Einige Schadstoffe
In "Einige Schadstoffe", we have quite the potent homage to the classic era of industrial noise. Think Throbbing Gristle’s Second Annual Report, Come’s I’m Jack, MB’s Symphony For A Genocide, and even Nord’s Ego Trip. The sentimentlinking all of these records is a clinical detachment in the production and broadcast of scalding tone, sickly rhythm,and unclean readymades, emerging through the spectacle of the human conditions of alienation, paranoia, and cruelty. Ultimately, such works are intende…
Sound Scribbles
*200 copies limited edition* For many years, Brian Belott has scribbled on paper, making and showing his paintings alongside collages and sculptures. For almost as long, he has scribbled with sound, using his mouth alone to spill language into a pool of abstraction, humor, and musicality. "Sound Scribbles" marks the first-ever collection of Brian’s multifarious work in sound and music, at times beautiful and repulsive, painful and calming, hilarious and disturbing.
Brian is an archivist as much …
Dans la Gorge d'un Monstre
By now a regular and esteemed presence among the Discrepant sprawling household via releases with projects such as Alförjs, Banha da Cobra or Jibóia, Mestre André “resurrects” his O Morto alias (bad pun somewhat intended) after 2016 ‘The Forest, The People And The Spirits’.
With a diaristic approach where field recordings function as remnants of his surrounding reality and subsequent memories to be processed and recontextualized into an expressionist whole, O Morto expands that previous Discrepa…
intimaa'
Intimaa' (belonging in Arabic) is a documentation of pieces composed for Touch's 40th anniversary celebrations in Los Angeles and Santa Cruz in the Spring of 2022.
Pulling from ongoing research in weaving and textiles, the pieces are informed by the interchangeability of the weaver's process with the sequencing of sound – from sourcing and preparing materials to be woven (recording, editing, and formatting samples), preparing the loom (programming the sequencer), and finally, weaving the cloth (…
Fifth Continent
Alexander Tucker has announced details of a new album, Fifth Continent, a posthumous collaboration with Keith Collins (1966-2018).
The album, which pays homage to Keith Collins, his partner and collaborator Derek Jarman (1942-1994), and the Kentish headland, Dungeness.
Train Spotter
The state51 Conspiracy is proud to announce Wacław Zimpel’s long-awaited fourth solo album, ‘Train Spotter’, due for release on 31 March 2023 on state51 Records.
Issue 99: Ladytron (Magazine + 7", Orange)
This month's Electronic Sound cover stars are Ladytron and we have an exclusive orange vinyl seven-inch featuring two previously unreleased tracks by the Liverpool synthpop outfit to accompany the issue.
Raum Im Raum
The third and closing chapter of the "Raum" trilogy by an moku and stefan schmidt – "Raum Im Raum" serves finely crafted ambient / soundscapes, and is the most intense and darkest album of the series.
Temporary Requiem
Temporary Requiem is a mass for dance - the music score to “Known Mass. No. 3: St. Maurice.” A collaboration with Ann Glaviano, a dance maker and choreographer (and friend since our time together at a girl's Catholic school in New Orleans), it utilizes heavily dissected and altered passages of the traditional Latin requiem mass as the accompanying text across 6 movements. As the mission of “St. Maurice” is to build and break down a lost church over the span of the performance, the music serves t…
Melting The Earth Onto The Body Without Organs
*2023 stock* "The new Sagat is truly emotional: the drums are neat and the sounds are warm. Tight groovy rhythms travelling within layers of the deepest dark dub without sounding evident or tried. Familiar but new. Precise funk made of techno frequencies. Reverb and delays that bring butter to your ears: melting the earth onto your body. "Melt" is a body: it has a rhythmic pattern and synths that pop up like a breathing living organism. "Earth" is the landscape: you can visualize it. "Organs" is…
Deadlined
The unreleased sound source recorded in 2019 has been turned into a work! Sound source inspired by the book ‘Landscapes of the Metropolis of Death’ by Otto Dor Kulka, who describes his boyhood in Auschwitz.
Deadlined is an unfinished 2019 album stopped in it's [sic] tracks by Covid, making travel and recording plans near impossible for the unjabbed leper. Thanks to Colin Potter and Andrew Liles for their help and contributions.
The collage work of Babs Santini printed on the entire 6-panel digip…
The End Times
ICR is happy to be releasing the first new solo album by Andrew Chalk in five years, completed in 2022 at Impression Lointaine. Thirteen beautiful melodic tracks that weave in and out of focus in an almost hallucinatory manner, evoking many different moods and emotions."Keeping up with Andrew Chalk’s discography has always been an amusingly challenging endeavour, but the challenge has shifted from pouncing on limited edition physical releases to vigilantly ensuring that he does not quietly surfa…
Syrup House
Tip! Haunted Bedrooms established the Jilk sound with a clash of cascading chamber instruments meeting brittle electronics and experimental noise. Frequently quiet and emotional but also edged with spikes and sharp teeth. On Syrup House, however, the collective dig out a much smoother and sweeter sound. And while ‘expect the unexpected’ should still be your guiding principle, here you can dive deep into luscious droning textures and swelling orchestration which sits alongside the warmth of analo…
Farouk Enjineer
Extremely intense Arabic dub noise music, designed to blow minds and loudspeakers. Remastered 2021 reissue with new artwork, originally released in 1997 on Soleilmoon. First time on vinyl!
Vi ska resa ett eldens tempel i Bromölla
*300 copies limited edition* Svenska Likbränningsföreningen (or more simply SLF): a healthy dose of post mortem industrial music, made in the traditional way. Mix equal parts bombastic orchestral mayhem, droning dark ambience and sounds we all will hear at the end of our lives, and you have a tasty treat for all fans of the classic Swedish sound. Recorded 2022 in Studio Ulvkällan and Nar Mattaru. All cremation oven gas nozzles and door locks, freezer ambience, human bone vibrations, dissecting t…
Heimoror - Hexes I-vi
"Heimoror" is the übertitle of Rudolf Heimo Eb.er’s audio-working period 2021/22. Most of the source material, documents of obscure and psychomagick acts, were recorded at the attic of the old, but newly inhabited, Om Kult farmhouse near Osaka, Japan. Combined with Rudolf’s organ and violin playing and often edited by the use of monaural cassette recorders and analogue filters, the recordings reflect these grim, animistic-shintōid events and deranged lo-fi rituals commited.
The "Heimoror" works …
Staran Wake
*300 copies limited edition* Staran Wake is a collaborative project by Andrew Bunsell and Tom Relleen. After several years creating music in various groups together, followed by countless hazy late night recording sessions at each other’s studios and crisper afternoons producing the results, the British duo’s musical vision materialised with this self-titled instrumental album, taking nearly 4 years to complete.
This collection of pieces is composed with a wide range of instruments and combines …
Daytime Viewing
40th Anniversary Edition - newly remastered from the master tapes, with an additional bonus LP of instrumentals and the previously unreleased “Narration Theme.”
Your Event Is Our Rehearsal
An iris opens: in the near future, electrons and light will flow freely, and corporate computer networks will eclipse the stars. Despite great advances in computerization, oppressive heat slows progress. It's time now. Let's move to the rendezvous point. Some minutes ago, our brains were hacked into a data-line. They vibrate in a sublime blend of wave abstractions, Le Théâtre Du Chêne Noir jazz, sliding folk blues, otherworldly reverberations, gut instinct electronica, and droning psychedelia, c…
Don't Ever Let Me Know
*200 copies limited edition. In process of stocking* Don't Ever Let Me Know is Sheffield's first solo release since 2018's Repair Me Now (Glistening Examples) and is a work in a similar mode to that album in that it comprises two lengthy pieces of multiple movements and moods. For this new work, and as a kind of ode to his late father, Sheffield has employed samples entirely taken from (or inspired by) the city in which both men were born. In this way, the sounds have been utilized as a kind of …