The Portuguese percussionist turns drums and cymbals into generative sources: seven tracks of spectral tones, sub-bass rumble and warbly VHS tones, shaped by electronic manipulation and by the chromatic dissonance of Carlo Gesualdo.
*Limited edition of 300 copies.* A striking new addition to the evolving catalog of Berlin-based composer Catherine Lamb, 'interius/exterius' is a long-form chamber nonet developed through a sustained dialogue with the musicians of New York’s Ghost Ensemble. Scored for flute, oboe, accordion, viola, cello, four- and five-string contrabasses, harp, and hammered dulcimer, the work investigates how collective intentions or focal points allow various and sometimes unusual sonic pathways to emerge in…
The work of JJJJJerome Ellis lives comfortably in the gaps between silence and possibility. The Black disabled Grenadian-Jamaican-American artist creates atmospheric soundscapes with saxophone, organ, hammered dulcimer, electronics, and their voice. Improvisation is at the core of their artistry – often chipping away at large slabs of recordings to reveal the piece like a marble sculptor. It’s an expansive and interdisciplinary practice that allows JJJJJerome to adapt to any medium or form, incl…
Rediscovered and compiled for release shortly before her death in November 2023, Further Selections from the Electric Harpsichord presents a never-before-heard recording of composer and artist Catherine Christer Hennix's early magnum opus. Originally debuted in 1976 at the festival Brouwer's Lattice at Stockholm's Moderna Museet, The Electric Harpsichord has steadily mystified fans and students of Western minimalist music for its implacable, transformative qualities, and the long-held, relative …
Independent Television unspools as a delirious, inside-out broadcast from the suburbs of perception. Arek Gulbenkoglu and Matthew Revert orchestrate a hall-of-mirrors soundtrack where the casual and the uncanny trade places, inviting listeners to attune themselves to the mutable psychic frequencies flickering just beyond the edge of comprehension.
Anthony Burr and Charles Curtis present a collection of curated compositions from Alvin Lucier and Morton Feldman. Two Lucier pieces, "August Moon" and "Trio For Clarinet, Cello & Tuba" are presented here for the first time. Liner notes are excerpted from a lecture on Morton Feldman given by Alvin Lucier. A selection from Alvin Lucier's liner notes: "For Feldman, dynamics serve an acoustical function. When he mitigates a piano attack he reduces that spike of noise that's at the onset of every pi…
* Edition of 300 copies * This latest instalment from NoBusiness Records collaboration with the Japanese Chap Chap label under the name of Yuji Takahashi with Sabu Toyozumi constitutes a real find. A wonderfully mystic vernal episode of free improv music recorded in Tokyo, 1998. Piano and percussion album of the highest beauty, interactive on a telepathic level and execution. Yuji Takahashi is a Japanese avant-garde composer and pianist. In Japan he was by then already well established as leadin…
In process of restock. Dokkiri! tells the history of a remarkable complex of musical subcultures that developed in Japan from the mid-1970s. Starting with a discussion of the earliest rumblings of punk and new wave, all types of independently produced music are covered in more detail than has ever appeared in English before. Punk, Art music, Noise, Psychedelic, experimental and more. "This book fills in the gaps in my own appreciation of the Japanese independent music scene and provides context …
Clear Vinyl version. Originally from Kingsport, Tennessee, New York-based Zoh Amba is a notable rising star in the avant-garde music scene. Growing up in the Appalachian mountains, Amba practiced saxophone to the forest that surrounded her home before she later traveled to study with David Murray in New York, and also at the San Francisco Conservatory Of Music & New England Conservatory in Boston. Today, her music is full of folk melodies, mesmerizing refrains, repeated incantations and powerful…
Third volume in 4mg Records' "Experimental Studio Bratislava" LP+CD (with the same contents) series presenting excerpts from superb electro-acoustic works realized at the studio from 1968 to 1982 by international composers.
With what might just be the richest immersion for the combined senses of the ears, eyes, and mind that we encounter in 2026, Marhaug Forlag returns with "Re-Make Re-Model", a stunning collaboration between Lasse Marhaug and Bruce Russell. Issued as a beautifully produced, highly limited Book / 2CD edition, capturing these two legendary artists mining the other's deep catalog of recordings, reworking an astounding 16 tracks into more than 100 minutes of blistering, radically experimental music, w…
Heavenly new age ambient synthesis and 4th world navigations by two leading lights of their field, flocking to a mutual spirit at the behest of Australia’s eternally reliable Good Morning Tapes. Riyl Asa-Chang & Junray, Jon Hassell, Nueen, Enya, David Toop.
Meeting for the first time on record - although it sounds like they’ve been making music together forever - GRM alum Ariel Kalma brings some half a century of experience accrued deep in synth music’s most esoteric realms, to Leaving Records’ …
Errands is the first duo recording from Marja Ahti, Swedish-Finnish sound artist and electroacoustic composer, and John McCowen, a native of Southern Illinois, now residing in Iceland, whose work centres on a radical exploration of clarinet multiphonics. Working without the aid of electronics, McCowen has spent years finessing performance techniques that allow him to layer beating patterns and split tones that belie their source in a monophonic instrument. Ahti, in contrast, has built up a stunn…
A cascading piano improvisation by Xiu Xiu's Hyunhye Seo, recorded live during a Nam June Paik exhibition in Turin. On Side B, Japanese avant-garde pioneer Phew reinterprets Seo's performance into a new electronic landscape. Music as surrender, dialogue between performer, space and the present moment.
On Light, Palle Mikkelborg condenses a lifetime of orchestral colour into a quietly radiant final opus: solo trumpet, flugelhorn and piano drift through self‑designed soundscapes, joined sparingly by harp and guitar, like hymns remembered in slow motion.
Before Jimmy Smith became one of jazz’s most influential organists, there was A New Sound… A New Star (Volume 1)—the 1956 Blue Note debut that announced a bold new presence on the scene.
Recorded at Van Gelder Studio with guitarist Thornel Schwartz and drummer Bay Perry, the album puts Smith’s Hammond organ front and center: nimble, muscular and full of blues-inflected swing. He reshapes familiar standards such as “The Way You Look Tonight,” “Oh, Lady Be Good!” and “But Not for Me,” while “You G…
"Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters.Suoni Immaginari, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines his planetary ody…
*300 copies limited edition.* "This is probably one of the most industrial Merzbow's records that he ever made. For an album in transitional period between his early musique concrète/sound collage pieces and later harsh noise works that he's best known for, it's nothing surprising. Nevertheless fact remains that Antimonument sounds pretty different from any other of his records, but instead of explaining it by the former way, I'd rather see it as a very intentional artistic decision. This album …
The ominous title evokes fallen empires, decadent excess, historical weight. Rome - eternal city, center of classical and Catholic civilization - becomes "Black," suggesting inversion, corruption, death. Perhaps this is Rome during plague, Rome in ashes, Rome as symbol of all empires' inevitable decline.
Black Rome channels these associations into dense, imposing noise constructions demonstrating apocalyptic intensity. Empire rises and falls; Merzbow provides the soundtrack to collapse.
In the pieces featured on this record, I have chosen simple electronic means - the kind that are commonplace, accessible, cheap, and easy to use - and I put them to work in a mostly-theatrical way: a situation of representation, one that is unique, new, and creative, where the focus lies in esthetics and poetics instead of in technological prowess. An imagination of otherness, where you don't know anymore whether the other is the soundworld produced out of time in the 'black box' of electronics …
Wound_Burner is an audio project based on field recordings which took place in various locations in New York, USA, Gotland, Sweden, Rio De Janeiro, Brazil, and the Greek countryside. The project consists of three main parts, and moves along high frequency slow-motion sentimental delirios to heavy bass ambient soundscapes, periodically colored by the voice of the soprano Irini Kyriakidou. Some of the sounds were constructed by using exclusively digital and electronic media. Wound_Burner demo…
*100 copies limited edition* Bishu Chattopadhyay’s Fragments is a collection of nine compositions shaped by movement, memory, improvisation, and the passage between worlds. Born and raised in Kolkata and now living in New York, Chattopadhyay has spent much of his life moving between musical and cultural landscapes. The album reflects that experience without attempting to resolve it: fragments of a life, fragments of a time, fragments of a world in which beauty and uncertainty exist side by side.…
"Furthered" is the new album by Alex Ward Item 4. The quartet's music is the fullest realization of Ward's long-standing desire to create a context where his compositional concerns can coexist with improvisation of the most unfettered stripe. Given a line-up which would be perfectly capable of creating compelling music without recourse to pre-written elements at all, Ward's compositions aim to function as another "personality" within the overall mix, subject to the same spontaneous interrogation…
1970's re-issue on Wergo's great "Studio Reihe Neuer Musik" series of the 1960 album with the 1909 ground-breaking monodrama performed by Helga Pilarczyk with the Nordwestdeutsche Philharmonie conducted by Hermann Scherchen. With insert.
Wyschnegradsky's visionary poem for narrator and orchestra, conceived in 1916 and first heard only in 1978: the live premiere with Mario Haniotis and the Orchestre Philharmonique de Radio-France, plus interviews with the composer.
On Diana in the Autumn Wind, Gap Mangione turns late‑60s trio jazz into a Technicolor funk miniature: short, intricate charts, molten Rhodes, and a young Tony Levin/Steve Gadd rhythm engine that future hip‑hop would mine like sacred scripture.
** Edition of 100 ** Huerta Ensamble is a collaborative research project by Mexican artists Concepción Huerta and Daniela Huerta, dedicated to exploring sound through synthesis and magnetic tape experimentation. Their practice delves into tuning, electricity, spatiality, psychoacoustics, and the fundamental principles of sound, with live performances unfolding through improvisation and the dialogue unique to each setting.The album, "S∞S", treats sound as a living organism — alive with resonance,…
At long last, La Monte Young and Marian Zazeela reissue this seminal, hugely influential album on their Just Dream imprint, the legendary recording from 1968 India of Pandit Pran Nath titled 'Ragas Of Morning & Night'. The original studio session was produced in New Delhi, February 1968, by Jimi Hendrix associate Alan Douglas, it features recordings of "Raga Todi" and "Darbari", which showcase Pran Nath at his prime. Pran Nath's exquisite control between microscopically fine degrees of pitch ca…