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"We’ve reached book IV in Rupert Clervaux’s series of “Zibaldone” audio diaries, at which point we find him telling a different kind of story. “The first three all had very specific themes, while this one feels a little bit looser and doesn’t have just one thematic thrust,” he tells me, which maybe explains why listening feels a bit like annotating. I’m underlining, emphasizing, drawing arrows from here to there, highlighting symbols and noting motifs, realising, questioning, eureka-ing. An impr…
Originally issued by Impulse in 1971, this is definitely one of the best truly cosmic jazz orchestrations ever realized. Recorded at the Coltrane home studio, Dix Hills, New York on November 8, 1970. Alice Coltrane (harp, piano); Pharoah Sanders (soprano saxophone, perc); Charlie Haden (bass); Rashied Ali (drums); Cecil McBee (bass); Vishnu Wood (oud); Tulsi (tamboura); Majid Shabazz (bells, tambourine). "Swamiji is the first example I have seen in recent years of Universal Love or God in actio…
On SIC, Nurse With Wound and Aranos construct a cold, roaring ambient symphony from metallic percussion, numbing drones and disembodied voices. Long unavailable on vinyl, this edition restores a quietly menacing work where sound sculpture and slow-moving ritual converge, suspended between dread, dream and industrial weather.
Bomb! Obscure and outstanding free jazz album reissued for the first time since its original release in 1969. Old-style gatefold LP, with liner notes by Ed Hazell. In the late 1960s, young jazz musician Bobby Naughton, a keyboardist and vibraphonist, faced significant challenges as he sought to record his first album. With major record labels and jazz clubs catering only to big names, Naughton and other creative musicians of his generation found themselves sidelined by the mainstream music indus…
Comes in a heavy gatedold sleeve and with printed innersleeves. Peter Brotzmann reflected: "The idea of expressing my love of and admiration for Albert Ayler - both man and music - in a musical statement is not new. We both tried to do similar or almost identical things at the same point in time, each independently and without knowing anything about each other - each of us within his own culture." This album was recorded in August 1993 during the Free Concerts series at Townhall Charlottenburg i…
The much anticipated sophomore solo album from Hugo Randulv (Enhet För Fri Musik, Amateur Hour, Makthaverskan etc). Following up the praised Radio Arktis that was released on Förlag För Fri Musik back in 2021, Drunkna I Ljus was composed and recorded mainly during 2024 and consists of two sidelong epics based entirely on electric cello with a sparse use of controlled guitar feedback. The overall ambience and cold yet weirdly encouraging harmonies from Radio Arktis are recognizable and still pres…
Norwegian guitarist Stian Larsen joins London-based musicians Colin Webster (alto sax), Andrew Lisle (drums), and Ruth Goller (bass) for an exciting collision of energetic free jazz, post-rock and noise that is dynamic, playful and hard-hitting.
On Fragments: The Complete 1969 Salle Pleyel Concerts, The Cecil Taylor Unit detonates across two uncut Paris sets: a newly unearthed, vividly mastered document of Taylor, Sam Rivers, Jimmy Lyons and Andrew Cyrille stretching free jazz into an overwhelming, architectural storm of sound.
Imagine a virtuoso soprano with an unlimited upper range. Imagine a violin with the lower range of a cello. Imagine an instrument that allows for every nuance, for every slight embellishment, for every dynamic flourishment imaginiable. This album consists of plain piano and plain theramin - no other orchestration. The Theramin, as proved by Clara Rockmore, is capable of soaring song, of delicate melody, of pure expression. Rockmore's performance is a pure joy and a testament to the versatility o…
Rob Mazurek’s 'Alternate Moon Cycles' was International Anthem's first release. The incredibly spare single-note-centered cornet, bass and organ chant was recorded to tape at pint-sized Chicago bar Curio as part of a performance series that predates any notion of our label’s existence. Documenting this performance – highly unique even within the depths of Mazurek’s vast catalog – stirred those notions, and soon talks began of releasing the recording on a fresh imprint. Performed by Mazurek with …
*2026 stock* ...At Last, it's here! During the transitional period in which Coil’s primary leadership (Peter “Sleazy” Christopherson and John Balance) reorganized their creative direction by taking on new membership in the group through their inclusion of Drew McDowall, Coil took a drastic turn towards the metaphysical unknown. Employing the subtle handiwork of Coil’s “real life” members, as well as the cleverly guised aliases and spiritual collaborators, the band chose to filter their identity…