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Skyways
Misha Panfilov Septet is an Estonian ensemble led by composer, producer, and multi-instrumentalist Misha Panfilov. Known for their evocative blend of psychedelic jazz, electronic lounge, and ambient exotica, the septet features a rich palette of timbres and improvisational interplay, distinctively shaped by Panfilov's lap steel guitar and space-conscious compositions. The group includes Artur Leppik (alto/baritone sax, percussion), Sasha Petrov (tenor sax, percussion), Ilja Gussarov (flute, perc…
Spare Rooms
**Edition of 250** Following the release of Ambienti Coassiali’s Vol. 1 - Room 1-6 in 1988, the years and decades passed without another sound. For the few aware of them, it would have logically seemed that the project had been swallowed by the shadows of time. Then, in late 2017, came Spare Rooms, an incredible LP with clear conceptual links to the project’s debut - their first effort to emerge in 29 years. Issued by Artisti Del 900, the relaunch of legendary Italian imprint ADN, the album is n…
EmphasYs
*200 copies limited edition* For more than three decades, Germany’s drone ambient pioneers Troum have explored the liminal zones between sound and sensation, shaping immersive sonic environments that dissolve boundaries between ritual, memory, and matter. Emerging from the industrial-ambient underground of the 1990s, Troum have remained devoted to a singular artistic intent: to create transformative listening experiences, dense with atmosphere and charged with inner movement, where sound becomes…
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Sunday Morning Drones
Infinite Greyscale announce a new 10" record by The Beacon Sound Choir, a project instigated by multi-instrumentalist Peter Broderick. Recorded at Beacon Sound, a record shop and label in Portland, Oregon, Sunday Morning Drones is a work of improvised vocal drone in two parts.Comprising over 30 singers, Sunday Morning Drones explores the oscillating harmonics of the choir as individual voices coalesce into that of a group. Through an assembly of voices joined in song, the two tracks here resonat…
Disarmo o Sterminio?
Tip! From the dusty archives of a TV station, a handful of instrumental pieces, originally recorded as musical commentary for a series of historical documentaries.  The topic is the Cold War: the areas of influence, the balance of power, the threat of the Third World War, the dream of a future of peace and unity.
Blights ov the Eastern Forest
After "The Sky ov the Crimson Flame," it's time for a powerful new collaboration between HDK and Owl Knight Publishing! With "The Blight ov the Eastern Forest," the musical ensemble known as Dunjon Magik has surpassed itself in creating the soundtrack for this second chapter in the trilogy about the dark necromancer Balrothhariid. In the forest, our heroes will face unimaginable dangers: will they survive and complete their mission? Horrors of all kinds, bizarre and original situations, plot twi…
Trollpietra
For some time now, a strange music has been resonating in HDK's headquarters; a music where dungeon-synth, house and techno rave meet in a blasphemous yet juicy cocktail... The caves of the Trollpietra are a sordid and unhealthy place, inhabited by creatures of the night and strange homeless spirits. Trollpietra caves were once the laboratory of a mad herbalist who distilled magical potions which he sold in the county black market. Before dying, the mad herbalist hid his most incredible and dang…
Death Time
Tip! *199 copies limited edition* Step into the enigmatic world of Morthond, a captivating music project that took shape during the winter of 1990 under the creative guidance of the singular talent, BJ Nilsen. Morthond isn't confined by genre labels; instead, it's a canvas where experimental soundscapes, dark atmospheres, and ambient textures converge to create an immersive auditory experience. Unlike traditional projects, Morthond thrives on pushing sonic boundaries and challenging the norm. Ro…
The Walls Of The Temple Are Made Of Sound
On March 19th, 1999, legendary soprano saxophonist Steve Lacy played with his working trio at The Velvet Lounge at 2128 ½ S. Indiana Avenue in Chicago. Owned and operated by tenor saxophonist Fred Anderson, The Velvet Lounge was the central hub for adventurous jazz music in Chicago from 1993 until Fred passed in 2010.  Music critic and journalist Peter Margasak previewed the concert in the alternative weekly Chicago Reader, and someone blew up a xeroxed copy of it that Lacy inscribed across the …
Radials
For AI-38 Italian duo LF58 (Giuseppe Tillieci and Filippo Scorcucchi) present ‘Radials’. A site-specific concept piece that was recorded live on location in Venice, Radials showcases the powerful and transportive sound world which LF58 have become known for. Radials takes its name from the homonymous exhibition created by the Roman artist group Sbagliato, for the 2023 Biennale Architettura of Venice.  Following a landmark renovation of the Fondaco dei Tedeschi by renowned Dutch architect Rem Koo…
The Kallikatsou Recordings
The Chi Factory's The Kallikatsou Recordings gathers material that Hanyo van Oosterom shaped over many years, drawn from a place that runs through his whole body of work. In the early eighties he lived in the small cave of the Kallikatsou, a mythical rock formation on the Greek island of Patmos, and it was there that the seeds of the Chi project (1983-1986) first took root. From the nineties through to 2006 he kept returning, season after season, gathering field recordings and refining drones, l…
Everyone Gets What They Deserve
Six pieces by Crawl Unit, the experimental noise project of Joe Colley, composed and constructed in Sacramento in 1998 and 1999. Crippled Intellect Productions, 1999.
Unfamiliar Music (Paris)
Sold out at the label. Sparkling or Silent finds crys cole and Oren Ambarchi pausing their restless, always‑on‑the-move discographies at a curious angle, as if turning the light slightly to see what has been glinting at the edges all along. Both artists have long carried an electroacoustic sensibility in their work - in cole’s hyper‑attentive treatment of small sounds and negative space, in Ambarchi’s use of guitar and electronics as malleable matter rather than fixed instruments - but here that…