Best sellers
Forgetting is Violent
Forgetting is Violent, Patrick Shiroishi’s latest solo LP, is his most immediate release yet, expanding the scope not just of his music but of his extramusical considerations. Where his past releases on American Dreams reckoned with racism against Japanese Americans or presented Shiroishi’s saxophone as heard in a parking garage, Forgetting is Violent considers racism as a whole, historical and ongoing, with the urgency it deserves. Here, for the first time, we hear Shiroishi joined by a support…
Zürahümnah
For two decades, Bart De Paepe has navigated the psychedelic underground, creating a singular artistic path through labels like Astres d’Or, Ultra Eczema, and No Basement Is Deep Enough, and through collaborations with Sylvester Anfang’s funeral folks, Louise Landes Levi, Timo van Luijk, and Raymond Dijkstra. Zürahümnah distills his expansive vision into four immersive tracks that blur the line between light and darkness, time and reverie.
Telepathic Fish: Trawling The Early 90s Ambient Underground
The first-ever illustrated compendium recounting the seminal underground South London ambient party that surfaced at the axis through which the likes of Ninja Tune, Warp and Rising High flowed. Telepathic Fish shared fertile waters with Megatripolis and The Big Chill, moving the early 90s London back room chill-out space into the kaleidoscopic spotlight. Documenting the sights and sounds of South London’s seminal Telepathic Fish ambient parties. Hosted by Chantal Passamonte (aka Mira Calix – RIP…
Otoconia
*100 copies limited edition*
Composed & Recorded by Mark VernonMastered by Yiannis TsirikoglouDesign & Artwork by Yorgos Vourlidas
Tabula Rasa
New vinyl reissue in facsimile gatefold edition, includes original liner notes by Wolfgang Sandner in enclosed booklet.
La Mosca
*In process of stocking* Released towards the end of 1989, La Mosca was the last job by the mythical Eduardo Mateo (1940-1990), one of the most influential artists in Uruguayan music. Although Mateo was a remarkable percussionist and was very well known for his short songs, with simple lyrics, where Uruguayan roots are mixed with Brazilian, African, Indian and Arabic influences, on his last album, his work took a turn on a brand new direction. Alongside the multiinstrumentalist and sound enginee…
The Probability of an Encounter
***100 copies*** In the electroacoustic composition The Probability of an Encounter d'incise attempts to give physicality to electronic sounds, to capture their materiality as piece of cardboard moving - moving back and forth on itself, and moving relatively to microphones in a room. The loudspeaker as concrete manifestation is pushed to its functionning limits to reveal it as it breaths, vibrates, saturates, rattles in contact of other objects. The raw material made of electronic sounds created…
Celui Où Y'A Joseph
With his fourth album, released in 1983 on Le Chant du Monde, Albert Marcœur ventures into darker territories than ever before. Nearly five years had passed since Armes et Cycles, time enough for new currents to seep into his singular musical vision - most notably the chamber-of-horrors atmospherics of Belgian avant-prog architects Univers Zero and Present.
The core ensemble remains largely intact - Pierre Vermeire (harmonium, viola, cello, E♭ clarinet, flugelhorn, trombone), brothers Gérard and…
The Zagreb School Of Animated Film (Original Soundtracks 1961-1982)
Tip! A collection of unreleased themes and scores from 18 short animated films from the world famous Zagreb School Of Animated Film. Includes Oscar winning short cartoon Ersatz / Surogat by Dusan Vukotic (1961) and many other jazz, electronica and experimental scores by composer Tomislav Simovic. Coined by the famed film theorist Georges Sadoul at the 1959 Cannes Festival, The Zagreb School of Animated Film(s) or The Zagreb School of Animation, was defined as an artistic and philosophical world-…
Glasscut
*125 copies limited edition* An alto saxophone and acoustic piano engage in an intimate musical dialogue, reflecting on the current state of improvised music. Okuda and Dyberg’s album unites two artists at the peak of their musical collaboration, deconstructing jazz history into shimmering fragments, reassembling them in new forms that deliberately move away from traditional references. The music incorporates diverse influences—glimpses of classical composers like Webern and Prokofiev, abstract …