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Best sellers

Clube Da Esquina
Clube da Esquina is a 1972 double album by the Brazilian music artists collective Clube da Esquina, credited to Milton Nascimento and Lô Borges. Considered one of the greatest Brazilian albums and an important record in the history of Brazilian music, it features arrangements by Eumir Deodato and Wagner Tiso, and conductions by Paulo Moura. The album garnered high attention for its engaged compositions and miscellany of sounds. Indeed, the LP was considered in the list of the Brazilian version o…
Songs Of India
"Manufactured Recordings reissues Songs Of India from prominent vocalist Nitai Dasgupta originally released on Vic Keary's underground label, Mushroom Records, in the early '70s. While Keary's background was in reggae, Mushroom Records dabbled in recording a bit of everything. Mostly known for hyper-rare psych, prog and acid folk, Nitai Dasgupta fits in perfectly with their British psych and prog label mates like Simon Finn, Magic Carpet, and Chillum. Nitai Dasgupta was one of the most talented …
Yo-In (1980)
First world publication for the seminal Yo-In (1980) an electro-acoustic work produced in Japan and revisited by the Museum of Modern Art of the City of Paris in 1981. “Sound Theater for an imaginary rite”. Yo-Inleads to a sort of “celebration-ritualization of the day of man on Earth”.Jean-Claude Eloy discovered the meaning of Yo-In by going deeper into the culture of Japan where he had been invited by Toru Takemitsu in 1970: “Yo-In, echo, rhyme, resonance, psychic reverberation”. Karheinz Stock…
Shanti (1972-73)
Packaged in a 6 panel digipak. Includes a 16 page booklet in French & English. A massive, four side-long drone-epic masterpiece “Shânti” (1972-73) for electronic and concrete sounds, in a spectacular double CD digipack issue. A hundred-and-thirty-five minute piece of "meditation music" for a four-track magnetic tape by Jean-Claude Eloy, produced in the Electronic Studio of the Radio of Cologne “The term “meditation music” triggered many conflicting comments including positive ones (“... let us s…
SLG3
On SLG3, Juan Manuel Cidrón returns to vinyl with four long-form electronic landscapes shaped by analogue circuitry, minimal pulse and cosmic drift. The Almería synthesist turns S, L, G and 3 into open territories - desert-wide, elemental and quietly visionary - where natural rhythm and machine logic meet in a patient, dream-lit dialogue.
Organic Music Society
** Temporary reduced price ** Quoting Dusted magazine "This is not a jazz album. This is the music of ritual. Any resemblance it has to jazz is purely coincidental and passing. This is the sound of utopia, of equality, of the universal egalitarian dream, of the earth, the water, and the life force in all its various guises." and "This is an album of education in practice. Don Cherry spent the summer of 1971 teaching at a youth music camp normally devoted to the study of classical music. Somewher…
Nokivesi
*230 copies limited edition* Ahti & Ahti is the duo of Finnish sound artists Marja Ahti and Niko-Matti Ahti. Operating on the fringes of the musique concrète tradition, their work combines recordings of spaces and events, beings and objects, carefully aligned in an associative way. Nokivesi (soot-water) embraces sound montage and cut up conversations alongside instrumental and electronic sound, combining the complexity of the field-recorded sounds and compositional sensitivity. Originally create…
Laugh At The Devil
Tip! *2024 reprint* Dead Door Unit is the alias of Northeastern US artist Ken Geiger. The project follows in an exploratory vein of tape-recorded junk noise and field recordings. "Laugh At The Devil" is a work raucously out-of-time, bringing to mind the murk of mid-aughts Hanson releases or even the obscure malice of Dom Fernow's earlier work. Geiger breeds a fresh perspective through destruction and reassembly; "desperation."
This Is the Right Path
Tip! *350 copies limited edition* “ Dec. 2015: I received an invitation from Old Heaven to participate with FaUSt to the 3rd edition of “Tomorrow Festival” at B10 Live, Shenzhen, China! A few months later, May 2016, we were on our way to the most exciting concert experience. A loooong flight-haul and then, such a warm welcome, such a perfect organization… the most charming, dedicated, competent crew around us… the largest cement mixer I ever used on stage, and an audience so vibrant, so focused.…
Space Guitars
**2020 stock** I was born in Detroit (1931), studied chemistry and music at Princeton (1949–53), and after the army, pro-baseball, and working as a chemist at Cape Canaveral, I went to “Koln State” (Music School) in Germany on the GI Bill, (1959-63) and spent a lot of time watching Karlheinz Stockhausen work. I then “visited” Rome (1964–87) where Frederic Rzewski, Alvin Curran, Jon Phetteplace and I put together a group, “Musica Elettronica Viva” (MEV), to create electronic- sounding music in co…
Rhymes With Water
Two long pieces commissioned by the players themselves: DreGliss, written in 2015 for Erik Drescher's glissando flute, and Nataliawork, from 2005, for Natalia Pschenitschnikova's bass flute and voice
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