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* Edition of 100 copies * De Santis Shabara is the unexpectable encounter of two different experiences in life and music: Apulia-born percussionist, producer and instruments creator Daniele De Santis (GRÜN, Dromoscope) and Indonesian performer and vocalist Rully Shabara (Senyawa, ZOO). As an imaginary dialogue spoken in an ancient tongue from the two opposite corners of the world, the music of the duo combines different tactile timbres and vibrant harmonics of percussion instruments with the re…
** 2021 Stock ** The Danced and the Dance is a series of collections and anthologies dedicated to indonesian modern dance musical traditions, in which the chosen genres entail stories and information about local developments in music as well as the production of entertainment, symbols, cultural values, spirituality, body politics and social processes.“A Night at Jaipong Club” is the second installment of the series: seven tracks recorded at Endah Parahyangan Jaipong Club in Bandung, West Java (l…
Tomas Nordmark’s music operates on multiple, equally thrilling planes. Having cultivated a deep appreciation for conceptual art and the phase-shifting minimalism pioneered by the downtown avant-garde community of NYC in the ‘60s, Nordmark set out to blend that with his pop-oriented upbringing and unique perspective on electronic music. The Swedish-born, London-based composer's new album pulses with an unrelenting energy, waving and cresting around ambient tension and gorgeously realized melodies…
The Swedish-born, UK-based minimalist electronic composer releases debut album in early 2019. “Eternal Words” is the debut solo album by Tomas Nordmark, an experimental Swedish composer, sound artist and designer living and working in London, United Kingdom. Nordmark was educated at the University of Linköping in Sweden where he studied Audio Culture and Contemporary Art. His compositions and works have been featured in short films, theatre plays and in exhibitions. Nordmark will release his deb…
“Kaze ga kanjō o hakobu. Subete ga kawarudarou” is Tokyo-based musician Fuantei’s debut and first album for 901 Editions. The music describes ephemeral, everyday moments that evoke deep and suspended emotional states. A frivolous and trivial time fragment made memory, the embrace and realisation of change, the reverberating lights of a habitual sunset.
風が感情を運ぶ。すべてが変わるだろうKaze ga kanjō o hakobu. Subete ga kawarudarou.The wind carries emotions. Everything will change.
“Un Fiocco Di Neve” (Italian word for snowflake) is one of the possible crystallisations of an ongoing project called Nucleazione (Nucleation), started in 2017 and consisting of the accumulation of over 200 sound files and silences pulled together and randomly overlapped with no control. The five compositions of this album originate from a series of auto-generative methods, which I found brought me to new listening experiences in the process of composing. I trace my steps back to a decentered, l…
“MLMC Live at Punctum” marks the return of media artist, performer and experimental musician Aloïs Yang to 901 Editions after his immersive sound explorations on “Micro Loop Macro Cycle” (2018). “Micro Loop Macro Cycle” is made up of installation, performance, video, and digital releases that investigate environmental cycles through the studies of various states of water. It invites participants to consider their profound relationship to the element of water through technology, and the combined …
Fabio Perletta and Luigi Turra’s "Ma" marks their first collaboration. The project began with Turra inviting Perletta to re-work his piece "Texture.Vitra" (Koyuki, 2008), a sound study featuring recordings collected at various architectural spaces designed by Japanese architect Tadao Ando. The resulting three pieces were crafted in an attempt to perform an active dialogue between Tadao Ando’s aesthetic principles and sonic practice. The album unfolds as a temporal, environmental experience of …
* 2021 Stock* Nocturnal Earthworm Stew is a glorious experiment in electronic music, capturing the vitality and early curiosity of the 1970s. An earlier press statement called it "Serious headphone music made under the influence of Stockhausen, John Cage, Ornette Coleman, Stravinsky, Frank Zappa, Weather Report, Charles Ives and others." The influence of prog and space rock is pronounced, and contributions from Canadian prog legends Nash the Slash and Martin Deller (of FM) solidify Nocturnal's p…
** Edition of 500. The record has been remastered and is pressed on 180-gram black vinyl. Lyric insert sheet. ** Minimal Wave is are excited to announce the reissue of a rare self-released record by Plugpoint Music called 'Last Chance'. Plugpoint Music was the minimal synth project of Reiner Ossmann, who recorded the 12 songs on this album in his home studio in Germany in 1987 and released them as an edition of 200 copies. This gem of a record was never properly distributed and so essentially di…
Eric Random is a British pioneer of post punk electronica. Born in 1961 Eric soon joined the Buzzcocks’ road crew. At the age of 17 he became a third of a group called The Tiller Boys, the other two being Pete Shelley and Francis Cookson. They played their live debut in 1978, supporting Joy Division at Manchester’s Factory club. For Pete Shelley The Buzzcocks were his main concern, so The Tiller Boys soon fell apart. Eric founded Free Agents with Cookson and soon met Richard Kirk and Stephen Mal…
Klanggalerie presents L'Étoile Au Front by Étant Donnés. Etant Donnes is a French duo named after Marcel Duchamp's last major work. The group consists of brothers Marc and Eric Hurtado, born in Morocco and working mainly as performance artists and musicians. L'Etoile du Front was the band's third album, dating back to 1982 and originally issued on French Bain Total label.
Wavey, dystopian industrial-electronic tripscapes from NON and Hyperdub affiliate and multi-disciplinary artist Venus Ex Machina. F*ck Cyberpunk 2077, this is cyberpunk 2021. She's made an AI opera, been involved in various art projects and composed for film, now Venus Ex Machina has deployed her debut full-length - a sprawling dystopia of decaying industrial beatscapes, squealing noise, drones and disorienting sound design. "Lux" isn't just a collection of odds and ends, it's a narrative univer…
The newly established label bié Records follows Yu Su's winter 2019 tour of mainland China where she travelled from Qingdao, the western shore of Yellow Sea Coast to Xining, the largest urban hub on the Tibetan Plateau. As she encounters musical artists and enthusiasts at the foreground of the explosive leftfield electronic scene across China, she is inspired to participate and contribute; Yu Su is delighted to offer her debut album Yellow River Blue for release through bié Records in China, wit…
Music From Memory are excited to announce a special compilation that they’ve been working on for some time now; MFM053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history. The last ten or so years h…
Two electroacoustic improvisers and composers--Lucio Capece on reeds, analog synths, effects, field recordings, drums machines, speakers in motion, and Marc Baron on field recordings and analog devices--developed these 6 extraordinary recordings that blend motion, perspective, sound and noise, and concrete references in a mystifying and mesmerizing journey in sound.
"While solo improvisational albums can be, and often are, great, the true potential of freely played and electroacoustic music is r…
** Edition of 200 ** A-Musik is delighted to present Titanoboa's debut album as the first a-Musik release of 2021. "Porphyr" contains eight tracks of delicate Electroacoustic Noire and contemporary Post-Industrial chamber music that were produced in her Cologne based studio. Being equally into rumbling noise, experimental turntablism, angelic singing, organ improvisation and a lot of studio wizardry, these recordings somehow remind of a combination of Pharmakon's raw power, Maximim Bérangère's l…
Philosopher of science Isabelle Stengers has studied the operations of states and their mobilization of technical practices to serve a presupposed general interest, which involves the production of rules and norms. Such rules and norms are blind to forms of knowledge that are denigrated as ‘local’ and ‘traditional’, and feature the correlative elimination of what does not conform and cannot be standardized – in other words, what is recalcitrant to objective evaluation. Anything that resists subs…