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David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979.
Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s.…
Austin's Andrew Anderson has released a number of solo cassettes (as well as an album with Thor Harris - see their duo, THAA's excellent 2020 album, Against Permanence). Vagrancies, Anderson's debut for Elevator Bath, however, is arguably his most ambitious and accomplished work to date. Each of Anderson's primary concerns is represented fully in this new collection. Mangled tapes, unidentifiable instruments, electronic wizardry, and wide-ranging found sounds / field recordings join forces here …
The elephant graveyard is a myth. No confirmed site exists, no documented mass of bones gathered in a hidden clearing. And yet the image persists - in literature, in cinema, in the collective imagination of what wild and remote nature might conceal. It is precisely this space between myth and evidence, between the archive and the unknown, that Carlos Casas moves into with Cemetery [Archive Works]. Since 2001, the Barcelona-born filmmaker and visual artist has built one of the most rigorous and e…
*2025 stock* The strength of the Akira soundtrack lies in its unique blend of traditional Japanese instruments and futuristic electronic sounds. Yamashiro weaves together an eclectic mix of influences, creating a sonic landscape that mirrors the dystopian and cyberpunk themes of the movie. The use of traditional chants, taiko drums, and shakuhachi flutes alongside electronic synthesizers and orchestral elements generates a hauntingly mesmerizing atmosphere that perfectly complements the visuals …