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The Vanity Box vol 2 present another beautiful boxet with releases by legendary Japanese DIY label Vanity, active in the late 70s and early 80s. It was conceived by Studio Warp, in collaboration with Agi Yuzuru and the whole roster of artists involved with Vanity.
CD-1 Dada - Jyo(Vanity 0001, originally released in 1978)Dada is an electronics and guitar duo formed in 1977 by Kenji Konishi of Kigadoumei (when Terutsugu Hirayama was a member) and guitarist Mutsuhiko Izumi of Karisma (when Kozo S…
*150 copies limited edition* Like all concerts by Conrad Schnitzler, this one is unpredictable and always captivatingly beautiful. A masterfully crafted mix of four solo works, all located in close proximity to the RR album itself. There are few such works in the entire discography, and most of them are included in our top 100.
*150 copies limited edition* 'Memory' is a saturated, multifaceted poem, a work of sound art set against a backdrop of shimmering cosmic space. It is a sonic excursion into memory, reflecting both the light and the darkness of our consciousness. Moving forward and transcending many boundaries, Conrad Schnitzler remains true to the mood established at the very beginning of this 60-minute cinematic work.
Birchville Cat Motel is the project of New Zealander Campbell Kneale, who has from his base in Lower Hutt since the mid 90-ies established himself as the leading voice of this generation of NZ sound artists. Gunpowder Temple of Heaven is a new highlight in his extensive discography. A single 40 minute long-form piece that keeps building and unfolding; heaven for drone-noise enthusiasts. The CD comes with a booklet with a complete Birchville discography as well as liner-notes by Bruce Russell. Fr…
"I call it ‘the Shadow Pattern Vignette’. A fragmentary and pleasingly non-discriminatory exercise in audio capture which, when sequenced, compiled or arranged alongside other such vignettes, leads to the finished work of Nate Ivanco’s Shadow Pattern. You can reach into the hermetic depths of his Hamilton Tapes micro label, recent transatlantic appearances via Infant Tree, Chocolate Monk or adhuman, or indeed, this new LP ‘Live at Somewhere’ and find the Shadow Pattern Vignette. Forever in evide…
Hardcover, 468 pages, 21×27 cm! In the wake of his Cause And Effect cassette label and distribution service, Hal McGee launched Electronic Cottage International Magazine. From 1989 to 1991, its six issues focused on the independent home recording community – artists who had developed their craft in the post-punk DIY era. The contributors were nearly all members of the hometaper community. The magazine featured articles providing helpful tips and highlighted the challenges hometapers faced. It in…
Trumpeter/composer Ambrose Akinmusire and guitarist/composer Mary Halvorson's album Slo-Mo Neon Luminate Hoverings is due June 12, 2026, on Nonesuch Records. The album features four new compositions by each musician as well as one collaboration. The album track “Soundcheck“ is available today and can be heard below; you can pre-order the album here. The duo, long admirers of each other’s musicianship, met at Halvorson’s Brooklyn apartment and began playing together periodically, going back as fa…
On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.
Simultaneous reveals Pamela Z’s fascination with the intersection of speech and music, blending voice, electronics, chamber ensemble, and video into an immersive, multi-layered exploration. Through looping, gesture control, and narrative fragments, the piece meditates on simultaneity—how overlapping events and speech form new harmonies and meaning.
From the 1950s, Masaaki Takano (1927-2007) worked as a freelance "sound planner," mainly creating sound effects for stage productions. In the mid-1980s he began performances called "Sound Play" where he would perform on his own self-created sound instruments and his collection of ethnic instruments. Growing out of his work with sound effects, he became obsessed with the recording of natural sounds from the 1970s onwards, and this album "Shizukutachi" is a record of a high-quality recording of wa…
2025 Stock. Last copies. Annelies Monseré always has had the urge to record many versions of one song and then remaining deeply in doubt which version to choose. For this release, she did not chose. (Though this is not completely true - there are still more versions of the song - including an a cappella version) She was interested in how different arrangements, tempo's, melodies and structures changed the expressive and aesthetic qualities of the song, convinced that no version is more 'essentia…
Forms Of Minutiae presents 'Harkening Critters', the label’s second non-profit compilation of field recordings and soundscape compositions highlighting, this time, the incredible variety of animal signals.
Tip! Under the moniker Sourdure, Ernest Bergez works within a hybrid sound field, combining raw electronics (modular synths, feedback), acoustic instruments (violin, voice, foot percussion), and non-musical sounds (field recording, spoken voice). As a guideline, he keeps an underlying effort to melt experiment into popular music and vice versa, taking traditional songs and dancehall themes from the French Massif Central area as the starting point for experimentationFor the first time, I wrote a …
A lucky restock of one of the most important archival releases in experimental music: "Apollo and Marsyas: Het Apollohuis 1980-1997, an Anthology of New Music Concepts" - a stunning double CD documenting nearly two decades of radical sound art and experimental performance. Het Apollohuis in Eindhoven was one of Europe's most vital centers for avant-garde music, and this anthology captures the extraordinary scope of programming curated by Paul Panhuysen from 1980 through 1997. From over 500 perfo…
Caterina Barbieri & Bendik Giske's At Source resounds music as wellspring, that which is essential and unknowable, and yet utterly primary. It finds two acclaimed composer-musicians building a world together in self-contained collaboration between analogue synthesis and an extended approach to the saxophone that conjures its own universe of sound. It is at once intimate and cosmic, drawing on the challenges and possibilities of their artistic exchange, tearing down technique to access all the ex…
Legendary post-punk band The Fall is thrilled to announce the release of their highly anticipated live album, "The Fall - Live 1981-1982," capturing the raw energy and distinctive sound that defined their early career. The album features unforgettable performances from their critically acclaimed concerts during this iconic era. Chronicling the band's relentless spirit and dynamic stage presence, "Live 1981-1982" gives fans a unique opportunity to experience the essence of The Fall in a way that …
*2023 stock* The San Francisco label Dark Entries has released over 100 records in the past few years, most of them reissues of synth music from the '80s. Given the sheer volume of their output, it would be easy to miss the special attention they gave to one artist: Lena Platonos, a Greek avant-garde musician influential in her time but under-appreciated today (in other words, exactly the kind of figure that makes reissues worthwhile). Since 2015, Dark Entries reissued two of Platonos's albums, …
**17 CDs, 1 DVD and 250 pages of histories, chronology, testimony and commentaries by the band, sundry contemporary documents, and rare photographs – in a sturdy box.** This collection brings together in an inexpensive and definitive edition the full contents of all earlier releases, with the addition of a further 60pp booklet of newly unearthed, or commissioned, band commentaries, pictures and other documents prepared specifically for this box - as well as re-mastered versions of all the studio…
"These powerful performances from Copenhagen and Bordeaux, released officially here for the first time, and the Newport Festival in the U.S., provide further evidence of the music’s collective necessity – the true ensemble coordination which Ayler adopted, elaborated and romanticized, from his awareness of historic New Orleans precedents." - Art Lange