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Red
One of the most powerful and influential albums in the band's remarkable career. King Crimson fell apart once more, seemingly for the last time, as David Cross walked away during the making of this album. It became Robert Fripp's last thoughts on this version of the band, a bit noiser overall but with some surprising sounds featured, mostly out of the group's past -- Mel Collins' and Ian McDonald's saxes, Marc Charig's cornet, and Robin Miller's oboe, thus providing a glimpse of what the 1972-er…
USA
USA was recorded towards the end of King Crimson's final US tour of the 70's in June 1974. It was issued as an epitaph for the band in Spring 1975 as a single album – at a time when doubles or even triple live albums were more considered the norm for live releases. The reputation of the 1972/1974 King Crimson line-up is now revered by critics and fans alike with the material very sought after.
In common with much of Crimson's output, it was not well received at the time by critics, thoug…
Starless and Bible Black
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock, with enough musical ideas explored to make Starless and Bible Black more than background for tripping the way Emerson, Lake & Palmer's albums were. T…
Psychic Panorama
*In process of stocking * A new 66-minute psychedelic synth epos from Sewer Election. Half of the material was originally released as a very limited cassette on Malign Editions in the summer of 2021. Brutish and cold minimalism that kind of resembles Nord or a David Tudor on benzos. Recorded in Kortedala, Gothenburg.
Knirsch
Classic interweaving of jazz, rock, avant-garde and electronic, with Larry Coryell & Colosseum's Jon Hiseman. Completely new standards were set with this recording, originally released on MPS in 1972. Knirsch became cult and still is until now, almost 40 years after its release. A unique example for the successful interweaving of jazz, rock, avant-garde and electronic. The musicians: US guitarist Larry Coryell, German keyboarder Wolfgang Dauner, British drummer Jon Hiseman, US percussion…
Savage songs
Jorge Antunes (b. 1942, Rio de Janeiro) studied violin, composition and conducting at the University of Rio de Janeiro, as well as studying physics at the same institution. He further studied composition with Alberto Ginastera and Luis de Pablo. From 1970-71 he attended the University of Utrecht (Gotfried M. Koenig). From 1972-73 he worked with Groupe de Recherches Musicales in Paris. In 1962 he began his research in electronic music thus becoming a pioneer in the development of this field in Br…
Boanerges
Duo of Jim Sauter from Borbetomagus and Kid Millions from the Boadoms and Oneida ! The sound of saxophone turning into an extreme noise and brutal raging percussion! Such is the latest NOISE JAZZ from NYC! (JOJO Hiroshige / Hijokaidan). Jim's sax playing is impulsively domineering in Borbetomagus, which is based on a usually percussion-less trio formation of two saxophones and one guitar; and I was really curious to hear what would happen when it encountered a drummer who is often described in t…
No Pussyfooting
Lovely expanded reissue! The two side-long tracks (at least, in the days of vinyl) are not, however, merely experiments in improvisation and primitive looping—although that would have been enough. As different as each track is, together they opened a window into an area of possibility that previously did not exist. "The Heavenly Music Corporation" begins with a single, sustaining note, a fifth added a minute in and a gentle pulse created as the loops softly ebb and flow. Despite its harmonic sta…
Dinky Diamond
Modell Doo resurrected! The Austrian cult group who was responsible for the soundtracks for "I was a teenage Zabbadoing" and "Mondo Weirdo" are back. "Dinky Diamond" is an album of half old and half new material. All the classic songs have been re-arranged and re- recorded to fit the 21st century. All the new material is presented here for the very first time. Wonderfully produced and mixed, this is a great comeback for a great band that has been off the scene for far too long. Check out also ou…
CANCELLATO
Phil Ranelin's first record as a leader is worlds away from his later 1976 offering, "Vibes From the Tribe". "The Time Is Now" is a vanguard jazz record, full of the spirit, determination, and innovation inspired by John Coltrane, Eric Dolphy, Cecil Taylor, Pharoah Sanders, and Archie Shepp. Recorded in 1973 and 1974 and released at the end of 1974, the set shows Ranelin to be an imposing composer and frightfully good trombonist.The original album contained six compositions that are a deep music…
Don't Look Back
For a label that wasn't around long, Strata East achieved the same sort of label recognition that Impulse! or Blue Note managed to build. In other words, you knew what you were getting when you bought a record on the label, even if you didn't know the names on the outside of the cover. "Don't Look Back" is an album led by American saxophonist Harold Vick recorded in 1974 and released in the wake of Harold Vick's recovery from a heart attack, which may partially explain the passion with which he …
Vibes From The Tribe
Phil Ranelin was a session trombonist recording with the likes of Steve Wonder before setting up the Tribe label with Wendell Harrison in Detroit. Like other contemporary artist run labels like Strata East and Black Jazz, Tribe releases were characterised by a heady mix of post Coltrane free jazz, soul and funk, all informed by a strong political conscience. Vibes From the Tribe is a fine record. The title track is lusciously, greasily funky and stands in pretty stark contrast to the kind of air…
Ed Kelly & Friend
In 1978 Pharoah Sanders went into the studio with pianist, Ed Kelly, who was an important figure in the local San Francisco and Oakland jazz scene. The two of them recorded six tracks which ranged from covers of standards, through soul jazz through to two real gems. The album was originally released as Ed Kelly and Friend due to Pharoah being contracted to Arista Records at the time. Indeed, as you can see, the cover shows Kelly playing next to Pharoah’s hat, shoes and Selmer tenor saxophone.
Ra…
Zodiac
The third volume in Strata East's Series, and a hard to find recording by the great baritone saxophonist Cecil Payne! Although Payne had his roots in earlier bop material, by the time of this recording, he'd emerged as an outspoken modernist – although few labels would give him the chance to prove himself in this respect – save for the legendary Strata East imprint, which gives Payne this chance to show a whole new side of his talents! The group is a perfect one to bridge the generations – with …
Live at The Loosdrecht Jazz Festival
Charles Tolliver began his professional career and simultaneously his recording debut with the saxophone giant Jackie McLean on Blue Note Records in 1964. Since then he has become one of the all-time preeminent trumpeters in Jazz as well as one of its most gifted composer / arranger bandleaders. He is also a Grammy nominated recipient for his Blue Note Records recording With Love.With a career that has spanned five decades he has recorded and/or performed with such renowned artists as Roy Haynes…
Dyspnea (parts I-IX)
Limited edition of 100 copies. "Here are two new releases by Manuel Mota, our man on the guitar and as before, he presents one disc with the music of his own making and one in collaboration with another musician. In this case that is Giovanni di Domenico. He plays the Fender Rhodes. I believe he is from Brussels, which is also where this CD was recorded, at the Theatre La Balsamine. This was for me a good moment to look at what the Fender Rhodes is, having only a vague notion. I would have calle…
October 24, 1975
**Tape Limited Edition to 100 numbered copies ** A few months after the release of the legendary Strumming in 1974, Charlemagne Palestine gave a masterful and powerful 56 minutes performance in Antwerp in an exciting concert series. With the work and the precious help of M KHA and Lotte Beckwé, we were able to find this recording. We are pleased to offer you this unreleased performance on cassette and CD
Exploratory I and II
**Edition of 300, six-pages digisleeve CD** Matiere Memoire has the honor to present to you the new masterful work of Phill Niblock: Exploratory. One of the most beautiful and powerful works that Phill Niblock has ever offered to us! Phill reinvents and probes the oceans of drone music possibilities deeper than ever. This piece has been performed and recorded for over a year by many great musicians around the world, under the supervision and direction of Phill. Arditti String Quartet, David Wats…
Racines
Annie Mahtani (UK, 1981) is an electroacoustic composer, sound artist and performer working and living in Birmingham (UK). She studied with Jonty Harrison at master’s and doctoral level at the University of Birmingham, completing her PhD in 2008. Her output encompasses electronic music composition from acousmatic music to free improvisation. As a collaborator, Annie Mahtani has worked extensively with dance and theatre, and on site-specific installations. With a strong interest in field recordin…
Paris Quotidien (CD+booklet)
For two years, Eric La Casa has been recording the urban sonic environment of Paris from the windows of his own apartment. Between a temporary inventory and a musical documentary, Paris Quotidien is the result of this long experiment. Includes a 60-page documentation booklet with photographs.