Best sellers
Unusual Suggestions
Tip! *150 copies limited edition* L'eau des fleurs is happy to release this impressive homemade Gesamtskuntwerk by Finnish artist Jani Hirvonen. For these "Unusual suggestions", Jani, who did also this marvelous artwork, played himself all the instruments : percussions, kalimba, violin, radio, balalaïka, flute, kantele, electronic effects... These uncommon suggestions seemed endless. You can listen here and there some remains of avant-folk shapes but actually this LP is totally idiosyncratic in…
Julius Eastman Vol. 1: Femenine
2024 Stock. Out now, Los Angeles-based musical collective, Julius Eastman Vol. 1: Femenine is the opening entry in Wild Up’s multi-volume anthology celebrating Julius Eastman, the late composer whose amalgamated musical vision was repeatedly dismissed during its day, but is now being unearthed to critical acclaim. Championed by The New York Times for their “boisterously theatrical sensibility,” Wild Up slowly comes alive inside this recording of “Femenine,” the epitome of Eastman’s longform “org…
Fragment
In 1975, the lead album "Fragment" by the acclaimed UK jazz pianist John Taylor, which was previously only released on cassette tape and hailed as a gem of UK jazz, is now being remastered and released for the first time on 2LP
Bedlam
The English blues revival played a crucial role in shaping a new generation of performers and spawning diverse sub-genres. Emerging from this movement, the hard rock revolution ignited with the powerful riffs of Cream and their contemporaries, paving the way for a fresh wave known as the “British invasion.”
Among the impactful yet brief contributors to this era was Bedlam, a four-piece band that released a single studio album in 1973. At the heart of the band was the formidable drummer Cozy Powe…
Give the Vibes Some
Philadelphia vibraphonist Khan Jamal's 1974 Palm masterpiece receives its first proper reissue. Recorded during Parisian exile, this exploratory album showcases revolutionary vibraphone techniques across four essential tracks - a crucial document of jazz's global underground network.
Piano, Violin, Viola, Cello
Tip! "Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from the composition written only two years earlier, for here, in contrast to Piano and String Quartet, Feldman makes every effort to integrate the piano into the string section, and the basic formal components of the composition are no longer staves, as…
Nation Time
2022 Repress. "Joe McPhee's solo album, Tenor literally changed my life. The recording (one of his first for Hat Hut, in September 1976) displayed his unique ability to integrate unconventional sounds and extended techniques with pure melodicism, and it permanently altered my perspective on what the saxophone could do and what music could be. Nation Time was recorded six years earlier, but ideas regarding the integration of means and methods were already at the forefront of McPhee's approach to …
Live One
The late, great experimental duo Coil left behind a legacy of uncompromising artistry that continues to influence musicians decades after their final performances. "Live One", now receiving a definitive reissue, captures the band's otherworldly stage presence and transformative soundscapes at their most visceral peak. Originally documented during Coil's celebrated live appearances at the turn of the millennium, this essential recording showcases John Balance and Peter Christopherson at their mos…
Electroacoustic Works for Halldorophone
For her new and most radical album "Electroacoustic Works for Halldorophone", Martina Bertoni used the electronic instrument at EMS Stockholm to create four pieces that are massive in scale and incredibly intimate, sonically restrained and emotionally overwhelming—almost ambient and always demanding your full attention.
Nature Unveiled
Current 93's first and last album, Nature Unveiled dragged together my obsessions, as I had decided to make a pop album that dealt with my primary fascinations: Christian apocalyptic and eschatological Christian texts. In my speed-ridden soul and mind, I thought I was reinventing The Ronettes, and that the two long sides of Nature Unveiled were A- and B-sides of a wall of soundhogs HIT! But the reality is that I was sharing a squat in Vauxhall with little annie anxiety, and hanging out with yout…
I Have A Special Plan For This World
"I had become close friends with Thomas Ligotti, the pre-eminent writer of Nights and DeadEnds and Doubled Darknesses. I had written him many fan-letters, and we both wanted to work with each other. I Have A Special Plan For This World was our second work together, after our In A Foreign Town, In A Foreign Land. This album Channels an enormous emotional response from me. Ligotti was, is, and will be a huge influence on my work. No-one has seen the bells tolling, tolling, tolling for us all like …
Earth Covers Earth
"Recorded whilst I was starring as H.R. Pufnstuf in the titular US documentary of the same name, Earth Covers Earth followed up the apocalyptic Sing Song Sounds of Swastikas For Noddy with another clutch of classic C93 chimes, none of which bothered the Hit Parade In Any Way Ever. Many of the songs on this beautiful album have been tattooed on the inner thighs of the Illuminati. The drugs had stopped working, and I was staring into several voids, as I couldn't focus on anything, whilst Moving Wa…
Lucifer Over London
"I was obsessed, am obsessed, by The Groundhogs, so gave C93 a chance to cover their perfect "Sad-Go-Round" from their perfect Solid album. I also loved Black Sabbath, but had listened to them so much that I never wanted to hear them again. So Michael Cashmore's Perfect Playing of their intro to "Paranoid" was Perfect Way To Wave GoodBye to them, and slip into my visions of Lucifer Over London, May G+D damn him again. "The Seven Seals_" I wrote whilst sitting at my desk in my Then House in Aubre…
Appleton Syntonic Menagerie
Tip! *2024 stock* Jon Appleton, born in Hollywood (1939) but mainly active in New York, was one of the pioneers of electronic music. His work on Syntonic Menagerie (Flying Dutchman, 1969), and Human Music (Flying Dutchman, 1970), with Don Cherry, introduced electronic instruments to a wider audience.
Schubkraft
“Kontraktion” and “Extruder” are the results of various tape-sessions by Conrad Schnitzler and Siegmar Fricke in Con’s former studio Leberstrasse in Berlin.The soundscapes on both records (produced in November 1986 and July 1987 with EMS-Synthi A, Korg MS 10 + MS 20 + delays) contain all the machinistic energy and infernal industrial sound-eruptions similar to Conrad’s first three albums “Schwarz”, “Rot” and “Blau” and to the rumbling train wheel rhythms of “Zug” (from the “Red Cassette” 1974).
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Andre sulla luna
* Edition of 500, remastered * The mastermind behind the sublime Italian cosmic rock group Pierrot Lunaire, Arturo Stalteri's work both within Pierrot Lunaire and here on his solo debut (1979) occupies a perch in that rarified strata of Italian kosmiche godhead that also includes Franco Battiato, Franco Leprino, St. Tropez, Luciano Cilio and a mere handful of others. Absent the contributions that Gaio Chiocchio or vocalist Jacqueline Darby brought to bear in Pierrot Lunaire, keyboardist Stalteri…
Rivbea Live! Series, Volume 3
Track 1 recorded May 21, 1976 at the Wildflowers festival
Track 2 recorded June 20, 1974
Jimmy Lyons - alto saxophone
Karen Borca - bassoon
Hayes Burnett - bass
Henry Letcher - drums
Syd Smart - drums
Music for Today
Recorded in 2019 at the Centre Pompidou, Music for Today is the last public performance by Canadian artist Michael Snow, who died in 2023. Entirely improvised on a prepared piano, this musical piece is a true journey through the musical work of an artist who made perpetual experimentation an artistic practice in its own right.
Prolific and multidisciplinary, Michael Snow (1929-2023) was a major figure in the fieldsof painting, sculpture, photo, cinema, and video, as well as in sound and music. H…
Does It Still Matter
"The new avant-garde isn't about creating something that doesn't yet exist, it's about abandoning and confusing rigid genres. I want to open up, in order to both abolish and reconstruct the musical past." — Noémi Büchi
Oto no Hajimari wo Motomete vol.11
Recent issue of archive series of NHK electronic music studio. This issue is a collection of Joji Yuasa includes works on past issue of this series. “My Blue Sky (No.1)” and “Music for the Main Pavillion of the Okinawa Oceanic Expo” has released on CD by Omega Point.
1. ”Projection Esemplastic” (1964) – sound fileWhen I was asked to create electronic music for NHK, I decided to use only white noise, which originally contained all frequencies, and cut out various components from it to compose the…