Best sellers
Problemi d'Oggi
** Much needed reissue ** Don't let the name mislead you! The enigmatic M. Zalla is one of the numerous aliases of the italian maestro Piero Umiliani who, during his period of fascination for psychedelic and electronic atmospheres, started to compose a good number of musical portraits dedicated, as the title reveals, to the problems of his time. In the early '70s, Italians were worried about the mafia, terrorism, and social conflicts; and one can sense that the music represents these anxieties i…
Ipotesi
*60 copies limited edition*
All tracks composed / edited and mixed by Lorenzo Abattoir and Federico Dal Pozzo, September 2024
Sound samples by Michelle Anelli (Double Bass on track 2),Mauro Sambo (Saxophone on track 4),Riccardo La Foresta (Drums on track 5).
Cliphop
*300 copies limited edition* "The Glitch hype was a rather short one. But it brought together different scenes; minimal techno, sound art and electronic minimalism. Then it hit a dead end and dissolved. In the centre of Glitch we found labels like Mille Plateaux (who released the formative ”Clicks + Cuts”) and raster-noton who especially with their static series formed a sound.
The first release (2000) was by a young Andreas Tilliander who under his new moniker Mokira released the ”Cliphop” alb…
Mess (Akt IV)
150 copies made available for international distribution, limited LP edition including an insert with drawings, score and notes. Over the past two years, Lorenzo Abattoir's work has focused on researching various breathing and amplification techniques to create a sort of non-verbal language through which to express the sounds of an 'inhuman' being. A key element of his work is the relationship between spiritual practices and unusual methods of audio processing, mainly focusing on the use of micr…
Macchina Che Respira
Piero Fogliati’s “Macchina che respira” (1990) is a kinetic sculpture built entirely around the realization of the author’s artistic utopia: imbuing lifeless machinery with the rhythmic and self-sustaining process of an organism. It is an apparatus of ontological interrogation, positioned at the final, unstable boundary between the organic and the artifact. In “Macchina che respira”, the fundamental function of life -respiration- is translated into an industrial imperative, forcing the observer …
Drifting
*300 copies limited edition* ‘Drifting’ is the very first collaboration between Andrew Chalk and Daisuke Suzuki, which has remained unsurfaced since then-their private recording in 1996. In early 1996 Daisuke sent Andrew a DAT tape which included some unedited pieces that he recorded with found objects in his garden. Those fragments of recordings inspired Andrew to make a spontaneous recording and he made a live mix directly to cassette recorder with his instinct and archaic vision. ‘Drifting’ i…
Left / Right (Book)
Peter Brötzmann's catalog for an exhibition held at Corbett vs. Dempsey July 27 – August 17, 2013 Includes an essay by Jim Dempsey
Silence in that Time
**300 copies** A new work by David Jackman (Organum), The follow up to last year’s critically acclaimed album Herbstonne, Silence in that Time is a direct offshot of the former album, adding more sounds to the overall sound palette. Recorded at RMS Studios South London in 2019, the single 42 min. long track stands as another distinctively beautiful and haunting work in the artist’s discography. Artwork by Jonathan Coleclough.Excellent artwork by Jonathan Coleclough.
"David Jackman’s latest see…
Arc 1
Finnish label Sähkö Recordings is launching a new archival series of unreleased work from its co-founder Mika Vainio. The late Vainio left behind plenty of unreleased material after his passing in 2017. Arc 1 represents the first in a series of releases that draw on Vainio’s archives. The material here was constructed for a 1994 radio project, entitled Ambient City, that Vainio performed as Ø. Both sides here begin with perturbed ambient synth-scapes - grumbling LFOs, digital noise, that sort of…
Traces, An Acousmatic Path (2CD)
These acousmatic works, united by a unitary narrative path, refer to a compositional "canon", implicitly inaugurated by Luc Ferrari in the 60s, which proposes real "sound photographs", which he defined, even ironically, "anecdotal music". Just as some of the trends in painting, plastic arts and photography are figurative - that is, they represent the world in an iconic way (with a greater or lesser level of realism) - in the same way many of Ferrari's acousmatic works consist, at the base, of M…
High Noon
**Third edition of 70 copies, white water based ink silkscreened by Gerard Herman on thick brown board with die-cut center hole. Original white vinyl with silkscreened gold labels.** LP from Timo van Luijk and improvising jazz drummer Kris Vanderstraeten. spaced out improvised music, mainly acoustic and with a strong percussive touch. First album in their 10 year collaboration.
The Cosmic Tones Research Trio
Tip! Tip! Tip! On their self-titled second album, The Cosmic Tones Research Trio—featuring Roman Norfleet, Harlan Silverman, and Kennedy Verrett—dives deeper into the spiritual soundscapes that first defined their genre-defying approach. Based in Portland, Oregon, the trio crafts a transcendent listening experience rooted in both meditative stillness and rhythmic propulsion.
Blending cello, alto sax, piano, flutes, and an eclectic palette of textures and percussions, the album channels a sacred …
Human Hair
*100 copies limited edition* Two pillars of New York's underground converge. Human Hair brings together Pat Murano and Richard Hoffman - both long-running fixtures of the city's most uncompromising experimental scenes - for an album that slithers, coils, and eventually leaves you floating in open space before you realize the lifeline has slipped from your hands.
The pedigree here is formidable. Hoffman's work with Sightings (one of the best bands to ever emerge from NYC, full stop), Insayngel, a…
Hyperrealist Music, 2011-2015
"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.
Chaleur Humaine
Uman’s Chaleur Humaine, the debut album from the French duo of musicians and siblings Danielle and Didier Jean, resurfaces for the first time since its original release in 1992. While history, both private and public, is scattered with creative relationships between siblings that simply “did not work,” Uman’s story is uniquely different and defined by this bond, and a shared journey impressing footprints along an adventurous musical terrain. Prior to Chaleur Humaine, Danielle and Didier recorde…