Permaculturaumana
The endemic concept of Oceans is to be a platform really available to all/and it is for this reason that the co-production with Fango Radio - Dissipatio.label - Dire Graft - Diazepam - Dischi Devastanti Sulla Faccia - Workin' Klass Noize [support], wants to extend to a process of integration and exchange up to the creation of a collective without fixed base and components - beyond genres, categories, egosystems - mobile and ready to change continuously. The result of this methodology, in which m…
Zapalenie Kaletki Maziowej Rzepki
*2022 stock. 40 copies limited edition* Do you like the sound of fast forward? What about pitch bending feedback and fast foreward? What about stuttering spewing bent feedback on fast forward? What about stabbing your guitar with an ice pick? Did somebody kick the cord out? Side B picks up where side A left of more or less but introduces more variations on a theme of digital stuttering collapsing cities of electronic cyrstals. This tape is pretty short but that's okay as it's likely to bend your…
Stonewalling
“Stonewalling” offers a collection of electroacoustic pieces taking as input the Mexican vernacular music from the golden age of Mexican cinema of the first part of the 20th century. In those films, music was used as communication due their poor verbal communication-skills. This is an album about communication, about the impossibility to do so to resolve conflicts. In the technical side, some of the sources used as layering in the tracks come from radio frequencies taken from explorations into t…
hi leaves
“hi leaves” is the new full-length record from soft tissue, the duo of Glasgow-based artists Feronia Wennborg and Simon Weins. Following their self-titled debut for Penultimate Press in 2019, this collection examines microsound by way of extended amplification technique, bone conduction, domestic recordings, and digital feedback. Tracks like “plant pot” and “kettle” appear to disclose their source material, presenting wonderfully tactile environments of highly articulate sound. Wennborg and Wein…
Droneworks I-V
"Droneworks I-V" is a collection of five long beatless soundscapes, composed with the purpose of inducing hypnotic and meditative states. Healing music, aiming to calm the mind from the background noise of our chaotic reality. Orghanon is the solo venture of Sergio Calzoni, producer and musician active since the '90s in various musical outfits (Alma Mater, Act Noir, Colloquio, Iluiteq). With Orghanon Sergio Calzoni blends melancholy with silence, depicting stark yet deeply emotional soundtracks …
Nocturne Incertain
The composition of the Duplant / Heraud duo fits perfectly with the centuries-old tradition of music inspired by the night, minimal variations follow one another carrying out a sound flow made of magnetic tapes, analog synthesizers and who knows what else. A stimulus to the listener's synapses, an album that breaks the boundary between reality and dream.
Demonstration Takes & Retakes
Tristan Disco was an ephemeral Japanese project led by Takayuki Shiraishi (BGM, who released material on the Japanese experimental label Vanity Records, MLD) and focused on making dub-influenced Post-Punk. In 1982 they elaborate a no-wave full of unrehearsed breaks and cavernous vocals. Boundless dark jamming sessions through shades, effects and reverbs always submerged by a tense nervous bassline. On the B side Krikor delivers a hard-hitting Industrial reconstruction of "Social Dance" perfect t…
Germinal
*110 copies limited edition* The debut LP by Outliers, "Germinal," offers a kaleidoscopic blend of lo-fi sensibility and hi-fi substance. The duo delivers on its namesake by deviating from musical norms. Using atypical rhythms, atonal sounds, and shifting forms, their music creates an inviting familiarity. Outliers' music can call a number of genres home: electronic, ambient, psychedelia, minimalism. No matter what you label it, "Germinal" will soothe your psyche with its shimmering inner light …
Intemporel
Tip! If there is a single feature that makes the context of experimental music so exciting, it is arguably the willingness of artists to freely converse and collaborate. This is made all that much more thrilling when it transpires across the generations. The first LP in Black Sweat’s latest batch is one such case - two heavyweights, often occupying very different positions in the musical landscape, with births separated by decades, finding common ground and voice. Neither Sarah Davachi or Ariel …
City of Djinn
One of many Muslimgauzes to finally see the light of day on vinyl, his first meeting with The Rootsman is a fierce session of signature, sawn-off loops and soundsystem noise
Invasion/ Murder One
One of Alan Vega’s greatest talents was his ability to bring the past and the future together into a suspended place of timelessness. His groundbreaking duo Suicide was often seen as future primitivism and most of his musical output has exemplified this blending of the primordial human condition and visionary thinking. With Invasion b/w Murder One, the next release from the now infamous Vega Vault following 2021’s Mutator, we see this innate power in full effect. The two tracks “Invasion” and “M…
Zibaldone IV of CVX
"We’ve reached book IV in Rupert Clervaux’s series of “Zibaldone” audio diaries, at which point we find him telling a different kind of story. “The first three all had very specific themes, while this one feels a little bit looser and doesn’t have just one thematic thrust,” he tells me, which maybe explains why listening feels a bit like annotating. I’m underlining, emphasizing, drawing arrows from here to there, highlighting symbols and noting motifs, realising, questioning, eureka-ing. An impr…
Provincial Electronics
The first Josh Landes solo full length! Released Thanksgiving 2020. He used a Molasses Industries Rat King, the Greenwood Electronics Limbs Box 2.0, a Boss DD7, and field recordings of a lake and a pig on this record. A sample is taken from Richard Kelly's "Southland Tales" (2006). Electronics recorded in Pittsfield, Massachusetts on 8/25/20. Pig recorded at the Hampshire College Center on 7/26/20. Lake recorded at Ward's Cover in Wilmington, Vermont on 7/30/20.
Shade Of Impulse
Crijns's first album for the label, in which he coins the term 'N-bient': ambient understood as the meeting point of nature (here, water) and acoustic instrumental writing (passages by classical ensembles). Several classes of material collide and combine - mechanical sound-fields, natural ambient, electronic textures, ensemble passages - folded into surreal, layered textures. An electro-acoustic music whose abstract elements pull the listener inward while the surface holds quiet.
ABC 1-6
Score for indeterminate ensemble by Swiss composer Stefan Thut (2012), here realised by Cristián Alvear, Cyril Bondi and D'Incise. The piece is governed by three categories of sonic material - 0 for faintly coloured noise, 1 for amalgam of noise and pitch, 2 for pure pitch - circulated across six pages and as many rounds in an ever-shifting structure of repetition and turn. A rigorous taxonomy of sound material in the lineage of Wandelweiser and post-Cage indeterminacy.
Artefact
First album under the Codespira1 alias by Stockholm-based composer Mattias Petersson, trained in electroacoustic composition at the Royal College of Music. The project began as a vehicle for one-take electronic performances built around SuperCollider patches and a modular system, here extended into longer structures. Artefact unfolds as an articulated drone modelling the subconscious cycle of memory and resonance: a continuous tonal field where small events trigger gradual reconfigurations.
Indite
Composed during 2014, Haarvöl's second album consolidates the Portuguese trio's writing practice: a non-hierarchical compositional grammar where analogue, digital and electronic sources sit on equal footing, threaded with field recordings as structural rather than illustrative material. The trio favours density over experimentation for its own sake, building rigorously detailed cinematic textures whose internal consistency works through resonant correspondences rather than repetition.
Of What Once Was
A fifty-five-minute diptych. The opening piece transposes Yves Klein's Monotone Symphony (1949) onto solo electric guitar: a sustained drone on the pitch D, where variation arises only from durational shape and the changing morphology of resonance. The closing piece, live-improvised, marks Machinist's move beyond guitar-drone toward wider sonic terrain. Across both runs the same inquiry: spatial field recording against non-spatial computer tone, mediated by guitar amplifier as resonating body.
Haunted Bedrooms
Jilk are a UK based collective of musicians, fusing a bewildering collage of home-found sounds with the ambient soundscapes of washy synths, exquisite strings, insect-like clicks and cuts, and huge gorgeous waves of all encompassing experimental noise. Collaboration and open minded exploration are at the centre of all that they do.A year on from their debut release for Castles In Space, Jilk present their new album; “Haunted Bedrooms”. Eight diverse tracks exploring themes of rebellion, protest,…
Grieve
*50 copies edition* "Drekka's debut full-length, "Grieve", was release on August 24th, 1996. This was the day of my friend Phil Perry's funeral and the first copy was buried with him. Phil was one of the earliest and most enthusiastic supporters of my initial attempts towards making music, always honest and constructive when I was failing and always encouraging when I was making progress. Today, on the 25th anniversary of its release, I am unsure how I feel. I have created a body of work from th…