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e piano-and-percussion quartet performs a series of pieces by the Los Angeles composer that wrestle with the aftermath of 2020’s wildfires; McIntosh’s own field recordings flesh out a sense of place.
It is refreshing to note that Mode Records gets into the endeavor of issuing new CDs with electroacoustic music. We have labels solely issuing this brand of music (which within its – artificial – borders harbor many different styles and idioms), like for instance INA (INA – GRM: Groupe de Recherches Musicales), empreintes DIGITALes and so forth, but I feel it important that the electroacoustic music – also including the electronic music in purer forms – is embraced by labels indulging in a more …
Composed between 1993-97, this second volume of works by Gerard Pape on Mode continues his richly darkly dramatic style with new compositional turns. Born in Brooklyn, now living in Paris, Pape is the director of the Atelier UPIC – an electronic music studio utilizing the unique UPIC computer developed by Iannis Xenakis – since 1991. While a resident of Ann Arbor, Michigan he ran Sinewave Studios, a state of the art New Music and Electronic Music studio and organized of the annual TWICE Festival…
Cage’s One8 was composed for cellist Michael Bach, an artist who had a very important place in Cage’s late work. Its duration of 43’30” makes an oblique reference to Cage’s groundbreaking 4’33” (1952). It is constructed of 53 time brackets with single sounds to be played on 1, 2, 3, or 4 strings. These time brackets tell the player when to begin and end each section (each section often containing a single note). Durations, dynamics and bow positions are free. Allan Kozinn had this to say in The …
Anne LeBaron’s music us a mixture of elements and influences–a combination of modern compositional techniques with rock, blues and gospel. The many facets of her talent are showcased in The Musical Railism of Anne LeBaron.
The cornerstones of the CD are her two solo performances on harp: Dog-Gone Cat Act for extended techniques on prepared harp, and I Am An American…My Government Will Reward You, a blistering piece for harp, live electronics and tape dedicated to “those on foreign soil who suffe…
“It is not enough just to play the right notes at the right time in the right way; one must also have the right consciousness. It places the performer in the role of explorer of the interior in order to produce, and being still in order to be active.” — Pauline Oliveros "These words, spoken by Pauline Oliveros, remind us of how fundamental an influence Alvin Lucier has had on the development of new music and its interpretation; they remind us of our role as explorers of sound, and of the irresis…
A new vision of John Cage, via his complete works for string quartet. Spanning forty years of the artist’s activities, these three masterworks illuminate the different stylistic periods in the output of this 20th century icon.
Tom Johnson uses numbers as base material, turning formulas, combinations and other mathematic phenomena into music. And somehow, this music becomes poetry, sometimes like a haiku, sometimes like a sonnet, sometimes descriptive and clear, often enigmatic but always beautiful.
*200 copies limited edition* A captivating electronic symphony in five movements recorded live, which begins almost like a Pastorale. Bucolic atmospheres that, albeit through completely different sonorities, seem to link Fabio Orsi back to the origins of his music at the beginning of the millennium, when the inspiration drawn from his home territory and popular tradition was strong. The instruments then paint a sort of medieval dance, veering further into quiet, purely ambient atmospheres, among…
*300 copies limited edition* Students of Decay presents "Kaivajaiset" by Finnish composer Niko-Matti Ahti. Best known for his work alongside his partner Marja as Ahti & Ahti, Niko-Matti has been an active participant in the Finnish underground since the late 1990s. "Kaivajaiset" is his first solo recording and was originally conceived of as an installation. Part horspiel, part musique concrete, it is a piece of music that draws comparisons to the work of pioneering avant-garde composers such as …
*In process of stocking. 2023 stock* "As a chamber music ensemble the saxophone quartet has a surprisingly long pedigree. The first work for it was written in 1857, less than twenty years after Adolphe Sax invented it, a Saxophone Quartette Club was founded in New York in 1879, and by 1896 a California Saxophone Quartet was on tour. While the modern saxophone quartet is now most likely to be associated with the jazz tradition, the standard ensemble of soprano, alto, tenor and baritone saxophones…
Tip! *In process of stocking* "On "When the Streets Were Quiet", composer, bassist, and bandleader Max Johnson turns the focus to his finely wrought chamber music. Active in many contexts, Johnson is voraciously eclectic and impressively versatile. The works on this collection betray little overt reference to his wide range of stylistic activities, instead zeroing in on his craft centered approach to composition. With an emphasis on counterpoint, imitative textures, structural markers defined by…
This release brings together two works by Alvin Lucier centered on the pipe organ, a perfect instrument for Lucier’s compositional practice. Both are first recordings.“Swing Bridge” was commissioned by this record’s ensemble, the Australian Art Orchestra, for the Melbourne Town Hall Grand Organ. The score requires that specific pipes be removed from the organ and run into three specially constructed offset chests, each accommodating two pipes (six pitches total). These pipes are manipulated by t…
Starting at a very young age, Katrina Krimsky developed her musical self along a pathway of strong classical, pianistic training. Highlights of her playing on the classical side include her wonderful recording of Samuel Barber’s monumental Sonata for Piano, Op. 26, (Transonic Records 3008, 1975), a composition that is a virtual dictionary of early and mid-Twentieth Century composition techniques, first performed by Vladimir Horowitz in 1949 and 1950. Another example is her equally wonderful reco…
Yannis Kyriakides evokes memories of a site and of the workers of the mines of Amiandos, reflecting on a past not that far gone. In 7 pieces he tells profound stories of loss, and of the fascination for a magnificent and malignant stone. Amiandos is Kyriakides 8th album on Unsounds records.
11 Dec 1980 is a two CD set containing Eliane Radigue's live performance of Chry-Ptus (1971), her first work for modular synthesizer, and the world premier of parts one and three of Triptych (1978). Triptych part 2 is also performed. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Radigue's sublime renderings of these major pieces are full of illusory stasis, slow change and dense, slow motion drone that has charact…
*In process of stocking* "Magna Mater for voices, ensemble and video installation (2013) is one of Maria de Alvears most important recent works. It constitutes a ritualistic invocation of all-nourishing Mother Nature. Sounds, words and images evoke her power and wisdom, the destructive power of earthquake, asteroid impact, drought and firestorm, and the life-giving elements of soil, sun, water, air, sky, clouds, rain.
In this decidedly visceral music, Maria de Alvear explores archetypal human c…
*2LP Gatefold with tipped in booklet * Presented together for the first time, American composer John McGuire’s Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe’s angular, intellectual, inscrutable high-modernism. McGuire, born in California, studied at Occidental College in Los Angeles and UC Berkeley before going to Europe to study with Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael Koenig. His compositions lock seriali…
*2022 stock* 'We can appreciate some musical works for a variety of reasons. Some unleash a narrative that can read our present and its problems very well, others prefer to move on abstract codes, whether experimental or electronic. Still others may propose ethnographic readings as much aimed at an examination of the past and tradition as they try to probe the future through spatial or psychedelic atmospheres. Then there are proposals capable of going beyond any stylistic framework and floating …