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Extra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.
**500 hand-numbered copies on audiophile dark blue coloured vinyl + bonus CD** Critically acclaimed as one of the best records ever, 1974 Robert Wyatt’s masterpiece has been re-arranged by Craig Fortnam for his amazing North Sea Radio Orchestra. Featuring long time Wyatt’s collaborator and Henry Cow founder John Greaves on bass guitar and vocals, and the amazing vocalist Annie Barbazza as lead singer, this is an hearfelt, fantastic tribute to Robert Wyatt’s music. "This concert is a beautiful e…
**Edition of 300, turquoise vinyl, 180 gr. heavyweight LP + extensive booklet** Furthering the passionate exploration of cinema that has guided her two previous LPs - 2017’s ‘Fassbinder Wunderkammer’ and 2020’s ‘I Should Have Been a Gardener’ - the Milanese guitarist/composer, Alessandra Novaga, returns to Die Schachtel with ‘The Artistic Image Is Always a Miracle’, two sides off shimmering, tense compositions – culminating as one of her most creatively ambitious and conceptually rich outings to…
*2024 stock* Both a marketing firm and metaphysical mission, Valley of the Sun synthesized style and spirituality to produce an extensive catalog that at once defines and defies new age music. Founder Dick Sutphen worked with tireless devotion to spread a message he believed could change the world for the better. This 18-track overview of VOTS’ fertile 1977-1990 period includes music from Upper Astral, Robert Slap & Steve Powell, David Naegele, David Storrs, Steven Cooper, and Gloria Thomas, a 2…
»Música para 10m2 de Relva Sintética« (Music for 10 square meters of synthetic grass) includes a live recording of the Niagara performing at MAAT museum in Lisbon on 9th April, 2020. The recording is taken directly from the concert, without any additional production or mixing. The set begins with strong nods to US minimalism before evolving into a quirky new age affair. Later, vocal experiments and some dreamy synth excursions set the tone. The gentle sound of water splashing is almost constant,…
** 2021 stock ** This record of absurd, delirious sound poetry, drawn primarily from the voices of Graham Lambkin and Joe McPhee, marks their first vinyl release as a duo. It was published in 2018 in an edition of 270 regular copies and 30 copies with handmade art.
Joe McPhee has been a deeply emotional composer, improviser, and multi-instrumentalist since his emergence on the creative jazz and new music scenes in the late 60s. Inspired by the music of Albert Ayler, he taught himself the saxopho…
2021 restock. "Includes liner notes & archival photographs. 1970 was an important year in Eliane Radigue's musical life since it was the year just before she acquired her ARP 2500 synthesizer. Since 1967, she had been using the feedback as a material; feedback from two tape recorders reworked through intensive studio techniques: slowing down, alteration, superimposition, montage. In 1970, the last year she dedicated to feedback, several milestone pieces saw the light of day: Omnht, a wonderful s…
*2025 stock* After 14 years of filming/recording some of today’s most influential musicians, the music from Andreas Koefoed’s and Jørgen Leth’s celebrated film “Music For Black Pigeons” is now available for the first time (vinyl only). The soundtrack is based on compositions by Jakob Bro, performed by Bill Frisell, Lee Konitz, Craig Taborn, Paul Motian, Andrew Cyrille, Arve Henriksen, Midori Takada and many others.
Venice Film Festival title “Music for Black Pigeons,” directed by Danish filmmake…
*2023 stock* "This album marks the beginning of an ongoing and fruitful relationship between Tunisian oud master/composer Anouar Brahem and the ECM label. From the exhilarating solo “Raf Raf,” we know we are in the presence of someone whose sense of touch, rhythm, melody, and atmosphere speaks straight to the heart from the mind of a visionary. This first track puts us into a time and place where only melody speaks, and the sands of time flow like blood in an infinitely chambered heart. The titl…
Nine years after Play Cat's Cradle, Rose and Sandy return to the same ecclesiastical source - here an auto-harp from the same convent - for a second extended collaboration, again played and processed live. The album divides into nine spectral bands functioning as strings to be stopped, muted or amplified, and reads the intervening years as a shift from devotion and idealism to entropy and conflict. The acoustic body remains, but its overtones now turn cold, shrill, fractured.