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Repress of a noise classic! Written in Blood by Slogun!
Few records capture the feeling of the wind coming off the water on the edge of lower manhattan, the dead zones by chinatown, the piers, the highway and under the bridges. the solitary parts of the city where men can truly feel alone surrounded by the machinery, concrete and elements called gotham. in a catalog of originality written in blood stands, cutting, biting and tearing into your mind with confrontational voices that truly make you …
"The Light Is Leaving Us All is one of the C93 albums that haunts me the most. I was OverMoon and Blessed to work on it with the astonishing aeonic beautiful talents of Reinier Van Houdt, Alasdair Roberts, Ossian Brown, Rita Knuistingh Neven, Andrew Liles, Aloma Ruiz Boada, Michael York, Davide Pepe, Ania Goszczyńska, and Giulio Di Mauro. Once again, the voice in the mask of one of my favorite authors, and longest colleagues, Thomas Ligotti, also joined C93. The album's title was given to me in …
"Friday the 6th of November 2015 was an important day for me. Christian Kobi had invited me to take part in his »zoom in« festival in Bern. Earlier that day I visited the Kunst Museum, looking at the work of Cuno Amiet (1868-1961), recalling the work of an earlier Camille Pissarro, interesting contributions from Felix Vallotton (1835-1925), also an very important exhibition of how photography had influenced Toulouse-Lautrec (1864-1901) called “Lautrec’s Photographic Eye”.
What struck me was how …
A 56-minute piece for guitar and electronics. It has had a long composition history, starting from a solo for classical guitar and sine tones (premiered in Munich in July of 2010). It was subsequently performed in Seattle (August, 2010), A Coruña, Galicia (May, 2011) and New York (September, 2011). For each performance a new version was created, incorporating recordings from the previous locations (including parts of previous performances), and other sounds that I began to associate with the his…
Pretty Sneaky, the anonymous project that has been quietly hiding behind a banana peel logo and self released white label 12” EPs, present their dilated and slomo sub laden atmospheres, this time for Marionette - following elusive outings for label favorites Mana and Meakusma. After being introduced to PS through a common connection back in 2016, a year before their very first self published white label release, it was only in 2021 that we reconnected to discuss an album for the label. Maintaini…
Compositions performed by Bethany Beardslee and Lynne Weber (sopranos), Jerry Kudern and Robert Miller (pianos). The four works on this recording span a period of a decade and are among the best of Milton Babbitt’s output, tape and otherwise. Philomel, for soprano, recorded soprano, and synthesized sound, is one of the undisputed classics of electroacoustic music and this is its definitive recording. Two versions of Phonemena —one for soprano and piano, the other for soprano and tape— another vi…
*50 copies limited edition* 40 page magazine printed as first edition of 50 copies. Absolutely full with articles and reviews. See image 2 for full contents. A great collector's item. Buying via Bandcamp you also get the option to download the multimedia content.Audion 85 contents... The interstellar cementmixers - 20 questions with Japanese oddities and curiosities, Norway - scandinavian fusion legends 12, Panzerpappa - unclassifiable music from Norway; choice french label classics: Gratte-Ciel…
Division S are here again - and this time they don't drink alone. As always, the Italians have an unhealthy obsession with alcohol, as is testified not only in the name of the album and many of the tracks, but also the music. There is a psychedelic, outlandish weirdness to be found in the weird atmosphere and feel of this music. What to call it? Tags one often finds attached to Division S ring hollow and untrue on a deep level, despite being superficially suitable. Yes, there are elements of neo…
Edition of 250. Deluxe edition + insert. For eighteen months, between 1984 and 1985, Patrick Lysaght played flute, strings, and percussion inside the Rainforest Birdhouse at the Rio Grande Zoo in Albuquerque, New Mexico. His audience and collaborators: 150 birds of 42 species.
The result is one of the earliest and most radical documents of interspecies improvisation. Predating the current wave of sound ecology by decades, For The Birds sits comfortably alongside the biophonic research of Bernie …
On Triple Cool Hang, Family Underground turn two decades of haze into a single spool of time, threading freezing‑church jams, Brooklyn collaborations, and after‑hours Copenhagen séances into deep, slow‑burning cuts that hum with tape hiss and lived‑in drone.
Tip! *200 copies lmited edition* Tom James Scott holds a unique position in experimental music. With a soft brush approach Scott, who currently lives on the North-West coast of England, has explored delicacy in music with a variety of sublime releases on a variety of labels. Predominantly known for gentle investigations of guitar and piano, Scott has shifted to incorporating different technology and tactics over time. All of this, either in performance or recording, is embedded with a spirit tha…
**200 copies** Hazy 2019 recordings from the long running Copenhagen free-rock duo Family Underground. On Glitchblade and Sand Between Us Sara C. Czerny and Nicolas F. Kauffmann goes into a full droning and swampy garage mode that sort of recalls a sunlit yet gloomy Denudes on half-speed. Following up a trio of great releases on Into The Lunar Night, Ba Da Bing! and Joy De Vivre.
2013 reissue, originally released in 1966. Patty Waters is internationally recognized as one of the first major avant-garde vocalists, cited as an influence by Yoko Ono, Diamanda Galás, and Patti Smith. Waters's first two LPs, both on ESP-Disk', had the most impact. In 1966, the year after her groundbreaking debut, Sings, appeared, the New York State Council on the Arts gave ESP-Disk' a grant to tour the five state colleges with music departments. Artists on this tour included the Sun Ra Arkestr…
*200 copies limited edition* “Rarefied Airs” is the debut album by Glasspack, duo of Henry Birdsey and Ian McColm. Both Birdsey and McColm are part of an extended New Haven (CT) musician family (think of Stefan Christensen, Shirese, David Shapiro, Center, Figured, Tongue Depressor etc.). In Glasspack they fuse Birdsey’s bagpipes with McColm’s computerized sounds to hammer out rock solid modern fourth world music masterpiece.
“Rarefied Airs” offers two long pieces (both ticking at almost 19 minut…
Recorded August 18, 1969 in Paris with Archie Shepp on soprano, Grachan Moncur III on trombone, Dave Burrell on piano, Sunny Murray on drums plus Arthur Jones, Beb Guerin and Earl Freeman.
Restored & remastered from the original tapes Pressed on 180-gram black vinylInsert featuring insightful essay by author & music journalist Kevin Le GendreLP original gatefold sleeve & artwork faithfully reproduced
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pi…
Hurtling through the perpetual into this moment is the now and future Bitchin Bajas. An effulgent mass located somewhere beyond land or water, Bitchin Bajas' Inland See is flowing toward you, through the hi-fi, arriving with precision extractions of electroacoustic synthesis, revolving in a post-ambient craft that lifts the listener up powerfully, like you’re floating – in saltwater, or helium – effervescent, effortless, elemental.
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 1 of 3, focusing on 1980 to 1983.