Free for members
This promotion has ended for now, but it's coming back!
Get two of these items for free when buying or renewing your Soundohm membership!
Note: 100% discount only applies when the product and the membership renewal are in the same order.
The number of free copies available is limited.
Burmese Days
Over the past several years, Vienna-based composer / producer Peter Kutin has been working intensely at the little-explored junction between sound art and journalism / documentation. Focusing on sonic experiences in extreme or exceptional conditions, Kutin explores both the physical and psychological impacts of such extremes on how we hear. Later translating or orchestrating these experiences into sound. Despite his age, Kutin has already seen (and heard) many lost corners of the world, having r…
Figures without ground
200 copies Figures Without Ground is the third in a series of three releases, across three labels and three formats, representing a total of six compositions. The first two releases in this series were Music for Cinema (cassette, YDLMIER), and Mild Disappearances (CD-R, Songs From Under the Floorboards, a sub-label of Intransitive Recordings). The two sides of Figures Without Ground represent a major transition from one mode of composition to another.
The cover of the album is a porcelain piece…
Bruxelles
Bruxelles unites GOL, Mik Quantius (of Embryo), and Dave Nuss (No-Neck Blues Band) for a wild, improvisational journey blending art rock, krautrock, and avant-garde experimentation.
Alpes
Alpes is a visionary collaboration between French ensemble GOL and the legendary Ghedalia Tazartes, merging ritualistic chants, electronics, and improvisation in the spirit of Nurse With Wound and Brigitte Fontaine.
Szenen, standbilder. works 1991 – 2009
German composer Michael Reudenbach's works and studies from 1991-2009 are presented in a six-panel digipack with a 22-page booklet of notes, images and photos
Improvisations January 1997
A double LP of acid-drenched improvisation, Improvisations January 1997 finds the GOL Orchestra and the now-defunct Telinga Ensemble navigating the outer limits of psychedelic sound and collective creation.
Puppet Island
Australian supergroup with Oren Ambarchi, Brendan Walls and Nicholas Kamvissis.
Visitation
A rare collaboration, Visitation unites French turntablist eRikm and electroacoustic pioneer Luc Ferrari for a masterclass in musique concrète and sonic collage, echoing the legacy of Pierre Schaeffer.
Gol & Charles Hayward
A remarkable meeting of minds, Gol & Charles Hayward unites French experimental collective GOL with Charles Hayward (This Heat), fusing avant-rock, electronics, and ritual percussion.
Indra's Net
A hybrid acoustic tape piece of solo violin on four track tape, and a work for four violins, composed in 1974 by Harley Gaber
Disallow
Disallow is a unique encounter between legendary conceptual artist Vito Acconci and the experimental group New Humans, merging spoken word, noise, and performance art in the vein of Laurie Anderson and Glenn Branca.
Kristallisationen
A shimmering exploration of processed guitar and electronics, Kristallisationen by Klaus Roeder (Kraftwerk) channels the avant-garde spirit of Stockhausen and the sonic curiosity of Cluster.
Tesla: Werkstatt Klangapparate
Four artistic projects concerning historic sound devices from Steve Roden & Martin Riches, Thilges and Frank Bretschneider in a DVD of sound and video performance captured at Tesla in Berlin, 2006
Confusional Quartet
Futurism with its dynamic force, youthful spirit, attention to innovation and a bit of Italian histrionism; the sixties with their hopeful and playful atmosphere and their crisp and catchy music; Italy with its beautiful sun, beaches, Mediterranean brightness and laxity; minimalism with its focus on the deepness of details; all the things happening in Bologna in the late seventies, among some of the newest and most creative experiences in film, performance, fashion and music. With these elements…
The Plain Truth
2014 repress, originally released in 2000. First issued on the Broken Flag label in the UK in an edition of 500 in 1983. A different style, providing some distance from all his previous works; a more expansive experimentation with multiple layers of synthesizer sounds. Still very intense. M.B.'s recordings come closest to classical electronics, but always with a very personal style. This CD edition also features an interview on Radio Popolare in Milan from 1/1/83. An English translation i…
Endometrio
2014 repress. Originally issued as a private LP edition of 400 copies in 1983. De-composition for synthetic sounds and electronically generated noises. Here M.B. distanced himself from the movement of the industrial Bruitists, introducing his "bionic music." Notwithstanding the difficulty of listening, especially upon initial impact, you are facing treated and filtered synthetic sounds that become new organisms -- sound cells analyzed under the microscope. This CD also includes excerpts …
20 JAHRE INVENTIONEN VI
Electroacoustical music from the Inventionen Festivals 2005 and 2006. Composers/tracklist: Edgar Barroso 'ODD'; Mario Verandi 'Comme un jeu des images'; Paul Wilson 'Through the Rain'; Ricardo Climent 'Wallwoodpeckers'; Vladimir Djambazov 'The Secret Life of a Snare Drum'; Ludger Brümmer 'Glasharfe.'
Most composers work with field recordings or acoustc object phenomena and process these sounds with digital software means. The brilliant piece from E. Barroso uses only the "noise"-components of in…
Requiem
A new album by Michael Prime who is another prolific sound composer for many years. Being an active member of Morphogenesis he also collaborated with among others: David Jackman/Organum, Jim O'Rourke, Eddie Prevost, David Toop, Adam Bohman. He's also one half of Negative Entropy a collaborational project with G. Feyton (Noise Makers Five). Recorded between December 1998 and December 2000 Requiem is one of his most intense works so far and quite different from his more inviromental studies. Dedic…
Depli
It's probably safe to call Mr. Andre Almuro an unsung hero. And while his scantly available catalog certainly provides reason why, its contents offer ample argument to the contrary. Not long after the conclusion of his apprenticeship to Pierre Schaeffer, he began crafting in what could easily be called the Almuro aesthetic: sparce pieces built from limited sound elements, often timbrally altered percussive sounds, slowly paced and coated thick in reverb and tape echo.While Dépli does not quite m…