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A powerful intergenerational trio emerges on Murasaki, featuring Wadada Leo Smith on trumpet, Marcus Gilmore on drums, and Jakob Bro on guitar. Recorded at Power Station (formerly Avatar Studios) in New York, this exploratory session unfolded spontaneously—no retakes, no discussions, just a shared musical language rooted in intuition and trust. “It felt as though this music already existed before we started playing,” Bro reflects. Murasaki captures the creative summit of three visionary artists,…
Come in un'Ultima Cena is the title of the sixth studio album by the legendary Italian progressive rock band Banco del Mutuo Soccorso, released in October 1976 on the Manticore Records record label. The disc includes nine previously unreleased tracks. For sale the exclusive 2022 reissue in high quality engraved 180 gram vinyl.
Come in Un'Ultima Cena is the last "classic" Banco album. After an instrumental album with orchestra (Di Terra, 1978), the band would favor a more commercial approach thro…
Il Nostro Caro Angelo by Lucio Battisti is a crucial milestone marking the artist’s shift towards rock-oriented structures and deeper, more critical lyricism. The music is more electric, the arrangements more varied, as Battisti and Mogol probe the complexities of ideals and disillusionment, forging a sound that is both accessible and challenging. Each track acts as both confrontation and invitation, demanding listeners reassess inherited truths through fresh sonic and poetic codes.
** 180gr. Green Fluo coloured vinyl edition.** The first Goblin’s Greatest Hits volume, released in mid-2020 and filled with the unprecedented masterpieces that made them famous worldwide as the masters of movie soundtrack makers, is now followed by this second chapter that wisely covers the second part of the band’s career. This is an era that is often less considered by music lovers and horror movies fans, but this LP is here also to remind the listener that there’s a lot to be rediscovered. T…
*100 copies limited edition* The encounter between Ramona Ponzini and Maurizio Bianchi yields a work poised on the threshold between evocation and vertigo: a sonic device unfolding through stratifications, resonances, and semantic as well as acoustic collisions.Maurizio Bianchi, a pioneer of the Italian industrial scene, chisels soundscapes built from abrasive, material noises, dissonant cadences, and atmospheres both dust-laden and rarefied yet simultaneously dense. The listener moves across th…
Bomb! Spiritual, intimate and revolutionary, yet firmly rooted in Brazil's folklore. Africadeus was the breakthrough album of the mighty Naná Vasconcelos, in which he discovered the berimbau to the world and took the instrument to a universal level. Having played in the shadows for other artists such as Milton Nascimento, Gato Barbieri or Som Imaginario, Naná is here finally in the spotlight. Recorded in 1973 in France for Pierre Barouh's Saravah label, this is the album that definitely imprinte…