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The World At Minds End
Formed in Bristol in 1974, Skywhale blended prog-rock and jazz rock with melodic, energetic instrumentals. Their 1977 album, The World At Mind’s End, showcases virtuoso musicianship and Canterbury influences.
Belsebub Är Lös...
*200 copies limited edition* After the sold-out reissues of San Michael’s and Gandalf’s albums, we plunge once more into Sweden’s labyrinthine musical vaults, to bring you Midsommar’s highly collectable debut, Belsebub är lös. Originally released in 1970, this is a psychedelic hard-rocker, occasionally amalgamating with proto-prog and folk. The self-titled opening track sets the stage for what is bound to follow. As we journey through the album’s stomping textures, we discover tunes such as Dröm…
The Wonderful World of Antonio Carlos Jobim
Elemental Music proudly presents the reissue of The Wonderful World of Antonio Carlos Jobim, a timeless recording that celebrates the artistry and influence of one of Brazil’s greatest musical icons. Originally released in 1965, this classic album showcases Jobim’s unique ability to merge the sophistication of orchestral arrangements with the delicate sensuality of bossa nova, a genre he helped define and bring to international acclaim.
Produced at the height of the global bossa nova wave, The…
Patterns
Hidden in a remote, forgotten corner of German library music, Peter Patzer stands as a unique figure in the landscape of 1980s functional music production. A self-taught artist and musician, Patzer founded his own personal label, Crea Music, operating in complete autonomy from his base in Bremen, northern Germany. Between 1983 and 1989 he produced eight white vinyl LPs, all featuring the same austere tricolor sleeve - red, white and blue - with title and catalog number typewritten. A minimalist …
Geist
Limited Edition 300 Copies in White viny. Formed in 2016, Others is the project of two artists longing for something more experimental in their musical work. Lesli Wood (Cobra Family Picnic) and Daniel Martin Diaz (Trees Speak, Amelia Poe) began these recordings in Wood’s warehouse studio, inviting one guest musician to sit in for each live session. Abstract violinist Vicki Brown, known for her "psychosonic visualizations," is featured throughout the record, along with guest artists Ben Nisbett…
Sull'accordo mimetico
Sull’Accordo Mimetico (On the Mimetic Chord) dates back to the end of the 80’s. It was commissioned by the artistic director of the ParcoScenico Festival, held in Treviso, Italy. Since the area where artists and the public gathered after the Festival was located to a very busy street, Marco asked me for a sound installation that could work as some sort of a defensive barrier for the street noise. I suggested that my work, rather than hiding the noise, should aim to harmonize the disturbances com…
Kenosis
300 copies. The result of a long period of study and retirement in a house in the Bologna countryside in the first three months of 2018, Kenosis renews the meeting between Stefano Pilia and Massimo Pupillo (already together on several tours of ZU and in the Zu93 project, together with David Tibet). A Greek word of Gnostic derivation (literally meaning "emptying"), Kenosis is the result of a process of composition that saw the two musicians move away from their usual writing methods and from the …
Loveland
*Includes 3 previously unreleased tracks* Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus, a pseudonym of Carlo Rustichelli's esteemed son: Paolo Rustichelli. The music ended up in several of her films as well as being performed in her hot live shows. Discographically at the time only a few tracks were released on 7" and 12" singles that ar…
Step!
*2022 stock* Naosuke Miyamoto Sextet's Step!, originally released in 1973. A fantastic modal jazz album, led by Naosuke Myamoto on bass, with Masayoshi Yoneda on the piano and Takashi Goto on saxophone. On One For Trane, the group delivers a strong and amazing moment of spiritual jazz. Also features Kunji Shigi (trumpet), Takashi Furuya and Shoji Nakayama (drums). Produced by Takeshi Jujii. Recorded on August 25, 1973.
Artefact
First album under the Codespira1 alias by Stockholm-based composer Mattias Petersson, trained in electroacoustic composition at the Royal College of Music. The project began as a vehicle for one-take electronic performances built around SuperCollider patches and a modular system, here extended into longer structures. Artefact unfolds as an articulated drone modelling the subconscious cycle of memory and resonance: a continuous tonal field where small events trigger gradual reconfigurations.
Various Weights
First collaboration between Frans de Waard and Martijn Comes, deliberately built without an underlying concept. Each artist supplied the other with a pool of source sounds: de Waard sent Comes Korg MS20 and Koma Field FX recordings and field material; Comes sent de Waard a processed stylophone, a loop and recordings from the University of Twente's web Software-Defined Radio. Two epic pieces result: Comes's harmonic deep-sonority drone, de Waard's quieter acousmatic-minimalist hover.
Worn Tape
Imanishi's first album for the label, presenting eleven miniatures built from small sounds drawn from his immediate environment: paper, objects, radio, field recording, microphone. The work is abstract in vocabulary but warm and slow in effect, a deliberate counter-position to bombast. Its strength lies in the precision with which discrete, unspectacular materials are placed within reduced frames, locating the music in the lineage of Japanese onkyō and post-Schaefferian micro-concrete.
Caveman
Caveman is a document of Stamou's live practice: two complete extracts of solo improvised performances using his 'portable electroacoustic studio'. The setup combines acoustic instruments (prepared zither, reeds, recorders, objects) with handmade electronics, modular synthesis and live-processed feedback loops, producing long continuous pieces built on sustained tonal textures and free improvised solos. What the artist calls ritual noise: a slow-burning, immersive electroacoustic atmosphere.
A Concrete Pasture
Follow-up to Haarlemmerhout, pushing Polack's hyper-local Haarlem practice out into the wider world. Four long pieces are built from material gathered across continents - the temple of the reclining Buddha (Wat Pho, Bangkok), Schiermonnikoog in the Dutch Wadden, Hong Kong traffic lights, Gamelan percussion - then routed through electronic processing, nostalgic power chords, electroacoustic crescendo writing, and a final tenor saxophone gesture reminiscent of Albert Ayler's raw expressivity.
Akashic Records
*2022 stock* Japanoise queen and one of the noise innovators, Mayuko Hino (original member of the legendary C.C.C.C.) releases her first solo album! Akashic Records is blockbuster work of beautiful noise about the concept of a record of the activities of the soul of mankind. The world's only 6-strand theremin oscillator (coloured pink!), originally ordered by Ryo Araishi (ichion (Shrine.jp)) and harsh noise with brass plates etc. as the main sound sources. Recorded live with an emphasis on thril…
Phillo Jazz
Phillo Jazz winks at improvisational traditions Akita has always both honored and subverted. Jazz's spontaneity finds its noise equivalent - though the relationship is more conceptual than sonic. Where jazz improvisation operates within harmonic frameworks, Merzbow improvisation occurs in texture and density, shape and duration.
The "Phillo" prefix remains mysterious - perhaps referencing philosophy, philology, or simply playing with sounds. These recordings demonstrate fluidity at its best: not…
Of Ghosts And Buildings
Long-running Scottish act Cindytalk have transformed numerous times throughout their existence, going from industrial post-punk to electronic noise with an ever-shifting lineup. Now, the group will be compiling their recent recordings in Of Ghosts And Buildings on Japanese label Remodel.
Cabbage Field: time passing, things changing
*200 copies limited edition* Born in Tokyo in 1959, shibatetsu has been active as a piano and melodica player since the 1980s. In recent years he has also been engaged in performances using electronics. Masamichi Kinoshita, born in Ono, Fukui Prefecture in 1969, is a Tokyo-based composer of contemporary classical music who also regularly performs high-volume electronic noise improvisation.
Over the past few years, shibatetsu has presented a concert series featuring electronics, titled "shibatets…
Fumine
*200 copies limited edition* Born in 1954, Katsura Yamauchi is a saxophone player based in Oita, Japan. Since he began performing in earnest in the early 2000s, he has been touring and expanding his distinctive musical activities in Japan, Europe, North America and Asia. Koto player Kohsetsu Imanishi has an active career inside and outside Japan, performing music of various genres including classical Japanese music, improvisation and contemporary classical music. In addition to performing as a s…
SSI Solo 2024
A leading saxophonist on the Japanese improvised music scene, Junji Hirose also gives performances using self-made analog noise instruments. It was in the 1980s that Hirose started presenting noise performances on his SSI (self-made sound instrument), made of various everyday objects. Over the years he continually modified the instrument, for each version attaching a different number to the name SSI. On the Hitorri label, Hirose has released the CDs "SSI-4" (hitorri-997 / 2013), "SSI-5" (hitorri…