We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"We do not work on a release, a piece is done at a time. A CD is drawn from various tracks which can span a few days, weeks or a month, or a day, each release is different." --Bryn Jones, Grinding Into Emptiness interview, 1998Not only has Muslimgauze's work survived the death of Bryn Jones, so have his working methods; with so much worthwhile material still in the vaults and much of it having little in the way of information or context left by the artist upon his untimely passing, recent reissu…
The original 2CD Deceiver from 1996 is a seminal release in Bryn Jones' sprawling discography, one of the first major ones to really pivot into the noisier/more abrasive side of Jones' sound as Muslimgauze. From its epic, vinyl-side-long title-track down to terse, rhythmic snippets like "A Parsee View," Deceiver set out many of the avenues that Muslimgauze would continue to explore before Jones' death in 1999. Since then, Staalplaat has continued to release the massive back-log of Jones' work,…
While the human voice has often been an element in Bryn Jones\' WORK as Muslimgauze, rarely did he highlight it as much as in Minaret Speaker, the latest in the Muslimgauze Archive SERIES, and its concurrent release, Feel the Hiss(ARCHIVE 030CD). While elements of Minaret Speakerappeared on the 7\" of the same name released by Staalplaat in 1996, much of the strongest material here is previously unheard. Jones\' normal practice was to send in tapes to the label with only a title for each tape as…
Etude IV: points-lines-landscapes' (1979). This work is designed as an all-electronic piece without considering any configuration with soloist parts for later use (unlike the two following pieces featured on this CD).It was realized by Jean-Claude Eloy in 1979 on the CEMAMu's UPIC upon Iannis Xenakis's invitation to whom this work is dedicated as a friend. The UPIC (Unité Polyagogique Informatique du CEMAMu) is an electronic tool invented by Iannis Xenakis in the 1970s. It is a graphic interfac…
Songs for the other half of the sky. With 'Erkos' (1990-91) and 'Galaxies' (1986-1996). Performed by Junko Ueda (satsuma biwa and voice) and Jean-Claude Eloy (sound projection). Erkos is a word from the Indo-European language and means song, praise. It is close to the Sanskrit word Arkas (hymn, chant, radiance) and to the Tokharien term Yarke (reverence, homage). The texts consist of extracts from the Devî-Upanishad and Devî-Mâhâtmya writings, in Sanskrit. In those texts, an homage is paid to t…
J.C. Eloy book (English text) around the cycle 'Songs for the other half of the sky' with the following pieces 'Butsumyoê', 'Sappho hikètis', 'Erkos', 'Galaxies', 'Gaia-songs'. Interview, documents, technicazl specification, photos. A CD with 'Butsumyoê' and 'Sappho hikètis'.'Butsumyôe' (1989). For voices, percussions and electroacoustic. With Yumi Nara and Fatima Miranda, voice and percussions. In 'Butsumyôe' ('The ceremony of Repentance') the singer Yumi Nara (soprano) occupies the function of…
“Asleep, street, pipes, tones (2009) is an investigation of the sounding properties of pipes and streets interspersed with a duo for bass clarinet and electric guitar. The investigations form ten three-minute episodes, assembled in studio by Pisaro from samples—mostly organ, but also tiny snippets of vocal music and a single piano chord—and field recordings. The instrumental parts, arranged in nine sections, also three minutes each, develop over the course of the 63’40” duration of the pi…
Guitar and Pedal Steel duets by Nicholas Merz (New Orthodox) and Pat Murano (Decimus)
'Komos Cowboys are here. Here with a LP debut. A debut that winds through the living room like a lab coat experiment, already in progress. Yea it doesn't feel like the first word from these chaps, instead it's as if someone just flipped on the flashlight or the Zoom recorder and the Cowboys didn't look up. The result- a sliding, blinking scene report on something that's been rolling for some time now. Maybe the…
Samara Lubelski crafts intricate, fragile sonic worlds—simultaneously delicate and chaotic. Her music explores creation, destruction, and liminality, evoking alien yet lyrical landscapes where every gesture births its opposite, forever shifting between presence and disappearance.
Smelter by Faith Coloccia and Daniel Menche constructs a temporal architecture that explores water in its myriad states—snow, ice, streams, and storm. Moving between spontaneous, voice-laced vignettes and epic drone formations, the record serves as an aural archive that suspends the listener in crystalline moments, as if each piece is fixed in time yet endlessly malleable.
Hardcover Edition, large format. A treasure trove of rare information and imagery, Pressing News is the latest book by Richard Morton Jack, author of Nick Drake: The Life, Labyrinth, Psychedelia, Galactic Ramble and Endless Trip. A huge number of new records came out in the UK every week in the 1960s and 70s, many of them accompanied by press releases. These offered important and fascinating information but were almost all discarded, meaning that very few have survived. The product of decades of…
*2025 stock. 50 copies limited edition* In 2024, one of Augsburg's most impressive industrial monuments will be 70 years old. Since 1954, the large disk-type gas holder of the gasworks in the Oberhausen district has dominated the Augsburg skyline. Even today, when the gasworks has been transformed into a cultural quarter, it is probably the most fascinating building on the site - thanks to its dimensions and unique acoustics. To mark its anniversary, we would like to bring its very special atmos…
** 2021 Stock ** XI Records presents Involution by Cecilia Lopez. Red is more than a musical composition. It roots lie in its physicality. Nestled on a large cargo-like cable web are an array of small speakers and contact microphones. As this web sways the speakers and microphones come in and out of proximity and form an evolving feedback network, which slowly reveal themselves as a myriad of permutations accompanied by sympathetic synthesizer tones. Zero-input mixing works seem to be very popul…
Some of the tracks on Feel the Hiss, a release Bryn Jonesrecorded LIVE to cassette in early 1995 but never had the chance to remix and polish before he DIED, use the same kinds of devotional voices found on much of Minaret Speaker(ARCHIVE 029CD), but here other voices are present too. Conversational or angry, male or female, English or French or Arabic, almost inaudible or forcing their way to the front of the MUSIC, these "Zilver Tracks" (the name based on a note Jones wrote on the tape) engage…
Edition Omega Point presents work by legendary Japanese composer Joji Yuasa -- one of most important composers in Japan after World War II. "Nadja, Twincling in Stars" (1963) is the incidental music, by NHK Radio, based on "Nadja" by Andre Breton who made "Declaration of Sur-Realisme." The actual chart of constellations was played by three players (violin, piano and vibraphone) which was used as the music score. Birdsong, electronics, and sound generated from inside the piano using music c…
Pisaro’s “Hearing Metal” series is a multipart lecture of the above, now on its third rendition. Each is in dedication to the sculptor Constantin Brâncuşi, with track names and piece subtitles littered with Brâncuşi references (Sleeping Muse, The Endless Column, Prometheus, 1911). Although the orchestration differs across each entry, each piece is primarily composed of electronic (sine tones, field recordings, a guitar, etc.) and percussive (cymbals, tam-tams, ‘surfaces,’ almglocken, etc.) eleme…
'Objects 1’ is the latest release of Tasos Stamou combining improvised sets and sound installation. This 35 min. piece was live-recorded at ‘6.d.o.g.s’, Athens, using a variety of handmade mechanical and electronic devices. Self-operated cymbals, prepared ventilators and circuit bent toys accompany sampled murmuring whispers that reflect a sound landscape of ritual atmosphere, enriched with a solo of bowed ‘typatune’ toy piano.
The provenance of bonus tracks can often be tangential or suspicious; in this case, it's more like a homecoming. WhenBryn Jones turned in the master for what would become 1994's Drugsherpa mini-CD, Staalplaat selected the 20-minute title-track, truly one of Muslimgauze's most distinct and awe-inspiring tracks, to fill the release. The sinuous, doom-haunted "Drugsherpa" still sounds fresh today, but in 1994 it was so far ahead of its time, that the rest of us wouldn't catch up until a decade or m…
Limited edition of 500. Originally issued as the third LP in the limited-edition Tandoori Dog box set (1998), Libya Tour Guide is reissued here as a standalone CD following corresponding editions of the box's first two discs, Jaagheed Zarb (2008) and Tandoor Dog (ARCHIVE 013CD, 2013), and again the increased space of the CD medium has allowed for the inclusion of previously unreleased material from the original tape. Although a version of "Rebiana sand sea" originally surfaced on the 1998 Mel…
Limited Edition of 199 copies. Solmania's limited edition vinyl reissue of the Re-Rurr LP is a monumental work of avant-garde noise music that immerses listeners in a sonic experience unlike any other. Led by the visionary Masahiko Ohno, who founded Solmania in 1984, this reissue serves as a testament to the boundless creativity and technical brilliance that have established Solmania as a trailblazer in the Japanese music landscape. Ohno's unconventional approach to crafting electric guitars fro…