Best sellers
Issue 82 (Magazine)
40 page magazine printed as an edition of 50 copies. Absolutely full with articles and reviews. See image 2 for contents. A great collector's item.
cover article: Captain Flapattak - French underground todayplus: Don Falcone (Spirits Burning) interview, Flasket Brinner - Scandinavian fusion legends 9, Mange Ferraille, Intermodulation (1970s avant-garde ensemble): Unlikely Connections, Choice French label classics: Atem, The Dr Space / ØSC & co. Sector, labels: Whitelabrecs, ReR Megacorp, PQR-Dis…
Place Kick
Spittle Records reissues Chance Operation’s 1985 debut “Place Kick,” a genre-defying mix of post-punk, funk, and jazz, now on vinyl for the first time—restoring a vital underground classic for new audiences.
Golden Showers / Catastrophe of the Infinite Regress
Crazy 7" by NYC's freaks Peeesseye! On Evolving Ear.
Great Star Theater, San Francisco
Joëlle Léandre and Lauren Newton have been performing together for nearly 30 years, having met in the mid-1990s in Paris. Throughout that time, they have always favored exploring the textures of music that are not arranged conventionally but rather are scattered, diffused, and dispersed through layers of sound. The voice’s high notes forge a variety of color fragments, while the low notes of the double bass create substance and depth. These two components remain inseparable as the sound settles …
Decoy Street
Temporary Super Offer! Cube is the prolific and chimeric nom de plume of one Adam Keith, formidable tape experimentalist and artist / abraser currently operating in Oakland, California's vibrant subterranea. After countless cassette releases, 2016's well-received My Cube LP and a tenure in no-wave faction Mansion, Keith reaffirms Cube's pledge with Decoy Street – his second album and the most developed work he has made under any guise to date. Opener "In This House" serves as the ideal introduc…
And Then There Were Three
*Limited edition of 500 copies.* Michael Chapman - a hero in his own right, a "Fully Qualified Survivor" (to borrow the title of one of his most successful creations). For over five decades, the guitarist, singer, and songwriter carved his own path through British folk, blues, jazz, and avant-garde territories, refusing easy categorization and outlasting countless trends. And Then There Were Three captures him at a pivotal moment: 1977, stripped down to essential elements, backed by a powerhouse…
Schleifen
**280 copies, 2026 stock** A publication for the exhibition Schleifen – November 10-24, 2016 – at «Kassette.für projekte» in Zurich, Switzerland. Book has 52 pages, 30 drawings, size A5 (148 x 210 mm), includes Audio CD. Cover: digital printing on black paper (Outside: white, Inside: varnish). Content: offset printing (silver mixed with black).
Kientzy plays Johnson
In Kientzy Loops, the accompanying loop is a mix of six alto saxophones played in continuous blowing, while the principal lines are played on alto saxophone, except for the third section, played on baritone. The piece, premiered at the auditorium of the ADAC in Paris, was awarded a French national prize in the Victoires de la musique as the best piece of contemporary music for the year 2000. We are indebted to our friend Marc Chemillier for La Tortue de mer. As a mathematician Chemillier became …
Embrace 2: Chains and Grain
On Embrace 2: Chains and Grain, Polwechsel distil their chamber‑improv logic into a score grown from their own playing: a tense, breathing matrix of repeated figures, frayed textures and in‑the‑moment reactions that is rebuilt afresh every time it’s performed.
Adjustable Phase
Adjustable Face, the newly formed duo of Milan-based musicians Marco Paltrinieri (Canti Magnetici, Granny Records) and Matteo Pennesi (Babau, Artetetra, {scope}), explores the intersection of glitch, ambient, and computer music through different composition and production strategies.
Their debut album "Adjustable Phase", soon-to-be-released via Kohlhaas, was built through a process of editing, reassembling, and refining extended improvisation sessions recorded throughout 2024. Primarily based on…
Already in Heaven
*Edition of 100* K/S/R (Ben Kujawski, Abigail Smith & Justin Rhody) have been performing and recording together since 2022. Recorded by the band themselves during a full week of day-long sessions - violin, percussion, lap steel, accordion, flute, guitar, harmonica, and rhodes piano were each stretched, damaged & made to sing through various extended techniques. The trio's non-concentric approach to collective improvisation mirrors the dark harmonic density and symbiotic formal structures of the …
Ingram Marshall: A Personal and Musical Appreciation (Book)
Other Minds is pleased to inaugurate Other Minds Books with Peter Garland’s work of memoir and criticism, Ingram Marshall: A Personal and Musical Appreciation. The composer Peter Garland met the composer Ingram Marshall in 1970; both were students during the early, golden years of The California Institute of the Arts (CalArts) learning electronic music and composition from Morton Subotnick, James Tenney, and Harold Budd, as well as Javanese gamelan from Robert Brown. Out of this Marshall was abl…
El Nuevo Montuno Llegó
First legitimately licensed and remastered vinyl edition of this legendary salsa dura classic from Puerto Rico’s Roberto Y Su Nuevo Montuno, originally released on Rubén Haddock’s Uniart label in 1970. Featuring detailed liner notes that reveal the untold story of the band and their debut album, and rare photos.
Welcome Adventure! Vol. 1
2025 stock Are you ready for magic? The master musicians Daniel Carter, Matthew Shipp, William Parker and Gerald Cleaver will provide access with this album, the first they have released after playing together for decades.
Daniel Carter has been collaborating with William Parker since the early 70s and with Matthew Shipp starting in the mid 80s. This trio has played together on many recordings but by adding legendary drummer Gerald Cleaver to the mix they have created a masterpiece combination; …
Starting Fires: Live at The 100 Club, 1970
A sensational, previously unheard session by legendary British free jazz saxophonist Mike Osborne, recorded in December 1970 at London's famous 100 Club. From Osborne's personal tape collection. Feautures two compositions currently thought to be unrecorded in any other setting. Lineup: Mike Osborne - alto saxm Alan Skidmore - tenor sax, Harry Miller - double bass, Louis Moholo - drums. Original mastering by Mike King. Additional mastering by Matt Parker for British Progressive Jazz in associati…