We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Michael O'Shea
**clear vinyl, white cover edition** Michael O’Shea’s sole, breathtaking album ranks among our favourite of all time - yet hardly anyone seems to have heard of it. Produced by Wire’s Bruce Gilbert and Graham Lewis at the Dome studio in 1982, it’s an utterly singular work of magick meshing myriad, worldly modes into music that rarely fails to reduce us to tears. It’s one of those albums that basically sounds like nothing else - the only record we can draw some parallels is Dariush Dolat-Shahi’s l…
Crackfinder
Zaradny is a composer, instrumentalist and visual artist; Piotrowicz a composer, author of sound installations and virtuoso of analog synthesizers. They founded and curated the Musica Genera festival and label. Noetinger, an improviser, publisher and instrumentalist, specializes in electroacoustic collages full of permutations on his tape recorder and using all sorts of electronics. What connects these musicians are their methods of work: experiment as the basis of action, controlled accidents, …
Long Time Underground
Tom Carter has played in all sorts of combinations over the years, most notably his veteran duo Charalambides. But Long Time Underground finds Carter recording alone for the first time in his career. Recorded live in the studio, these pieces for his powerfully mournful guitar style are stunning in their atmospheric weight. Double LP on Three Lobed Recordings. A man in a crisis, Faulkner once wrote, always falls back upon what he knows best. Three summers ago, Brooklyn-via-Houston guitarist T…
Circular Movements
**50 copies, white marbled vinyl** Maulex (moniker of René Middelhede) tiny re-edition of his “Circular Movements” focused on alternative use of record players. "With this project, I have focused on alternative use of record players and the aesthetic errors that follow. The shape of the circle has been my compositional starting point. Musically, all the content on this record is produced by alternative use of record players, but without any use of vinyl records. In addition to the record players…
Mutia
**300 copies on 2 x Green vinyls** "While developing my last film about the elephant graveyard myth, I tried to imagine what that jungle and landscape that protected it might sound like. To do this, I created a series of soundscapes, atmospheres to help me understand that park, to imagine it; I tried to place it in the near future, around 2046. All the sounds that make up those sound compositions come from my references throughout the project, and from the atmospheres and radiofrequencies captur…
Swallow
Limited edition of 118 copies. Scott Cazan's music is driven by a fascination in the fullness of sound as well as an interest in network and information theory. Like the writings of those who inspire him, such as Deleuze, Baudrillard, and Alexander Galloway, his work, for all its directness, has a dark and seductive aura. Swallow is an album that lingers at the borders between memory, ambience, and feedback.
Volume Four
**2020 stock** "While working as a sound editor for DEFA in the 1970’s and 80's Martin Zeichnete led a secret, parallel life writing music to train and inspire East Germany’s athletic elite. This fourth compilation of Zeichnete’s work will take us on a cosmic voyage of both the body and the mind... Tracks 1 to 4 of this collection contains a running program at 150 bpm taken from various years of the project. After the warm-up fanfare of Zeit zum Laufen 150 (1977) we launch into the sleek, motori…
Outgrowing The Wretched Cradle
Limited to 300 copies. A wild new collaboration from long time touring partners and Blackest Rainbow buddies Deas & Allett. The record comprises of two side long pieces both with the same approach in terms of playing; Deas plays guitar pulling together his classical sound and his stunning recent experimental approach from his Quadtych releases while Allett does live manipulations, taking advantage of his long experience as one half of Towering Breaker. Deas and Allett seem to consistently push t…
I, Anatomy
Celer combine the chapters of 'All At Once Is What Eternity Is' and 'The Die That's Caste' EPs with new side 'I, Anatomy' to form a sumptuous extended narrative. The new material comprises two play-thru sides expanding and contracting between string swept serenity, blooming drone, location recordings and back again making for a truly transportive, blissful experience. Much the same can be said of their two EPs which were originally issued on 3" CD in 2007. Again using strings, theremin, t…
Dune Church
Debut collaborative release from Manuel Padding and Steve Gunn (GHQ). Steve plays guitar with effects and Manuel is on electronics, vocals and percussion. Dune Church comprises of two tracks, The Original Mind Roti being the first with some beautiful playing from Steve which is reminiscent of his solo work and his GHQ collaborations with Marcia Bassett, but layered with Manuel's electronics, which fluctuate between psychedelic hazes to almost concrete walls of heavy drones at noises at ti…
Chain of Flowers
Emerging from the murk and dirt of their home in Cardiff, Wales, Chain of Flowers reveal their long-awaited debut album. Recorded at Monnow Valley Studio in Wales, Chain of Flowers is a dense eight-track opus of heavy shoegaze sonics and urgent post-punk. The band's razor-sharp attention to classic songwriting nous means the record dips and dives between euphoric, hazy melody ("Glimmers of Joy") and overwhelming gloom ("Bury My Love"), all while retaining a breathless pace. Lead track "Crisi…
Inside
The saxophone is most often associated with jazz, a lead instrument that’s strong on melody and a potent vehicle for improvisation. Urban Sax puts all those ideas to bed. For those unfamiliar, Urban Sax is the creative outlet of composer Gilbert Artman, who started the group back in the mid-70s, and composes and arranges all of the group’s material. The “group” in this case is over 75 performers, consisting mostly of saxophones (the entire family from sopranino to bass), but also including clari…
Scenes From the South Island
Expanded reissue of New Zealand guitar pioneer Roy Montgomery's rare and revered full-length debut, Scenes From The South Island, originally released in 1995 by West Coast experimental / space rock label Drunken Fish. Recorded on both coasts on a pair of Tascam 4-tracks, the album is alternately wistful, windswept, skeletal, shredded, and strange. Solo guitar figures flow and fray through echo and empty space, evoking loss, long roads, and low-lit landscapes.Montgomery's own memories of this era…
The Summer Is Over Before It's Begun
"Caethua is the project of Maine resident Clare Hubbard. With a handful of releases under her belt on a variety of labels, The Summer Is Over is one of Hubbard's most realized works. Eight sonically perfect songs filled with heart-melting vocal melodies, and dream provoking lyrics. Tastefully accompanied by her piano, guitar, saxophone and well-placed soundscapes. She is joined on this record by the multi-instrumentalism of Andy Neubauer (Impractical Cockpit, Flowbee Au Naturale) who comp…
Dayglo Port
Carl Calm ist the solo project by Chicago citizen Eric Lanham of Caboladies. “Dayglo Port“ was recorded and mixed over two days in the tiny back bedroom of The Fact House (a house Chris and Eric of Caboladies used to live and host shows in Lexington, KY) in the fall with the windows wide open and gear eliminating any floor space. In contrast to Caboladies’ extensive jam-heavy explorations “Dayglo Port“ favors a more introspective and rural atmosphere recalling the mood of seminal home electronic…
Meridian
Evan Caminiti’s slow but steady progression towards electronic music from sand-swept guitar drone mirrors the pace of the music he makes. It has been measured, each move well-considered and clearly intentional. Caminiti has immersed himself in electronic production on Meridian, creating organic sounds through his machines, patching sounds that recall the brassy resonance of horns and hazy choral clusters. Synthesizers hiss and crackle under layers of reverb and fog. Sounds undulate and implode i…
Toxic City Music
NYC based artist Evan Caminiti breathes life into the Dust Editions imprint with the release of Toxic City Music. Caminiti has explored electro-acoustic music since the mid 2000's, the latest transmission being 2015's Meridian. While that album was Caminiti’s first to omit electric guitar, he has now returned to the instrument. Here it is buried it in an electronic mist and melted down, it's sonic fabric reshaped.  Toxic City Music was inspired by the psychic and physical toxicity of life in lat…
Judy\'s Dust
Judy's Dust is the debut full-length LP by Car Commercials of New Brunswick, New Jersey. Here, the duo of David Sutton (Friends and Family, Current Amnesia, Ladderwoe) and Daniel DiMaggio (Home Blitz) expand on the rock/mumble strategies from the self-released Jar 7" (Leaf Leaf, 2007) and a couple cassettes kicked around the New Jersey underpasses. Contains twelve songs of missing spaces, too much Center Ice, drums and wires, varispeed recording techniques, and facing backwards -- all from the o…
All Moments
NNA is proud to present our 50th release, Matt Carlson's All Moments long-playing record. Where 2011's Particle Language LP acted as a study in texture and density within experimental synthesizer music, All Moments finds Carlson engaging with the more traditional musical materials of melody, harmony, and rhythm, calling to mind his work as one half of Portland, OR duo Golden Retriever. The pieces on this record range from shorter pop études to longer, more open improvisatory synth studies, r…
Aakash
Aakash marks the debut recording of the Portland, Oregon-based trio of Matt Carlson (Golden Retriever), Michael Stirling (a disciple of the late Hindustani master Pandit Pran Nath and a student of Terry Riley), and Doug Theriault. Derived from live improvisational performances, the record finds Carlson's rich analog synthesizers joined by real-time processing of Stirling's lilting voice and Theriault's idiosyncratic guitar work and electronics. Dipping into a kind of liminal void, Aakash isn't j…