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Featuring 8 tracks of dazzling electronic soundscapes, 'Race at Neon Club' sees Brice Dreessen fulfill the promise of his early work to deliver a beautiful, if at times unsettling, album that ranges from blissful interstellar ambience through to disorientating experimental noise and industrial rhythms.

Following on from 2014’s ‘Terrestre’ 12”, Lawrence Le Doux returns to Belgium’s Vlek label with the ‘Pollution’ EP, 4 tracks of playful, hauntologically minded Electronica and Techno. Kicking off with the mesmerising loops of ‘Floor’, Le Doux works his machines to create an analogue gyre that ensnares the unguarded listener and neatly segues into ‘Liquide’ where a sublime mist of gentle hiss settles over his unworldly, almost naive, sounding synths and metronomic beat. On the B-side the EP’s tit…

2010 release. With Vandalia Walter Marchetti is focusing his concrete and radical themes. Also including is an homage to John Cage. Action Music! Vandalia includes 'Perpetuum Mobile' (1981), 'Song for John Cage' (1985) and 'Le Secche Del Delirio' (1989). The 8-page booklet presents the photo of the 'Perpetuum Mobile' performance at Musicalia in 1981, the score of 'Song for John Cage', the photos of two 'Musica Da Camera' installations, as well as the reproduction of the original Vandalia CD layo…

Insane Music, run by Alain Neffe, has been one of the greatest and biggest Tape-Labels promoting the international cassette-culture of the 80's. Full of raw analogue electronics, and plenty blood-curdling screaming, thise selection feature BeNe GeSSeRiT, Pseudo Code, Human Flesh and I Scream

Huge Tip! 200 copies limited edition  - While most musicians spend years developing chemistry, Exotic Sin and Julian Sartorius achieved something close to musical telepathy in a single afternoon at BBC Broadcasting House. What started as a radio session for BBC Radio 3's Late Junction became something far more significant—a masterclass in how three minds can think as one organism when the conditions are exactly right. In Session documents this first studio encounter between the London-based duo …

Big tip! Spiritmuse Records is proud to present Journey To Nabta Playa, a new album from composer and multi-instrumentalist Angel Bat Dawid and multidisciplinary artist and musician Naima Nefertari (aka Karlsson), releasing May 2, 2025. A powerful meditation on memory, mythology, and ancestral science, the record draws deep inspiration from the ancient astrological stone circle of Nabta Playa, nestled in the remote deserts of Nubia. Journey To Nabta Playa is grounded in a shared inquiry between …

Gil J. Wolman's revolutionary Mégapneumes reveals the radical origins of sound poetry. This essential collection documents the Lettrist pioneer's organic infra-language from 1960s recordings, including material found on his tape recorder after death - anticipating Chopin and Gysin by a decade

** In process of stocking ** Giacinto Scelsi (La Spezia, 1905 – Rome, 1988) is one of the most original Italian composers of the twentieth century. Musician and poet of aristocratic descent, Scelsi spent his childhood in his family’s castle, in Valva, where he received “un’educazione medievale” in which he recalls “scherma, scacchi, latino”, 1  and developed an early attraction towards improvisation on the piano. “De l’age de trois ans et demi, j’ai commencé à improvisers au piano. [...] je ne s…

** In process of stocking ** “The mystery of incarnation is the most beautiful aspect of divinity – and it is the reason why I am a Christian. I do not consider the differences between Orthodox, Protestant or Catholic: a Christian is someone who understands that God has come.” This was taken from an interview with Olivier Messiaen (1908–1992) where he talked about Christmas being the one festival in the Christian calendar most important to him. In his music about the incarnation of God, Messiaen…

2007 release - Luigi Nono No hay caminos, hay que caminar … Andrej Tarkowskij (1987) “Wayfarer, there is no path. Yet you must walk”, in Spanish: “Caminante, no hay caminos. Hay que caminar.” These words are the contents of an inscription, which Luigi Nono read on the wall of a monastery in Toledo in the middle of the 1980s. They must have affected him most deeply, since in the last three years of his life he made them the basis of the titles of a trio of works. In “Hay que caminar” he surely re…

Between April and June 1971, after the democratic election of Salvador Allende’s government, Luigi Nono visited Chile for three months, meeting several artists, composers and politicians, among whom was Luciano Cruz Aguayo, one of the leaders of the Movement of the Revolutionary Left (MIR, Movimiento de Izquierda Revolucionaria). Back in Italy, Nono started working on his next musical composition, which was meant to be a piece for piano and orchestra, for Maurizio Pollini and Claudio Abbado. In …

“I will say: I have given this flame to these eyes; I have drawn from the ambiguous smile of the moon […] these two naïve stars open to the infinite”, wrote the poetess Cécile Sauvage in 1908 to her unborn son, Olivier Messiaen. It is amazing that the poem in a sense expresses in a prophetic manner Messiaen’s interest in and passion for themes that were to accompany him throughout his life: the cosmos, infinity. It goes without saying that the poetic lifestyle of his mother was to have a strong …

Experiencing La lontananza utopica futura has enriched my musicianship. The unusual openness of the original materials by Nono required the establishment of an interpretive path through tapes and scores. This need has led to the emergence of a creative approach to performance, where the lines between roles and figures are blurred; with La lontananza, we cannot identify the composer as the provider of clear and direct instructions, and the performer cannot remain an invisible score-reproducer. A …

Late-night improvisation captured on a stormy November evening in an old church during the 2006 Huddersfield Contemporary Music Festival. John Butcher's soprano and tenor saxophones intertwine with Xavier Charles' clarinet and Axel Dörner's trumpet across 51 minutes of remarkable sustained exploration that stands as one of the defining documents of contemporary European improvised music. Tempestuous moves between the poles of calm and urgency that the setting might suggest, with the trio navigat…

Trio improvisations for two pianos and double bass

French cellist Martine Altenburger and British guitarist John Russell recorded this live performance at the Musique en Mouvement Festival in Jarny, France in November 2008. Altenburger, Toulouse-based and conservatory-trained, moves between performances of Cage and Scelsi and improvisation with sound explorers like Michel Doneda and Lê Quan Ninh (who mastered this session). Russell, a London hardcore improviser, brings decades of experience to this encounter. One reviewer describes listening to …

The Sealed Knot—Burkhard Beins (percussion, objects), Rhodri Davies (pedal harp, e-bow), Mark Wastell (double bass, bow, beaters)—are what Clive Bell in The Wire calls "one of the great free improvisation groups, comparable to the classic 1980s SME line-up of John Stevens, Nigel Coombes and Roger Smith for edge-of-your-seat attentiveness and sheer inter-group telepathy." This single 40-minute piece, recorded live at the Ear We Are Festival in Biel, Switzerland in February 2007, captures the trio…

Four works spanning two decades document an extraordinary musical collaboration between British composer Frank Denyer and shakuhachi master Yoshikazu Iwamoto. They met at Wesleyan University in Connecticut in 1974, where Denyer was a doctoral student in ethnomusicology and Iwamoto artist-in-residence in the World Music programme. What emerged is a folio of compositions that run like a vein through Denyer's output - a body of work unique in contemporary music. Denyer was not interested in east-we…

Lucio Capece (soprano saxophone, bass clarinet, preparations, sruti box) and Lee Patterson (CD players, pick-ups, e-bowed springrods, springplate, hazelnuts) recorded these eight pieces in what Norman Records describes as "absolutely beautiful music" where "two masters of tiny sounds meet up." Capece approaches his reeds "more as tubes for breath than as traditional 'instruments,'" while Patterson uses all sorts of sound processes—including amplifying burning hazelnuts. Nick Cain in The Wire not…

Three extended improvisations recorded at the church of St. James the Great, North London, September 2007 - the first convocation of this unexpected quartet crossing different generations and playing styles. Max Eastley (arc - electro-acoustic monochord), Graham Halliwell (computer & electronics), Evan Parker (soprano saxophone) and Mark Wastell (tam-tam, metal percussion & harmonium) document a meeting of three generations of London free improvisation. Parker has had a venerable presence as bot…

**Original 1983 pressing, sealed copies. Few available**  In the late 1970s, Steve Piccolo was a founding member of the seminal No Wave jazz band Lounge Lizards along with John Lurie, his brother Evan Lurie and Arto Lindsay. He’d studied music at Bard and NYU and was doing performances, art and sound installations at night while during the day maintaining a job as a Wall Street computer analyst. This is his second solo LP, again a minimalist and radical rethinking of song, mixing a post-punk/DIY…

**2nd pressing, screen printed cover, risoprinted obi, letterpressed insert edition of 200**  Free Jazz band with a psychedelic touch, Phardah, is set to release their debut album Humans and Beings on the 2nd of May, 2025. The band features veterans of the Finnish experimental music and Free Jazz scene: saxophonist Sami Pekkola, double bassist Eero Tikkanen, and electric guitarist Topias Tiheäsalo, along with the younger generation drummer Veeti Hietala. The album was recorded and mixed by Teemu…

Hold on to your mind! Led by Belfast-born phenom David Lewis, Andwella made three LPs circa 1970 for London’s Reflection label, redolent with Cream-y rock workouts, soaring post-Sgt. Pepper psych experimentation, and earthbound laments The Band might’ve dreamt up at Big Pink. Barely heard back then, they now conjure a popular rock fantasia to challenge the most expertly composed and orchestrated songs of the era. This deluxe set includes meticulous reproductions of the band’s 3-LP discography, p…

An absolutely astounding accomplishment, Black Sweat's 4 LP Box set of previously unreleased material by Ariel Kalma - French Archives Vol. III - is a mind-melting immersion into the composer and saxophonist's radical experiments and stunning ambient harmonics made between 1974 and 1985. Venturing far beyond the territories for which he is most well-known, the collection takes great strides to accurately framing ambient and New Age musics as rightful extensions of the avant-garde, and is easily …

Fifty years gone and the music still cuts right through. Nick Drake recorded three albums before leaving this world at 26. The debut, Five Leaves Left, appeared in 1969 – and we're only now hearing how it came together. Hold on to your hats. Nine years of detective work. Tapes surfacing from the most unlikely places. A mono listening reel held by Beverley Martyn for over half a century – Drake's very first session at Sound Techniques, untouched since the day it was recorded. A full reel from Cai…

Last copies, reduced price. Limited and numbered edition of 250 copies. Die-cut box, 5 inlays and extensive booklet (Libretto). The opera "juHrop" was recorded with great effort at the Studio für Komische Musik Berlin and at the studio of Diamanda Galas in New York from 1996 to 2001. It is orchestral music produced with electronic devices and voices of Chinese singer Wu Jiang, David Moss, Diamanda Galas, Udo Scheuerpflug, Margarete Huber and the Moabiter Motettenchor. It was broadcasted in full …

Mariachi Azteca Principal performs The Elgaland-Vargaland National Anthem No: 2. These recordings were made during the inauguration of The Embassy of The Kingdoms of Elgaland-Vargaland in Mexico City on August 30, 2002 in the presence of the KREV Ambassador Magalí Arriola and invited guests at Colima 244, Colonia Roma, Mexico City.

Matata were formed in Kenya in 1963, laying down their grooves in Nairobi's Brilliant Club before going on to record two albums in London in the early 70s. Both Air Fiesta and Independence are perfect nuggets of Afro-funk, but alas Matata were reportedly homesick and they disbanded to return home. Their short-lived legacy lives on though, and now Dynamites Cuts have turned to their second album to present two of the hottest joints on a cool and deadly 7". 'I Feel Funky' is one of the band's bigg…

"Oi! Oi! Oi! (Nazi Skins Are NOT Electric)" is a provocative 7-inch single by experimental performers Chris Lunch and Frieder Butzmann, released around 2005 on Mauerstadtmusik in Berlin. This anti-fascist punk track satirizes Nazi skinheads with its raw, electrified Oi! energy, flipping the genre's working-class roots into a sharp rebuke of far-right appropriation. Butzmann, known for his dadaist noise and performance art, teams up with Lunch's chaotic vocal style to deliver a jubilant, rebellio…

Gate's "3M" is a 7-inch vinyl single released by New Zealand experimental musician Michael Morley, known for his work with The Dead C, on the German label Toneschacht. This record captures Morley's signature lo-fi, noise-drenched sound, blending distorted guitars, feedback, and abstract structures typical of his solo Gate project from the 1990s.

Gate is a New Zealand-based experimental project led by Michael Morley of The Dead C, known for its raw, noise-infused soundscapes and limited-edition releases on labels like Siltbreeze and Precious Metal.​ The 7" single "Sunshine / Ives" captures Gate's signature style from the late 1980s to 1990s era, blending distorted guitar, drones, and abstract textures across gritty, lo-fi tracks that push boundaries between noise rock and avant-garde.

2026 stock Splendid Sound Recordings for Rainy Evenings Next to the River is a sound project which started with the support of the Jan Van Eyck Academie. It has now becomes an independent self-sustained project which is comprised of sound and graphic art that seeks to address the significance of innovation in something modern while maintaining explicit roots in diachronic pop culture. It is one of those moments of aesthetic expression not frequently encountered that emerges from the collaboratio…

2026 stock Squirting Humiliation is a punishing 7-inch split vinyl unleashing the chaotic noise assaults of Venta Protesix and Vomir. Venta Protesix, the digital noise alias of Italy's Italo Belladonna, delivers glitch-riddled laptop barrages steeped in perverse, ero-guro obsessions and abstract digital derangement. Vomir, French harsh noise wall pioneer Romain Perrot, counters with unrelenting static monoliths embodying his "no ideas, no change, no remorse" manifesto.

Crazy 7" by NYC's freaks Peeesseye! On Evolving Ear.

**200 copies, white vinyl** "A killer 45 of pure, blunt, steppers dub-noise force from Joachim Nordwall aka The Idealist, big recommendation if you are into Muslimgauze, Pan Sonic, Alva Noto... Faithfully brought to life with mastering by Jack Callahan ov Sunburned Hand of the Man and Bánh Mì Verlag esteem, The Idealist’s second 7" sees him knuckle out two minimalist, monotonic steppers that fall in the gulf between dub, noise and Pan Sonic-like techno purism. The trudging swang of Deep Shit is …

This limited edition seven-inch vinyl record comes housed within a hand-made manilla sleeve, expertly screen printed at Small Press Studio in Stockport by Yasmin Lever. Along with the 12min vinyl comes an A4 insert and download code. Between 2014-16, Folklore Tapes began the series Calendar Customs, commissioning artists to research and respond sonically to the four corners of the ritual year; May Day, Midsummer, Midwinter and Hallowe’en. This culminated in a box-set of 4x LPs with accompanying …

Marking the final chapter of a visionary trilogy, “Papotier” sees Pancrace return in full force. A haunting exploration of breath, language, and acoustics, recorded around a historic Silbermann organ in Alsace, the album is a radical statement of sonic identity - fragile, fearless, and gloriously unclassifiable.

The Boston Tea Party Live Set from July 1969 Released in Two Brand New Volumes

The Boston Tea Party Live Set from July 1969 Released in Two Brand New Volumes

Jazz fans rejoice: Curtis Fuller's seminal debut album, New Trombone, originally released on Prestige in 1957, is back in the spotlight. At just 23 years old, the Detroit-born trombonist arrived on the scene with a fluent, innovative style that marked a bold evolution for the trombone in jazz. Backed by an all-star quintet – Sonny Red on alto sax, Hank Jones on piano, Doug Watkins on bass, and Louis Hayes on drums – Fuller delivers a powerhouse hard-bop session. The album bursts open with three …