Back in stock
September and December
killer retrospective LP with earliest recordings by American electronic music wizard Chris Hanzsek. Originally recorded in 1985. Chris: "The pieces were created as structured improvisations using a monophonic synth (primarily) along with a Yamaha DX7 (borrowed from a friend) and possibly a guitar. Recording was made on an older Otari MX-5050 1/2” 8 track. Mixing was done on a Tascam M-50 console and a Revox A77 1/4” machine. I recall the project happened in two bursts: I did half of it in S…
Starless and Bible Black
"Starless and Bible Black is the eighth in a series of audiophile King Crimson vinyl reissues and completes the availability of the band's studio output from 1969/74 on 200g vinyl editions. Newly cut from masters approved by Robert Fripp, this super-heavyweight vinyl re-issue is housed in a reprint of the original gatefold sleeve. Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring…
Elektronische Mythen (Lp=
Jürgen Karg began his music career in the 1960s as a bassist for German jazz legend Wolfgang Dauner. It was not until the 1970s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five-year period. His efforts culminated in the 1977 Elektronische Mythen LP, a mighty opus of experimental music that reveals new aspects every time it is played. This is its first reissue. The tech…
Música Eletrônica
Originally released in 1975, “Música Eletrônica” is considered the first electro-acoustic / electronic album made in Brazil. It features tracks recorded between 1962 and 1970 by avant-garde / electronic music pioneer Jorge Antunes. Early electronic oscillations, white noise, feedback, loops, tape manipulation, treated vocals and proto-minimalism / sampling / glitches… Mandatory to anyone into Pierre Henry, Iannis Xenakis, Pierre Schaeffer, Ralph Lundsten, Louis & Bebe Baron, Ihlan Mimarog…
Rite Time
'Rite Time’ was originally released in 1986 and has been evaluated as one of the classic Can albums. "An unexpected reunion from Can (made even more unexpected by the presence of original singer Malcolm Mooney, who left the band in 1969), 1989's Rite Time is in large part a return to form for the group, especially when one considers how weak Can's last few '70s albums were. Wisely, the quintet doesn't try to replicate the sound they created over two decades before on albums like Monster Movie. I…
Si puo' essere piu' bastardi dell'ispettore Cliff?
Previously unreleased complete edition for this explosive jazz-funk score by Italian maestro Riz Ortolani, written in 1973 for the poliziotteschi film, “Si può essere più bastardi dell'ispettore Cliff?” (also known as “Mafia Junction”).Only two tracks from this soundtrack were ever released, and as a result is now an extremely rare and sought-after C.A.M. 7" - but that was enough to create the legend... Four Flies Records is honored to have been granted access to the original C.A.M. mas…
Les Légendes de Brocéliande
Camisole Records is delighted to annonce the reissue of Serge Bulot sought after LP « Les Légendes de Brocéliande ». Composed equally with synthesizers, organic instruments and percussions in 1980-1981 this album navigates between ambient, leftfield and electronic jazz. From the mesmerizing ”Euryale” to the contemplative ”Échos” each pieces of this album evocates differents stories and legends of Britany.The result is a collection of captivating and ethereal tracks making it the perfect soundsca…
The Forest, The People And The Spirits
Originally released as a limited tape in 2015. This vinyl reissue of O Morto's (aka Mestre André) immersive electronic tryptic piece dedicated to the Ba'Aka people and its spirits is remastered here on green vinyl . Albeit, his music is now closer to a soundscape composition approach, O Morto actually started as a free improv/noise project in 2012. However, after releasing his debut Memento Mori (2012), O Morto slowly began to drift away from the harshest soundscapes to seek a new directi…
Piano Sublimation
Piano Sublimation combines sound, graphics, video and sculpture in multidisciplinary installations. A grand piano by Ehrbar built around 1860, functions as the common starting object, which was then cut into 5 pieces. The piano represents the initial point of departure for a constructive exchange of progressive translations in contemporary graphics, objects and sound. Blank cover edition of 120 copies.
A collaboration-project between the austrian composer and musician Juun and the visual arti…
The Rules Of The Game: Original Studio Recordings (1978-1996)
Into the Light Records continue to shine light on the undiscovered heritage of Greek electronic music, highlighting the work of prolific Greek composer George Theodorakis on the label's third archival release. "The Rules of the Game" features mostly unreleased studio recordings Theodorakis made between 1978 and 1996, with the addition of selected material taken from his sought-after 'Margo' and 'Sima' LPs.. George Theodorakis is the son of legendary Greek composer Mikis Theodorakis. Unlike…
Tandem (remastered) (1979/82)
"All of two exceptional Worcester (Massachusetts) and Los Angeles concerts: clarinet and cornet duos and solos in improvisations on original compositions. Even those who know Carter and Bradford's work in larger groups will be astounded. The original CDs were the first (non-video) release of this duo performing unaccompanied, and the sound has been cleaned up considerably for this double CD set."-Emanem
Archiduc Concert : Dansaert Variations
Paul Hubweber, trombone. Philip Zoubek, prepared piano. The whole of a duo concert on trombone and prepared piano, recorded at L'Archiduc in Brussels - a bar whose art deco interior is featured on the cover. This is the second CD by this duo following on from the highly acclaimed Nobody's matter but our own on NurNichtNur. Both musicians are now amongst the freshest exponents of their respective instruments, and they interact with each other superbly.
Solo 1975-1980 (art edition)
Edition of 50 copie, in handmade sleeves. Sidestepping all normal expectations on this album, Ju Suk Reet Meate (founding member of Smegma) directly goes about casting musical spells, utilizing primitive "inner mind" techniques on hammered dulcimer, tape loops, thrift store records, a homemade synthesizer, electric guitar, saxophone, mouth sounds, and manipulated christian radio broadcasts. Recorded in Portland, Oregon, these previously unreleased recordings reflect a similar "inner-mind o…
More Circles
Restocked. In the late 1970s and through the 1980s there was a lot happening on the German "post Krautrock underground" that few people knew about, lots of independent artists doing their own thing, either via small labels or doing it themselves. Circles were one of these bands. Based on the Frankfurt suburbs, they consisted of the multi-instrumental duo of Dierk Leitert (synthesizer, sequencer, drums, bass, guitar, voice, saxophone, flute) and Mike Bohrmann (guitars, bass, synthesizer) plus a f…
Nothing Is Real
Each of the piano pieces assembled here is a gemstone in its own right; even so, it is their arrangement side by side that makes this album a unique experience. ...The outstanding pianist Marino Formenti begins his journey with Beat Furrer's Voicelessness – The Snow has no Voice (1986), a piece reminiscent of Debussy's Des pas sur la neige and depicting the same profound hopelessness. John Cage's Music Walk (1958), "for one or more pianists who also play radios and produce auxiliary sounds by si…
Contrapt
John Wall and Mark Durgan return after a lengthy absence with Contrapt. On Contrapt, they've created a fractured sound world woven together from improvisations that took place in the Utterpsalm Studio in London between 2012-15. The seven tracks on Contrapt are an attempt at imposing order, structure, and "expression" without meaning or intention, onto a huge amount of heavily edited sonic material.
Texas Oil Songs
Country singer and disc jockey Slim Willet’s ode to tool-pushin’! Texas Oil Patch Songs was issued in 1959 by the artist on his own Winston label, and now is an impossibly-rare LP to dig up—and this Modern Harmonic edition is faithful to the original, including all twelve tracks, liner notes, and restored artwork! And on petro-blue vinyl!
"Ahh… the “Concept Album”…Critics write of Sinatra’s In The Wee Small Hours…or of groundbreaking 60’s rock opera opuses…but while the big studios set the …
I Don't Remember Now / I Don't Want To Talk About It
Very necessary reissue of the minimal wave holy grail: John Bender’s self-released debut.
Church Of Anthrax
2022 small repress. Terry Riley (piano, organ, soprano saxophone) & John Cale (bass, harpsichord, piano, guitar, viola, organ) collaborated on this one-off album, released in 1970. At this time, rock music was a serious movement, removed from the joke it once was, quite unaware of the joke it would eventually become, and things like this sometimes happened. Cale, classically trained on the viola, must have been pretty pleased to get a shot to record with the '60s king of minimalist pulse, Terry …
Tomorrow Was The Golden Age
'Tomorrow Was the Golden Age' is an unmistakably gorgeous and refreshing suite of microtonal minimalist composition by New York-based ensemble, Bing & Ruth. Helmed by writer, conductor and lead pianist, David Moore, and supported by two upright bassists, two clarinetists, a cellist and a tape delay tech, Bing & Ruth genuinely sweep us off somewhere sublime without recourse to overblown conceit or cliche - something all too prevalent and cloying in today's neo-classical quarters. Their …