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*100 copies limited edition* Japanese musician Yutaka Tanaka released his works under the name S-Core. Early works are all cassette albums he put out on his own cassette label Afflict Records, many of those were recorded via mail collaboration with many sound artists from international underground scene, such as Stefano Biasin (Italy), Telepherique and Trigger B (Germany), Merzbow (Japan), Al Margolis/If, Bwana (USA), Rafael Flores (Spain).
Tip! The Durutti Column are proud to revisit “Vini Reilly”, a release originally issued in 1989—a heartfelt homage to the legendary sound and creative imagination of Vini Reilly. The record distills atmosphere, elegance, and emotional clarity into music that feels both timeless and deeply personal.
Across “Vini Reilly,” the album captures the essence of Vini’s distinctive musical language: shimmering guitar textures, luminous melodic shapes, and a sense of space that invites the listener to slow…
Remastered LP edition. Finally back in print! Originally released by EMI's Pathé Marconi imprint in 1969, People in Sorrow — a 40-minute work by the four-piece lineup of Roscoe Mitchell, Joseph Jarman, Lester Bowie, and Malachi Favors — has long been unavailable on vinyl and CD, and then only in hard-to-find European and Japanese issues. It is arguably the finest and most ambitious of the 14 studio albums recorded by the Art Ensemble of Chicago during their 23-month sojourn in France, which laun…
Originally released in 1980 and long regarded as one of the most avant‑garde statements of its era, Hansten Klork captures Metabolist at the intersection of post‑punk restlessness and uncompromising experimentalism. The album’s stark textures, motoric rhythms, and hypnotic minimalism reveal a band equally indebted to kraut‑rock repetition, post‑industrial atmospheres, and the austere clarity of minimalism—creating a distinct, unsettling sound that still sounds contemporary today.
This reissue re…
"Turn the card and follow your destiny into a dreamscape of vintage magic. Fortune Teller is a deck stacked with analogue glamour and midnight omens where fuzz and mysticism collide. But who is the mysterious Empress? Some say she’s a soothsayer of sound whose grooves are eternal. Others say she’s a front for instrumental masterminds Paul Osborne of Project Gemini and Paul Elliott of Pleasurewood, paying homage to library labels like Sonoton, MP 2000 and CAM. No matter the truth, this is an albu…
Lindwurm were formed in 1972 in Uelzen and played a somewhat rough-edged progressive rock. The reference to Hanover, which you sometimes come across, is not accurate. Nor should they be confused with the jazz-rock group of the same name from Jork-Moorende on the Lower Elbe (LP Im Windschatten, 1981). In 1976, the much-loved Lindwurm singer and guitarist Klaus Arndt was struck by a car on the motorway and killed. The band dissolved immediately and, in his memory, released an LP that is now pricel…
Walter Fähndrich's album "Viola" is a beautiful and captivating collection of works for the viola. Fähndrich's skills as a violist are on full display as he expertly navigates through a variety of pieces, showcasing the instrument's rich and versatile sound. From hauntingly melancholic melodies to lively and energetic compositions, "Viola" takes listeners on a journey through a range of emotions. Fähndrich's impeccable technique and emotional depth make this album a must-listen for any classical…
"In November 2024 (for reasons that we all understand) I recharged the meaning and value of my commitment to play Free Music many years ago. Everyday since I’ve been guided by its inherent support for the rights of all people, non-violence, peace, equitable, moral, ethical justice for everyone, the health of the planet, and the certainty that music might comfort us, enlighten us and even elevate our thinking. The current criminal world spectacle requires billions of individual and collective cou…
Huge Tip! A long-overdue return to one of the most singular moments in Nurse With Wound's sprawling discography. Originally issued in 1994, Rock 'n' Roll Station marked a turning point - the album where Steven Stapleton's decades-long engagement with collage, musique concrète, and the outer limits of post-industrial sound first met the hypnotic, rhythm-driven studio sensibility of Colin Potter. What began as a request to rework some of the more percussive sections of 1992's Thunder Perfect Mind …
John Paul Bohon's Terlingua is teeming with electronic life, a record that quite literally synthesizes the veteran musician and engineer's tactile approach to sound and has resulted in a mind-expanding work possessing impossible warmth. Terlingua is equally reminiscent of the languid, electronics-focused psych of legendary forebears like Cluster and Can alongside the ecstatic sprawl of contemporaries like Bitchin Bajas and Kaitlin Aurelia Smith. Bohon constructs entire worlds on these seven trac…
2026 stock. Sold out at source, very last copies around. The record is accompanied by a 24-page booklet illustrated with Knud Viktor’s photos, as well as an extensive essay. Only a few weeks ago, with their incredible 10", rescueing long lost works by the artists, Lene Adler Petersen, we were singing the praises of the Institute for Danish Sound Archaeology, one of our favorite imprints in the contemporary landscape of sound. Over the last couple of years, with an array of releases by Knud Vikto…
The Surface Mutants were a Sheffield band active between 1979 and 1982. Over these four years, the following people played with the band: Richard Parrot (Sweet Exorcist, Funky Worm), Nort Tron (Hula, Yonni), Pete Brennan, Nigel Manning, Angie Birkett, Christine Parker, Kent Roach, Ian (Beats) Beatty, Henry Fordham, Andy Price, Reverend J Oram and Sim Lister (Chakk). They released only two EPs during their existence: You Take Me Somewhere Strange on Rock Steady Records, engineered by Cabaret Volt…
The eighth episode of the Voyage Through The Deep '80s Underground In Italy. Almost a couple of years in the making, this is a truly attempt to describe what happened in Emilia Romagna in the '80s. As for the other collections of the 391 series, forget the term "best of", this is an outstanding compilation, a hidden history finally revealed.
A series of bands long forgotten plus a handful of future underground stars, all in all a necessary path to join with the socio-political clutches of the l…
The seventh episode of the Voyage Through The Deep '80s Underground In Italy. Almost a couple of years in the making, this is a truly attempt to describe what happened in Emilia Romagna in the '80s. As for the other collections of the 391 series, forget the term "best of", this is an outstanding compilation, a hidden history finally revealed. A series of bands long forgotten plus a handful of future underground stars, all in all a necessary path to join with the socio-political clutches of the l…
"391 Vol. 6: Veneto Voyage Through The Deep 80s Underground In Italy is the sixth stage of Spittle's series Journey Through The Italian Underground. It is the product of a year-and-a-half of work, of research, tapes, rustles, and distortions, trying to describe what happened in Veneto in the '80s. As with the other 391 Series compilations, this is not a "best of" but an inclusive compilation with both forgotten groups and unreleased material from essential pieces of the Italian post-punk history…
Spittle Records presents 391 Vol. 4: Umbria - Voyage Through The Deep 80s Underground In Italy. The 391 project was born in 1983 from the desire of two troubled teenagers, from a boring provincial town, Ascoli Piceno, to give life and form to a series of compilations on tape, a picture of the Italian music underground. The name choice was intended as a tribute to the homonymous magazine of Dadaist New York, drawn by painter and poet Francis Picabia. The intent was to geographically organize the …
Vol. 3: Toscana (SPITTLE 1002CD)
The 391 project was born in 1983 from the desire of two troubled teenagers from the boring provincial town of Ascoli Piceno, Italy, to give life and form to a series of tape compilations portraying the Italian music underground. The name choice was intended as a tribute Dadaist Francis Picabia's magazine of the same name. The intent was to geographically organize the musical material, probing the new wave and post-punk groups region by region. A mapping of Italy'…
Since the turn of this century, perhaps no other modern composition has had a more resonant healing effect than The Disintegration Loops. Composer William Basinski’s deteriorating analog tape loops evolved from melodic symphonies to melancholic silence over a span of time that uncannily turned passing minutes into pensive lifetimes. In her foreword for the new box set reissue of The Disintegration Loops, the pioneering multimedia storyteller, Laurie Anderson, describes the impact of this transfo…
3/3 is best known as the precursor to Friction, one of the most influential bands in the history of Japanese rock. Despite the fact that their only album was originally selfproduced in 1975 in an extremely limited run of just ten copies, it has since come to be recognized as one of the most important and legendary recordings in Japanese rock history. For decades, the full scope of the album remained shrouded in mystery until P-Vine reissued it on CD in 2007, finally bringing this elusive recordi…