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*300 copies limited edition* First released in 2012 on Japanese label Youth Inc. as a 10xCD Box and long time sold out. After 13 years this completely re-mastered Super-Merz-Sonik album is finally going to be re-released on OEC!
The Merzphysics set features previously unreleased recordings from 1993 to 1995, focusing on pure noise made before the introduction of synthesizers and other electronic instruments. The noise is described as being linked to grindcore, having a sense of speed, and was re…
Long-time collaborators and legends of the British improvised music scene, the great saxophone virtuoso John Butcher and the master of the double bass John Edwards, join forces in a duet journey through a fascinating land of sounds, sometimes undiscovered, sometimes impossible, and always breathtaking.
300 copies limited edition Second CD album (after the "Sutcliffe Jugend - Masks" / 2016) out on OEC by the UK masters! Very "old school Industrial" & a very "Sutcliffe Jugend" sounding album!Two wasps microphone feedback and Paul’s noise generator. Suitably fucked up!
*2024 stock* The cliffhanger collaboration by Masataka Fujikake and Takeharu Hayakawa, which has been going on since 2007, is now complete with a live performance of the May 2011 session with Jim O'Rourke as a guest. The trio's bold arrangements are a powerful work centered on a solitary guitar sound that only Jim O'Rourke could express.
“Allonsanfàn” is a 1974 historical film written and directed by Paolo and Vittorio Taviani; set in 1816 in Italy during the Restoration period, its cast features, among others, Marcello Mastroianni, Lea Massari, Laura Betti and Mimsy Farmer.
“Allonsanfàn” is the first collaboration between the two directors and Morricone, who would also compose the music for the film “Il prato” (The Meadow, 1979). The soundtrack starts with a main marching theme, “Rabbia e tarantella”, introduced by the piano an…
* Deluxe Hardcover Triple-Gatefold 3xLP. Gold Vinyl, sold-out at source * In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating ps…
Recorded at the concert hall of the Jasielski Dom Kultury (Jaslo Cultural Centre) in southern Poland on the 15th of May 2010."It is given to very few artists to have created a language entirely their own, but that is what AMM has done over the years, in various line-ups and configurations, with Eddie Prévost on drums as the only unifying element since 1965, and with John Tilbury on piano for the last two decades, here with just the two of them. You may like them or not, but they have made histor…
A beautiful 3-CD set with a hardcover book presenting 3 full concerts from 2015 & 2016 of the AMM trio configuration of John Tilbury (piano), Keith Rowe (guitar) and Eddie Prevost (percussion). The 70 page book, dedicated to saxophonist Lou Gare, includes an AMM discography, plus photos, an essays by Paige Mitchell and Allen Fisher; Keith Rowe; Eddie Prevost; and Lou Gare.
The complete Triple Echo series in one set: three CDs of Jojo Hiroshige's drone project, a concept the King of Noise carried for thirty years. From a single sustained guitar note he draws three subtly shifting tones, minimalist feedback held until the ear loses its bearings. On Alchemy.
In celebration of The Infinite Mix, The Vinyl Factory releases the soundtrack to Cameron Jamie's ‘Massage The History’ by Sonic Youth. Cameron Jamie has described his films as ‘a way to visit hidden worlds within our world.’ In Massage the History, the artist combines footage of young men in Alabama performing an erotically charged, provocative dance with living-room furniture in middle-class homes, with found footage of violent or surreal events filmed in anonymous American suburbs. In the…
At its best Feldman's music can take our breath away, providing a revelatory experience, a transparency which has no need of argument. Thinking back to Piano and String Quartet there are moments of extraordinary beauty when, through a sudden change of register, darkness enshrouds the music; elsewhere the string sound enshrouds the piano arpeggios. Morton Feldman seems to occupy a metaphysical space and encroaches on the domain of spirituality normally associated with religion. Thus art w…
Active since the mid-1960s, England's AMM have become an icon of the free improvisational movement. In the spring of 2004, due to personal and philosophical disagreements, Keith Rowe suspended his involvement with AMM, an association that went back to his role as founding member in 1965 (albeit with an almost decade-long disenfranchisement through the '70s). The remaining members, percussionist Eddie Prévost and pianist John Tilbury, elected to continue on as AMM, and this their latest effort. T…
The 2nd volume of "Music for Piano and Strings" by Morton Feldman is performed by The Smith Quartet with John Tilbury, presenting "Patterns In a Chromatic Field", and "Piano, violin, Viola, Cello", on DVD audio to allow for the length of these large works
Several lifetimes ago, when I was nineteen, I was interviewed by Wilfrid Mellers for a place at York University. That I failed to win a place may have been due in part to the confinement of our discussions to the music of Morton Feldman. Wilfr…
AMM's performance at the 2009 Freedom of the City Festival with AMM regular members Eddie Prevost and John Tilbury extended with John Butcher, Chritian Wolff and Ute Kanngiesser. "[...] Certainly in places this sounds like AMM through and through. When Prévost and Tilbury are working together it really cannot be anything else. I find myself hearing the connections between these two musicians through everything else, no matter what other sounds are there to be heard. There are the little climaxes…
The Smith Quartet with pianist John Tilbury perform two long works by Morton Feldman: "For John Cage" (1982) and "Piano and String Quartet" (1985) on DVD Audio. Several lifetimes ago, when I was nineteen, I was interviewed by Wilfrid Mellers for a place at York University. That I failed to win a place may have been due in part to the confinement of our discussions to the music of Morton Feldman. Wilfrid (a friend of Feldman's and, in later years, a friend of mine) saw Debussy as a powerful influ…
Norwich, recorded in February, 2005, at the School of Music, University of East Anglia, presents the current two-member AMM of Prévost and Tilbury ” the third two-man version of the group (Prévost played as AMM with saxophonist Lou Gare and then Rowe in the 1970s). Rowe's departure is a tremendous shift, of course, both for his extraordinary sonic resourcefulness and his sometimes abrasive electronics (including his use of random or found verbal and musical messages). However, it is much more im…
** Restocked, reduced price** This double CD version of The Crypt - 12th June 1968 is the third edition of this recording and contains all the material that was recorded at the session in question. The fades are at places where the tapes ran out. So there was some music that escaped into the ether. The earlier vinyl pressings limited the amount of material that could be published. And to be honest, after such a long time, we had forgotten about the material excluded hitherto.Despite being (argua…
AMM and their CDs have an almost comfortable familiarity. The trio's personnel has remained fundamentally the same since the early '80s when pianist John Tilbury joined the remaining founders, drummer Eddie Prévost and guitarist Keith Rowe. Every two or three years they release a CD, usually a single uninterrupted improvisation, about an hour in length, taped in performance. The only way in which these two CDs tamper with that practice is that they were both released in 2001. 'Tunes Without Meas…
Monumental reissue of Lucier's four-part investigation into acoustic interference. Musicians sustain tones against fixed sine waves, creating audible beat patterns that reveal the hidden architecture of sound itself
On her sophomore album Pancake Moon, Michiko Ogawa crafts a liminal soundworld suspended between darkness and light, fusing sho, piano, and synthesizers into reflections on memory, loss, and renewal. Released in late 2025 by Futura Resistenza, the record drifts through introspective layers and subtle textures, inviting listeners into an immersive experience that is at once deeply personal and quietly radiant.