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Greatest Hits
Edition of 300. A release featuring the first twelve presentations of Hit Parade, where a total of 180 performers in Seoul, Montreal, Quebec City, Dundee, Winnipeg, Porto, New York, Toronto, Rotterdam, Kitchener, Milan and Melbourne, lying face down hit the ground 1000 times with a microphone.
Kasi Naigo
.....kasi naigo is a sound study of Ingmar Bergman’s Tystnaden (The Silence) and the silence of the Other...the object itself is a compression of an impossible space through the trituration of a gesture-the infinite as a question... A singular blast of air interchanged with a hollow, crackly static drone are almost constant through this, disc, and they serve to create an eerie, lonely, wide-open silence... This disc is expansive, tense, terrifying and subtle (Boss Sambosa, The Montreal Mirror).
Rimmed Records
Vinyl records physically reduced to just the outer rim, packaged in silk-screened recycled record covers. Playable at your own risk. Edition of 100.
Rompighiaccio Destiny
Edition of 80. "Rompighiaccio Destiny" is an auto generated composition resulted by the random interactions of two different tape recorders left to play and mixed without any external intervention except for some subtile variations of equalization, pitch and modulation through a delay used in effect send. "We have an increasing desire in any case to get firm ground under our feet. The floe has been a good friend to us, but it is reaching the end of its journey, and it is liable at any time now …
A Wolf Should Only Be Lone
Los Angeles guitarist Peter Kolovos’ last release was the epic 3xLP Black Colors. While not quite as immense, A Wolf Should Only Be Lone, Kolovos' first cassette release since his days with Open City, hits the beautiful red space in fits and starts. These two tracks carry his distinct style of annihilating common notions of guitar playing. Bruce Russell once likened his playing to “Derek Bailey covering The Resident’s Duck Stab,” while David Keenan has described him as having the "dexterity of B…
Per una scultura di Ceschia
This rare 1978 album is a rather original example of experimental electro-acoustic progressive style, mainly based on synth effects and acoustic guitars and often reminding some of Battiato's early works. Despite the presence of five singers in the line-up, the vocal parts are short, spoken rather than sung. All in all an interesting album for the adventurous listeners in search of something different. Ref: Battiato, Cacciapaglia, Stelle di Mario Schifano. Audiophile quality repress
Youthful Dementia
**Edition 200** Reissue of a cassette that Colby released on his own Laughable Recordings label in 2014. Mr. Nathan is based up in Maine, where he recorded Sophie Dickinson's Cucucanady LP (FTR 177LP). Greg is from Maine as well, and the pair got together for this session in late 2013, with Ralph White sitting in on one track. The sonics recall everyone from early Neil to something that sounds more like a small cabal of stoned American ex-pats singing for their scalps in Denmark in the summer of…
Barbara Rubin & The Exploding NY Underground
"Made when she was just 18 years old, Barbara Rubin's art-porn masterpiece Christmas On Earth (1963-65) shocked NYC's experimental film scene and inspired NYC's thriving underground. For the next four years her filmmaking and irrepressible energy helped shatter artistic and sexist boundaries. A mythical 'Zelig' of the sixties, she introduced Andy Warhol to the Velvet Underground and Bob Dylan to the Kabbalah. But beyond shaping the spirit of the sixties, Barbara was seeking the deeper meaning of…
Bali 1928, Vol. II Tembang Kuna: Songs from an Earlier Time
Vol. II in a five-disc series of 1928 Balinese recordings features Balinese vocal music, the first release of these recordings since they were first pressed to 78 rpm discs in 1929, the only commercially released recordings of music made in Bali before World War II. Originally recorded by a team from the German labels Odeon and Beka on a 1928-29 expedition to Bali and intended for a Balinese public that lacked any discs of its own music, many of these records have been reduced to single r…
Spiritual Unity
2014 expanded reissue. Mono. Spiritual Unity, recorded on July 10, 1964, is the album that made Albert Ayler and ESP-Disk' famous (or, in some people's eyes/ears, infamous). Mr. Ayler had already recorded in Europe and, in February '64, in New York, but this was the first album on which neither he nor his collaborators held back. It was also ESP's first jazz recording. Spiritual Unity presented a new improvisation paradigm: looser structure, less regard for standard pitch, and no obligation to p…
Look Up
2012 release. Born in Buffalo in 1939, Charles Gayle had hit New York City by the early '70s. He almost made his mark with an album on ESP-Disk' in 1974, but the label shut down before it came out. When he next recorded in 1988, he had been homeless for a while, sheltering in an empty Brooklyn storefront. The Knitting Factory gigs and concurrent CDs from Swedish imprint Silkheart, the Knit's own house label, the Italian label Black Saint, and a particularly well-received-in-Europe album on FMP, …
Extracts
"The first word that came to mind on playing Extracts was understatement, with an almost oriental minimalism and profundity on display. At times I was forced to check whether sounds were coming from the speakers or from outside. However, this is a far cry from the Radu Malfatti school of implied music since it is very much about close group interplay. Simon H. Fell's sonorous bass is of particular note, underpinning, colouring and giving the proceedings a kind of still, stately authority. Likewi…
Forlorn green
The press release is disingenuous in describing "Forlorn Green" as "lo-fi": even if Jason Lescalleet's work involves tapeloops using cheap recording gear and "trashed" speakers, his digital reworking and mastering is painstakingly perfectionist and perfect. Recorded in four different locations in the Boston area (a church, a gallery, an art school and the local Twisted Village record store) and crafted in Lescalleet's studio with what can only be described as loving care, the sonic alchemy of …
Aluminium
It's onward, ever onward for New Zealand's foremost guitar experimentalist, Dean Roberts. Before you know it, he'll be as ubiquitous as Thurston Moore, a New Music gadfly gatecrashing every weird feast going. The latest outpost in a transition from lo-fi humstrum to Destination Unknown sees Roberts shacked up with avant-Austrian Werner Dafeldecker bassist in Improv group Polwechsel.Expect: grinchy crackling, like the amplified sound of grit disintegrating. Imagine: bric-a-brac, debris, splinters…
What a wonderful world
Despite the title of the album and several of the selections, listeners who approach this disc expecting something in the vein of Louis Armstrong will likely be disappointed. Then again maybe not, if it's originality that's prized. Jérôme Noetinger and Erik M had, by the late '90s, established themselves as driving forces in contemporary electronic improvisation, performing and recording with virtually anyone of note in the field. For this album, they at least partially venture out into di…
Points and Slashes
Over the past decade, Swiss-based Günter Müller has collaborated with many of the most prominent Tokyo-based musicians, recording CDs with Otomo Yoshihide, Taku Sugimoto, Sachiko M, Masahiko Okura, and Toshimaru Nakamura. Points and Slashes is the latest of these, a duo collaboration with guitar wizard Tetuzi Akiyama.It's impossible to pin down Akiyama, a musician of diverse interests and activities, with a brief description. He has been playing electric guitar since he was 13, and formed his fi…
ErstLive 008
Keith Rowe's concluding set, with longtime partner Toshimaru Nakamura, at the AMPLIFY 2008: Light festival, recorded on September 21, 2008 by Taku Unami. AMPLIFY 2008: Light was an intense and deeply immersive experience for all who were lucky enough to be present, and quite a bit of that was attributable to Rowe's four sets, which are now available for all to hear.
Parazoan Mapping
With fifteen untitled vignettes and varying source material, Parazoan Mapping often feels like an aural scrapbook. And when looking through any scrapbook, the different photos and pieces of ephemera always point to something bigger: a sort of unraveling of the people contained within. The pictures of your family’s vacation from several years ago may not explicitly show it but you very well understand how then compares to now that feeling of joy when you conquered your first wave after hours…
Particles and smears
Grainy flickering, strangulated buzzing, blurred sonic shadows and harsh stridulations. Chicagoan Drumm continues to rethink the electric guitar in terms that suggest the microscopic life of ponds, and he deploys electronics along similar lines. Canadian turntablist Tètreault scatters clicks and blips as he skates the meniscus. Tiny events, inconsequential in themselves, taken together form a viable acoustic ecosystem. (The Wire, Julian Cowley)3