Taking a short sabbatical from their journey into the spiritual stratosphere and beyond, Work Money Death landed on terra firma just long enough to record a follow up to the critically acclaimed “The Space In Which The Uncontrollable Unknown Resides Can Be The Place From Which Creation Arises”. The new album “Thought, Action, Reaction, Interaction” explores many of the meditative motifs that mould this unique group in their quest for the perfect sound and space. Those who are familiar with Work …
As-Shams Archive Vol. 1 introduces the core catalogue of As-Shams/The Sun, the independent record label that documented some of the most exciting developments in jazz, funk and soul from South Africa in the 1970s. With 10 tracks from 10 iconic albums featuring 10 different artists and 10 original compositions, this compilation delivers 85 minutes of South African music history.Including essential tracks by the likes of Dick Khoza, Black Disco and Harari, remastered from the original analog tap…
Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …
*2026 stock* The title says it: a deliberate, joyful return to bebop fundamentals from the Kenji Mori quintet, recorded at a moment when the language could already feel like a stylistic choice rather than a default. By 1982 the Japanese jazz scene had moved through its modal, free and fusion phases, and Be-Bop '82 is in part a record about choosing to stand somewhere: a claim that the bebop vocabulary still had real things to say. Mori plays with the kind of warmth and confidence that comes from…
*2026 stock* Saxophonist Kenji Mori belongs to the second generation of TBM regulars, a player whose work for the label spans several years and several formats, but whose quartet records have a particularly distilled quality. Firebird fits cleanly into the modal and post-bop tradition that defined the heart of the Three Blind Mice catalogue: heads with real melodic substance, harmonic openness that gives the soloists space without leaving them stranded, and a rhythm section that knows how to kee…
*2026 stock* An earlier Sunao Wada outing on Three Blind Mice, recorded with both quartet and quintet formations across the programme, and built (as the title suggests) around the blues. But this is blues in the broader, more searching sense the seventies were beginning to articulate: harmonic frames borrowed from soul and modal jazz alongside the standard 12-bar architecture, and an improvising attitude that's more interested in development than display.
Wada's guitar carries the writing with t…
In a new duo collaboration that defies conventions and background, Midori Takada and Jakob Bro took up residence in Tokyo’s Avaco Studios to record their first album, あなたに出会うまで / Until I Met You. The title, taken from a Midori Takada composition, refers to the spiritual bond that arises in every new friendship, whether in music or in life. Until I Met You is pure acoustic music, a tapestry of dreamlike compositions with beautiful melodies that sees ambient music icon Midori Takada on grand piano…
Triple LP edition, black vinyl. Infinite Fog are delighted to present another piece of the intriguing Coil puzzle. In the mid 1990s the core team of John Balance and Peter Christopherson were continuing their exploration of the outer reaches of electronic sound production as exemplified by the "Born Again Pagans" release, originally an EP only, featuring both the hugely danceable "Protection" smash which had Danny Hyde's influence writ in large letters all over it, as well as the first outings o…
On La Rana, Agustín Pereyra Lucena turns his deep love of Brazilian music into a crystalline, Latin‑jazz chamber album recorded far from home, in Oslo. Quartet interplay, bossa nova contours and long-form mood pieces melt South American warmth into Nordic air, anchored by his luminous guitar and quietly intense vocals.
*In process of stocking. Limited edition of 500 copies.* Taking cues from doom metal, smoky ECM avant-jazz plates, dreampop and disorienting GRM classics, Jake Muir and LA psych-sludge mainstay Evan Caminiti join hands on "Talisman", a blacklight-doused set of grim, beatless shimmers that push back on contemporary ambient logic.
Muir and Caminiti are sick and tired of ambient music's bizarre entanglement with the wellness industrial complex. You know what we're on about here: healing sounds and …
Buh Records presents Anthology 2: Works for the Experimental Orchestra of Native Instruments, a double album that deepens the exploration of the work of Bolivian composer Cergio Prudencio (La Paz, 1955) and his inseparable bond with the Experimental Orchestra of Native Instruments (OEIN), the project he co-founded in 1980 and of which he is now emeritus director. Like Anthology 1, widely praised by the international music press, this second installment continues to reveal the conceptual, aesthet…
The Henning Christiansen Archive is proud to present a collection of previously unreleased ‘classical works’ by Henning Christiansen, a large part of his oeuvre which has remained out of sight, until now. This 2CD compilation encompasses a variety of stylistic approaches written in the years from 1963 to 1988.
A cascading piano improvisation by Xiu Xiu's Hyunhye Seo, recorded live during a Nam June Paik exhibition in Turin. On Side B, Japanese avant-garde pioneer Phew reinterprets Seo's performance into a new electronic landscape. Music as surrender, dialogue between performer, space and the present moment.
Huge Tip! Small repress. "I stood on top of the mountain and looked out over the landscape. It was so beautiful that my chest hurt. The light vibrated, time stood still, and the contours dissolved for a moment. Everything had changed; I felt it then. I took their little hands so as not to lose contact with the ground. Then we ran down the mountain, scraping our knees. Still, we didn't make it. You had already put away all the nautical charts, loosened the moorings and steered out among the skerr…
*150 copies limited edition* On the website fancymoon.com, CON himself describes 'Windmills' as Electro Cosmic Metal Industrial. It comprises 33 tracks and represents a continuous body of electronic music. The album was recorded and performed in the same vein as 'III Kugeln', serving as its predecessor, and is made up of four “solo electric pieces”: Sack, Turbine, Raumknoten, and Fenster. As FdW noted in his review of 'III Kugeln', this is not ambient, not dance music, not musique concrète, not …
This vinyl album by Micheal Mantler is new old stock from Ecm archives. For light relief from his darker, more existential works, Michael Mantler assembled two fine ensembles at the end of the 1970s to play music that might be described as the Thinking Man’s Answer to Fusion. Imagine walking into an art house cinema where the projector runs without film - the stories unfolding purely through Michael Mantler's haunting trumpet and the alchemy of his stellar ensemble. That's the experience of Movi…
Kassel Jaeger (aka François J. Bonnet) returns to Shelter Press after Swamps / Things, Shifted in Dreams, and the recent reissue of the classic Zauberberg, co-composed with Akira Rabelais and Stephan Mathieu. With this major new album, entitled Sub Re, Bonnet continues his long exploration of the musical possibilities of sound, extending the concrete approach developed at the Groupe de Recherches Musicales, the historic and essential Parisian studio that Bonnet has been directing since 2018. Sub…
On Wa Wave: New Wave Sounds from the Land of the Rising Sun vol. 2, various Japanese artists push deeper into the margins of 80s New Wave, blending Kraut‑tinted repetition, minimal synth, and glass‑fragile chamber pop into a set of tracks that feel like dispatches from a parallel underground.
*2025 much needed repress!!!* Music For Bus Stations is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.
"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and …
A mixtape of carimbos and vinhetas, the audio drops of Brazil's paredão sound systems, recorded between the 1980s and 2025, from Rio funk crews to São Paulo mandelão and the rigs of Belém. Compiled by GG Albuquerque.
Bill Fontana investigates the physics of perception itself. Side A: tape collages where sound becomes both material and force. Side B: Wave Spiral for 5 Rin Gongs - a sidelong, 21-minute centerpiece where pure sine waves create interference patterns, frequency made sculptural. Sound spiraling through space, dissolving boundaries between observer and phenomenon.
Tip! The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes. If Oliveros had followed a more conventional path she may have, all social obstacles aside, been considered among the major composers of her time. However, Oliveros approached composition in a more egalitarian manner. She wrote music for musicians to interact with or, in the composers words, she wished to create "an in…
On Bidule 2.0, eRikm tunnels into a cache of unheard Pierre Henry tapes, feeding analog “sound objects” from 1950–1974 through his custom digital apparatus to forge a dense, flickering work where early musique concrète and present‑tense signal processing fold into one another.
Heavenly new age ambient synthesis and 4th world navigations by two leading lights of their field, flocking to a mutual spirit at the behest of Australia’s eternally reliable Good Morning Tapes. Riyl Asa-Chang & Junray, Jon Hassell, Nueen, Enya, David Toop.
Meeting for the first time on record - although it sounds like they’ve been making music together forever - GRM alum Ariel Kalma brings some half a century of experience accrued deep in synth music’s most esoteric realms, to Leaving Records’ …
Two side-long improvisations recorded in a spring evening beneath a 1908 shot tower. That is the whole record, and it is enough. Fysiikka ja Kemia - Physics and Chemistry - surfaced in late 2025 with Biologia, a debut LP on Tampere's Ultraääni Records that the label summed up in a single line: rural psych-jazz improvisations by the Finnish bastard sons of Arbete & Fritid. Three hundred copies, each sleeve screen-printed by hand by the band, gone quickly. We Jazz picked a track for their Friends …
Recorded over two December days in Copenhagen and shelved for nearly three years, Bjerge, Strand gathers Jakob Bro with Charles Lloyd, Larry Grenadier and Jorge Rossy, and arrives on Loveland Music on CD, alongside a limited double vinyl edition, with artwork by the painter Tal R.
Bro invited Lloyd to The Village Recording in Vanløse in December 2023, bringing along the rhythm section he had formed in 2019 with Grenadier and Rossy, the two players who spent two decades refining the piano trio al…
2024 repress: The third studio album of the British industrial-band Throbbing Gristle, was originally released in 1979 and is often referred to as the band's masterpiece. Originally released in 1979, 20 Jazz Funk Greats is Throbbing Gristle's pop-influenced masterwork. It's hard to believe the beautiful, conventionally-attractive Cosey Fanni Tutti on this album's front cover previously gave herself milk and blood enemas in front of a live audience. Additionally, the song "Hot On The Heels Of Lov…
The Tape Masters Vol. 2 – Soul Power West Germany by Peter Thomas Sound Orchester is a rare deep dive into the group’s soulful and funky cuts from the late ‘60s and early ‘70s. This compilation unearths cinematic grooves, Afro-American influences, and unreleased tracks recorded for Munich’s GI club scene, combining infectious rhythm sections, vocals, and rich sonic detail from master tapes.
ATA Records delivers another essential chapter in their meticulous Library Archive series. Volume 4 represents a sophisticated understanding of library music's golden era, when masters like David Shire and Roger Webb defined cinematic instrumental music. This is authentic homage executed with both reverence and creative vision.
The production showcases the full palette of classic library instrumentation: Hammond & Farfisa organs provide the foundational textures, while vibraphone and the distinc…
"Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters.Suoni Immaginari, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines his planetary ody…
Tip! Benjamin Bennett has worked as an improvising percussionist for 10 years, touring North America and Europe as a soloist, in various ensembles, and ad-hoc collaborations. He developed a unique approach to percussion which took the lineage of free-jazz, free-improvisation, Berlin reductionism, and extended technique playing as its foundation. In searching for an expanded sonic palette, and more fluid movement between various techniques, he distilled the drumset into a small collection of drum…
** Much needed reissue ** Don't let the name mislead you! The enigmatic M. Zalla is one of the numerous aliases of the italian maestro Piero Umiliani who, during his period of fascination for psychedelic and electronic atmospheres, started to compose a good number of musical portraits dedicated, as the title reveals, to the problems of his time. In the early '70s, Italians were worried about the mafia, terrorism, and social conflicts; and one can sense that the music represents these anxieties i…