Best sellers
2.20
Inspired explicitly by Eliane Radigue's Vice Versa..., Orphax records two source pieces in AudioMulch using nearly identical virtual modular settings, varying only a single parameter, and then sculpts the resulting material in Reaper into two strict twenty-minute compositions. The two pieces are conceived to be played independently or simultaneously, the listener encouraged to build their own mix; the album includes a download with both tracks plus a guide mix made with Jos Smolders.
Indite
Composed during 2014, Haarvöl's second album consolidates the Portuguese trio's writing practice: a non-hierarchical compositional grammar where analogue, digital and electronic sources sit on equal footing, threaded with field recordings as structural rather than illustrative material. The trio favours density over experimentation for its own sake, building rigorously detailed cinematic textures whose internal consistency works through resonant correspondences rather than repetition.
Masterpiece / Spectator
Lucky restock, few copies available Within our little bubble of avant-garde, experimental, and underground sound, with its endless web of recordings from the past and present day, it can be easy to forget that these contexts are rarely as hermitic as they seem. Many of the great creative accomplishments of the last century have been a result of interdisciplinary conversation - the marriage between image, action, and sound - collaborations reaching toward new forms of “total” art. This is partic…
Giant Beauty
2026 Repress! Custom die-cut rigid slipcase, 5 CDs in double card sleeves, 96 page perfect bound book including an interview between Seymour Wright and John Chantler and additional texts by silvia tarozzi, magnus granberg, nate wooley, valerie mol, pär thörn and lars grip and drawings by guillaume delcourt and aliocha delcourt. Limited Edition of 500 copies. [Ahmed] is the quartet of Pat Thomas (piano), Joel Grip (double bass), Antonin Gerbal (drums) and Seymour Wright (alto saxophone). Togethe…
Not Knowing
Costa Monteiro's fifth solo accordion album, and the one in which he deliberately reverses his earlier recording strategy. Where previous works placed microphones almost inside the instrument to foreground materiality, structure and deconstruction, Not Knowing instead treats the accordion as an object in space, with the architecture of the recording room becoming essential to the work. The result blurs the limits of identification, holding the instrument's identity in productive uncertainty.
Soleils Noirs
First in a series of collaborations between artists already on the label. Bruno Duplant on church organ, Alfredo Costa Monteiro on synthesizer, composing remotely a single long-form piece. The vocabulary moves between mass, flow and slow combustion: tonal accumulation that the artists frame in alchemical terms as an athanor of doubt and dream, a continuous sublimation that renews itself. Slow drone built across the organ-synth axis, mastered by Duplant.
Lower / Kronborg Polska
*Handcut mono lathe vinyl, risoprint cover and insert + bag of silence* A reinterpretation of Scandinaviaʼs dark folkdance traditions. The 7” features two recordings of heavily downtuned solo viola only accompanied by the musicians footstomps.
Departures
Don Shinn’s Departures, first issued in 1969 and recorded at Lansdowne Studios in London just months after his acclaimed debut, returns in a newly remastered edition that highlights the record’s adventurous spirit and Shinn’s singular command of the Hammond organ. Where his debut established him as a rising force, Departures reveals a more overtly jazzy, exploratory side — muscular, unpredictable and deeply musical — that helped influence a generation of keyboardists, including the young Keith E…
Reflections Vol. 3: Water Poems
** Edition of 300. Glacial Blue Vinyl ** A meeting in tidal waters. Sixteen years in the making. On Reflections Vol. 3: Water Poems, Félicia Atkinson and Christina Vantzou release their first full-length collaboration, arriving as the third installment of RVNG Intl.'s ongoing Reflections series - contemporary convergences, orchestrated with care.
The two artists first met in 2009 and have circled one another ever since, sharing stages intermittently, most notably at the Philharmonie de Paris in …
Weerkaatsing
First studio meeting between two figures long circling each other in the Dutch experimental scene. The structure is itself a kind of mirror: Spiegeling is Machinefabriek's remix of Orphax's De Eerste Dag, Reflectie is Orphax's twenty-minute remix of Machinefabriek's 2007 piece Stofstuk, and the title track is the only fully joint composition. Long-form drone built through indirect dialogue, with each signature still audible but inflected by the other.
1001 Est Cremazie
On 1001 Est Crémazie, the self‑titled orchestra of middle‑schoolers and Cégep staff capture the exuberant birth of modern Quebec: raw jazz‑rock, DIY tape lore and Quiet Revolution aftershocks pressed into one unlikely, fiercely alive school‑band artefact.
Métaphysique Du Hit-Parade
I first encountered Pascal Comelade’s music thirty years ago—and nothing has sounded quite the same since. I was immediately captivated: he is an artist like no other, whose sincere and selfless love of music is always evident, especially in his tender reworkings of other people’s songs. Comelade seems to work like a watchmaker: meticulous, precise, and obsessive—yet always drifting into something dreamlike. His music opens hidden doors, telling strange and beguiling stories filled with obscurit…
Scientist Rids The World Of The Evil Curse Of The Vampires
*2026 repress!* After a stint learning the dub craft from innovator King Tubby in the late '70s, Scientist began mixing his own sessions, coming up with a more wide-ranging and effects-riddled sound than that of his mentor. One of a handful of choice Scientist albums on the Greensleeves label, Rids the World of the Curse of the Vampires (1981) not only ably displays the mix masters varied approach, but clocks in as one of his best outings. While Scientist heeds Tubby's minimalist call with "stri…
Triacontagon
*250 copies limited edition* Three singular voices in contemporary music come together for a recording that moves beyond genre, structure, and expectation. Triacontagon, the collaboration between saxophonist Ivo Perelman, multi-instrumentalist Elliott Sharp, and percussionist Cyro Baptista, is an immersive exploration of layered sound worlds, ritual energy, and spontaneous composition. Named after the 30-sided geometric figure, Triacontagon reflects the album’s constantly shifting musical dimens…
Faust IV
Faust left Wümme's anarchic freedom for The Manor's professional constraints. Virgin wanted a hit. Faust IV was the answer: their most paradoxical album, accessible yet destabilizing, part studio work, part salvage. The sessions stretched, the budget vanished, the result endures—uneven, restless, compelling. Fifty years later: still mid-sentence, still profound, gloriously incomplete.
Dogon A.D.
Complete sessions / expanded edition. One of the most important jazz albums of the 1970s – finally in its definitive edition. Julius Hemphill's Dogon A.D. is the missing link between the avant-garde and the blues, between the cotton fields and outer space. Recorded on a freezing February day in 1972 at Oliver Sain's Archway Studios in St. Louis – no heat, malfunctioning equipment, some musicians didn't even show up – and yet what emerged was nothing short of a masterpiece. An "almost accidental …
Blobs
Ambient Library Music for Woodwind and Synthesiser. A 9 track album inspired by a birthday card Greg's 4 year old son Leo drew for his mum earlier this year. This album is an aural delight of unusual sounds. Kind of like a mix of Satoshi & Makoto, Hiroshi Yoshimura, Hiroki Kikuta and the Karl Jenkins and Mike Ratledge soundtrack to 80's children's Television show 'Button Moon'.
Go On
Go On with the George Otsuka 5 was recorded in 1972 in Japan for the Three Blind Mice label. The album features a quintet led by drummer George Otsuka, a major figure in Japanese jazz in the 1960s and 1970s. The repertoire includes original compositions as well as contemporary hard bop standards.
Almost Waking
"Mabe Fratti is a Guatemalan cellist, vocalist, and composer based in Mexico City, celebrated for her experimental yet deeply melodic work. Blending cello, voice, synthesizers, and electroacoustic textures, she builds songs that move between improvisation, ambient soundscapes, and off-kilter pop forms. Emerging from Mexico City's improvisational and experimental scene, she has become a key voice in contemporary avant-pop. Bill Orcutt is an American guitarist and composer known for his raw, highl…
La Manzana Mágica
One of 12k’s most endearing artists is back with a new album. From Argentina, Federico Durand presents La Manzana Mágica, an album in signature Federico style inspired by his collection of Cinderlla stamps, in a way only Federico could do. Named after the folk-tale heroine, Cinderellas, throughout the last century, were considered inferior to official postage stamps, but became a sought-after collector’s item. There are some pieces whose origin, circulation context, or illustrator’s name are unk…