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Peel Sessions 1973-74 is a unique collection showcasing the legendary German experimental rock band’s dynamic live performances captured for BBC Radio 1’s John Peel sessions. This album brings together raw, electrifying recordings from 1973 and 1974, highlighting Can’s groundbreaking sound that blended psychedelic rock, avant-garde, and improvisational music. Fans and newcomers alike will experience the band’s creative energy and innovative spirit in an intimate setting outside the studio.
Featu…
Supreme dark ambient, ritual musique, cold soundscapes return. First time on vinyl of what some may say is the hallmark of the recent Lussuria era this 2xLP includes the bonus tape from the special edition ‘migrate exquisite corpse’. Presented in decadent gatefold on orange/purple merge vinyl. For your autumnal listening pleasure and pain. Supreme dark ambient, ritual musique, cold soundscapes return.
Ornette Coleman’s "Ornette On Tenor" marks a pivotal moment in jazz, featuring his switch to tenor sax and the addition of Jimmy Garrison on bass. The album’s earthy, darker soundscape, collective improvisation, and absence of fixed themes highlight Coleman’s ongoing musical revolution.
On Jupiter by Sun Ra blends deep funk, avant-garde jazz, and cosmic soundscapes, capturing the Arkestra’s 1979 creative peak. Remastered by Technology Works, this reissue features original sleeve art and new liner notes.
Karen Dalton's 1969 debut is finally back in print. 2024 reissue features all-analogue mastering by Kevin Gray at Cohearent Audio, direct from the original analogue tapes. Housed in an expanded gatefold jacket with liner notes by Brian Barr
Nara Leão's Dez Anos Depois, released in 1971, is a stunning double album that revisits her musical journey and celebrates her contributions to Brazilian music. Known as the "Muse of Bossa Nova," Leão recorded this reflective and intimate collection of reinterpreted classics in both Paris and Rio de Janeiro. The album features timeless tracks like "Chega de Saudade," "O Barquinho," and "Corcovado," showcasing her gentle yet emotionally powerful vocals paired with minimalist acoustic arrangements…
The John Carter and Bobby Bradford Quartet/Quintet were critical to the progressive jazz movement around Los Angeles in the late 60s alongside the likes of Horace Tapscott. Both hailed from the Watts area and trumpeter, Bradford played with a woodshedding Ornette Coleman for two years in the early 60s when the legendary free movement leader decided not to record for a while but wanted to hone his trademark sound on the saxophone. Multi-reed player, Carter also worked with Coleman who brought the…
*100 copies limited edition* 577 Records proudly presents Turn of Events, the debut album from the Matthieu Mazué Trio—a bold new project led by up-and-coming pianist Matthieu Mazué, based between Zurich and New York. Featuring trumpeter Diego Hedez and drummer Francisco Mela, the trio brings together three distinct and powerful improvisers in a deep exploration of sonic freedom and form.
In a striking artistic decision, the trio performs without a bassist—liberating the piano from its tradition…
*300 copies limited edition* Re-edition of the Cult Industrial-Noise / Power-Electronic split album out in 1997 on OEC. The original LP, limited to 470 copies, is long time sold-out: time for reprint it into CD format. It’s amazing, it has been 28 years since the original split LP was released. These tracks all sound better than ever thanks to a meticulous mastering job by Grant Richardson. “120 Days of Sodom” is accompanied by the only previously unreleased Deathpile track, which was recorded i…
*150 copies limited edition* Headlights Recordings presents Manuel Mota's new work 1-7. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to him indistinct, and that's w…
November 1978. Henry Cow disbands after a decade of music that redefined the boundaries of experimental rock. November 2022. Four founding members return to the stage. Not to look back - but to improvise the present. Fred Frith (guitar, violin, electronics), Tim Hodgkinson (keyboards, saxophone, lap steel, electronics), Chris Cutler (drums, percussion), John Greaves (bass, vocals): the original core reunited under the name Henry Now. The key is in the name - as Clive Bell noted in The Wire, this…
Milestone Reissue! The three discs collected here - housed in a lavish cardboard boxet (+ Includes a 116 page booklet in French and English with biographical notes, essays and program notes for each work, and a 52 page booklet with photographs) - cover the bulk of Pierre Schaeffer's concrète works, beginning with his pre-tape days when he composed using multiple turntables mixing sound effects recordings direct to lathe. The earliest recordings here were created in 1948 during Schaeffer's days a…
*300 copies limited edition* Big Blood, the intrepid voyagers into the outer reaches of hallucinatory noise-rock and eclectic freakadelia opt for a new path along the circuit board of creativity. Electric Voyeur was made by applying strict limitations using home-made electronic instruments and voice alone. The result is an album that is as trippy as it is devotional in its exquisite craftsmanship. The glorious scent of solder and silicon wafts all over this music. Crafted over the course of ten …
An album of piano / drums duets that Louis named for his beloved, and now tragically departed, wife Mpumi. The recordings took place in London in September, 1995, though the album was not actually released until 2002.
"Louis Moholo-Moholo, Son of the soil, has embarked on this musical journey with two of South Afrika's treasures - pianists Mervyn Africa and Pule Pheto. The third Pianist being his old favourite and friend, Keith Tippett. Louis's vibrant, warm and marvellous sounds celebrate the m…
A new CD of a live performance by these two talented improvisers. The interplay between them is, to use a cliche, telepathic. Whilst it's often difficult to figure out who is doing what, the gelling of the sounds is perfect, going from meditative to intense, smooth to harsh (but not abrasive). Improvisation at it's best - highly recommended! REVIEW by Frans de Waard, Vital Weekly : The biggest surprise here is not the music but the label. I would expect such fine talents in improvised music to f…
Carl Michael Von Hausswolff is yet another artist in Matière Mémoire Éditions’ MMXX series with decades of remarkable work behind him. Stockholm based, since the 1970s he has worked as a composer using the tape recorder as his main instrument, while making often controversial interventions into the world of visual art. For the MMXX series he created a work entitled For Marietta, a vast reverent expanse of ambience, filled with shadowy images of the natural world, presumably collected as field re…
Edition of 300. Comes with a 8-page booklet. In 1969, while American minimalism was consolidating into its most recognizable forms, Charlemagne Palestine was conducting solitary experiments with oscillators and sine waves that only now reveal their visionary scope. This was the New York of lofts and abandoned industrial spaces, of artists pushing sound toward its physical limits - a city where the boundaries between music, performance art, and bodily endurance were dissolving. Battling the Invis…
*50 copies limited edition* "Tony Conrad has always been a constant inspiration for both Glen and myself and one of the main reasons we started making drone music in the first place. When Paul Williams contacted me last year about the relaunch of Table Of The Elements, I proposed a screening of the Tony Conrad documentary followed by a performance of our duo Mertens & Steenkiste. As a filmmaker myself, I wondered if it would be possible for us to score one of Tony’s films, more specifically his …
Lucky restock, few copies due this week ** Edition of 300. One time pressing. No digital. ** In 1934, Swiss engineers completed the Chandoline Hydroelectric Plant, channeling Alpine water through 16 kilometers of concrete pipe. By 2023, the turbines had stopped. The plant was empty, silent - a cathedral to obsolete energy with perfect acoustics and nothing left to say. Christian Marclay saw an instrument. For the inaugural Biennale Son in 2023, the artist who made his name destroying vinyl in 19…