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Superb and underrated early '80s jazz fusion album showcasing authentic Brazilian grooves by one of the country's most famous flutists and saxophonists. Originally released by Som Da Gente, 1981 is a grooving fusion of baião rhythms, jazz funk, and Brazilian soul. Featuring his Gallery club band, Costita soars on sax, flute, and clarone, backed by Roberto Bomilcar and Dirceu. Recorded with full creative freedom, this rare LP captures the free spirit of Brazil's '70s & '80s jazz scene. Hector Cos…
2CD set & a 32-page illustrated booklet with texts by Jean Dubuffet and Ilhan Mimaroglu in English & French. Noisy, pure, crazy, exuberant, yet also focused and inventive. Dubuffet creates an impression of Nrenetically playful improvisation, yet each piece has a strong concept, and even a form."The Musical Experiments of Jean Dubuffet, recorded in 1961, form a set of 20 pieces. They were released the same year as a box containing six 10” Vinyl-Records in an edition of 60 copies. In 1991 nine of …
*2026 repress!!* The Space Lady began her odyssey on the streets of San Francisco in the late 70s, playing versions of contemporary pop music an accordion and dressed flamboyantly, transmitting messages of peace and harmony. Following the theft of her accordion, The Space Lady invested in a then-new Casio keyboard, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its lead exponents ever since, with the likes of John Maus, Erol Alkan…
Slip is Paul Abbott’s response to his 3 day residency at OTO in 2023. It’s a continued exploration of the acoustic-digital hybrid drum setup Abbott has been developing for some time, which involves drum kit and synthetic sounds combined closely—through an entanglement of limbs and cables—in an intimate but strange relationship with each other. Paul Abbott hasn’t had any formal musical training, but has a long history of making music, having collaborated for years with Seymour Wright, Pat Thomas,…
In August 1971, the white wizards of South Africa's psychedelic rock underground shared the stage with the black witchdoctors of the Afro-jazz avant-garde. The event was the Tribal Blues concerts at Wits Great Hall, an unprecedented cross-cultural showcase of independent music hosted by the maverick 3rd Ear Music label. Ourang-Outang (2020) presents rehearsals and jams recorded by 3rd Ear director, producer and engineer David Marks in rural KwaZulu-Natal as this unlikely alliance of musical drui…
How does music inhabit the space between two worlds? Jürg Frey confronts this question directly in Je laisse à la nuit son poids d'ombre, a composition for ten musicians that exists in deliberate suspension, refusing the security of solid ground. Commissioned by ensemble]h[iatus, the piece emerged from extended collaboration between composer and performers, particularly in navigating two specific challenges: the distinctive voice of Thomas Lehn's analogue synthesiser and the relationship between…
Tip! By the 1960s, the popularity of big bands had waned considerably. The heyday of the 30s and 40s big bands had been superseded in the 1950s by smaller modern and traditional jazz units, skif e and, ultimately, rock and roll, and the prominence they once enjoyed were a fading memory. Although there were still several very ne big bands playing and recording during this time, the economics of the big band in the age of the pop group always put it at a disadvantage. There was, of course, the lea…
We have not had a physical release by composer and ecologist Michael Prime since the release of Borneo in 2007. This new 3CD set brings us up to date with a series of recordings from across the years. It also sees a new refinement in his working practice as well as a new extension to his original name. Bioelectrical Music by Michael Allen Z Prime consists of recordings that fall into 3 defined categories - Bioelectrical Compositions, Bioelectrical Field Recordings and Bioelectrical Installations…
2023 repress; LP version. "It's been ten years since Bill Orcutt released A History of Every One (EMEGO 173CD, 2013), a compendium of hacksaw renditions of American standards on acoustic guitar -- and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of e…
Transversales is very glad to announce the release of Mémoire Magnétique Vol. 2 spanning 1966-1993, revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani. Since the late '50s, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some eighty two concerts music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation films but also music…
Lub arrives like a controlled implosion. On this debut full‑length, SOF - a Berlin‑based Portuguese artist steeped in metal, noise and the more hostile edges of underground sound culture - treats the album format as a site of self‑preservation through destruction. Rather than slotting into any familiar subgenre lane, these tracks rip up the social contracts of song form: riffs don’t resolve where they “should,” structures don’t flatter attention spans, and there is no chorus waiting to offer cat…
** Special mirroring/holographic cover. Edition of 300 copies ** On the same path as Baraka, Klaus Wiese (Popol Vuh) continues his intimate spiritual journey into healing and cosmic drone music. Like its predecessor, this work originally appeared on tape for Aquamarin Verlag (1982). Sabiya means bright, shining, an oriental wind that suggests feminine power; Sabiha is therefore she who manifests beauty and grace. Shaheena is indicative of gentle and soft, while Shahira embodies and represents t…