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Compositional /

Turzets
The latest in a prolific string of solo and collaborative releases by James Rushford, Turzets collects a pair of new works primarily created and recorded last year while the Australian composer-performer was in residence at La Becque, an art center on Lake Geneva in Switzerland. The side-length piece “Fallaway Whisk” explores hesitation in its many forms—reticence of speech, sonic restraint—using live, abstracted translations of text from English to German against a lush and swelling soundscape.…
Maniera
With yet another striking and forward-thinking work of contemporary composition, Another Timbre returns with “Maniera”, their second outing with the Italian composer, Marco Baldini, following on from last year's brilliant “Vesperi” which sold out within weeks. Comprising seven works for various configurations of string ensemble, masterfully executed by Apartment House, that nod across time toward Italian polyphonic compositions of the 16th and early 17th centuries, the diverse history of Minimal…
shades
Portrait CD of Boston-based composer Nomi Epstein, featuring three chamber works from 2011 to 2023. Two of the pieces ('shades' and 'Sextet') were recorded by Apartment House in 2023, and 'sounds for Berlin' is a concert recording from Berlin in 2019. Thanks to Samuel Dunscombe for the Berlin recording, and to Heather Frasch & Rebecca Lane for organising the Vibrant Matters concert series of which it was a part. The other two pieces were recorded in London by Simon Reynell. Cover artwork by Amy …
Recomposed
*2024 stock* Bernd Alois Zimmermann (1918–1970) was one of the most distinctive composers in the musical avant-garde after the Second World War. While Karlheinz Stockhausen served as a kind of ‘generator’ in Cologne during the 1950s and 60s, inventing completely new sounds and techniques, Zimmermann was in many ways his opposite, a ‘transformer’ who redefined previously existing material by placing it in new contexts and collage-like structures, anticipating the ideas of the Postmodernists. Zimm…
-> Sonic Patterns
For decades, Ludger Brümmer has represented a unique, courageous, and often instantly recognisable voice in electronic, algorithmic, and computer music. He develops structures that lead to aesthetic experiences normally found, if at all, only in the most expressive of instrumental works. Ludger Brümmer’s music is dominated by processes. All processes are on a trajectory towards a climax or evolve from a climax to a minimum. Ultimately, a complete lack of orientation is to be achieved in the clim…
Whistle Posse
Louie Rice and Luciano Maggiore work together performing score-based works - both acoustic (without a PA system) and amplified (with a PA system). The duo was originally conceived to perform works by other artists as part of an event series at Cafe OTO in London. This series acted as a research period that went on to inform the action-based pieces that Rice and Maggiore are now writing themselves. These pieces explore physical actions and vocalisations in response to pre-defined prompts or rules…
Te Deum
*2024 stock. Deluxe packaging* "Te Deum employs Pärt's signature tintinnabuli compositional style. Tintinnabuli is often described as a minimalistic compositional technique, as its harmonic logic departs from that of the tonal tradition of Western classical music, creating its own distinct harmonic system. Tintinnabulation is a process in which a chosen triad encircles a melody, manifesting itself in specific positions in relation to the melody according to a predetermined scheme of adjacency. I…
A Hilliard Songbook - New Music For Voices
*2024 stock. Deluxe packaging* Although by now almost habitually referred to as Britain’s foremost early music vocal group, the Hilliard Ensemble (founded 1974) has long had an equal, and complementary, commitment to contemporary music. Its members have sought out new music that adapts itself to the group’s blend of voices and, where necessary, commissioned works from composers they admire. In their recitals, century-spanning leaps – from John Cage, say, to Josquin Deprez (or vice versa), from P…
Orient & Occident
*2024 stock. Deluxe packaging* “An exceptional and musically important release” – Gramophone, Editor’s Choice. The long-awaited new album by the great Estonian composer brings new colours to his unique body of work. The purity and the sense of timelessness remain; the harmonic palette is subtly expanded. These recordings of “Orient & Occident”, “Ein Wallfahrtslied” and “Como cierva sedienta” have been widely praised.
In Principio
*2024 stock. Deluxe packaging* "His music makes the basic human need for a link between aesthetics, ethics and spirituality clear and perceivable – a need so often subordinated to politics and economics in our society." Thus the words with which Arvo Pärt was awarded the International Bridge Prize of the twin cities Görlitz and Zgorzelec in 2007. His new CD, ‘In Principio’, demonstrates the extent to which his more recent music manifests this very link. Twenty-five years ago ECM launched its New…
Symphony No. 4
*2024 stock. Deluxe packaging* Premiere recordings of Arvo Pärt’s music belong on ECM New Series. This recording of the 4th Symphony – Pärt’s first symphonic work in more than 30 years – documents also the premiere concert performance at L.A.’s Walt Disney Concert Hall. Before Pärt started work on the composition, his thoughts had been circling around texts related to guardian angels. Then he received the commission from Los Angeles, a city whose very name means ‘the angels’. His decision to mak…
No Longer Human
*200 copies limited edition* 'No Longer Human' is dedicated to the life and work of Osamu Dazai and his novel No Longer Human First notebook:Antonio Tonietti: chitarra battente preparata, duduktavola armonica, synthClaudio Milano: voceMassimo Amato: piano Second notebook:Antonio Tonietti: basso preparato, basso, synthClaudio Milano: voce Third notebook:Antonio Tonietti: basso, synth, field recordingGiorgio Pinardi: voce Epilogue:Antonio Tonietti: Electric Koto, field recordingSilvia Pegah Scagli…
On A Dark Night
*2024 stock* Berlin Strings is a string quartet consisting of Lisa Marie Vogel, Johanna Wundling, Tabea Haarmann-Thiemann and Luisa Babarro Fernández. Since meeting in the National Youth Orchestra and founding Berlin Strings 13 years ago, they have developed into explorers of their own sound. A sound that has always been imbued with the discipline of classical music, pure craftsmanship, the sublime rules of composition that make communication wordless. But also experimentation, flirting with dis…
Dach
*2024 stock* When two worlds collide, you clean up afterwards. That's how the first impression of Dach, the joint work by the Frankfurt sound collective Ensemble Modern and Paul Frick, known from Brandt Brauer Frick, feels. Few people know that Paul studied classical composition and that it is therefore not particularly surprising that, in addition to his work with BBF and Tangerine Dream, where he has been dribbling synthesiser capers with the electronic music legend from Spandau for some time …
Artic_Akt
Absolutely brilliant debut by the young pianist Andrea Riccio. "Every record is a text and every text is fabric, and this is a fabric of precious threads. A pianism that has gold in its fingertips, from the timbral calligraphy of the pages of Annette Dieudonne, restored to the present, to the dark abysses of a Kreisleriana that reaches the uncanny through beauty, passing through the intimism of Brian Eno, between Brahmsian suggestions, minimal and echoes of Sehnsucht and Lied. Made unique by the…
Insula Dulcamara
Paul Klee’s Naturstudium (1923) recalibrated the dialogue between art-making and the natural world. By peering closely at nature, Klee’s project was one of a magical de-mystification, seemingly a contradiction in terms until you realize that by looking clearly and dispassionately (the studium part of Naturstudium), he brought us full circle to wonder and awe. Spanish percussionist Luis Tabuenca also peers inward at his world—here the universe of percussion sounds—inviting us to a microscopic lis…
Boston Tenor Index
CD Edition. Alga Marghen returns with what might just be their most historically significant release to date, “Boston Tenor Index”, comprising three, never before released compositions - “Index”, from 1969; and “Tenor” and “Boston III”, both from 1972 - by Phill Niblock, that represent some the earliest works in his catalogue to have ever appeared. Truly stunning in audio terms, and an absolute revelation toward understanding how Niblock arrived where he did a few short years down the road, it’s…
The Possibility of A New Work for Electric Guitar
Other Minds is proud to present The Possibility of a New Work for Electric Guitar, a new limited-edition 12” 45 RPM vinyl disc of music by Morton Feldman and Christian Wolff, performed by Wolff and Wendy Eisenberg. Side A features two performances of Morton Feldman’s The Possibility of a New Work for Electric Guitar, written for Wolff (who professes to be “not really a guitar player”) in 1966 as an experiment on the instrument. On his way to perform The Possibility of a New Work for Electric Gui…
Collected Works 2018​-​22
'Collected Works 2018-22' coalesces three deeply personal works that were created by Elms for three of the UK's most innovative ensembles and supporters of contemporary music. The three works explore misremembrance and the degradation of memory over time (Consolations in Travel), cyclical patterns of thought and resultant behaviour (The Age of Spiritual Machines), and the perception of reality orchestrated through expectation and misconstrued senses (100 Demons).
Colliding Bubbles
Colliding Bubbles (surface tension and release) is a composition for string quartet and harmonica quartet, meaning that Quatuor Bozzini is playing string instruments while playing harmonicas. "The title refers to different kinds of bubbly matter which are set to collide within the composition, leading to different ruptures and possible release of surface tension. The collision of bubbles unfolds partly in relation to sound, where small fluctuations appear in the encounters between harmonicas and…