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Mount Analogue is a double‑album pilgrimage into René Daumal’s “symbolically authentic non‑Euclidean” world, conceived by Bill Laswell and P.ST as a musical counterpart to the writer’s cult novel. Daumal’s book, left incomplete at his death and breaking off mid‑sentence, follows a band of mountaineers seeking an invisible, unreachable peak on a hidden continent that can only be approached with obscure knowledge and altered perception. The record honours that premise by treating sound as a climbi…
On Litfiba 3, Litfiba close their “trilogy of power” with a sharp, politically charged rock album where Mediterranean new wave, hard‑edged guitars, and an almost cinematic sense of drama crystallise into one of the band’s most enduring statements.
On Desaparecido, Litfiba ignite their “trilogia del potere” with eight songs where British‑tinged new wave collides with Mediterranean melody and political allegory, turning Italian rock into something at once cosmopolitan, urgent, and obstinately local.
** Edition of 300 copies ** In the late 1980s, Klaus Wiese (Popol Vuh) deepened his connection with Tibetan culture. The result is a series of works solely dedicated to the universal purity of the Singing Bowls. Uranus, perhaps the most rigorous of these, is an intense meditation on the trans-personal sphere of the VI chackra. The music becomes like a single harmonic chant, the reflection of a constant flow of divine light, which transforms the psyche and dilates the secret passages of the hear…
On Chandler and Dickow Play Fischer, David Chandler and Paul Dickow treat Marcus Fischer’s graphic scores as a lab problem rather than a script, using tracing paper, chalk, piezo styli, EEG data and a 1970s modular synth to probe what it means to “play” an image without simply projecting themselves onto it.
On Repetitive Music vol. 1, Misha Panfilov strips things back to synth and piano, threading slow‑turning patterns and hushed harmonies through Tallinn and its outskirts like illuminated loops traced in winter air.
One hour of exquisite microcassette manipulation from a great friend of the label. A free flowing audio diary documenting daily routines and primitive audio experiments. Some of the best tape murk to be produced on danish soil for many years.
Besides being a visual artist, Christoffer Kjærskov has quietly been making experimental music for the last 20 years. His works, always recorded to 4 track cassette, seem to carry a certain warmth flowing through the patiently unfolding loops and shimmering melodies this release is an assemblage of synthesizer, urban field recordings and even some synthetic flute solos peeping through the tape mist. A lovely unpretentious recording, I am very happy to present through afvikling .
A Mountain Sees a Mountain, the new duo recording by Hamid Drake and Pat Thomas, captures two master improvisers engaged in an intimate yet expansive dialogue. Released in October 2025 via Old Heaven Books, the album bridges African rhythmic philosophy and European avant-piano traditions, achieving a deep equilibrium between motion, meditation, and melodic abstraction.
On My Spare Time, Isao Suzuki steps out front on piccolo bass in a luminous set of standards and ballads, wrapping bossa, Ellington and songbook classics in a warm, conversational post‑bop glow with some of Japan’s finest players.
In late fall of 2018, Ryan traveled to Valencia, California to meet with Michael for a weekend of informal conversations at California Institute of the Arts. Before Ryan returned home to Colorado, Michael gifted him a recently released recording of Teodora Stepančić, Assaf Gidron, and Martin Lorenz’s realization of Michael’s Concentric Rings in Magnetic Levitation, a recording that profoundly impacted Ryan and served as the impetus for this recording.
A thrumming monadic field; a constellation o…
On De Vrije Loop, Mix Monster Menno raids the entire Ultra Eczema archive, flipping decades of uncompromising noise, improv and oddball electronics into a late‑night, After‑Hours‑style turntablist trip that feels like the label’s unconscious talking in cuts and crackle.
** Audiophile reissue from the original masters, 180gm vinyl pressed by Pallas, laminated hand-glued gatefold cover. Limited Edition. ** Katcharpari is the second solo album by Italian jazz trumpeter Enrico Rava, recorded and released in January 1973 and considered a cornerstone of the jazz-rock/fusion genre. Recorded in Milan and released on the German label BASF, Rava himself described it as his "breakthrough album." Thanks to the critical acclaim this work received, Rava caught the attention …
On La cuccagna, Ennio Morricone sketches early‑60s Italian life in miniature: light, bittersweet themes, small‑combo colours and gently ironic swings that mirror a young woman’s fragile hopes inside a consumerist daydream starting to fray.
In La ragazza e il generale, Ennio Morricone threads anti‑war irony through bittersweet melodies and marching figures, mixing folk‑tinged themes, choral snatches and tense orchestration into a score where tenderness and absurdity share the same battlefield.
Beach of the Pliocene, a sought-after release by Ken-ichiro Isoda, epitomizes Japanese ambient’s capacity to conjure landscape and memory. The album blends flute, guitar and environmental sounds in a meditative journey that merges gently melodic lines with the resonance of the ocean, functioning equally as a balm for modern anxieties and a portal for contemplative listening.
First-ever reissue on vinyl of the short-lived supergroup’s sole studio album. Originally recorded in 1978, it brings together some of the most renowned figures from the Canterbury Scene.
Otoliths is the second album by the transatlantic quartet Earscratcher, which brings together Austrian pianist Elisabeth Harnik with three of her US-based cohorts – Dave Rempis on saxophones, Fred Lonberg-Holm on cello, and Tim Daisy on drums. Recorded live on tour in the US in December of 2024 - no small feat in an era when the longstanding xenophobic and insular tendencies of the country dominate more than ever - this sophomore outing finds a band whose roots have spread deep and wide. While t…
There are super groups, and then there are Supergroups. This trio, comprised of three prolific journeymen improvisers whose work has been recognized across the globe, is neither. This is a band of down-to-earth, hard-working musicians, whose focus and dedication to the music is exceptional. That’s not to say that these three don’t have a combined CV that straddles a who’s who list of contemporary music across multiple scenes. But their ethos is one that emanates from their midwestern locale …
2025 stock The significance of the seven pieces brought together here is that they both generate a striking panorama of the intelligence of the material presented, over a period of four years, from 1939 to 1943, by the composer whom the critic Fred Goldbeck described as “the greatest Giraudouxian of our age”, and clarify in an extraordinarily oblique manner the prehistory of this “automation” of the creative act, towards which one can detect the perpetual temptation in the young Cage.