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Clube da Esquina is a 1972 double album by the Brazilian music artists collective Clube da Esquina, credited to Milton Nascimento and Lô Borges. Considered one of the greatest Brazilian albums and an important record in the history of Brazilian music, it features arrangements by Eumir Deodato and Wagner Tiso, and conductions by Paulo Moura. The album garnered high attention for its engaged compositions and miscellany of sounds. Indeed, the LP was considered in the list of the Brazilian version o…
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…
Bastille Musique presents its thirty-ninth release »Morton Feldman: Piano and String Quartet« featuring Florence Millet (piano) and the Jack Quartet. The album contains a new studio production of Feldman’s late Piano and String Quartet (1985). The recording, produced by the WDR, is complemented by a 48-page bilingual booklet (EN, DE) with texts by Michael Struck-Schloen, a conversation with the performers and the recording producer, autograph pages and two concertina-fold inserts with photos of…
"Manufactured Recordings reissues Songs Of India from prominent vocalist Nitai Dasgupta originally released on Vic Keary's underground label, Mushroom Records, in the early '70s. While Keary's background was in reggae, Mushroom Records dabbled in recording a bit of everything. Mostly known for hyper-rare psych, prog and acid folk, Nitai Dasgupta fits in perfectly with their British psych and prog label mates like Simon Finn, Magic Carpet, and Chillum. Nitai Dasgupta was one of the most talented …
First world publication for the seminal Yo-In (1980) an electro-acoustic work produced in Japan and revisited by the Museum of Modern Art of the City of Paris in 1981. “Sound Theater for an imaginary rite”. Yo-Inleads to a sort of “celebration-ritualization of the day of man on Earth”.Jean-Claude Eloy discovered the meaning of Yo-In by going deeper into the culture of Japan where he had been invited by Toru Takemitsu in 1970: “Yo-In, echo, rhyme, resonance, psychic reverberation”. Karheinz Stock…
Packaged in a 6 panel digipak. Includes a 16 page booklet in French & English. A massive, four side-long drone-epic masterpiece “Shânti” (1972-73) for electronic and concrete sounds, in a spectacular double CD digipack issue. A hundred-and-thirty-five minute piece of "meditation music" for a four-track magnetic tape by Jean-Claude Eloy, produced in the Electronic Studio of the Radio of Cologne “The term “meditation music” triggered many conflicting comments including positive ones (“... let us s…