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Near the Bear is Cheryl E. Leonard’s intimate Arctic meditation, interweaving field recordings and natural objects into five cinematic pieces that speak to both the wildness and vulnerability of Svalbard and Greenland’s landscapes.

After over a decade as a digital-only album, Larry Manteca‘s Zombie Mandingo gets its first vinyl release, making a fresh comeback in a completely renewed version. Like Manteca’s previous full-length releases, this album too is conceived as a soundtrack to a non-existent exploitation film, drawing inspiration from the classic Italian B-movies of the 1970s. This time, cinematic references encompass both the zombies found in Lucio Fulci’s horrors and the cannibalistic adventures directed by Umbert…

Five improvisations recorded on four organs across Europe. On two of them Arkbro plays the 1922 Sauer and the 2018 Utopa Baroque organ at the Orgelpark simultaneously, from opposite ends of the building. She holds the chords down with weights and pegs, and plays the stops instead of the keys.

"If Surround can be listened to as music that’s as close to air itself, allowing us to enter each listener’s sound scenery, or as something that exists within a new perspective, expanding the middle ground between sound and music, and transforming it into a comfortable space, it would be much appreciated."- Hiroshi Yoshimura Originally released as an album in January 1986, Surround was recorded by Yoshimura as a commission from home builder Misawa Homes, intended to function as an “amenity” desi…

The Vanity Box Vol. 1 present an anthology of releases by legendary Japanese DIY label Vanity, active in the late '70s and early '80s. The box includes 5 CDs which offer the following contents:CD-1 R.N.A. Organism - R.N.A. Organism Meets P.O.P.O.(Vanity 0006, originally released in 1980)This is the only album by the anonymous unit, R.N.A. Organism. The album is based on a cassette tape which was airmailed from London. It also happens to be the first group produced by Kaoru Sato of EP-4. R.N.A. O…

Afro7 returns with the third Scorpios album, Lemon Barah — a vibrant fusion of Sudanese traditional rhythms, psychedelic funk and jazz. Born in London and shaped by musicians from Sudan, Jamaica, Japan and beyond, Scorpios have spent 13 years building a reputation for powerful live performances across England and Europe. Featuring rich percussion, analogue synths, horns, guitars and soulful vocals.

Brooklyn pianist Eva Novoa joins saxophonist Daniel Carter and drummer Francisco Mela for the second volume of The Freedom Suite, a set of twelve pieces blending piano, Rhodes, harpsichord, gongs, and vocals with Carter's multi-reed brilliance and Mela's Cuban-inflected drumming, creating an urgent, intimate, and fluidly improvised dialogue of words, sound, and fearless imagination.

A powerful intergenerational trio emerges on Murasaki, featuring Wadada Leo Smith on trumpet, Marcus Gilmore on drums, and Jakob Bro on guitar. Recorded at Power Station (formerly Avatar Studios) in New York, this exploratory session unfolded spontaneously—no retakes, no discussions, just a shared musical language rooted in intuition and trust. “It felt as though this music already existed before we started playing,” Bro reflects. Murasaki captures the creative summit of three visionary artists,…

A 1973 Japanese session pairing the Tsugaru shamisen of Rinsyoe Kida with drummer Akira Ishikawa: the old folk instrument played over funk grooves.

Spunky wave kraut from early ‘80s Germany, portraying the sound of the country’s first proper youth movement, with Conrad Schnitzler, Der Plan, Palais Schaumburg, Asmus Tietchens, Holger Hiller, Populäre Mechanik and many more

Two of Henning Christiansen’s tape works from the 1980’s, Peter der Große op. 174 (1986) and Gudbrandsdal op. 178 (1987), are now released for the first time by the Institute for Danish Sound Archaeology.

*Contains printed inner sleeve with archival photos and extensive liner notes by two Italian soprano saxophone specialists Roberto Ottaviano and Eugenio Colombo, and pianist Martin Joseph himself* Recorded Live in Italy in October 1985 and mastered directly from the old dusty cassette, here's a previously unheard Steve Lacy recording from a rare duo appearance with pianist Martin Joseph, a little known yet fascinating British musician who had worked with Harry Beckett, John Surman, Ian Carr, Tub…

Originally issued in 1970 within the third suite of LPs comprising Deutsche Grammophon's Avant-Garde series, the French composer and electroacoustic pioneer Luc Ferrari's Presque Rien No.1 / Société II stands among the most important and groundbreaking albums issued within the canon of 20th Century avant-garde and experimental music. Containing two radically distinct works, Presque Rien No.1 (1967-1970) and Société II (1967), it doubles as a near perfect illumination of the incredible range of c…

** 2LP, red velvet vinyl edition**  BAUS ‘93 contains the Rallizes storied comeback performance from Baus Theater in Kichijoji, Tokyo, which took place on February 13, 1993 in what was their first live appearance in five years. BAUS ‘93 follows the widely acclaimed worldwide release of Città ‘93, which captured the Rallizes’ fiery gig that took place four days later at Club Citta’ in Kawasaki. Newly mixed and mastered by Makoto Kubota, BAUS ‘93 features the previously unheard live recording meti…

Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…

Tim Maia’s self-titled 1973 album is one of those records that hits you from the very first groove and doesn’t let go. Originally released on Polydor Brazil, this was the fourth in a series of Tim’s self-titled albums and many fans and critics still consider it the crown jewel. Packed with irresistible hooks, lush arrangements, and that unmistakable Tim Maia swagger, the album captures the singer at the peak of his creative powers. If you’re new to Tim Maia, here’s the quick story: born in Rio d…

Clay Pipe Music is thrilled to welcome to the label Norway’s Rural Tapes - the alias of producer and multi-instrumentalist Arne Kjelsrud Mathisen. His new record Oneiric is one for the dreamers - a trippy, cosmic aural experience of mostly instrumental music, recorded on analogue equipment at his Nygrenda Vev & Dur studio in rural Norway. Arne is also joined on two vocal tracks by long-time collaborators Alexis Taylor (Hot Chip) and Gary Olson (The Ladybug Transistor).   He says: “The word Oneir…

2024 repress! Gary Wilson's monumental 1977 LP reissued with the original cover art (care of Owen Maercks's well-loved copy), delicately laid out by Scott Allison. Which makes it, perhaps, the last copy you'll ever need. You Think You Really Know Me (also the title of Michael Wolk's 2005 documentary about Wilson) was Wilson's second LP, but the first he recorded as a vocalist, hewing to his own bizarre vision -- a syncretic collision of romance, new wave cocktail jazz, heartbreak, disco porn-sou…

** 3LP, black vinyl edition**  Temporal Drift presents the first-ever officially sanctioned reissue of celebrated Japanese cult band Les Rallizes Dénudés’ three albums, originally compiled and released in limited quantities on CD in 1991. Led by the enigmatic Takashi Mizutani, Les Rallizes Dénudés has gained an almost mythical status the world over with their delicate balancing act between transcendent psychedelia and pure sonic assault, maintaining its status as an underground phenomenon throug…