Best sellers
Schleifen
**280 copies, 2026 stock** A publication for the exhibition Schleifen – November 10-24, 2016 – at «Kassette.für projekte» in Zurich, Switzerland. Book has 52 pages, 30 drawings, size A5 (148 x 210 mm), includes Audio CD. Cover: digital printing on black paper (Outside: white, Inside: varnish). Content: offset printing (silver mixed with black).
Lair of the White Worm
**Limited edition of 300 audiophile 140 gr white premium vinyl. Full color gatefold sleeve with lyric inner sleeve.** This is (another) strange one. It’s a genuinely ‘lost’ album, by which I mean it is one the band and I recorded then abandoned because I couldn’t find a suitable theme when it came to writing the lyrics. The music evoked a fantasy world, but I had already covered that subject on ‘Duel’ and ‘Grimm’ and felt I couldn’t justify writing more songs about Kings, Queens, castles and dec…
Kind of Blue
Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck -Time Out & Charles Mingus -Ah Um among them), so much has been said and written about Miles Davis'Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you.
As Bill Evans …
When Worlds Collide (2LP)
*500 copies limited edition compilation with insert* This is a limited double-LP collection of artists who've been on either Fourth Dimension Records or Lumberton Trading Company, or are even indirectly associated. The title, based on the name of a childhood '50s sci-fi film favourite, not only reflects the bringing together of these two labels but also the fact that most of the artists they are concerned with tend to navigate a wide range of ideas and approaches. The 2LP also began as a reflect…
Gal
*2025 repress* After Caetano Veloso broke out with his solo debut, the self-titled 1968 release recognized as the building block for the now infamous Brazilian Tropicalia movement, his friends and musical peers released similar albums, always upping the ante in terms of outrageousness and inventiveness. This release, the second of two self-titled albums released by Gal Costa in 1969, set the high watermark in terms of overall insanity and complete experimental freedom for the entire lot; not Vel…
Environmental Percussion Vol. 2
Continuing the percussive investigations begun in Volume 1, this installment pushes further into the liminal space between rhythm and chaos. Where the first volume established the conceptual framework, Environmental Percussion Vol. 2 explores its implications more deeply, finding increasingly complex rhythmic patterns within seemingly formless noise.
Together, the Environmental Percussion volumes document Merzbow's engagement with rhythm and pulse - dimensions often overlooked in discussions of …
Environmental Percussion Vol. 1
The "Environmental Percussion" series finds Akita exploring the rhythmic potential of non-traditional sound sources - objects, spaces, and acoustic phenomena pressed into service as percussion instruments. These experiments anticipate the more overtly beat-driven work of later periods while connecting to musique concrète traditions of treating all sounds as potential musical material.
Akita transforms everyday acoustic phenomena into percussion, finding rhythm where conventional listeners percei…
Hyperglyph
Chicago Underground Duo is the long-running collaborative project of composer/trumpeter/electronicist Rob Mazurek (Exploding Star Orchestra, Isotope 217, New Future City Radio with Damon Locks) and composer/drummer/mbiraist Chad Taylor (jaimie branch’s Fly or Die, Marshall Allen’s Ghost Horizons, Luke Stewart’s Silt Trio). Hyperglyph is their first album in 11 years, and 8th in the absolute cabinet of wonders that is the Chicago Underground Duo. The pair have played music together in a multitude…
Around You Is A Forest
The long-awaited debut album from bassist-composer Thomas Morgan is a lush, layered journey through ambient textures and open improvisation. Featuring an all-star cast—Bill Frisell, Craig Taborn, Ambrose Akinmusire, Immanuel Wilkins, Henry Threadgill, Dan Weiss, and Gerald Cleaver—the record is both spacious and intricate, with Morgan’s own virtual instrument woods shaping its organic feel. The inclusion of poet Gary Snyder’s voice adds another dimension to this environmental soundscape. Around …
Raw Power
On Raw Power, Iggy And The Stooges compress lust, nihilism and amplifier abuse into eight songs that still feel like a structural flaw in rock itself, James Williamson’s scorched‑earth guitar and Iggy’s feral charisma defining the template for punk and everything unwholesome that followed.