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Kate NV is the project of Russia-born recording artist, songwriter, and producer Kate Shilonosova. Best known in her hometown of Moscow as the lead singer and founder of the post-punk garage band Glintshake, Kate NV is also a performer in the experimental Moscow Scratch Orchestra and releases music under an alternate alias, NV. "Room for the Moon" is Kate NV's third album and second for RVNG Intl. "Room for the Moon" was inspired by memories of 70s/80s Russian and Japanese pop music and movies. …

Two works by the Romanian composer Octavian Nemescu, Passages (1981) and À travers le temps (1983), written during the communist years: spectral music built on harmonics and on the perception of time.

*200 copies limited edition* "In our oversaturated digital age, where ubiquitous media connections enable instant gratification and a continuous flood of competing interests, we often make snap judgments as we multitask through masses of incoming information. Technological advances were supposed to unleash creative thinking, but this deluge has instead led to an erosion of our creativity and attention. In many ways, the idea of a 'long-form' music is unsuitable for and out of phase with our time…

* Edition of 400 copies * From the viscerally punishing and nerve wrecking, to the wistfully sublime, Kevin Drumm ‘s work often yield a ferocious intensity through the timbres of minute details. Now, throughout this series of archival works dating from 2000 to 2022, his mastery is once again on full display. On »Battering Rams«, sinister forces interlope with sanguine glimmers of respite and contemplation, while recurring drones ceaselessly crescendo to near paralysing effect, only for the album…

Boring Machine released the first work by Fabio Orsi after his move from native Puglia to Berlin many years ago. The record was the obsessive “Wo Ist Behle?” which reflected the heavy mark on Orsi who has been stricken and enthused by the psichedelic feeling of the long Berlin winter. Covered in snow, the most remote places of the city have the same hazy feeling of the hot summer days in Salento but the glacial weather gives a different perspective and transforms the atmosphere perception.Then w…

Eight years after the masterpiece Africa Oscura, Four Flies revisits Giuliano Sorgini’s afro-dark universe, unearthing and compiling another suite of previously unreleased music recorded by the Roman composer for television documentaries in the mid-1970s. Savana Selvaggia is a tribute to the continent that left the deepest mark on Sorgini’s creative trajectory. Traversing ancestral percussion, synthesizers, enigmatic themes, and mystical expanses almost like a spiritual journey, Savana Selvaggia…

**Collecting Eleh's three heavyweight drone albums on CD for the first time. LPs were previously only available to buy direct from the label. Housed in deluxe 6-panel tri-fold slipcase. Very precious, pure and meditative sounds strongly recommended to followers of Eliane Radigue, Pauline Oliveros, LaMonte Young. Edition of 1000** "Retreat is a collection of exploratory sound assemblages put together during a cabin sojourn. New timbral richness, tonal expansion and deep synthesis make thes…

In the past some reviewers and critics of my series of Ambient / Electronic / Exotic releases mentioned Jon Hassell and even suggested that we should make an album together. That never happened of course and probably never would have. An influence of his music on my exotica music is in some ways true but initially to be honest it was the cover art by Mati Klarwein for Aka/ Darbari/ Java and Dream Theory in Malaya that I would sometimes turn to look at for inspiration. They reminded me of places t…

8mm Records’ latest - Gate’s "Winter Songs" - gathers three long form works of hazy fuzzed out guitar drones from the The Dead C’s Michael Morley, that amount to engrossing meditative expanses at the borders of ambient music, minimalism, and stoner rock. Inward looking and delicate, while bubbling with fury and life, it stands among our absolute favorite releases from one of the most interesting artists working today, and rides high among the best albums of the year so far.

Huge Tip! Originally released in 2013 for the 40th anniversary of the cult 70’s horror film, only 500 copies of The Wicker Man 40th Anniversary Edition were pressed on black vinyl which have become highly sought after.  One of the maddest soundtracks you'll ever buy – a strange mix of folksy tunes, sound effects, and odd noisy bits – recorded for the equally odd film of the same name! The record is impossible to describe accurately, but it's a really dark one – strangely fragile at some moments,…

Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…

*300 copies limited edition* Stars align and Oli Heffernan brings his ever-(d)evolving Ivan The Tolerable to Riot Season for two LPs of sublime entropic drift. Having this time recruited Christian Alderson (The Unit Ama) on drums, John Pope (Ponyland) on double bass, Kevin Nickles (Ecstatic Vision) on flute and saxophone and Ben Hopkinson on electric paino - both works were recorded as a quintet almost instantaneously, the players barely brushing or breathing a note before the whole thing was do…

Tip! *Triple gatefold sleeve* »Inferno« retains its characteristic melodies and atmospheres, drawing on the esoteric influences of »Societas X Tape« (the BoC 2019 NTS mix for Warp Records’ 30th anniversary) as well as the dark atmosphere of »Tomorrow’s Harvest«, which is further intensified by the increased use of spoken-word recordings. The first BoC album in thirteen years has a running time of seventy minutes.

Big tip! Fifty years on, and it still sounds like a secret. Carlos Walker's A Frauta de Pã remains one of those rare Brazilian albums that collectors circle obsessively, its original RCA Victor pressings commanding reverence - and prices - entirely disproportionate to the world's awareness of it. That wait is now over. Recorded in 1975, when Walker was just 19 years old, A Frauta de Pã arrived at a precise confluence in Brazilian music - that charged mid-decade moment when MPB (Música Popular Br…