Best sellers
Play Me
Kim Gordon's third album, 'Play Me,' is distilled and immediate, expanding Gordon’s sonic palette to include more melodic beats and the motorik drive of krautrock. “We wanted the songs to be short,” Gordon says. “We wanted to do it really fast. It’s more focused, and maybe more confident."
The follow-up to 2024’s Justin Raisen-produced, two-time Grammy-nominated 'The Collective' processes, in her inimitable way, the collateral damage of the billionaire class: the demolition of democracy, technoc…
Magnetism
Super Tip! Kali Malone and Drew McDowall have orbited each other's work for over a decade, their individual explorations of sustained tones and harmonic space suggesting an inevitable collaboration. When they finally entered McDowall's Brooklyn studio together, what emerged on Magnetism transcends mere musical compatibility. Malone has spent recent years extending the legacy of Éliane Radigue, redefining what electronic minimalism can accomplish through pipe organ and synthesizer. Her compositio…
Rumanikos, Kokin, Mixolydian, Kourd Atar, Pigmy, Slendro
In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that probe the very essence of sound and its environment, evoking an atmosphere of quiet tension and subtle transformation.
When I sing, I slip into the microphone. Into that void, I bring comrade "prayers", then, turning to face the outside, together we explode
Like on the early solo Haino album that shares the group’s name (released on P.S.F. in 1993), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric…
Oceans Roar 1000 Drums
**300 copies** "After 10 years of making music together, Oceans Roar 1000 Drums is finally releasing a proper vinyl document of their work. Although their music is best experienced live, this warm recording is the first release in 5 years and genuinely captures their energy and depth of communication. Recorded on a rainy day in the Summer of 2017 this album features the floating presence of Catherine Lamb's "secondary rainbow synthesizer", which is filtering both recordings of the band and envir…
Extension Red, White & Blue
1985 super rare tape, original copies ** The legendary ICP Orchestra (Instant Composers Pool) pushes sonic boundaries with their super rare tape-only release, Extension Red, White & Blue. A vibrant fusion of free jazz, avant-garde experimentation, and razor-sharp improvisation, this album captures the ensemble’s signature irreverence and mastery in a format as raw and immediate as their live performances. Extension Red, White & Blue is a riot of color and sound—a testament to ICP’s half-century …
The Sound of Raspberry
Tip! “This is what we need! In these confused, populistic and fascist times — this is the jazz we need! Urgent! Dedicated! Radical! Unique-face-peeling-cutting- edge- and- totally-in-your-face-MF! This is all we need for a better living! Think… Borbetomagus, John Zorn, TG, Masami Akita, Hanatarash… this is it and yet, not at all alike!” - Mats Gustafsson "Absolutely blistering duo album. The sax sounds like it's laser-cutting its way through the atmosphere while the drums expand and contract the…
Music For Maya
Teiji Ito (January 22, 1935 – August 16, 1982) was a Japanese-born American composer and performer best known for his scores for the avant-garde films by Maya Deren. This comprehensive collection, Music For Maya, presents the film music of one of the most innovative composer-filmmaker partnerships of the 20th century, showcasing Ito's revolutionary approach to cinematic sound. Ito was born in Tokyo, Japan to a theatrical family. His mother, Teiko Ono, was a dancer and his father, Yuji Ito, was a…
Its Own Phantom
Tip! Edition of 100 copies, with risograph printed j card "Five years after the magnificent Valosta Valoon LP (FTR 331LP, 2017), Finnish multi-instrumentalist, Niko Karlsson is back with a new swab of sound that is even more organic than its predecessor. This time out the focus is more on acoustic strings and percussion, with a minimum of machine-driven sounds, even when things get cinematically tense (especially on the B-side). But the bulk of Niko's new tape (which he had first suggested be re…
Le telescope de la mort
Composed of 7 tracks, which oscillate between post-medieval melodies, ghost-
wave and future music of the 70s... Their universe resembles a soaring
soundtrack, the kind of German TV movie that ends well but from which you can
never really escape.