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*2021 Stock * Formed in 2016 Daimon is the trio of Nicola Quiriconi (VipCancro, Lisca Records), Paolo Monti (The Star Pillow) and Simon Balestrazzi (T.A.C., Dream Weapon Ritual, Hidden Reverse, A Sphere Of Simple Green, Candor Chasma, Kirlian Camera, etc.).
Devoted to a vibrant and majestic personal form of drone music, Daimon are exploring new depths as well as highly dynamic soundscapes that will surround you with their overwhelming sense of fluttering memories.
In 2017 they toured across Euro…
A drone monumentum, erected by one of the best Kraut bands ever - special limited edition reissue in a run of 450 copies with embossed plastic sleeves that mimic the original. Recorded in 1971 this was the original Krautrock trio of Conrad Schnitzler, Hans Joachim Roedelius and Dieter Moebius' second album and is another unimpeachably great set of austere drones, Industrial electro-acoustic ritual and deep, deep space occasionally populated by solitary UFO blips and automatic speech. Comes with …
Perhaps not everyone knows that Alessandro Alessandroni, the Master of Italian library music, had also composed several original soundtracks from late ’60s to early ‘80s, especially for many “genre” movies such as poliziotteschi, sexy comedies, spaghetti western, horror and thriller. Among them, Sangue di Sbirro (Bloody Avenger), is certainly one of the most prestigious works made for Italian cinema in the 70s: an Italian noir set in Philadelphia, where the jazz-funk library’s background of the …
Agente 3s3 Massacro al Sole was directed by Sergio Sollima in 1966, the sequel to the previous year's Agente 3s3 passaporto per l'inferno. Starring Giorgio Ardisson, Frank Wolff, Evi Marando and Fernando Sancho, it's the story of Colonel Ross, an American sent to the small republic of San Felipe where a world-renowned scientist is conspiring with police officier Radek and General Siquerios to conquer the world. Piero Umiliani, surely among the most talented musicians to score a spy movie, was al…
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab…
This music selection (1977-2017) was compiled for the exhibit trampelpfadnomainroad at Städtische Galerie Traunstein.Celebrating the art and music of Limpe Fuchs the exhibition gives insight into her ongoing creative adventures, from the early days of Anima up to her recent and critically acclaimed body of work. The exhibition opens on September 2nd and is open until September 28th at Städtische Galerie Traunstein / Germany. Limpe Fuchs is open to the idea to see the exhibition travel to other a…
It's been a busy couple of years for the producer behind the Shifted project. On top of an extremely well-received album for the Mote Evolver label, the producer has edged further out into the fringes of electronic music under a number of aliases, taking in noise/ambient variants as Covered In Sand, as well as more distorted, technofied productions under the Alexander Lewis moniker, a sound described by the Blackest Ever Black label as "S-M techno." His new album as Shifted, Under a Single Ba…
Fields have ears 1' (2008) - for piano & tape. 'Fade' - for piano (2000). 'Fields have ears 4' - realisation for 14 players (2009). Philip Thomas: piano + members of the edges ensemble. 3 varied works by the US-based composer Michael Pisaro. Fields Have Ears 1 interweaves a surprisingly lyrical piano part with layered field recordings and sine tones. Fade is a beautifully austere minimalist piece for solo piano, expertly played by Philip Thomas. Fields Have Ears 4 is a prose score, realis…
CD reissue of this ultra-rare 70s Japanese rock album. Kimo Mizutani was the guitarist in the excellent Japanese Freak-out group, Love Live Life + 1 and this reissue is of his first solo album from 1971. Mizutani plays electric and "folk" guitar and leads a largish ensemble (bass, drums, organ, Moog and vocals) through what is widely regarded as one of the true psychedelic masterpieces of the 70s Japanese scene. Sensitive interludes (accompanied by the Toyama String Quartet and the Etoh Wood Qua…
Gronland's recent re-release of three completely remastered (Tim Young, Metropolis Studios, London) classic works: NEU!, NEU! 2, and NEU! 75 has been met enthusiastically, with prominent musicians weighing in on the influence of NEU! Massive press throughout the world (in Rolling Stone, US, SPIN Magazine, Entertainment Weekly, MoJo, WIRE and others) accompanied the long-awaited May 2001 release date, and recent quotes from the likes of Blur, David Bowie, Placebo, Radiohead, Sonic Youth and Stere…
Limited edition of 300 copies. Jeju is a volcanic island in the East China Sea somewhere between Japan and Shanghai, south of the Korean peninsula. After a long period of being an autonomous and matriarchal society, it nowadays belongs to South Korea. Women play an important role on the island and enjoy a special status. This matriarchal tradition among other things manifestates in the culture of the legendary Haenyeo – female divers for shellfish, octopus, fish et al. Two years ago Setaik Yim i…
NEU! was/is/will be a big deal in the history of 20th century music. They laid the foundation for scores of musicians who followed them. But why were Neu! so great? Part of their appeal lies in the fact that their music was so simple, so natural and so easy to listen to and absorb. Each of their pieces draws you in with its own unique mood. The music is emotive in so many different ways: the icy melancholy of Weissensee and Leb'wohl, the tranquil yet sinister brooding of Im Glück, the rage and s…
“We somehow tried to use sounds as idioms. Turning them upside down and back again, make them collide with each other’s distorted mirror image, let them mean everything one would usually not think them to mean. “Careta” meaning someone who acts like someone they are not. A sound, in music, usually one would say doesn’t mean anything, but the sound of the word “word” does (if you have learned English). But, a collaboration allows to pretend it would mean something else and language is but a colla…
Reissued by Fledg'ling in 2007. The long-overdue release on CD of Brotherhood -- a classic title from 1972 by Chris McGregor's magnificent big band Brotherhood Of Breath. Never before officially reissued, this wonderful album continues the ground-breaking music of their debut album. Mighty music for the head, the heart and the feet. "The Brotherhood of Breath is the kind of band you want to tell people about. It's not for private enjoyment, or for worship by a elitist cult. The Brotherhood'…
The Preservation label presents Slay Me in My Sleep, the sixth album from Melbourne's Grand Salvo. Under the guise of Grand Salvo, Paddy Mann has established himself as a songwriter of unique heart and soul with a depth of lyricism matched by warm but widescreen musical vision. 2009's Soil Creatures sealed his reputation, being his most stark and concise statement yet. With Slay Me in My Sleep, Mann has returned to familiar territory, writing a parable as song cycle similar to his epic fairytale…
Charles Pennequin is an unconventional poet who tells us here the sidereal aggression of a Martian who has not yet cut the cord. On the CD contained in the book, he interprets his text three times: twice in the company of the guitarist Jean-François Pauvros, and another time alone, but with a megaphone.
Charles Pennequin (born 1965 in Cambrai, France) is a writer and performer, an essential figure in French contemporary poetry.
Jean-François Pauvros (born 1947 in Hautmont, France) is a French mu…
* 2020 Stock. Deluxe Edition. * After 11 albums and unknown quantities of cassettes, compilations and split releases, Sound of Turning Earth is the first release outside of Japan for one of the most original figures in Japanese music, Kumio Kurachi. Recorded by Jim O’Rourke at his home studio, Sound of Turning Earth is Kurachi solo on vocals and guitar, mixing surreal lyrics and theatrical vocal personas with unorthodox tunings inspired by Japan’s national instrument, the koto. Lyrically Kurachi…
The members of Minamo(Keiichi Sugimoto and Tetsuro Yasunaga) have known Moskitoo (Sanae Yamasaki) for many, many years and have worked together in all sorts of ways. They have not, however, performed a live set or recorded together before what has become Superstition. Superstition is a gathering of close friends creating music they love to create and exploring the small crevices and details of electric, electronic, and acoustic sounds. While the songs sound intentionally composed and arranged, t…
Sound American's 25th issue celebrates explores the intersections of folk and experimental music practices. Guest edited/curated by Sarah Hennies and Anna Roberts-Gevalt, two of American's most forward-looking practitioners in the experimental and folk fields respectively, SA25 takes on questions of a musical community, and what it means to work in and out of its traditions. The issue features writing by Ana Alonso-Minutti on La Llorona, Drew Daniel on Throbbing Gristle, Henry Flynt on his own v…
Critical texts by Kim Gordon brought together for the first time. Throughout the 1980s and early '90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon's writing within the context of the artist-critics of her generation, including Mike Kelley, John Mille…