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*180 gr., 350 GSM gatefold covers, embossed front cover, 4 vinyl colors, each numbered to 100 copies, large poster, downloadable bonus CD, personalized copy + number selection* It is not with sheer joy, but with overwhelming jouissance that we undertook the demanding task to reissue on vinyl the behemoth that is called Anabelas. Heralded in its contemporary 70s music press in Argentina as a phenomenal release, and venerably revered globally for many years to come by progrock aficionados as a bes…
Special bundle. In the late 70’s the Italian music scene recorded a renewed interest in a sound research involved to a stimulating fusion of popular elements, jazz improvisation and suggestions of the middle-oriental classical heritage. Starting from the experience of Aktuala the idea of a common "Mediterranean air", that could compare and harmonize rhythms and timbres of various regions, enlivened a large number of musicians. In this context, it also placed the short history of Zeit and of his …
2024 repress: The third studio album of the British industrial-band Throbbing Gristle, was originally released in 1979 and is often referred to as the band's masterpiece. Originally released in 1979, 20 Jazz Funk Greats is Throbbing Gristle's pop-influenced masterwork. It's hard to believe the beautiful, conventionally-attractive Cosey Fanni Tutti on this album's front cover previously gave herself milk and blood enemas in front of a live audience. Additionally, the song "Hot On The Heels Of Lov…
2025 stock ** "On July 10th 2001, Guionnet (alto sax), Warburton (violin) and La Casa (microphones) explored the acoustics of the Pré Saint Gervais Metro station in Paris, riding the elevators, taking the stairs, experimenting real-time music in daily life. A reference, between site-specific improvisation and sound art."
Tip! Misha Panfilov, the Estonian contemporary jazz mover whose many Janus faces amount to more than just two, resulting in many album avatars - here shares a live recorded rendition of a recent pair of shows, played back to back in Stockholm, then Tallinn. The first recorded at Fasching, Stockholm, on August 16, 2023, and the second recorded at Paavli Kultuurivabrik, Tallinn, August 19, 2023, this live record is composed of pieces otherwise heard on Panfilov's earlier albums, and they're choppe…
There's a moment, early in Two Lonely Space Pilots, when time seems to stop. Not pause - stop. The saxophone sustains a note that hovers somewhere between breath and pure tone, while scattered percussion marks territory in the emptiness like footprints on an unexplored planet. This isn't background music. This is Hekura - a Barcelona-based duo who've spent years learning how to make silence speak and stillness move. Ernest Pipó and Edu Pons met during their jazz studies at Taller de Músics in Ba…
**200 copies, white vinyl** "A killer 45 of pure, blunt, steppers dub-noise force from Joachim Nordwall aka The Idealist, big recommendation if you are into Muslimgauze, Pan Sonic, Alva Noto... Faithfully brought to life with mastering by Jack Callahan ov Sunburned Hand of the Man and Bánh Mì Verlag esteem, The Idealist’s second 7" sees him knuckle out two minimalist, monotonic steppers that fall in the gulf between dub, noise and Pan Sonic-like techno purism. The trudging swang of Deep Shit is …
Sound trails, minimal structures built with pads, discreet electronic elements, slow, deep and enveloping bass lines, backgrounds of confused voices treated in reverse, circular movements alternating with liquid stasis and quiet... Creaks on layered sound substrates of indecipherable nature, which seem to emerge from a thick blanket of fog that reveals fragments of real landscapes here and there, ready to disappear from view again after a few moments, once more hidden by clouds of steam in const…
Avant-garde pieces for two pianos composed between 1956 and 1976, performed by Alfons & Aloys Kontarsky and released on DGG in 1980. Promotional copy, with insert.
Four compositions by the most representative composers of the Second Viennese School performed by The Philadelphia Orchestra conducted by Eugene Ormandy, released on CBS' "Masterworks Portrait" series in 1983.