Best sellers
3 Points And A Mountain
"A real cause for celebration. A performance distinguished by gleeful energy and audacious dada wit. It possesses a vigor of discovery and invention that makes it sound timeless." - Cadence "A great and enjoyable session from three of the most creative and unique musicians in European avant-garde music." - All Music Guide"Wonderful, intoxicating stuff. Together theses three troubadours tiptoe exaggeratedly through pastiches of bop, cabaret, baroque, and lounge, and work through dozens of mood ch…
Franco Battiato
Temporary nicer price * * 45th Anniversary Edition, 180 gr. Red Vinyl * *Franco Battiato also known as "Za" was the first album for Ricordi, and the Franco Battiato's conceptualism becomes very rigorous and authoritative. It is made of two long tracks, Za, in the author's own words "Apparently poor. Almost completely made up of one chord. Deliberately percussive (the right pedal is never used), it divides and subtracts resonances, with a technique of release. It needs a listening that I would de…
Say It Loud!
Lou Donaldson had been a Blue Note stalwart since his earliest recordings in 1952 and over the following 15 years produced numerous classic dates spanning bebop, hard bop, and soul jazz. But when the alto saxophonist hooked up with the funky drummer Leo Morris (aka Idris Muhammad) for 1967’s Alligator Bogaloo it began a run of great groove-oriented albums including Mr. Shing-A-Ling, Midnight Creeper, and 1968’s Say It Loud. Filling out the band were Donaldson’s fellow Blue Note labelmate trumpet…
Tnt
** 2026 Stock. Original 1986 Copies that may show some signs of long storage wear. ** Across his career, Rolf Enström has been less interested in occupying a genre than in testing how far music can stretch when it brushes against other arts. Known as a composer who “unceasingly seeks new artistic paths and new means of expression,” he has frequently braided his work with visual art and literature, using text, image, and performance as catalysts for sonic experimentation rather than decorative ad…
Femina Ridens
** 2021 Repress ** If a jewel were to be chosen amongst the more than three hundred soundtracks that Maestro Stelvio Cipriani has composed during his long and prodigious career, that choice would probably not fall on the super classic and hyper known Anonimo Veneziano (the box-office and hit-parade champion who triggered the international fame of the Roman musician), but probably on his previous and less celebrated Femina Ridens – perhaps the most iconic of his soundtracks, along with Mark Il po…
Music On Canvas
While still unknown to many today, Enzo Minuti (1927-2000), aka Ezy Minus, left his unique mark on the kaleidoscopic world of Italian library music. One of the most versatile, skilled and authentic figures in the Bolognese music scene of the mid- to late 20th century, Minuti was a multi-instrumentalist, composer, music producer and recording studio manager, as well as a painter, etcher and graphic artist. He devoted his life to music (especially jazz, a genre that has enjoyed a long tradition in…
Lee Ranaldo/Rob Menard
Lee Ranaldo and Rob Menard have been friends and collaborators for years and this split cassette release on Important Records' Cassauna label amplifies their unique musical personalities and sonic compatibility. Both artists contributed over 30 minutes of music making this a pair of mini-albums on one tape. Ranaldo plays Farfisa, electric guitar, tres, marimba, bass and bells, taking the listener on a lyrical, hazy, ride full of life, time and echoing riff shimmer. Massive vibes from author, art…
Off the wall
The long-awaited and reissue of Wada's 1985 LP "Off The Wall", recorded in Berlin and originally released on the esteemed FMP label. A minimalist yet majestic monsterpiece ("massive", as Tom Johnson declares in his perceptive liner notes), "Off The Wall" features Wada and Wayne Hankin on bagpipes, Marilyn Bogerd on adapted organ, and percussionist Andreas Schmidt-Neri.
The original album consisted of two side-long pieces recorded on successive days by Jost Geber, who captured the power and dynam…
Vestigial Gamelan
Tip! *100 copies limited edition* This album is the third in a series of experiments exploring the magnification of the insignificant sounds. The chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills/screwdrivers. Astasie-abasie is a project of Ian Andrews which evolved out of a long running perfo…
Reality Is Not a Theory
Reality Is Not a Theory by Mark Fell and Pat Thomas is a vivid collaboration exploring the friction between theorized structure and lived musical experience. By fusing Fell’s technologically limited triggers for creativity with Thomas’s exploratory improvisation, the album reimagines not only electronic and jazz vocabularies but also notions of time and agency, rendering a shifting landscape where each moment is both calculated and unexpected.
Live In Kontich
*Standard edition, 217 copies* The Legendary Pink Dots has released many live in its history but most often with albums that brought together recording from various locations. Today and now available, is the first double live record of a full concert from the 80s era. All great bands all have their legendary “double live” performances in their history. This has now been achieved for the Dots with this recording in Kontich, and Fractal is very happy to be able to offer it to you. Live in Kontich …
Smelter
Smelter by Faith Coloccia and Daniel Menche constructs a temporal architecture that explores water in its myriad states—snow, ice, streams, and storm. Moving between spontaneous, voice-laced vignettes and epic drone formations, the record serves as an aural archive that suspends the listener in crystalline moments, as if each piece is fixed in time yet endlessly malleable.
Breath Line
*75 copies limited edition* Henry Fraser bores into the sound of the double bass to explore the endless patterns of its otherwise hidden contours. The instrument acquires its own dynamic landscape, its own body, and its own mode of perception – opening a space of acute, granular perceptivity in which presumed boundaries are blurred: between center and periphery, sonic and tactile, instrumentalist and instrument, performer and listener."When the poet, Charles Olson wrote, “the HEAD, by way of the…