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In one of the last projects he conceived, interrupted by his premature death, Davide Mosconi chose to absolutize as ‘concrete’ sonic data the complete cycle of Wagner’s “Ring”. Mosconi, an artist equally divided between the sonic universe and the visual sphere, perhaps could not resist the temptation of picking up the torch to intentionally fan the flame of he who made the Gesamtkunstwerk one of the theoretical groundings of his futuristic ideology and therefore inspiring a never-more-to-be-soot…
This CD restores three documents from the Charlotte Moorman canon. One happy example is a choral work performed on the 3rd of September 1964, during the second New York Avant Garde Festival, a performance of Jackson Mac Low's composition "The Long Hot Summer." This very relevant concert, distinguished by a marked ethico-political intonation and valence, sees in an exceptional reunion the names of Charlotte Moorman, Nam June Paik, Benjamin Patterson, Philip Corner, and Malcolm Goldstein, as well …
11 Heldengesänge und 3 Gedichte was privately published by Anton Bruhin in 1977 as a luxury 2x10" box. This unique and imaginistic sound poetry work has been issued on LP by alga marghen for the VocSon series and is now available for distribution for the first time ever. It's a sound poem which takes us into a medieval world of minstrels and errant knights, a phantasmagoria in text and sound. It is also a modern document of the not-yet-existing electronic Sampling Art in the 1970s. Anton Bruhin …
2010 release. "Monofonicorchestra is not a disc recorded in mono / is not ambient music / is not funky / is not experimental music / is not funny / Monofonicorchestra is not avant-garde / is not pop / is not op / is not Dada / Monofonicorchestra is not fashion / is not hard-core / is not horror / is not Frigidaire." --Maurizio Marsico, at 10h20 on Wednesday, December 23rd, 1981. A country: Italy. Several countries: Italies. Late '70ss, early '80s. The ether of punk is in everyone's nose and disc…
* 350 copies * Alga Marghen proudly presents an LP edition including some of the seminal electronic/tape collage pieces by Malcolm Goldstein, created in close connection to the sulphuric New York pre-Fluxus environment of the early 1960s. The 1960s downtown New York City, rich with activities, doors opening upon a world fertile with possibilities: the delightful unknown. Malcolm Goldstein first worked at the Columbia-Princeton Electronic Music Center, then joined the Judson Dance Theater with da…
2014 repress, originally released in 2000. First issued on the Broken Flag label in the UK in an edition of 500 in 1983. A different style, providing some distance from all his previous works; a more expansive experimentation with multiple layers of synthesizer sounds. Still very intense. M.B.'s recordings come closest to classical electronics, but always with a very personal style. This CD edition also features an interview on Radio Popolare in Milan from 1/1/83. An English translation i…
2004 release. Four previously unreleased realizations of Karlheinz Stockhausen's "Zylus" (different recordings than the one featured on the Columbia LP Electronics and Percussion -- Five Realizations. Recorded 1959-68. The term "New York School" refers to a circle of composers. "Zyklus" was written in 1959 and is one of the first solo pieces to utilize such a large number of percussion instruments (twenty-one). When Max Neuhaus first started to play this piece there were only three percussi…
2005 release ** Released in 1979 in a limited edition on his own d'Avantage label, Catalogue, with its overt theatricality is every bit as wild as the previous Paralleles. Not really jazz, not rock, having nothing to do with contemporary music either, Catalogue is a kind of sonic postcard which features not the group of the same name but instead numerous Jacques Berrocal associates including Potage (co-founder of the d'Avantage label in 1976), Parle, Ferlet, Pauvros and recording engineer Daniel…
Alga Marghen returns with an absolute stunner, the LP “Underground Altena”, comprising a never before heard or released series of recordings capturing Anima - the duo of Limpe Fuchs and Paul Fuchs - in 1973. Largely rendered on a striking array of instruments, invented and played by the couple, its otherworldly, visionary sounds upend nearly every perception held about underground music transpiring in Germany during this period. Wild, wonderful, truly free, and inspiring as records come.
2010 release. Walter Marchetti is one of the most original and controversial pre-Fluxus authors. In this work he frees all of his sophisticated poeticism. In Terram Utopican includes "J'aimerais jouer avec un piano qui aurait une grosse queue" (1974/75) and "Per la sete dell'orecchio" (1981). The 16-page booklet presents the original score of "J'aimerais jouer," photos of the performances in Milano and at the Venice Biennale, and the reproduction of the original In Terram Utopicam LP layout.…
Alga Marghen presents a reissue of Intersystems' Free Psychedelic Poster Inside (1968). Intersystems occupied a difficult-to-reach critical nook between the many tropes that had established to frame the various artistic trends of 1960s. Announcing itself with a quivering beam of fluorescent sound, the beginning of Intersystems' Free Psychedelic Poster Inside feels as though it's slowly piercing right through your frontal lobe. Blake Parker's poetry is a dark glimpse into mundane domesticity …
Somewhere in the Wind is the third record that Loren Connors and I have made together. Of the three, it’s the first that consists exclusively of electric guitar duos and it’s the first that was recorded live. To me it feels very much like a live record; this music happened in crowded rooms in Brooklyn on two dates in 2025 and there’s an urgency to connect with others and a pleasure in doing so that can be heard on both of these tracks. On the first of our duo records (Arborvitae, 2003) I primari…
In a new duo collaboration that defies conventions and background, Midori Takada and Jakob Bro took up residence in Tokyo’s Avaco Studios to record their first album, あなたに出会うまで / Until I Met You. The title, taken from a Midori Takada composition, refers to the spiritual bond that arises in every new friendship, whether in music or in life. Until I Met You is pure acoustic music, a tapestry of dreamlike compositions with beautiful melodies that sees ambient music icon Midori Takada on grand piano…