Terry Riley
Last Camel In Paris
LabelElision FieldsGenreElectronic
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Throughout the 1970s, legendary American composer Terry Riley toured regularly in Europe, performing solo organ concerts. In October 1978, Riley's personal technician Chester Wood built a stereo digital delay out of an ancient computer he had procured from Don Buchla, and the subsequent tour was the maiden voyage to try it out. Riley's specially modified two-manual Yamaha YC-45D portable combo organ had a Just Intonation setting and allowed him to feed stereo signals to the digital delay. The Yamaha had been manufactured with single mono output, but now with the modification it had a separate output for each manual eventuating in four channels (two live and two delayed). During a residency as a Fellow at DAAD in Berlin, Riley fine-tuned the delay speeds and experimented with different stereo combinations so that by the time of this Paris concert, the tape delays worked well with the tempos he was using. This all came on the heels of the Shri Camel recording Riley had just made in San Francisco for CBS. The musical materials of The Last Camel in Paris are second generational, belonging to the Shri Camel family while manifesting their own distinct shape and flavor.
Format
Concert recorded by Radio France for a France Culture program by Daniel Caux broadcast May 13, 1979, in the Atelier de Création Radiophonique series.
Track numbers inserted as a guide to compositional changes in the continuous performance. Thanks to Fabrice Emaer who opened wide the doors of the Théâtre Edouard VII on November 10 and 11, 1978 to the music of Terry Riley.
Digipak with double-sided folded b&w insert. The liner notes by Riley appear only in English; the liner notes by Caux appear only in French.
©℗ 2008 Elision Fields
On rear Digipak: [INA logo] [Radio France logo]
Release notes
Concert recorded by Radio France for a France Culture program by Daniel Caux broadcast May 13, 1979, in the Atelier de Création Radiophonique series. Track numbers inserted as a guide to compositional changes in the continuous performance. Thanks to Fabrice Emaer who opened wide the doors of the Théâtre Edouard VII on November 10 and 11, 1978 to the music of Terry Riley. Digipak with double-sided folded b&w insert. The liner notes by Riley appear only in English; the liner notes by Caux…
| 1 | Untitled | 4:43 | |
| 2 | Untitled | 3:05 | |
| 3 | Untitled | 3:19 | |
| 4 | Untitled | 7:11 | |
| 5 | Untitled | 6:05 | |
| 6 | Untitled | 6:29 | |
| 7 | Untitled | 5:12 | |
| 8 | Untitled | 6:57 | |
| 9 | Untitled | 5:49 | |
| 10 | Untitled | 4:53 |
- Virgil Marti
- Artwork [Cover Artwork]
- Terry Riley
- Composed By, Performer, Liner Notes
- Daniel Caux
- Liner Notes, Producer
- Sylvie Duvignau
- Photography By [Photographs]
- Mikail Graham
- Restoration, Mastered By [Mastering]
- Jean-François Pontefract
- Transferred By [Digital Transfer]


















































