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Released in 10-panel Digipak. Includes a booklet affixed to the sleeve. The Complete Analog and Digital Electronic Music 1978-2000 recorded between 1978 and 1980 by a key composer of Belgian electronic music André Stordeur. His musical career started in 1973 with a tape composition for the soundtrack to Gordon Matta-Clark's film Office Baroque. Later in the 1970s, he participated in avant-garde music ensemble Studio voor Experimentele Muziek, founded in Antwerp, Flanders, by Joris de Laet. Since…
The vitality you hear on Antique Blacks is a testament to the unique energy of the community around The Foxhole Cafe in Philadelphia, as Ra honed his unique brand of Afro-Futurism through the late 60s and 70s. Cosmic theatre, spiritual chants, and experimental electronics make this record an essential document that was ahead of its time. Ancient to future! The 1970s saw change in Sun Ra's recorded output, and as far as we can tell, the content of his live performances. By the middle of the decad…
CD Version. This previously unreleased concert recording by the Pan Afrikan Peoples Arkestra of pianist-composer-bandleader Horace Tapscott and a chorus under the direction of vocalist Dwight Trible is a wonderful example of how Tapscott channeled the political and cultural aspirations of a community into music of deep beauty and lasting value.
The album opens with a big band version of “aiee! The Phantom,” a Tapscott original propelled by a vamp that spurs Michael Sessions into a melodic tenor…
This is the second movie with Zeudi Araya, filmed in a hurry to take advantage of the success of the previous “La ragazza dalla pelle di luna”. “La ragazza fuoristrada”, set between Egypt and Ferrara, Italy, deals in an unusual way with the theme of racial integration, still a taboo at the time especially in remote Italian provinces. Despite the fact that the title evokes the legendary "Dune Buggy" (the main character, Luc Merenda, is a journalist who goes to Egypt to test it), this is not an ac…
Reissue of very rare French spiritual / political Avant-garde Jazz - Think Brigitte Fontaine meets Alice Coltrane via the Middle East. The soundtrack of a cult play from the “Chêne Noir” Theatre. A spiritual jazz work tinged with poetry and oriental music. A sonorous UFO of which only the 70s had the secret. To be classified between Brigitte Fontaine Marc Moulin’s Placebo and Strata East.
Tony Scott (born Anthony Joseph Sciacca June 17, 1921 – March 28, 2007) was an American jazz clarinetist and arranger with an interest in folk music around the world. For most of his career he was held in high esteem in new-age music circles because of his involvement in music linked to Asian cultures and to meditation. Tony performed with many star as Billie Holiday, Sarah Vaughan and Harry Belafonte and before moving to Italy in the early ‘70’s he just cut two sought after masterpiece moving f…
** 2021 Stock ** Born in Israel, composer Chaya Czernowin has lived in Germany, Japan and the U.S. Her teachers included Dieter Schnebel, Joan Tower, Brian Ferneyhough and Roger Reynolds. Czernowin’s sound occupies a unique world. Often many instruments are used to become one “composite” instrument. Time is slowed down, so that the slow flow of sound enables one to perceive the smallest details of a texture or a sound. The resulting music can feel fluid, dense or agitated, at times echoing that …
What do you get when Erik Satie meets Anton Webern for a cup of tea in England? These delightful miniatures of Howard Skempton might just be it. With their distinctly English vocabulary, witty turns, and spare yet memorable melodies, Surface Tension offers a survey of Skempton’s music in solo through quintet settings from the 1970s through the 90s. Born in Chester, England in 1947, Skempton moved to London to study with Cornelius Cardew in 1967. There, with Cardew, he co-founded the infamous Scr…
** 2021 Stock ** Hilda Paredes is among the foremost younger-generation Mexican composers. Schooled in London where she now lives, Paredes studied with Harrison Birtwistle, Franco Donatoni and Peter Maxwell-Davies. Receiving a commission from the Arts Council of Great Britain for a chamber opera and working together with British poet Karen Whiteson, Paredes composed The Seventh Seed centered around the Persephone legend with allusions to Lewis Carroll’s Alice’s Adventures in Wonderland and Throu…
A CD of duo improvisations by two of Montreal’s great improvisors: bass clarinettist Lori Freedman and drummer/percussionist John Heward. The two have performed together in various ensembles over the years. Both have produced significant discographies. These unedited studio improvisations were recorded in Montreal in 2011. It is the third set of duos featuring John Heward on Mode/Avant. Cover art by John Heward. Liner note by Eric Lewis. Photos by Sylvia Safdie.Lori Freedman, b-flat & bass-clari…
* Last Copies* Invisibilia, the new Canti Magnetici serie curated by Andrea Penso, is proud to present a composition by Michèle Bokanowski - one of the most poetic composers in the european avantgarde music scene - released for the first time on vinyl. Unpublished until today, this piece was created as a soundtrack to the short film "La Plage" (1992), directed by renowned experimental filmmaker Patrick Bokanowski, husband of Michèle. La Plage is probably Bokanowski's less 'concrete' composition.…
This album, originally released in 1978, was re-mastered and repackaged in Digifile cardboard format. It includes the original full-color booklet. "Shadowgraph and the duos with Douglas Ewart are characteristic of the free abstract jazz that emerged out of AACM's explorations in the '60s and early '70s. Listening to them, one is aware how little this music has been assimilated into the mainstream of either jazz or improvisation."
**CD Edition** A post-free masterwork, recorded in Milan in 1978. This is an extraordinary encounter between George Lewis's electronically modified trombone and the flute, alto sax and bass clarinet played by Douglas Ewart, a giant of impro jazz, often at Lewis's side. Both George Lewis and Douglas Ewart create arresting, complex music here, in ways that powerfully contrast and powerfully pull together. The two are prodigious musicians, their understanding is perfect and you can only admire the …
** 2021 Stock ** Not Two presents Stone Jump by Michael Marcus. Denton Darien – piano, John Austria – Fender Rhodes piano, Tyler Mitchell – acoustic bass, Warren Smith – drums & percussion, Lawrence Feldman – alto flute, Michael Marcus – soprano sax.
** 2021 Stock ** Pianist Carlo Morena leads this lyrical and energetic piano trio with bassist Joe Fonda and drummer Félix Lecaros Herrera, performing 6 Morena compositions and one piece by Emil Boyd, recording at the Firehouse 12 studio in Connecticut for the 3rd album under the Step In name, and the first with drummer Herrera; upbeat but never cloying, a very compelling album.
Musica Per Immagini is pleased to announce the first release on vinyl of Franco Micalizzi's soundtrack to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”.…
An absolutely stunning effort from one of the great journeymen of Italian experimentalism, Walter Maioli's 'Il Suono delle Api / La Vibrazione del Cosmo', issued by Villa Lontana Records, is electroacoustic music at its absolute, vibrant best. Pressed in two extremely limited editions on black and transparent vinyl and laden with rich tonalities, deep drones, and hypnotic arpeggiations, it's a truly mind-melting, free-standing sonic world that encounters Maioli at the top of his game.
First vinyl release of the classic Whitehouse album. Halogen, originally released as a CD on the Susan Lawly label in 1994. Tracks are: "Vulgar" (William Bennett), "Lightning Struck My Dick" (William Bennett/Jim Goodall/Peter Sotos), "Movement 1994" (William Bennett), "Dictator" (William Bennett), "Halogen" (William Bennett/Peter Sotos), and "The Way It Will Be" (William Bennett). Recorded at Electrical Audio in Chicago by Steve Albini and William Bennett, December 1993; remastered and cut by No…
A Life Is a Billion Heartbeats continues Yannis Kyriakides and Andy Moor's
exploration and mining of the rich and mysterious terrain of Greek
rebetika music from the early 20th century. Their first release of this
project (simply titled Rebetika (2010)) was for the most part
taken from a live recording at the Centre for Contemporary Arts,
Glasgow, in 2006. In the years that they have been performing the set
since, the songs and improvisations featured on this LP have grown and
expanded in…
Discrepant presents another unique document of Kink Gong's electronic deconstructions this time stepping away from his usual South East Asia area of expertise and releasing some of his first re-interpretations and field recordings made in the late 90's in Tanzania, Africa. 'December 1999, Tanzania. I had an appointment with James Stephenson an American friend from the 90s in NYC, he used to skip the American winter every year to be with the Hadzas bushmen and other Tanzanians tribes in Tanzania.…