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Tip! Transversales proudly presents the first LP reissue of “Les granges brûlées”, original soundtrack written and performed by Jean-Michel Jarre shortly after his work experience at G.R.M (Groupe de Recherches Musicales). Probably one the first ever electronic music score, recorded with very scanty means: a VCS3 synthesizer, a Farsifa organ and three synchronized Revox tape recorders. Director Jean Chapot, who understood immediately the interest in the gap between this hyper classical rural thr…
Other Minds is pleased to present Piwal by the Balinese composer and gamelan musician Putu Septa. Septa represents a new generation of maverick Indonesian composers, “evident,” as ethnomusicologist Oscar Murakami-Smith writes in his liner notes, “from the title of the multi-movement piece presented on this album—Piwal, a Balinese word which may be defined as ‘rebellion,’ ‘resistance,’ ‘disobedience,’ ‘denial,’ or ‘deviation.’” Piwal is Septa’s attempt to square the traditional lineage of gamelan…
Huge Tip! 200 copies. Mario de Vega engages with sound as a tangible medium to exasperate perception. For over 20 years, de Vega’s work has been exhibited as large scale commissioned interventions leaning towards liminal zones of aurality, ephemeral situations -often displayed as detritus of actions, prints, materials and publications-, sculpture, performative settings, and three-dimensional formats.
A M P H I B I A I B I H P M A (Amphibiaibomma) is a studio work composed between 2020 and 2024.…
The charming, thoughtfoul Oracle conveys the familiarity and empathy of partners who have worked together for years – light touch, intricacy and sensitivity pervade the session. Oracle wins you over with its warmth and melodicism.
** Edition of 250** Here it is, the big 25 year celebration of ODRZ's performances and recordings. 100 guests and a 100 tracks. Available as a USB-card housed in a 7" fold-out sleeve. Among the various artists: Francisco Meirino, Deison, Lyke Wake, Sshe Retina Stimulants, Enten Hitti, Bruno Cossano, Simon Balestrazzi, Officine Schwartz, Andrea Marutti, Maurizio Bianchi, Iugula-Thor, Maurizio Marsico, KK Null...
2025 stock In 2014, Tatsuya Yoshida participated in the first Tomorrow Music Festival, and his improvisation with Mamoru on the night of the performance was the first time the two musicians collided, and the improvisation, which lasted less than 30 minutes, brought the audience's perception of “improvisation” to a new level. The last two improvisations in Ruins Alone: Tomorrow's Ruins were recorded live at that time.
Within the expanding territories of electroacoustic investigation and field recording archaeology, Éric La Casa and Jérôme Noetinger present Off Tracks, a profound meditation on absence, decay, and the spectral traces left behind in emptied architectural spaces via Erstwhile Records. This collaboration between two masters of contemporary sound art unfolds as "an exploration of buildings emptied of their activities, a crossing of spaces abandoned by their occupants, a drift through the ghostly tr…
*2025 stock* These are live recordings of Nikhil Banerjee at KPFA Radio in Berkeley, California, on the 9th of July, 1967. It is for the first time they are made into vinyl record and published in China. The original recordings were on two reel-to-reel tapes. In 1988, American record label Raga Records released the recordings on both CD and cassette. Until a few years ago, it was by chance that producer Tu Fei got hold of these reel-to-reel tapes and decided to release this vinyl version, hoping…
*Special discounted pricing. 2026 stock* The third album by this combo from Bologna is the apotheosis of their histrionic verve. Directed in studio by Italian progressive rock luminary, Paolo Tofani, Kinotto was released in 1979, and as Freak Antoni himself declared, the album was closer to new wave than previous efforts and its best-known track, "Mi Piaccion Le Sbarbine", was soon on heavy rotation. With Kinotto came also the artistic consecration of Skiantos, who went from being a cult band to…
*Special discounted pricing. 2026 stock* Skiantos had a void in their minds, and that was all they needed to revolutionize Italian music. They imported demented rock to Italy, drawing on an all-American, nonsensical movement (from Frank Zappa to Devo), fueled by the explosion of English punk. Before Skiantos, the only demented aspects of Italian songwriting had been the perverse (and perverted) obscenities of Squallor, who, while hilarious (sometimes even from a purely compositional standpoint),…