‘psyche’) via an interminable sonic evocation. The highlights of the album are the 2 long parts of the homonymo…

We continue our deep-dive into US Prog Classics with Lift’s one-time wonder Caverns Of Your Brain. Previously released on vinyl as a bootleg, this 1977 4-track sonic labyrinth is packed with the quintessential ingredients of an instant classic. A never-come-down, fast-paced haven of complexity, with abundant mellotron/moog doses and inventive rhythmic shifts that evoke a eureka moment on every corner. This is the first official vinyl edition, featuring new and band approved cover artworks, bonus…

*Limited edition of 300* Equilibrio Vital spawned 2 remarkable albums of equal gravitas that are on top of prog collectors’ lists. Kazmor El Prisionero is a concept album that not only appeals to prog and psychedelia aficionados, but will also surprise fans of prog and folk metal. Although this is a concept album, each track is marked by its own character, with at least three dominant sub-genres harmoniously co-inhabiting its grooves, namely, hard-rock, progressive, and psychedelia. In fact, as …

*Limited edition of 300* Estructura is one of the first prog outfits that formed in Venezuela, with a pure symphonic pedigree. Both of their albums feature stellar musicianship, an explosive co-existence of neo-classical with hard-prog, punctuated by celestial keyboards and interspersed with ethereal vocals, a hyperreal space where moog twists anchor mood swings and provide syntactic orientation to a passionate trajectory in constant flux. At the same time contemplative and dynamic, slippery and…

*200 copies limited edition* You are probably familiar with the pop-psych Nirvana from the 70s and almost certainly with the renowned outfit of the same name from the 90s Seattle grunge scene. However, somewhere in between the above emerged in Buenos Aires a combo of classically trained musicians with a passion for leaving their own mark in the then burgeoning prog/psych/folk scene. Despite their short life span between 1976-1978, El Nirvana quickly rose to an acclaimed band among their more wel…

*150 copies limited edition* Agnus formed in 1973 in Santa Fe, Argentina, but it wasn’t until 1980 that they managed to release their sole magnus opus Pinturas Y Expresiones, the most expensive (3k) prog album that was ever released in Argentina.  This is a unique blend of symphonic prog with 2 faces, equally split between the 2 sides, one with a folky edge, punctuated by aethereal pastoral vocals in an intimate dialogue with flute and violin, and another packed with wandering psychedelic guitar…