Holy Fools - Music of Luke Altmann
** 2021 Stock. Comes in a six panel case with 16 page booklet, designed by Sam Songailo ** One-composer records have somehow slipped out of fashion, but the chance to delve more deeply into the psyche of a single composer is a special indulgence for both performer and listener. Luke Altmann's music first graced our music stands in 2007, when we performed the slow and achingly beautiful ‘Prelude to New York’ at Manchester Lane in Melbourne. The piece’s honest conviction, simplicity and deep expre…
Listen How They Talk
Chamber music by Mexican composer Hilda Paredes, 1998-2001, drawing on Mayan language and culture: works for string quartet, piano quintet, 21 musicians and vocal quartet, with the Arditti Quartet and Ensemble Modern.
Music for Strings
Lou Harrison's Suite No. 2 for Strings, Suite for Symphonic Strings and Concerto for Pipa with String Orchestra, three first recordings in their categories, played by Wu Man and The New Professionals Orchestra, London, conducted by Rebecca Miller.
La Terre et le Feu
Composer-supervised first recordings of Joël-François Durand's music on the four elements: La terre et le feu for oboe and ensemble, Les raisons des forces mouvantes for organ, La mesure des choses III and Athanor for orchestra.
Out of Chaos
The first complete CD of music by New York composer Jason Eckardt: four first recordings, After Serra, Tangled Loops, A Glimpse Retraced and Polarities, played by Ensemble 21, saxophonist Taimur Sullivan and pianist Marilyn Nonken.
Labyrinthe de Minotaur
Alain Bancquart's large-scale microtonal cycle on the myth of the Minotaur, on texts by Marie-Claire Bancquart, recorded at its world premiere of the complete version at Radio France on 27 May 2000.
Shadow of an Idea
Four chamber works by Walter Zimmermann, Schatten der Ideen, Ursache und Vorwitz, Distentio and Shadows of Cold Mountain 3, played by Ensemble Recherche. The music reflects the influence of John Cage and Morton Feldman.
Another Sunrise
Three works by Peter Garland, Another Sunrise, Dreaming of Immortality in a Thatched Cottage and I Have Had to Learn the Simplest Things Last, for pianos, harpsichord, voices and percussion, with Aki Takahashi and Essential Music.
Look She Said (Complete Works For Bass)
Christian Wolff's complete works for bass, played by Robert Black under the composer's supervision: Look She Said, Jasper (with violin), String Bass Exercise out of Bandiera Rossa, Dark as a Dungeon (with trombone) and Untitled for electric bass-guitar.
Dancing With Henry
Mostly first recordings of Henry Cowell's music written for dance, many from unpublished manuscripts, including Atlantis, the Ritournelles from Marriage at the Eiffel Tower, Sound Form No. 1 and the Suite for Woodwind Quintet.
Afatsim
The debut recording of Israeli-born composer Chaya Czernowin: five chamber works from 1988 to 1996, including a string quartet and Afatsim for nonet, played by Sonor, the Arditti Quartet and Japanese and American soloists.
Surface Tension
Twenty-eight miniatures by Howard Skempton from the 1970s to the 90s, for solo to quintet, performed by HCD Productions with soprano Sarah Leonard and the composer on accordion.
The Seventh Seed
Hilda Paredes's chamber opera The Seventh Seed, on the Persephone legend to a libretto by Karen Whiteson, recorded with the Arditti Quartet and Steven Schick, plus two realizations of Permutaciones for solo violin played by Irvine Arditti.
Octet • Music For A Large Ensemble • Violin Phase
*Includes 24-page booklet with photos and liner notes* Steve Reich's commercial success had ballooned after his prior release on ECM, Music for 18 Musicians, and this collection of three compositions, two new and one from 1967, was the follow-up. Music for a Large Ensemble is very much of a piece with the prior work, using extended melodic lines, a larger palette of sound colors, and key changes every several minutes. It's charming and pleasantly busy in an industrious way but really covers litt…
NuDaf
A 65-minute electroacoustic composition featuring Dafne Vicente-Sandoval, bassoon. NuDaf (2020) is the second longest piece in Phill Niblock's repertoire of recorded audio works. NuDaf is a departure from his previous pieces in that he makes extensive use of multiphonics and constructed the work with fewer tracks than usual, creating uniquely transparent and ephemeral textures. The piece is the result of a collaboration between Niblock and the stellar bassoonist Dafne Vicente-Sandoval. Her music…
Parampara festival 13.3.1992
Black Truffle is pleased to announce Parampara Festival 13.3.1992, a stunning performance by Amelia Cuni captured live in Berlin almost thirty years ago. Milanese by birth and resident in Berlin for many years, Cuni lived in India for over a decade, studying the classical vocal style of dhrupad under masters of the form. Though perhaps known to many listeners primarily through her performances of the vocal music of John Cage and collaborations with Werner Durand and Terry Riley, she is recognise…
I, Castorpollux
Osaka-born and New York-based pianist Erika Dohi is a multi-faceted artist with an eclectic musical background. From highly polished traditional classical to bold improvisation, she is a dynamic performer whose timeless style and unidiomatic technique sets her apart in contemporary NYC avant-garde circles. Dohi’s vast repertory is impressive, but what makes her truly such a barrier-defying artist is what lies ahead. I, Castorpollux, Dohi’s debut solo album, is a profound personal excavation set …
Funeral Cargo
** Edition of 300 copies pressed on clear vinyl. Mastered by Veronica Vasicka ** A weight of history flows through Ann Margaret Hogan’s keys with a stark intimacy, beautifully illuminated by naturally effortless, quietly grand songwriting. It’s a direct continuation of the landscaped themes and atavism of 2020’s ‘Honeysuckle Burials’ and the ‘Reversing Into Tomorrow’ collaboration with Karl O’Connor, vividly capturing the slow passage of time in a way that has quite literally compelled us to sto…
Cosmic Pulses
Karlheinz Stockhausen – “Cosmic Pulses” is the last electronic composition by Karlheinz Stockhausen, and it is number 93 in his catalog of works. It is the 13th "hour" of Stockhausen's originally-planned 24-part cycle Klang ("Sound") which is based on the 24 hours of the day. This electronic work is composed of 24 layers of synthesizer-generated melodic material, with each layer having a different speed and pitch register. The layers enter one by one, starting from the lowest/slowest layer, a…
Elektronische Musik Von Sirius
* 2021 Stock * Packaged in two double CD cases suited in a card slipcase along with a 46 pages booklet that includes texts in german and english. Karlheinz Stockhausen – “Elektronische Musik Von Sirius” Realisation at the Studio for Electronic Music of the West German Radio in Cologne from July 1975 to March 1977 using an EMS Synthi 100 synthesizer.. "In connection with the composition ‘Sternklang’ I closely watched the star constellations in Kürten. From my study as well as from the kitchen my …