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Totally essential LP re-release for the first collaboration between Robert Fripp and Brian Eno in over 30 years, that nearly equals the effuse beauty of their celebrated 70s works. "Ambient is a spacious, electronic music that is concerned with sonic texture, not songwriting or composing," says the All-Music Guide. That seems reasonable, although I suspect Brian Eno might take issue with the notion that his music is somehow unconcerned with composition. As with most musical definitions (and …
Make Up, the fourth album from pioneering Japanese rock outfit Flower Travellin’ Band, captures the group at a point of bold experimentation and artistic growth. Released in 1973, the record was conceived as a deliberate hybrid of live performance intensity and studio-crafted exploration, offering listeners an immersive portrait of a band expanding its sonic and creative horizons.
Following the band’s return from Canada, Flower Travellin’ Band set out to build an album that balanced raw concert …
**Edition of 300, turquoise vinyl, 180 gr. heavyweight LP + extensive booklet** Furthering the passionate exploration of cinema that has guided her two previous LPs - 2017’s ‘Fassbinder Wunderkammer’ and 2020’s ‘I Should Have Been a Gardener’ - the Milanese guitarist/composer, Alessandra Novaga, returns to Die Schachtel with ‘The Artistic Image Is Always a Miracle’, two sides off shimmering, tense compositions – culminating as one of her most creatively ambitious and conceptually rich outings to…
In the summer of 1976, a peculiar album appeared in Italian record shops bearing no artist name - only the cryptic moniker Elektriktus. The music posed a question that wouldn't be answered for decades: who had created this hybrid of jazz sensibility and kosmische synthesis? The answer was hiding in plain sight. Andrea Centazzo - recognized figure in European free improvisation who had shared stages with Steve Lacy, Evan Parker, and Derek Bailey - had been leading a double life between touring wi…
On Four Ways, Roscoe Mitchell joins Stephen Rush’s shape-shifting Yuganaut trio for an electrically unstable encounter, where reeds, synths and oddball acoustics melt into one long, multi-hued improvising organism.
"When I came to New York City in 1975, after my second period in Paris, I felt as if I was starting again. I didn’t have a band at that time. The Black Artists Group had broken up, or separated—well, it wasn’t much of a “break-up,” but we had come to our musical end, even though one of the last groups I had before returning to New York was with BAG member Baikida Carroll playing trumpet, Peter Warren on bass, and Oliver Johnson on drums. I was basically by myself. I felt eager and anxious to see…
*2023 stock* The first album by the Teru Sakamoto Trio, whose beautifully lyrical piano music has enjoyed exceptionally long sales. This is a new standard work of Japanese jazz that is highly acclaimed even overseas.
Last copies. Edition of 250 copies. Curtis Roads (° 1951) is a sound artist and composer and researcher in electronic music composition. Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology. He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979. A researcher at MIT (1980-1986), he also worked in the computer s…
*2026 stock* Alien Brains was an abstract non-collective initiated in 1979 by Nigel Jacklin. Over the years Nigel co-operated with the likes of Mark Lancaster (Instant Automatons, 391), Allen Adams (Methods Of Execution, The Blanks, The Destructors), Philip and Richard Rupenus (Funeral Danceparty / The New Blockaders), Philip Sanderson (Storm Bugs / Snatch Tapes), Metgumbnerbone, Harold Schellinx (The Young Lions), David Jackman (Organum) and various random acquaintances (with limited musical s…