Best sellers
Generic Flipper
Generic Flipper, the debut album by Flipper, remains the most absorbing full-length LP to emerge from the early San Francisco punk scene. A constant source of imitation for so-called "noise rock" bands, it has yet to be surpassed in its nihilistic glee. Recorded between October 1980 and August 1981 and released in 1982 on the indispensable Subterranean Records, this album functions as a chaotic, sticky mass of individual personalities: the magma-like bass eruptions and dual vocals of Will Shatte…
Kyoto 1970
Edition of 400. Wired was an ephemeral improvisational music project formed by Michael Ranta, Karl-Heinz Böttner, and Mike Lewis. On 28 April 1970, the trio recorded an extended studio session of approximately 140 minutes, in collaboration with Conny Plank, who engineered and mixed the recording in real time, incorporating elements of live electronics. This session was subsequently edited to album length and released in 1974 as part of the Free Improvisation 3LP box set issued by Deutsche Grammo…
Public Works and Utilities
Public Works and Utilities by Warrington-Runcorn New Town Development Plan is the sixth full-length album from the British electronic project helmed by Gordon Chapman-Fox. Returning to the conceptual world of post-war British urban planning, this record shifts focus from spectral nostalgia to the stark realities of public infrastructure’s managed decline, channeling the anxieties and bleak optimism of contemporary Britain through atmospheric electronica and abstract, danceable beats.
Space Oddities 1974-1991
Also known as a chanson artist in the late Sixties under the name Ted Scotto, French musician Edouard Joseph Scotto Di Suoccio began making incredibly diverse music under the alias Yan Tregger in the mid-Seventies. ‘Space Oddities 1974-1991’ is a spectacular selection of fourteen of his tracks, which span library music to experimental music via disco, pop and funk.
Live from Camden
*200 copies limited edition* Recorded live at The Jazz Cafe in Camden, London, on the year's so called "Blue Monday," Live from Camden captures The London Ambient Orchestra in a single evening of collective improvisation. Conceived during the depths of winter, the performance reflects the ensemble's commitment to creating music that encourages presence, reflection, and restoration. While Blue Monday began as a marketing invention, it has since become associated with conversations surrounding men…
Low clouds hang, this land is on fire
For his third new album release for Drag City, Tashi Dorji turns to the electric guitar. After the furious acoustic improvisations that drove the previous two—"Stateless" and "we will be wherever the fires are lit" — it’s easy to imagine an album of his electric guitar improvisations as an encompassingly incendiary essay. Especially when titled low clouds hang, this land is on fire. After all, this is a man capable of tearing up the place with the tactile musical violence of Bill Orcutt and Dere…
Violent Grains Of Silence
Tip! *2026 stock* Summer 2016, the artist chose to isolate himself within the very quiet and intriguing Mechanical & Acoustic Research Lab LMA-CNRS’ anechoic room (France) in order to explore his own inner silence, during some deep personal difficult times. During this art residency in the laboratory, Bayle recorded 2 hours of silence in this 17dB room. inside of which sounds don’t reverberate, as they are absorbed by walls’ geometric and repetitive structure. This sonic isolation makes this roo…
Chênes
Huge Tip! *300 copies limited edition* With Chênes, Roxane Métayer invites us into a world where the boundaries between the natural and the imagined dissolve, and every song becomes a living tableau. Composed over two to three years, the album gathers a suite of narrative pieces—each a vivid snapshot of life among forests, city corners, and mountain paths, but always told through the voices of animals and plants. Here, insects, amphibians, birds, and mammals are not just subjects but protagonist…
The Zebra Paradox
*2025 stock* Setting the stage for The Zebra Paradox requires building anticipation and intrigue on the inside of the listener before they even hear the first notes. To accomplish this an imagined transference of information must bloom like a deep inhalation of sonic spores. If categories can be applied to explore how concepts are played out in this music and throughout the album, perhaps think of displacement, confusion, time distortion and derangement. Otherwise the listener might choose to tr…
CCTK Music
CCTK Music combines Gabriella Isaac's exploitative use of laptop as feedback loop / sound source / physical device and James Fella's electro-acoustic / tape as instrument approach. The duo incorporates each other's material in real time (on Side A), cutting the content onto 6 singles-sided reference lacquers. The lacquers were used to assemble a collage in a performance setting in late 2019, and again in a studio setting for Side B. The result is a record that is both scathing but at times harmo…
Performances
A follow-up to the duo's LP, CCTK Music (2021, Gilgongo Records), Performances features three sets from James Fella and Gabriella Isaac, from Gilgongo Records' 15th Year Anniversary celebration in Phoenix, AZ -- December 2019. Like the event, the record starts with a recreation of the second side of CCTK Music, using six reference lacquers of CCTK's A-side as source material to make a live collage. Following this are solo sets from Isaac (using her laptop as a feedback loop/sound source/physical…
The End Of An Ear (LP)
Rare 1979 unofficial re-issue with different cover of the 1970 very experimental and singular partly free jazz debut solo LP by Soft Machine drummer and vocalist.