My Strong Will
My Strong Will is a new album of "Ethiopian Classical Music" by Girma Yifrashewa. Recorded with Bulgarian musicians and the Sofia Philharmonic Orchestra in Sofia, Bulgaria, the album is a return to where Yifrashewa completed his own conservatory training in the late 1980s and early 1990s, across both sides of the fall of Communism. Guided by Yifrashewa's piano, these chamber works bring the music of Ethiopia into a Western Classical format, uncovering meditative and emotional new vistas for both…
Exploratorium
Tip! Gene Coleman is a composer, musician and video director, who has created over 70 works for various instrumentation and media. Central to his work is the inventive use of sound, image and time, and the desire to create experiences that expand our understanding of the world. Since 2001 he has explored the global transformation of culture and music’s relationship with video, science and architecture. Gene has been developing a series of works around concepts of Neuro Music and Transcultural Mu…
Eno Piano
Bruce Brubaker is one of the most exciting pianists in the contemporary American classical scene, according to Pitchfork. He is back with a follow-up to his 11th album Glass Piano an audacious reprise of compositions by his contemporary Philip Glass. Brubaker’s new album, Eno Piano, is a stunning reinterpretation of selected tracks from Brian Eno’s ambient masterpiece, Music for Airports, as well as three original tracks. Brubaker carefully dissects, rearranges and reconstructs the iconic compos…
Empyrean Traces
*300 copies limited release* With Empyrean Traces, De La Catessen Records focuses on another aspect of Adelaide composer David Kotlowy’s career – his works for trio. It follows the 2021 release of Final Fragments: Piano Music of David Kotlowy, where Kotlowy’s solo piano compositions were performed by composer and scholar Stephen Whittington. The three compositions on Empyrean Traces are brought to life by the Benaud Trio, whose ability to carry the gentle poetics of such work allows for bravura …
Of Shadow and Substance
Acclaimed NYC composer, producer and saxophonist Lea Bertucci explores dissonance, drone and dynamics with two new longform compositions for strings, electronics, harp and percussion on "Of Shadow and Substance".
And / In
*2023 stock. 300 copies limited release* And / In is the Amsterdam/Berlin-based duo of Heather Frasch and Koen Nutters creating music with objects, text, and vibrations. Shadows and light, audible and inaudible movement, air, liquids, and solids. They conduct musical investigations of objects, bodies, agents, sounds, actions, text and silence. Objects and/in silence. Text and/in sound. Reading and/in actions. A spatio-vibrational theater workshop approaching the meaning and the life of objects a…
Kanon Aonami Composed Works: Performed by Sean Colum, Kanon Aonami and Fumi Endo
Born in Yokohama in 1994, Kanon Aonami is an alto saxophonist and composer who plays jazz and improvised music at performance venues mainly in Tokyo and Yokohama. She is also a talented composer, and at Ftarri she often performs her own compositions in addition to improvised music. In June 2021 Aonami started appearing periodically at Ftarri; she has performed with musicians including pianist Fumi Endo, alto sax player Masahide Tokunaga, and British guitarist and Tokyo resident Sean Colum.
Focus…
A History of Musical Pitch
This album contains three works by Seamus Cater, including his creative response to the work of Alexander John Ellis (1814-1890), who presented a paper 'The History of Musical Pitch' to the Royal Society in 1880. Ellis was a mathematician, collector, philologist and musical enthusiast, who spent a lot of time measuring the exact frequencies of contemporary and ancient musical instruments, and so is remembered as one of the founders of comparative musicology. Two of the pieces on the disc are 're…
A room outdoors
'A room outdoors' is a 48 minute piece written in 2006 by Michael Pisaro-Liu for sustaining instrument, harmonium and field recordings. This was the first work in which Pisaro-Liu incorporated field recordings into his score. This double CD contains two different realizations of the piece, one made in Brussels during the lockdown in April 2020 and one set up in Cremona in June 2023, each realized by the following artists: Disc 1 features Belgium-based Guy Vandromme (keyboards) and Adriaan Severi…
Slow Roads
'Slow Roads' is an album of eight pieces written by Hague-based Serbian composer Ivan Vukosavljević between 2019 and 2022, for solo 1/4 comma meantone organ. All eight pieces were recorded in 2022 on five different historic organs, dating from the early 16th to mid-17th centuries, located in medieval churches scattered throughout the countryside of the northern Netherlands. Each piece was adapted for a specific organ, as they vary considerably in their disposition. All eight pieces are written i…
Héliophonie
This is a binaural release, compatible with Stereo. This release gathers two electroacoustic works by Gerard Pape.
The Weather Pieces
The set of The Weather Pieces are reflections on the perception of meteorological phenomena. The listener is immersed in a hybrid sound world, as the line between the live performer and the computer generated propositions becomes blurred. The musician follows a score that leaves room for interaction with the computer’s ever-changing proposals. The works also use the performer’s voice, using spoken texts to convey inner thoughts and feelings. Les si doux redoux for basset horn grew out of an…
Semèia Kài Tèrata
"The Septuagint is the name in which the first Greek translation of the Old Testament is identified, datable to the 2nd century A.D. According to Aristea's letter to Philocrates, in which the genesis of this version is mentioned, 72 sages from Alexandria commissioned by Ptolemy II were responsible for the translation. Within the text, the term "prodigy" (τέρας, tearas) is never found alone but forms an inseparable binomial with "sign" (σημεῖον, semèion), thus forming the expression σημεῖα καὶ τέ…
Asking
Asking is a large-scale work for piano solo that is a meditation and reflection on all of the meanings of the word “Asking”. Asking was specially composed for Eve Egoyan.
Andersen's Swan Song
*2023 stock* "I composed this piece in 2011 on a commission for the concert "Sonorous Solitude / Hidehiko Watase Solo Flute Recital," produced by image/air_ (Ippei Hosokoshi). The conditions were that the piece should be as long as possible and written for baritone (Homei Kamie) and flauto traverso (Hidehiko Watase), and that I could use any lyrics I liked. Simply put, the flauto traverso is an ancestor of the contemporary flute. First, Watase-san told me about the instrument's characteristics. …
Musical Procedure
*2023 stock* This CD documents a series of works that I call "Musical Procedure." In composers' usual works, the sounds to be performed are written in a score; but in these pieces the procedures (which could also be called programs, algorithms or specification sheets) for shaping music, such as performance methods and the general ideas of the works, are written as concisely as possible, and the type of sound to be produced is left largely to the performers. The score is merely an arrangement of …
![Paraphrase on Shichikushoshinshu [1664]](https://cdn.soundohm.com/data/products/2024-10/Tai_ParaphraseOn_CD_01-jpg.jpg.500.jpg)
Paraphrase on Shichikushoshinshu [1664]
*2023 stock* Published in the Edo era (1664), "Shichikushoshinshu" is a beginner’s guide to three musical instruments—the "hitoyogiri" shakuhachi, the koto, and the shamisen—which includes lyrics and fingerings for songs believed to have been popular at the time. Tai decided to create a new musical instrument in order to perform the shamisen music in "Shichikushoshinshu" (Japan’s oldest shamisen “scores”). The result was the self-made electric stringed instrument he calls the coiled cello. In 20…
Nemiesta
Three years after the release of Black Angels Songs, Miroslav Tóth together with Dystopic Requiem Quartet comes up with a rare album inspired by non-places, i.e. buildings and objects that were either unfinished, abandoned, over-multiplied, or were marked by mining and yet had no meaning in the end. Also featured on Non-places is Nénia, a track dedicated to the victims in Ukraine, written three days after the outbreak of war during the album's creation. The recordings were made in the Czech Repu…
Late Night Show
All my music is night music, says the composer Petr Bakla. Three pieces featured on the new album Late Night Show span almost a decade and provide varied examples of his style, 'so specific and personal, so allergic to fashion or aesthetic trend', as Eric Wubbels puts it in the insightful liner note. The central instrument is the piano, operated by Bakla´s longtime collaborator Miroslav Beinhauer, accompanied by the musicians of Brno Contemporary Orchestra.
Cantegral Segment(s) 16.17.18.19. / Transform (Stream) / Transphalba / Volta (Kernel)
Like Hunt’s composition “Lattice,” released on Texas Music in the same year, the four pieces included on Cantegral Segment(s) (IR-0032, 1979) represent a culmination and transformation of Hunt’s investigations from across the decade. The “Cantegral Segments” are a body of scores (or strategies) derived from and developed alongside the evolving compositional procedure Hunt called Haramand Plane, first used in a large-scale performance of that name from 1972 that employed elaborate homemade audio …