Produktion Film Soundtracks
*2022 stock. 200 copies limited edition* Produktion was Ross Cannon, Christine Glover & Paul Hurst. Originally from Tasmania (Cannon) and Australia (Glover and Hurst) they formed Produktion when they moved to London in 1978. In London they opened Produktion Hair hairdress salon where they cut "supercuts" while playing Industrial Music all day. Produktion also made super 8 films, animations, fanzines and tapes. Some of their obscure tapes saw them collaborating with artists such as John Duncan, M…
Telmegiddo / Bacterihabitat
*2022 stock. 100 copies limited edition* "LP by Maurizio Bianchi and a CDR by M.B., and that's why a book is such a great idea. Why is that? 'Telmegiddo' (CD) is 'the last cassette tape decomposition' and was previously released as 'Extreme Man 2'. The two pieces on 'Bacterihabitat' (CDR) are from May 1982 and previously released as 'Extreme Man 1' - both of the releases actually released without permission. Its hard to say what the differences would be between both works, but they (all four pie…
Schwarz
*2022 stock. 250 copies limited edition* "<< Schwarz>> is a total black CD-R it contains 6 tracks of industrial noise- repetitive loops etc, which appears to be different on each channel, the 7 inch sleeve has a picture of a decomposing corpse. This is a re-release, from a 1994 tape. There is nothing special about the sounds, Murder Corporation obviously exploit violence, in particular sexual violence against women and Nazi violence. All works if taken seriously I suppose involve a critique of …
Tomorrow Is Too Late
Australian born, Sweden based artist John Chantler returns to Room40 with his fifth solo edition. Tomorrow Is Too Late was commissioned by INA GRM for their Présences Électronique festival in 2018 and sees Chantler significantly expand the horizons of his acoustic palette. Moving from subtle microtonal movements to passages of intense harmonic saturation, Tomorrow Is Too Late is his most dynamic work to date. A powerhouse of reductive intensity that bares witness to Chantler’s uncompromising son…
Pilote De Ligne
*2022 stock. 150 copies limited edition* Red Lebanese presents Pilote De Ligne by Bruxelles based producer Buntlax. Music Composed And Produced By Buntlax Between 2008 And 2015. Lyrics Written By Constance Barrère From England. Samples By Veshelite. Visuals Made By Guillaume Del Marmol. Released By Red Lebanese 2015 (C) Instruments Used: KAWAI SX240, WALDORF Pulse, MFB 522, KORG EMX-1, ACIDLAB Bassline2, NOVATION Nova2 aka , VOCODER NEXT VoxII, KORG Monotron.
Music Is Not A Copy
On Music is Not a Copy Kink Gong turns crystal pop into syrup musak, a skippy glitch digital re-configuration of Chinese popular music, sounding like a broken unrelenting CD player under Beijing’s main underpass. We can’t think of anyone else making music like this, being it destructive or celebratory, dive in, never come back.
Permaculturaumana
The endemic concept of Oceans is to be a platform really available to all/and it is for this reason that the co-production with Fango Radio - Dissipatio.label - Dire Graft - Diazepam - Dischi Devastanti Sulla Faccia - Workin' Klass Noize [support], wants to extend to a process of integration and exchange up to the creation of a collective without fixed base and components - beyond genres, categories, egosystems - mobile and ready to change continuously. The result of this methodology, in which m…
Zapalenie Kaletki Maziowej Rzepki
*2022 stock. 40 copies limited edition* Do you like the sound of fast forward? What about pitch bending feedback and fast foreward? What about stuttering spewing bent feedback on fast forward? What about stabbing your guitar with an ice pick? Did somebody kick the cord out? Side B picks up where side A left of more or less but introduces more variations on a theme of digital stuttering collapsing cities of electronic cyrstals. This tape is pretty short but that's okay as it's likely to bend your…
Stonewalling
“Stonewalling” offers a collection of electroacoustic pieces taking as input the Mexican vernacular music from the golden age of Mexican cinema of the first part of the 20th century. In those films, music was used as communication due their poor verbal communication-skills. This is an album about communication, about the impossibility to do so to resolve conflicts. In the technical side, some of the sources used as layering in the tracks come from radio frequencies taken from explorations into t…
hi leaves
“hi leaves” is the new full-length record from soft tissue, the duo of Glasgow-based artists Feronia Wennborg and Simon Weins. Following their self-titled debut for Penultimate Press in 2019, this collection examines microsound by way of extended amplification technique, bone conduction, domestic recordings, and digital feedback. Tracks like “plant pot” and “kettle” appear to disclose their source material, presenting wonderfully tactile environments of highly articulate sound. Wennborg and Wein…
Droneworks I-V
"Droneworks I-V" is a collection of five long beatless soundscapes, composed with the purpose of inducing hypnotic and meditative states. Healing music, aiming to calm the mind from the background noise of our chaotic reality. Orghanon is the solo venture of Sergio Calzoni, producer and musician active since the '90s in various musical outfits (Alma Mater, Act Noir, Colloquio, Iluiteq). With Orghanon Sergio Calzoni blends melancholy with silence, depicting stark yet deeply emotional soundtracks …
Nocturne Incertain
The composition of the Duplant / Heraud duo fits perfectly with the centuries-old tradition of music inspired by the night, minimal variations follow one another carrying out a sound flow made of magnetic tapes, analog synthesizers and who knows what else. A stimulus to the listener's synapses, an album that breaks the boundary between reality and dream.
Demonstration Takes & Retakes
Tristan Disco was an ephemeral Japanese project led by Takayuki Shiraishi (BGM, who released material on the Japanese experimental label Vanity Records, MLD) and focused on making dub-influenced Post-Punk. In 1982 they elaborate a no-wave full of unrehearsed breaks and cavernous vocals. Boundless dark jamming sessions through shades, effects and reverbs always submerged by a tense nervous bassline. On the B side Krikor delivers a hard-hitting Industrial reconstruction of "Social Dance" perfect t…
Germinal
*110 copies limited edition* The debut LP by Outliers, "Germinal," offers a kaleidoscopic blend of lo-fi sensibility and hi-fi substance. The duo delivers on its namesake by deviating from musical norms. Using atypical rhythms, atonal sounds, and shifting forms, their music creates an inviting familiarity. Outliers' music can call a number of genres home: electronic, ambient, psychedelia, minimalism. No matter what you label it, "Germinal" will soothe your psyche with its shimmering inner light …
Intemporel
Tip! If there is a single feature that makes the context of experimental music so exciting, it is arguably the willingness of artists to freely converse and collaborate. This is made all that much more thrilling when it transpires across the generations. The first LP in Black Sweat’s latest batch is one such case - two heavyweights, often occupying very different positions in the musical landscape, with births separated by decades, finding common ground and voice. Neither Sarah Davachi or Ariel …
Invasion/ Murder One
One of Alan Vega’s greatest talents was his ability to bring the past and the future together into a suspended place of timelessness. His groundbreaking duo Suicide was often seen as future primitivism and most of his musical output has exemplified this blending of the primordial human condition and visionary thinking. With Invasion b/w Murder One, the next release from the now infamous Vega Vault following 2021’s Mutator, we see this innate power in full effect. The two tracks “Invasion” and “M…
Zibaldone IV of CVX
"We’ve reached book IV in Rupert Clervaux’s series of “Zibaldone” audio diaries, at which point we find him telling a different kind of story. “The first three all had very specific themes, while this one feels a little bit looser and doesn’t have just one thematic thrust,” he tells me, which maybe explains why listening feels a bit like annotating. I’m underlining, emphasizing, drawing arrows from here to there, highlighting symbols and noting motifs, realising, questioning, eureka-ing. An impr…
Provincial Electronics
The first Josh Landes solo full length! Released Thanksgiving 2020. He used a Molasses Industries Rat King, the Greenwood Electronics Limbs Box 2.0, a Boss DD7, and field recordings of a lake and a pig on this record. A sample is taken from Richard Kelly's "Southland Tales" (2006). Electronics recorded in Pittsfield, Massachusetts on 8/25/20. Pig recorded at the Hampshire College Center on 7/26/20. Lake recorded at Ward's Cover in Wilmington, Vermont on 7/30/20.
Shade Of Impulse
Crijns's first album for the label, in which he coins the term 'N-bient': ambient understood as the meeting point of nature (here, water) and acoustic instrumental writing (passages by classical ensembles). Several classes of material collide and combine - mechanical sound-fields, natural ambient, electronic textures, ensemble passages - folded into surreal, layered textures. An electro-acoustic music whose abstract elements pull the listener inward while the surface holds quiet.
ABC 1-6
Score for indeterminate ensemble by Swiss composer Stefan Thut (2012), here realised by Cristián Alvear, Cyril Bondi and D'Incise. The piece is governed by three categories of sonic material - 0 for faintly coloured noise, 1 for amalgam of noise and pitch, 2 for pure pitch - circulated across six pages and as many rounds in an ever-shifting structure of repetition and turn. A rigorous taxonomy of sound material in the lineage of Wandelweiser and post-Cage indeterminacy.