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Incest Songs is the final chapter of the Murder Ballads trilogy, and its most fully realized expression. Where Drift and Passages explored the post-isolationist frame through voice and single instrument, this third volume dispenses with that approach entirely, opening instead onto a more labyrinthine sonic architecture - one built from overlapping, saturating, blurring voices, all of them Martyn Bates'. The decision feels both inevitable and quietly inspired. Bates' vocalizations unfold as layer…
Blck vinyl. Current 93's first and last album, Nature Unveiled dragged together my obsessions, as I had decided to make a pop album that dealt with my primary fascinations: Christian apocalyptic and eschatological Christian texts. In my speed-ridden soul and mind, I thought I was reinventing The Ronettes, and that the two long sides of Nature Unveiled were A- and B-sides of a wall of soundhogs HIT! But the reality is that I was sharing a squat in Vauxhall with little annie anxiety, and hanging o…
A mixtape of carimbos and vinhetas, the audio drops of Brazil's paredão sound systems, recorded between the 1980s and 2025, from Rio funk crews to São Paulo mandelão and the rigs of Belém. Compiled by GG Albuquerque.
The first-ever vinyl release of Gérard Grisey’s Vortex Temporum (to our knowledge). Movements I and II appear as a single track to preserve their spectral continuity. The LP features cover art by Dariia Kuzmych and comes with a zine of her ballpoint drawings, merging time and human tissue.
Ukho Ensemble Kyiv:::Dina Pysarenko, pianoInna Vorobets, flutesDmytro Pashynskyi, clarinetsRachel Koblyakov, violinAndriy Savych, violaRaphaël Ginzburg, cello
Conducted by Luigi Gaggero
On Variation for Light Waves, Linnea Talp deepens her dialogue with the pipe organ, stretching it toward breathy extremes where foggy harmonies, brittle overtones and glints of electronics hover like weather systems suspended between memory and illumination.