Die Verwandlung des Zornes
*In process of stocking* The Zooming is implemented musically; it captures places on the globe that lie in a constantly narrowing field of view around the Kollegienkirche in Salzburg, the site of the piece's premiere. In the north and south, the latitudes represent the boundaries at 90° each, in the east and west, the longitudes at 180° each. The places where the four wind instruments play in the Kollegienkirche each lie on an imaginary line projected in the four different cardinal directions, n…
Mantra
*2022 stock* 'Composed in 1970, Mantra, for two pianos and ring modulation, was one of the decisive turning points in Karlheinz Stockhausen’s career. The 70-minute piece not only signalled a break with the text-based intuitive works, relying heavily on improvisation, that had come to dominate his output towards the end of the previous decade and a return to fully notated scores, but also introduced the idea of melodic formulae, the “mantra” of the title, which Stockhausen would eventually develo…
Musica Da Camera
*2022 stock* The Polish composer Krzysztof Penderecki used to write chamber music even as a student in Krakow. He was writing the chamber music works for himself, then already an accomplished violinist, and his fellow students (The title "Sonata for Violin and Piano" from 1953 has only recently been published.). A specialty of these early works are Penderecki's inventions with which he altered the sound of the stringed instruments, indeed almost to the point of being completely unrecognizable. W…
Palimpsest | Épéi | Dikhthas | Akanthos
*2022 stock* 'This collection of ensemble works, six altogether, ranges across the last two decades of Iannis Xenakis's life. It includes the last two pieces he composed, Zythos, for trombone and six marimbas, and O-Mega, for percussion and ensemble, both written in 1997, four years before his death. They are striking, small-scale examples of the bareness and drastic compression of his late style, but the finest music here is a bit earlier. In Échange, from 1989, a bass clarinet painstakingly un…
For Franz Kline · For Frank O'Hara · De Kooning · Piano Piece To Philip Guston
*2022 stock* Wergo presents Moton Feldman's compositions For Franz Kline · For Frank O'Hara · De Kooning · Piano Piece To Philip Guston. Performed by Ensemble Avantgarde.
Le Grand Macabre
*2022 stock* György Ligeti’s polymorphous music, a product of the 1960s, promises no familiar idiom even today. Ligeti himself described the bizarre and exaggerated music of Le Grand Macabre to be “far removed from the territory of Wagner, Strauss and Berg.”A sense of the absurd, the unpredictable, the totally irrational, not unlike the Dadaists who made their debut in Zurich back in 1916. Le Grand Macabre is often cited as a quintessential work of a Neo-Dada genre, one as bombastic as it is exu…
Sonata XIII / Music For Marcel Duchamp / Song Books I-II / Empty Words III
*2022 stock* The first works of Cage are experimental and related to the future. "The Future of Music" - a Credo" is the title of his first manifesto, and this future bears the name "all-sound music".
Works For Piano, Toy Piano & Prepared Piano · Vol. III
*2022 stock* It may come as a surprise but one of the leading creators of keyboard music in the twentieth century is a composer by the name of John Cage. Cage’s reputation is so deeply associated with the avantgarde, with chance music, graphic notation, performance art, technology and Zen Buddhism that is early, conventionally-notated music for percussion ensemble and keyboards is sometimes neglected. Or was until recently. In the last few years – with the advent of performances and recordings l…
Etudes Australes
*2022 stock* 'Etudes Australes was composed specifically for Grete Sultan, so this album is among the definitive recordings. As an indeterminate piece for solo piano (okay, well, a "duet for two hands"), this sounds very similar to Music of Changes, Winter Music, etc. Here, though, Cage generates indeterminacy by turning once again to using star charts as tools of composition, as he did previously in the wonderful Atlas Eclipticalis.
In a way, I find the piano to be more suited to star charts th…
La Fabbrica Illuminata / Ha Venido, Canciones Para Silvia / Ricorda Cosa Ti Hanno Fatto In Auschwitz
*2022 stock* Magnetic tape for serial use is not the prerogative of Stockhausen or the French members of the GRM. On the other side of the Alps, at the RAI Studio di Fonologia in Milan, Luigi Nono worked for a long time on the development of a new form of theatrical composition. In the 1960s, his research led to the creation of a series of works that are difficult to classify: A floresta è jovem e cheja de vida (1966), Y entonces comprendió (1969-70), but especially La fabbrica illuminata from 1…
Circles · Sequenza I · Sequenza III · Sequenza V
Wergo presents Luciano Berio's compositions Circles · Sequenza I · Sequenza III · Sequenza V.
Kammerkonzert / Ramifications / Lux Aeterna / Atmosphères
*2022 stock* These pieces (mostly recorded within a couple years of Ligeti writing them) are superb in that unsettling way of most of Ligeti's music. The "Kammerkonzert" is amazing - one of the best things I've heard of his. It's great to hear the harpsichord and Hammond organ in this context and unique in modern music. The uniqueness is really just Ligeti's style and the instruments don't matter so much, whether it's the giant orchestra used for "Atmospheres" or the choral effects in the most f…
Continuum / Zehn Stücke Für Bläserquintett / Artikulation / Glissandi / Etüden Für Orgel / Volumina
*2022 stock* This CD of works by the Hungarian composer György Ligeti represents an extremely interesting combination of several of his serene works for harpsichord, organ, and wind quintet with two electronic compositions from the late 1950s.
Works For Piano & Prepared Piano · Vol. II (1944-1958)
*2022 stock* This recording deals with works composed between 1944 and 1958, including several of Cage's lovely and masterful prepared piano pieces, which will come as a major surprise to those familiar only with his chance compositions. Joshua Pierce is the principal pianist (assisted by Dorothy Jonas on the Three Dances, written for two pianos) and attacks the pieces with a nice balance of delicacy and aggression, although compared to the earlier Angel recording of the abovementioned Three Dan…
Sonatas & Interludes For Prepared Piano
*2022 stock* Sonatas and Interludes for Prepared Piano, a cycle of 20 short pieces for prepared piano (a piano modified by inserting nuts and bolts and other objects between the piano strings in order to produce percussive and otherworldly sound effects) by American composer John Cage. Created in 1946–48 after the composer had been introduced to Indian visual and performing arts, the cycle was intended to represent the so-called permanent emotions—the heroic, the erotic, the wondrous, the comic,…
Music Of Changes
*2022 stock* It's over 70 years since John Cage wrote his pivotal Music of Changes, and it's beginning to show its age. It feels very much of its time, with its uncompromising adherence to the 64 hexagrams of I-Ching, the Chinese book of changes, determining the direction of the piece and its use of sudden, percussive attacks on the strings or the body of the instrument. But for all that there is no denying the extreme stamina and concentration required of the performer, and here Herbert Henck e…
Four Organs / Phase Patterns / Pendulum Music
Three early compositions (1968-1970) by Steve Reich, one of the most prolific exponents of minimal music, in stunning interpretations by the critically acclaimed Ensemble Avantgarde. Available on vinyl (180gr, gatefold sleeve incl. download code) for the first time ever!
Silver Apples of the Moon / The Wild Bull
Silver Apples of the Moon' is without a doubt the best known work from influential composer and electronic music pioneer Morton Subotnick. It was originally commissioned by Nonesuch records back in 1967, when electronic music was more of a series of ideas than a recognised art form, and since then it has achieved well deserved classic status, influencing so much that would come after it is impossible to conceive. Subotnick's instrument of choice was the Buchla modular synthesizer, a gigantic pat…
Kontakte
Kontakte is a Stockhausen classic from 1959, for electronics, percussion and piano (played here by David Tudor). One of his "moment form" compositions, which "...lead up to no climax, nor do they have prepared, and thus expected, climaxes, nor the usual introductory, intensifying, transitional, and cadential stages which are related to the curve of development in a whole work; they are rather immediately intense and -- permanently present -- endeavor to maintain the level of continued 'peaks' up…
Strahlen
*2022 stock* The origins and technical content of Strahlen (‘Rays’), a work left incomplete at the time of Stockhausen’s death, are complicated. It’s best to watch the documentary about the work before hearing it through, so that your mind’s eye is tuned in to what is going on, and what lies behind the concept and techniques used in its realisation.
Part of the genesis of Strahlen was a desire to create a ‘virtual vibraphone’ with the ability to play extended notes, dynamic crescendos and freaki…