Tomorrow Was The Golden Age
'Tomorrow Was the Golden Age' is an unmistakably gorgeous and refreshing suite of microtonal minimalist composition by New York-based ensemble, Bing & Ruth. Helmed by writer, conductor and lead pianist, David Moore, and supported by two upright bassists, two clarinetists, a cellist and a tape delay tech, Bing & Ruth genuinely sweep us off somewhere sublime without recourse to overblown conceit or cliche - something all too prevalent and cloying in today's neo-classical quarters. Their sk…
We Are Not The First
For those who maintain the more mutable dance music is, the deeper its impact on human evolution, RVNG Intl. presents We Are Not The First, an Epic conducted and deconstructed by Chicago artist Hieroglyphic Being and the J.I.T.U. Ahn-Sahm-Bul. We Are Not The First combines the musical forces of Marshall Allen, Daniel Carter, Greg Fox, Shelley Hirsch, Shahzad Ismaily, Elliott Levin, Jamal Moss, Rafael Sanchez, and Ben Vida in deep dialogue with each other and humans’ hidden sonic history. Tracked…
Reassemblage
We just knew last year's debut Visible Cloaks offering for RVNG, the Miyako Koda-featuring Visible Cloaks single Valve, would be the prelude to something greater from Ryan Carlile and Spencer Doran. Reassemblage marks the Portland pair's second album and further expands upon the Visible Cloaks 'verse, calling on Motion Graphics and Root Strata alum Matt Carlson for assistance.
Inspiration for the album stems from a video essay of the same name by Trin T Minha-ha, which explored the impossibi…
UkabazUmorezU
"Sugai Ken follows in the vein of RVNG Intl’s Visible Cloaks release with an exquisite meditation on traditional Japanese percussion and 4th world electronics ruptured by unpredictable runs into more abstract terrain.UkabazUmorezU works like a stage set or a variegated series of sonic scenarios, at once smartly demonstrating his compositional versatility as well as a dilated vision of the connections between Japanese tradition and western-rooted electro-acoustic practice. In a way it resonates w…
Shelley's on Zenn-La
For 'Shelley’s on Zenn-La,' Oliver Coates designs a complex of bending truths and reverse walkways to vernal states. Open ears can peer down hidden aux channel corridors, while melodic patterns present two-way mirrors to rooms of other retinal colors. An endless euphoria is just beneath the dance floorboards of 'Shelley’s,' and an inquisitiveness unencumbered by the institution of knowledge surrounding its frame and inhabitants.
Lex
Lex is the next look into Visible Cloaks’ enduring environment design through limitless sound. On Lex, speech centralizes and synthesizes as multiversal melody embedded across generative landscapes under open liquid skies. A hopeful glimpse into the future inter-being of human and post-human inhabitants.
A portion of the proceeds from your purchase will be charitably designated on behalf of Visible Cloaks to Forest Peoples, an organization benefiting indigenous forest peoples’ rights to defend t…
Anticlines
Lucrecia Dalt’s Anticlines is a volume of bodily and geological substrates within poetic theory and sound. It is a place where skins and minerals dissolve and commingle, where gaseous subterranean leaks inflate lungs, where brain cavities echo interplanetary waves bent from passing through atmospheres. A former geotechnical engineer from Colombia currently residing in Berlin, Dalt’s concern with boundaries and edges shape the lyrics and music of Anticlines, her sixth album. Paying careful attent…
Anthology of Interplanetary Folk Music Vol. 2: The Canon
Craig Leon revisits the extraterrestrial origins of civilization in Anthology of Interplanetary Folk Music Vol. 2: The Canon, a continuing chronicle of his early 80s albums Nommos and Visiting. Exploring the cosmic lore of Leon’s earlier work, The Canon expands upon the conceptual cycle based on the alien and mathematical relationships that backbone the creation of art, architecture, science, and music. In 1981, producer and composer Craig Leon, known in the downtown New York zeitgeist for his p…
Water Memory / Mount Vision
From the Catskill Mountains, Emily Sprague channels a timeless mix of new age ambience and poetry in her captivating debut for RVNG Intl. Compiling Emily’s two self-released tapes Water Memory (2017) and Mount Vision (2018), this sublime package brings us right up to date with her effortlessly enchanting solo output. Across 14 parts in 80 minutes, she proves equally adept at sprawling out in longer forms, as with At Lake, as she is at capturing crystalline vignettes like the kaleidoscopic minia…
Sea to Sea
On Sea to Sea, Sign Libra drifts between the cerebral and celestial, arranging, and then rearranging, the complex and magnificent systems of our immediate and greater cosmos into her own graceful and eccentric sound patterns. As the moon appears in different ways on different days, Sign Libra leaves Sea to Sea open like an ocean to listener interpretation and imagination.
Natal Uranus, il Corpo Sotto la Sabbia / Birthdays
The fifth installment of Commend See maps the movements of earthly and celestial beings by means of musical creation. Birth, planets and cosmic timing underscore Natal Uranus, il corpo sotto la sabbia / Birthdays, a collaborative offering and unfolding fable from Sea Urchin and Aki Goto’s Shirotento Orchestra.
Égrégore
Égrégore is a ritual collaboration between B.S.s. (Common Eider, King Eider, Badgerlore, Six Organs Of Admittance collaborator) and Arexis (La Breiche, Coume Ouarnede, Stille Volk, Ihan) and all of the spirits of the Pyrenees present during those Dark Moon Rituals, wishing to speak. Born under May's New Dark Moon in 2018, born in secrecy, in darkness, in ritual. Born in a tiny cabin in the Pyrenees of France... Born in humbleness... in friendship. Born to offer voice to the stones and waters and…
Six & Demi Onze (Bande Originale Du Film)
Edition of 300. Highly atmospheric industrial drones and haunting, cinematic treatments on this amazing, previously unreleased score from L.I.E.S./ Gravats mainstay Krikor Kouchian for Jean Epstein’s silent 1920’s French avant garde classic, a big tip if yr into Eliane Radigue, Ø, Kevin Drumm, Elodie. Krikor summons spooked-out and glacial sounds in this superb, as-yet-unreleased soundtrack for the 2014 redux of Jean Epstein’s pioneering, silent 1920’s avant-garde cinema classic. The 1927 fil…
Forste Halvar
* 200 copies, splatter colour vinyl * Anden Enhed is a new Danish duo, working with analogue synthesizers sequenced in and out of time. Their music is generated from system orientated improvisations and is concerned with cyclic forms and organic periodic shifts. The record moves across six states of vibrant dynamics in which grand narratives give way for a preoccupation with timbral and rhythmic microstructures.
The music can be perceived as an abrupt meditation; utopian and self-absorbed in its…
Hors Temps / Out of time
Thierry Muller -- Ilitch's head -- is the multi-instrumentalist dark experimental French composer who started his musical career with the band Arcane as an underground electronics improvisations outfit around the years 1974. Albums Periodkmintrouble 1978 & 10 suicides 1980 were Ilitch first two works followed by the Ruth pop synth project Polaroid roman photo in 1985. All three are now reissued on CD with many unreleased bonus material by Fractal Records. Well received by many critics today, Ili…
A Period of Review - Original Recordings 1975-1983
Incredible 30 track anthology ranging from spaced-out Kosmische to blunted & skewed pop - honestly one of the most eye-opening and worthy archival discoveries of the year RVNG Intl.'s issue of 'A Period of Review (Original Recordings: 1975 - 1983)' is a wide-reaching and revelatory survey of Kerry Leimer's prescient output operating on the cusp of ambient, 4th World and industrial musics. From his base in Seattle, Leimer accumulated a unique catalogue of recordings created on a Micromoog, drum m…
Some Center
Chris Brown’s (b. 1953) compositions Some Centre (2019) and First Light (2016), performed with such assured lucidity and subtle shading by the three members of The Chromelodia Project, engage with significant precursors in music and in literature, drawing upon their words and innovations, their insights and adventurous spirits while, in the process, transporting those uncompromising benefactors to a different frontier. Brown makes songs from poems by Emily Dickinson (1830–1886) and Jackson Mac L…
Easy Listening For The Hearing Impaired
Easy Listening For The Hearing Impaired is the full length debut album by danish composer and producer Andreas Pallisgaard. The album is released under his solo alias Son Ash. The album is a collection of calm explorative timbral studio experiments for analog synthesizers, sequencers and reel tape. Parts of the material stems from free improvisation, while other parts are composed from more strict organisational principles. The collection of tracks form of a cycle of poetic sonorities. The liste…
I Am A Resident!
Produced with The Cryptic Corporation, and with full access to The Residents' extensive tape archive, teaming up with PledgeMusic, The Residents is releasing not just a new album but a completely new concept: I Am A Resident! After inviting their fans to create original versions of the band's songs, The Residents were blown away by the submission of 197 amazing pieces of music. Stimulated by this outpouring of creativity, the group molded this material into the ultimate mashup: editing, looping,…
Six Operators
Mindblowing **Edition of 250** Unreleased before, this is their proper second effort, re-recorded in 2017. Ambienti Coassiali's Six Operators was recorded with a Yamaha DX7 and a two-track Revox A77 tape machine, a further step into the world of meditative & ethereal FM synthesis by this obscure Milanese project run by Silvio Linardi and active during the late '80s. More details to follow.