Best sellers
Black Antlers
Dais reissues Coil's seminal Black Antlers, the group's final studio masterpiece completed by Peter "Sleazy" Christopherson after Jhonn Balance's passing. A vital document of the group's final creative surge - where live energy, poetic mysticism and digital experimentation reached their apex.
Collines / Racines
Tip! Rarely has the term "soundscapes" seemed as appropriate as for 'Collines' and 'Racines,' these two long, captivating pieces for cello and Loopstation, respectively inspired by the landscapes of Gaume and the Forêt de Soignes. Gwen Sainte-Rose superimposes the sound layers of her compositions and sculpts the sound material. This CD nestled in a wooden box which, like a small cabinet of curiosities, also contains multiple photographic inserts by Beata Szparagowska and the graphic designer Cor…
This Is the Right Path
Tip! *350 copies limited edition* “ Dec. 2015: I received an invitation from Old Heaven to participate with FaUSt to the 3rd edition of “Tomorrow Festival” at B10 Live, Shenzhen, China! A few months later, May 2016, we were on our way to the most exciting concert experience. A loooong flight-haul and then, such a warm welcome, such a perfect organization… the most charming, dedicated, competent crew around us… the largest cement mixer I ever used on stage, and an audience so vibrant, so focused.…
Speed, Glue & Shinki
Speed, Glue & Shinki's second release, originally released in 1972 on Atlantic and often referred to as Tiger, brought together a number of tracks not included on Eve, as well as some new recordings that took a very different musical slant. Joey Smith decided that since he could he handle himself admirably on drums, it was time to challenge a new instrument, so he bought a synthesizer. Drafting in friend Mike Hanopol to take over the bass-playing duties from the departed Masayoshi "Glue" Kabe, S…
Béke
**2nd pressing, screen printed cover, risoprinted obi edition of 250** “Peace is not the word to play” rapped Large Professor on Main Source’s 1991 debut album. His plea to stop abusing the word “peace” simply for rhetoric flair sounds just as valid in today’s genocidal world as it did in the streets of New York over 30 years ago. For Oiro Pena to name this album Béke, meaning peace in Hungarian – or white people in French Caribbean creole – it seems like they finally have something to say. With…
Epiphany
Honest Jon's Records present a reissue of Company's Epiphany, originally released in 1982. Epiphany \ i-ˈpi-fə-nē \ (1) a manifestation of the essential nature of something (usually sudden) (2) an intuitive grasp of reality through something (usually simple and striking) (3) an illuminating discovery or disclosure. All three definitions apply perfectly to this span of music recorded at London's ICA in July 1982. It's a miracle of group interaction, wonderfully paced, moving steadily between mome…
Pilgrimage
** 2021 Stock ** Legendary avant-garde jazz saxophonist Roscoe Mitchell is best known for his role as a founding member of the Art Ensemble of Chicago. This group is recognized for incorporating, and none-too-subtly ridiculing, the long-bearded tradition of Western art music. Mitchell, nonetheless, has something to say that is within the tradition himself, apart from, but related to his work in the field of jazz. Usually the sort of classical music piece produced by a "jazz cat" is formulated wi…
Key
1995 release. Originally released in 1971. Key contains Meredith Monk's earliest compositions for voice. The songs that make up Key
were composed and performed in a three year period between 1967 and
1970, when Monk collected them into this 45-minute "invisible theater"
experience. Meredith Monk on the release: "In Key I wanted to
create a constantly shifting ambience. Each song dealt with a different
vocal character, landscape, technical concern or emotional quality. I
was trying for a vi…
Lost & Found - MMXX-15
With touchstones in electronic dance music, and forward-thinking, synthesizer based abstraction, the Paris based organist, composer, and experimental musician Hampus Lindwall’s contribution to Matière Mémoire’s stunning MMXX Series, MMXX-15, weaves a singularly striking world of pulsing, organized sound. Issued in a limited edition of 500 copies, on a single sided crystal clear vinyl LP with a laser engraved artwork on the other, housed in a transparent sleeve printed with the MMXX logo, and con…
Archive Fever - New Zealand Underground Sound in Fanzine Interviews 1991–1999
Bomb! A book collecting interviews, artwork and texts of New Zealand underground sound artists from fanzines in the years 1991-1999. Collected by Noel Meek. Texts by Noel Meek, Bruce Russell, Seymour Glass (Bananafish) and Nick Cain (Opprobrium). Cover illustration by Stefan Neville (Pumice).308 pages, format: 18 x 24 cmInterviews with: Alastair Galbraith, A Handful Of Dust, Omit, Bruce Russell, Gate, Surface Of The Earth, Sandoz Lab Technicians, The Dead C, Witcyst , Roy Montgomery, Dadamah De…
Peter Beyls
Peter Beyls stands as a pioneer at the crossroads of computer science and the arts, shaping generative systems in music, visual, and hybrid formats. In early works, inspired by figures such as Michel Waisvisz, Karel Goeyvaerts, and Lucien Goethals, Beyls fused electronic experimentation with precise tape artistry, notably advancing the crackle box synthesizer at STEIM.
Becs
*2022 stock* CD edition: the last time Fennesz released an album on Austrian label Mego it was 2001 and the name of that release was 'Endless summer'. Now, in 2014 P-Vine Records is extremely proud to release the conceptual follow up that landmark of abstract pop. Becs (pronounced 'baeetch') is Hungarian for Vienna and is the first full length Fennesz solo release since 2008's 'Black Sea'. Eschewing the more drone orientated works of 'Black Sea', 'Becs' returns to the more florid pop mechanisms …
Endless summer
*In process of stocking* Endless Summer, originally released in 2001 by Mego, was a breakthrough album for Christian Fennesz. The album which brought his name and music towards the first steps of mainstream recognition. Following on from the more experimental Hotel Paral.lell and the Beach Boys homaged Plays single Endless Summer brought the guitars more to the front, the electronics shimmered more, and the melodies shined more brightly. It went on to be a classic of its time, topping many end o…
Incipient ICP, 1966-71
The untold early history of Amsterdam's seminal collective. Founded in 1967 by three of European free music's leading lights -- pianist Misha Mengelberg, drummer Han Bennink, and saxophonist and clarinetist Willem Breuker -- the Instant Composers Pool (ICP) was simply one of the most important vehicles for experimentation and improvisation in the history of creative music. Culling ideas and materials from jazz, modern and contemporary classical music, Fluxus, traditional music from the Balkans a…
Strata, Act (Joy Contemporary)* London
Pianist Pat Thomas, saxophonist Seymour Wright (both of [ahmed]) and drummer Paul Abbott - the latter two working as XT - deliver a remarkable set of new music, each, re-imagining improvisation and synthetic ideas with acoustic and electronic tools. This monumental new suite Strata, Act (Joy Contemporary)* released by We Jazz Records on 30th January 2026 is spread across three release formats, the complete album includes more than 2 hours and 15 minutes of music recorded live in London and Zuric…
John Cage memorial
Big tip! The Kiyosato Museum of Contemporary Art was located in Kiyosato, Yamanashi prefecture from 1990 to 2014. It was a private art museum with a permanent exhibit based on a collection of unrivalled scale. The museum also collected and mounted exhibitions on the work of radical contemporary composers, including John Cage. The museum’s primary informant on music was sound designer Yutaka Hirose, one of the pioneers of Japan’s environmental music (kankyō ongaku) movement in the 1980s. In 1992,…
Memory like water
The six (or seven) pieces on these CDs document live performance works which span 1996 to the present. Most of the solo pieces are structured improvisations, in that they have a broad form which is repeated from performance to performance while the detail is always quite different. The collaborative pieces are less formalized and depend hugely upon the input of my co-performers. I am very grateful to have worked with them. Conceived as two halves of a single piece, Resonate (noise) and Reson…