We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
** Special Time-Limited Offer ** On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Modal harmonies, open forms, and long, swelling melodies create a sense of expanse; Carter and Williams suggest tides and undertows, while Hubbard and Coleman trace arcs that feel both exploratory and inevitable. Hancock’…
*2021 stock* This CD is the first release to present such a large number of works by Clarence Barlow. This fascinating spectrum of his life's work, thrown into relief by the complexity of his pieces, illustrates his career as a composer. It is a great honour for us to publish his oeuvre. - Maria de Alvear
Musica Algorithmica is a double CD with music by the composer Clarence Barlow, residing for many years in Cologne, Germany, currently professor of composition in Santa Barbara, California. The …
A beautifully strange and immersive suite that feels both otherworldly and rooted in something organic. Oli Heffernan returns to Riot Season after the sold-out Vertigo and Water Music releases - but this time the Trio expands across borders. Recorded in winter 2024 between Middlesbrough, UK and Utrecht, Netherlands, An Orphan Form brings together Heffernan with Dutch collaborators Mees Siderius (drums, percussion, vibraphone) and Elsa Van Der Linden (saxophones, flutes) for two LONG pieces of de…
In August 1971, the white wizards of South Africa's psychedelic rock underground shared the stage with the black witchdoctors of the Afro-jazz avant-garde. The event was the Tribal Blues concerts at Wits Great Hall, an unprecedented cross-cultural showcase of independent music hosted by the maverick 3rd Ear Music label. Ourang-Outang (2020) presents rehearsals and jams recorded by 3rd Ear director, producer and engineer David Marks in rural KwaZulu-Natal as this unlikely alliance of musical drui…
Uzed is the fourth album by Belgian band Univers Zero. It was released three years after 'Ceux du Dehors', due to a change in line-up and a new repertoire, although the EP 'Crawling Wind' had been released in the meantime. The album marked a turning point for the band. Univers Zero explored new electric colors, giving it a more rock feel with the addition of new musicians such as Jean-Luc Plouvier, who introduced the synthesizer, guitarist Michel Delory, who played a memorable solo in 'Célesta (…
An original member of Soft Machine, Kevin Ayers embarked on a solo career following a US tour with the Jimi Hendrix Experience in 1968. He was one of the first signings to EMI’s Progressive imprint Harvest and recorded his debut album in the Summer of 1969 at Abbey Road studios.
‘Joy Of A Toy’ is a classic of psychedelic and progressive rock, featuring contributions from his former Soft Machine band mates, David Bedford and such wonderful songs as ‘The Lady Rachel’, ‘Stop This Train (Again Doing…
Few contemporary composers have created instruments as singular as Ellen Fullman's Long String Instrument, and fewer still have explored its possibilities with the depth and invention documented on Elemental View. This six-movement work, performed in collaboration with The Living Earth Show, transforms an industrial-sized space into a resonating chamber where 136 precisely tuned strings create what can only be described as environmental music in its most literal sense. Fullman has spent decades …
"If this band from Vicenza found a place in Italian rock history, it is mainly because of their [1983] debut [self-titled] mini-LP... duly presented here at the beginning of the tracklist. I hope the frontman Sergio Volpato will forgive me if I say that, despite the quality of the following releases, their mythical status (small as it may be) is owed to that first piece of vinyl originally released by LM Records and coproduced by Discotape, a record store in Marostica. An enigmatic cover, a made…
* 2021 Stock * As if an incantatory ritual, Drums Off Chaos and Maria De Alvear create "acoustic images". The inherent spirit of the object - the essence of the tree comes to life through the interplay of voice and drums, assuming a clear shape in the listener’s mind.
Maria De Alvear’s colourful and expressive singing and the repetitive, insistent rhythms provided by the Drums Off Chaos work towards the same musical idea: from the specific material of each, unusual, highly differentiated sounds …
* 2021 Stock * "Maria de Alvear writes confrontationally personal music along sexual themes ... the same kind of spiritual revolution that John Cage ... did here 30 years ago. The work Sexo for female narrator/performer and orchestra is a passionate examination of all the taboos and all the advantages and disadvantages involved with sexuality. A poetic explosion of feeling, emotions, sexual fantasies and deep mystical and metaphysical thought. Sexo is in fact an imaginary journey that the listen…
The Return Of The Durutti Column is an iconic debut, pairing Vini Reilly’s introspective guitar sketches with Martin Hannett’s atmospheric production. Hailed as a bridge between post-punk, ambient, and classical motifs, the album stands out for its refined vulnerability and timeless melodic experimentation.
This live recording from Doshisha University captures Merzbow in performance during the Pulse Demon era - a unique document of how golden-period studio work translated to live contexts. The academic setting creates intriguing tension: extreme noise in an institution of learning, challenging assumptions about appropriate sound.
Akita's live performances during this period were legendary - intense, confrontational experiences testing audiences' physical and psychological limits. University perform…
2024 stock. Alèmayèhu Eshèté is no less than one of the great voices of the heyday of modern Ethiopian music, the swinging sixties which, in this country, went on until the fall of the Emperor Haile Sellassie 1 in 1974. On a par with Tlahoun Gèssèssè, Bzunèsh Bèqèlè or Mahmoud Ahmed, Alèmayèhu is a star at the top level of the constellation that once lit up the wild nights in the capital.
The 2nd volume of Ethiopian hit-parade. The hottest tracks of 1972. Original LP Reissue. The follow up to the highly acclaimed reissue of the first volume, Ethiopian Hit Parade. The track layout is identical to the original record released in 1972. "After releasing around fifty 45 rpm singles and his first 33 rpm album (Ethiopian Modern Instrumental Hits AELP 10, re-released by Heavenly Sweetness HS092VL), Amha Esthèté set about compiling his best 45s on a series of now legendary albums (the or…
First-time vinyl reissue is limited to 750 numbered copies. Comes with poster. Yoshi Wada's Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on India Navigation, remains one of the most remarkable flowers to grow in the rarefied air of American minimalism – akin to Terry Riley's Reed Streams and Pauline Oliveros' Accordion & Voice, yet with a wild, liberated energy all of its own. After graduating from Kyoto University of Fine Arts with a degree in sculptur…
Digipack CD. The second LP in Black Sweat’s latest batch, ‘I Tarantolati’ the first outing of Antonio Infantino with his band, Il Gruppo Di Tricarico, while very different in its musical approach, belongs to the same wild ferment around Folk Studio in Rome, and was issued by the Folkstudio label the year prior in 1975.
Antonio Infantino was poet and singer, who operated in circles connected to Beat literature and Italian performance and gestural music circles, alongside figures like Sylvano Buss…
* 2021 Stock * When i speak of spirit it is far beyond what most people think of.I am confident in my ways. I dont care about what people think of me because i do know that what i have been shown and told is far beyond. - Tsolagiu M.A. RuizRazo
For piano + violin + videoStephen Clarke - pianoMarc Sabat - violintext: Tsolagiu M.A. RuizRazoLive-recording from 01/12/2001, Glenn Gould Studio, Toronto, Canada
** Special Time-Limited Offer ** Volume 2 of At the “Golden Circle” finds Ornette Coleman, David Izenzon, and Charles Moffett pushing even further into the freedoms opened the night before. The pieces feel more expansive, the silences more charged, the interactions even bolder. Coleman’s improvisations unfold like stories without fixed endings, full of sudden turns that never break the underlying logic. Izenzon’s bass veers between bowed cries and elastic walking; Moffett’s drums slip from polyr…
** Special Time-Limited Offer ** The first volume of At the “Golden Circle”, Stockholm places Ornette Coleman’s alto saxophone in front of his stripped‑down trio with David Izenzon on bass and Charles Moffett on drums, in a snowy club where the microphones catch every spark. Free of a chording instrument, the group moves with startling elasticity: themes flash by and dissolve into collective improvisation where roles are fluid. Coleman’s tone is both keening and tender, capable of slicing throug…
6 x Black 140 grs Vinyl each one in spineless sleeve, heavyweight cardboard slipcase/custom numbered at the back, insert-photo individually signed but the artist, marketing sticker. Limited & numbered to 500 copies for the world. Pascal Comelade, the visionary Catalan composer, unveils his latest sonic meditation with Improperis - Compositions et enregistrements, a remarkable work that celebrates four decades of uncompromising instrumental music since his emergence in 1984. This extraordinary co…