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Soon over Babaluma
With Suzuki departed, vocal responsibilities were now split between Michael Karoli and Irmin Schmidt. Wisely, neither try to clone Mooney or Suzuki, instead aiming for their own low-key way around things. The guitarist half speaks/half whispers his lines on the opening groover, "Dizzy Dizzy," while on "Come Sta, La Luna" Schmidt uses a higher pitch that is mostly buried in the background. Holger Czukay sounds like he's throwing in some odd movie samples on that particular track, though perhaps i…
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"In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '90s, noise arti…
Straight From the Gate
**2019 stock, reduced price** The Headhunters' Straight From the Gate was their second album and was released in 1977. Originally started as a jazz-fusion band fronted by Herbie Hancock, members Paul Jackson, Bennie Maupin, Michael Clark, Paul Potyen, Derrick Youman and Obsidion Blackbiyrd delved further into jazz-rock and fusion sounds and recorded the album at The Automatt studios in San Francisco. The Headhunters use a wide range of instruments. From the electric piano, to tenor and soprano s…
Japanese Ambient, Environmental & New Age Music 1980-90
Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi…
Metalvelodrome
**500 copies** Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Just as Schwitters attacked the entrenched artistic traditions of his time with his revolutionary avant-garde collages, so too would Akita challenge the contemporary con…
Soundtracks
Soundtracks is a compilation album, first released in 1970, consisting of tracks written for film. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, to be replaced by new member Damo Suzuki. "She Brings the Rain", originally appearing in the 1969 film Bottom – Ein großer, graublauer Vogel by Thomas Schamoni, was later featured in Wim Wenders' 1994 film Lisbon Story, the 2000 Oskar Roehler film Die Unberührbare and Tran Anh Hung's film Norwegia…
Achwghâ Ney Wodei
**300 copies** Achwghâ Ney Wodei was a quartet of François Boitière (drums, keyboards, vocals), Didier ‘Higgins’ Copp (bass, percussion, vocals), Eric ‘Riton’ Sterenfield (guitar, keyboards, percussion, vocals) and Phillippe ‘Wodi’ Royer (percussion, trumpet, bass, vocals). They released a cassette for the French label V.I.S.A. and later, in 1987, a triple 12″ for New International Recordings, a short-lived label by Simon Crab, of Bourbonese Qualk (maybe that should serve as an explanation?). Th…
Levende Opjekten Sjooo
Limited color vinyl, edition of 100. Once more the Netherlands proves to be fertile ground for adventurous sonic explorations defiantly untainted from outside influences. The Levende Opjekten Sjooo (L.O.S.) was developed by Artist Hans Frisch, who had made a name for himself as a painter by dripping black car paint on white formica panels, calling this: Clean Art. His next project involved a set with moving statues and music. The statues were actually naked dancers hidden between layers of linne…
To Petrarca
To Petrarca is a book and CD set, consisting of a sound diary, an original sound piece culled from Jonas Mekas' personal archives, originally broadcast on radio France Culture on June 29th, 2003. It is expanded in the accompanying book by his personal drawings, photos and correspondence. In this work, Jonas Mekas offers us images and sounds following a structure similar to his pioneering film diaries.
Each Day Moon Tide
**300 copies** Oltrarno Recordings presents the latest work from Fabio Orsi: Each Day Moon Tide. What seems an endless repetition of day and night, slowly transforms into something new, as Fabio's musical approach is turning to a different magnetic pull. On Side A we find Moon, a 16 minutes of trance dedicated to the relationship between the moon and our mother earth. On Side B Each reminds us the need to accept recurrent patterns, then, time can stretch out and new spaces can come in; Tide and …
Naldjorlak I, II, III
2018 much-needed repress, reduced price! The Naldjorlak trilogy composed between 2004 and 2009. 'Naldjorlak I' for cello. Charles Curtis. 'Naldjorlak II' for two basset horn. Carol Robinson and Bruno Martinez. 'Naldjorlak III' for two basset horn and cello. Carol Robinson, Bruno Martinez and Charles Curtis. Recorded in Paris, June and September 2011 by Daniel Deshays. The recording of 'Naldjorlak I' is diofferent from the first one issued by the label. 'There is no score of Naldjorak and never w…
Musica Nova Contemplativa
** Edition of 300 LP on black vinyl. Audiophile pressing. Including printed inner sleeve housing a Nagaoka anti-static record sleeve, plus an original insert that functions as Obi. Surely one of the finest Blume reissues to date and represents the uncovering of a genuine lost gem.** Joining their broad efforts in building networks of context and understanding, spanning historical and contemporary territories of adventurous sound, Blume Editions is thrilled to announce the long awaited return of …
Tara's Room + Sounding Way
It’s impossible to do the legacy of Pauline Oliveros justice. From her earliest tape works during the late 1950s and her emergence into the public eye as a founding member of The San Francisco Tape Music Center during the early 60s, until her passing in 2016, she was one of the great pioneering voices in among the American musical avant-garde, ultimately becoming its grande dame. There was, and will never be, anyone quite like her. Over the last decade, we’ve been fortunate to witness a growing …
28 rue Dunois, juillet 1982
Awesome collective improvisation. "The fundamental tension between freely improvised music’s momentary existence in performance and the monumentalizing impact of media becomes more nuanced with each new delivery system. While MP3 files lack the totemic mass of box sets of discs, they nevertheless have a compensating spectral power. The rise of the archival recording compounds this tension, particularly when one is proffered to be the long-missing puzzle piece that completes the picture of how an…
Angouleme 18 mai 1980
Recorded live at a crucial period of its existence, this Angouleme May 18, 1980 is a splendid testimony of the Willem Breuker Kollektief, a flagship of the new European jazz orchestra. Founded in 1974 to set to music the musical and social ideas Willem Breuker, the WBK brought together musicians that were somehow his students, and he had leverage their individual qualities although initially many of them were not properly improvisers as could be colleagues such as Bennink, Mengelberg, Maarten A…
No Sub Reino Dos Metazoários
**Lucky restock, few copies in, totally sold-out at source** Another incredibly original album from the Solar/Rozenblit catalogue, this features the fabulous trio of Lula Cortes, Marconi Notaro and Ramalho. With Lula Cortes at the controls, writing, playing and illustrating the album cover. Soon after recording the classic album ‘Satwa’ (MRBLP083), Lula was back in the same Recife studio with his friend, the cult poet and writer Marconi Notaro to lay down another equally magical album.This joyou…
Bacchanal
Gabor Szabo was at his creative peak at the end of the 60s, when he recorded his masterpiece “Bacchanal”. Szabo’s 60s quintet, featuring guitarist Jimmy Stewart, is on top form here with another of his unique collections of both jazz and pop hits. His restrained use of feedback at just the right moments shows Szabo was willing to open up to new sounds yet he keeps a tight grip on his signature sound throughout these eight cuts.
Somi
Somi is the new full-length from Taylor Deupree following 2014’s Faint (12k1073/12k2025). The release comes packaged as a CD inside a 20-page hardbound book of Deupree’s photographs that inspired the creation of the music. For the music, made with a small number of instruments (electric piano, glockenspiel, DX7, handheld cassette recorder) Deupree originally set out to create a follow-up to his classic album Stil.. Steeped in subtle repetition and soft electronic sound, Stil. explored themes of …
The Full Circle
**2019 stock, reduced price** The Full Circle is very similar to the eponymous debut album by Forest, but does take things a little further. The music still hovers around the late 60s folk somewhere around Fairport Convention and Incredible String Band but almost without percussions. Forest were an English psychedelic-folk trio who formed in Grimsby, Lincolnshire, in 1966. They started out performing unaccompanied traditional folk music in a similar vein to contemporaries The Watersons and The Y…
Live At Royal Albert Hall, London 13th August 1970
Classic Soft Machine performing live at the prestigious Royal Albert Hall, right after the release of the milestone Third on CBS. Classic line up with Hugh Hopper (bass), Mike Ratledge (keyboards), Robert Wyatt (vocals / drums) and very special guest Elton Dean on alto saxophone and saxello. Canterbury goes to heaven!