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Restock 2023. Between his reputation as swift shifting improviser, concréte composer and turntable deconstructionist, Marseilles based artist ERIKM has earned himself an enviable position in the European music community. With Stéme, his most ambitious and fully realised compositional work to date, he devolves and recontextualises the boundaries between sound source and sound media.In essence, Stème originates from a selection of ten one minute long sound pieces burned on a CD which was deliberat…

Restock 2023. I visited Saya and Ueno at the Majikick house in June last year to catch-up, hang out and chat about what another record from them on ROOM40 might feel like. I'd come fresh from RM40 HQ in Brisbane, working with Lawrence on Noriko's 'U' and was packing a clutch of his recent solo stuff. The house was fascinated with 'Studies for Stradbroke' a CDr released on Wind Measures of hydrophone recordings made in the gorgeous natural lakes on Stradbroke Island, just off the coast of Queensl…

Restock 2023. Tokyo quartet Minamo occupy a privileged place in the Japanese music scene.They remain one of the few ensembles to consistently produce work that simultaneously refines and expands upon their existing themes and aesthetics. Their largely improvised interactions have produced a collection of recordings that benefit equally from considered listening amongst the groups members and a willingness to stray from the path without warning.Documental, their new edition (a follow up to ‘A Pat…

Restock 2023. Room40 release The Last Days Of Reality, featuring Decibel performing the works of Lionel Marchetti and Cat Hope. "I first met Lionel Marchetti in Australia in 2010. Decibel were touring our Alvin Lucier program, and Lionel was on the same bill performing a live performance set manipulating electro-acoustic materials with dancer Yoko Higashi. I was so taken with Lionel's performances that I asked him if he would write a piece for Decibel. I didn't realize that he hadn't done someth…

Steve Roden and Stephen Vitiello are sound artists working at the nexus of sculpture and acoustics. They are professional listeners, embedding themselves in the auditory and relishing that which is encompassed in their horizon of listening. It's a shared horizon, then, that is at the core of The Spaces Contained in Each. Recorded as part of their joint residency on Governors Island in New York, this edition documents their installation work created for the unique acoustics of the island's St. Co…

Restock 2023.  "THIS IS THE STORY OF A MAN MARKED BY AN IMAGE OF HIS CHILDHOOD …OR PERHAPS IS IT THE STORY OF THIS WOMAN COMING HERE TO MEET A BELOVED STRANGER, AT THE GRANGE-AU-LOUP STREET? OR MAYBE THEIRSTORY?” - SEBASTIÉN ROUX

Restock 2023. 'Someone a long way off, or in the next street on a still day, or in the office across the hall in the rain, might be playing something that sounds a bit like music.'

Following the success of the 'Tokyo Glow' compilation, Wewantsounds once again teams up with Japanese Tokyo-based DJ Notoya to dig the rich Electric Bird catalogue and come with a versatile selection of sunny Jazz-Funk gems recorded between 1978 and 1987 for the label. A tasty selection featuring Yasuaki Shimizu, Toshiyuki Honda and Mikio Masuda, together with a few American musicians such as Ronnie Foster and Bobby Lyle. Most tracks make their vinyl debut outside of Japan and the album has been…

A peak album for Joni Mitchell and genuinely one of the greatest singer-singwriter albums of the '70s, of not ever, all the greater for the intimacy of the songs and beauty of her voice! Perfect isn't a word you want to throw around too often, but Joni Mitchell's Blue might be one of the rare perfect albums. They way personal storytelling soars as relatable poetry, the sparest acoustic backing feels a whole buzzing environment for her voice to soar over. It deserves every bit of praise it's gott…

Ladies Of The Canyon was originally recorded between 1969 and 1970, and serves as a transition from her earlier folk inspired release to the more sophisticated albums Joni Mitchell would go on to release. Many of the songs feature lengthy instrumental passages, something would become fully realized on albums like Court And Spark. The flute and saxophone that appear on "For Free" and "Conversation" give a taste of the influence of jazz over many of Mitchell's subsequent recordings. The singer cov…

In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of …

The voice in the headphones says, “you’re rolling” . . .

With Good night the pleasure was ours, David Grubbs melts down and recasts three decades of playing music on tour into a book-length poem, bringing to a close the trilogy that includes Now that the audience is assembled and The Voice in the Headphones. In Good night the pleasure was ours, the world outside the tour filters in with eccentric sparseness. From teenage punk bands to ensembles without fixed membership, and from solo performance to a group augmented by digital avatars, Grubbs presents…

Between 1895 and 1920, the United States saw a sharp increase in commercial sound recording, the first mass medium of home entertainment. As companies sought to discover what kinds of records would appeal to consumers, they turned to performance forms already familiar to contemporary audiences—sales pitches, oratory, sermons, and stories. In A Most Valuable Medium, Richard Bauman explores the practical problems that producers and performers confronted when adapting familiar oral genres to this i…

Acoustic Sounds Series edition  Karma is a jazz recording by the American tenor saxophonist Pharoah Sanders, released in May 1969 on the Impulse! label. A pioneering work of the "spiritual jazz" style, it has become Sanders' most popular and critically acclaimed album. It is among a number of spiritually-themed albums released on the Impulse! label in the late 1960s/early 1970s. The album's main piece is the 32-minute-long "The Creator Has a Master Plan," co-composed by Sanders with vocalist Leo…

"Friendly Electrons" presents the electronic side of the original Ton Steine Scherben drummer, book author and longtime Conrad Schnitzler friend / collaborator Wolfgang Seidel.

This expanded collection is the definitive version of The Ladies Home Tickler. An essential historical document for the new and lifelong Nurse With Wound follower. Classic tape cut ups, radio sludge, surrealism and abstract chaos. The birth of NWW, a project that is now in its 5th decade.

Epic, grooving, dazzlingly creative, perfectly attuned blends of complex mbalax drumming, field recordings, thumping kick-drum, and cosmic, bubbling, jamming synths and electronics.

* 6 Panel Digipak featuring original and new artwork from Steven Stapleton * Nurse With Wound began as a trio, but by Merzbild Schwet, its third album, Steve Stapleton's singular vision took over, with no compromises to other band members. As such it can be considered the first fully realized NWW. record and is a far more mature effort than its predecessors. Stapleton's editing techniques come to the fore, with abrupt transitions, quirky juxtapositions, and lots of strange sounds that would beco…

Following on the footsteps of Chance Meeting on a Dissecting Table, To the Quiet Men From a Tiny Girl was Nurse With Wound's second album and shows the group refining itself from the debut and adding a lot more dynamics. The record starts off with the very short Umbrella Link, really just some guitar riffing from engineer Nicky Rodgers as a concession for NWW. to use his recording studio, before segueing into the side-long She Alone Hole and Open.Along with the clattering and clanking percussion…