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Airland is an electronic music suite freely inspired by, and dedicated to, the studies on the graphical representation of air by Bruno Munari. A skilled ambient and a maniacal care of the sound.
Composed by Chaos for the installation "Di acqua e di respiro" by Elisa Nogarin at the Studio Menguante, Filanda Motta di Campocroce, Mogliano V.to (TV), on the occasion of "Open Studio", october 21st 2006.
Chaos is an open project for improvisation. Open to such an extent to take the liberty, as in this event, to have, as guests, musicians met the very same evening. Quattordicidodicizerodue distils - in a unique uninterrupted set - sound alchemies created with electric guitars, computer, synths and electric/acoustic percussions.
In this double live album, the CHAOS project appears as a trio (the original elements), floating through noise and electronica, ethnics and ambient, showing off ethnic instruments, manipulated trumpets, real time sequencering, visionary guitars, creating a continuum rich in tensions and relaxations, and all rigorously as improvisation! The CD contains also a multimedia track featuring a couple of video extracts from the live.
2007 release ** Limited edition of 106 hand-numbered copies. "'After Dinner Black Out' is the debut of Italian musician Donato Epiro, is a nearly 20 minute experiment in sound collage. A single track, the composition is made of several pieces of music and found sound, each cut to a reasonable length of no shorter than 30 seconds and up to five minutes. Like Luc Ferrari's compositional musique concrète, the sounds are intimately related, though not necessarily by timbre, tone, or anything else ap…
Paysages Planétaires on Alga Marghen may be the great unrecognized masterpiece of ethno-electroacoustic music, a 3CD box that arrived in 2004 with almost no fanfare and has waited two decades for ears ready to hear it. Henri Pousseur and Michel Butor, collaborators across forty years and more than twenty works, here achieve something that resonates uncannily with Jon Hassell and Brian Eno's "Fourth World" concept. Yet Pousseur, the serialist pioneer who worked alongside Karlheinz Stockhausen and…
With less than a year having passed since their incredible and widely celebrated, first-ever collection dedicated to the 1980s, Hungarian countercultural music collective Trabant, purge.xxx builds upon the momentum and its intoxicating highs with ‘Trabant II’, their second deep dive into clandestine, previously unissued recordings by the band. Meticulously culled from the collectively’s vast archive of DIY cassettes — capturing politically urgent expressions at the junctures of post-punk, synth …
The Outskirts came together as a working band during bassist Ingebrigt Håker Flaten’s three-year stint as a Chicagoan from 2005-2008. They played regularly at all of the working venues for improvised music in Chicago at that time, including The Hungry Brain, The Velvet Lounge, The Hideout, and Elastic. They even made a live recording in April 2009 that they were eager to release. But unfortunately, the multi-track audio files were lost in a hard drive mishap, leaving only a barely usable rough m…
Canela en Surco and Urpa i musell feel very fortunate to announce the first ever reissue of Norberto de Nöah and The Böhöbé Spirits Müsic by Norberto de Nöah, originally released on Kilimandjaro Productions in 1988. In the mid-1980s, the European media, music industry and public became increasingly interested in African music. This was a period of international success for King Sunny Adé, Salif Keita, Youssou N’Dour, Ray Lema, Touré Kunda, etc. Spain, with its own particular conditions, wasn’t o…
**Limited Edition of 199 copies.** Masonna, the brainchild of Yamazaki “Maso” Takushi, holds a revered place within the Japanoise scene alongside peers like Merzbow, Incapacitants, CCCC, Violent Onsen Geisha and Hijokaidan. The project, named Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, epitomizes the extreme end of the noise spectrum, intertwining cascades of electronic disarray with a distinct psychedelic touch and violent vocalizations. The new limited edition vinyl reissue of "m…
NYC’s 75 Dollar Bill began its prolific career in 2012, after percussionist Rick Brown – a veteran of the indie underground (Fish & Roses, Run On, V-Effect) – and noise scene guitarist and multi-instrumentalist Che Chen – connected via MySpace. Since that initial jam session, when Brown began experimenting with his signature plywood crate drum rhythms, they have released 3 LPs and a clutch of self-released cassette and digital releases. Last year’s 2xLP I Was Real received serious critical accla…
New Conference Call brings together Gebhard Ullmann, Uwe Oberg, Joe Fonda and Dieter Ulrich for an engaging session rooted in deep listening, spirited interplay and exploratory textures. Their varied compositional voices and dynamic rapport yield music that stretches from reflective lyricism to intricate rhythmic conversations, underscoring their ability to blend innovation with ensemble empathy.
From the halls of Kashmere High School to the discographies of funk aficionados worldwide, the Kashmere Stage Band’s debut album Our Thing, self-released in 1969, stands as a defining artifact of American funk. Born from a Texas student ensemble under the exacting direction of musical director Conrad O. Johnson, the band forged a sound steeped in raw, unfiltered groove and high-velocity horn work that would resonate for decades.
Our Thing captures the Kashmere Stage Band at a pivotal moment: a r…
Published on the occasion of the 2025 exhibition Corps à cordes: Vibrations and Resonances at the Musée d’Art et de Culture Soufis MTO in Chatou, curated by Elena Sorokina and Simona Dvorák, this book explores the resonances between Sufism and contemporary artistic practice. Taking the setâr - a key Sufi instrument - as a central metaphor, it reflects on the vibratory nature of emotion, healing, and transmission across human, ecological, and spiritual realms. Conceived as both an extension of th…