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Electronic /

500-Push-Up
CD digipack. From Mille Plateaux to Leaf, Staubgold, and Raster-Noton, ~scape, among others, or on his own label Ripatti, the Finnish artist Sasu Ripatti, aka Vladislav Delay, has been exploring various iterations of the "dub culture vs. electronica", since 1997. His sonic crafts and unique signature sound have been sought after by an eclectic range of bands and artists, ranging from Massive Attack, Hauschka, Black Dice, Autopoieses, Animal Collective, or AGF. Vladislav Delay met Sly Dunbar and …
Studies / Studien / Études
**200 copies** Studies / Studien / Etudes' is a collection of pieces on synth by Rotterdam-based artist Joost M. de Jong jr., inspired by the first wave of Krautrock, Wendy Carlos and straight-to-VHS soundtracks. His music is both abstract and melodic, playful and austere, highly experimental and endlessly replayable...   TEXT ↓  It turns out that ‘Joost M. de Jong, Jr.’ is just one of the incarnations, in name and character, of the man sitting in front of me. As a person, he is apologetic about…
Holy Origin
Vestals is the avatar of Los Angeles based artist Lisa McGee, whose debut album Forever Falling Toward the Sky was released by Root Strata in 2012. She has also discreetly operated in U.S. underground music for the last decade as a member of the dream-drone duo Higuma with Evan Caminiti, while making vocal contributions to acclaimed albums by Jefre Cantu Ledesma and Sarah Davachi.  McGee is the sole producer and performer on her sophomore effort, Holy Origin. Since her last offering she has evol…
Milzz Expz
NYZ on the recording: "The Buchla 100 experimental session begins with a documentary recording of the noise generators. Something I find endlessly fascinating is listening to different noise sources, so I always feel compelled to record them. The remaining tracks are sequenced by my MANIAC Cellular Automata sequencer. First up are three little sequenced ditties that also incorporate the ARP 2600 modular interconnected to the Buchla 100. After this is an ultra-minimal setup using MANIAC and the m…
Eight electronic pieces
**2020 stock** Chance combinations, accidental themes, chaos in general—these are the musical modes that Tod Dockstader uses in composing electronic pieces. Blending oscillating electronic sounds with natural sounds is like being "confronted with a potential orchestra of thousands of instruments," he says, and the task becomes one of "improvising." This CD is a custom made copy from Smithsonian Folkways collection. Every effort has been made to preserve its historical and aural integrity. The or…
The World Music Theatre of Jon Appleton
**2020 stock** This 1974 recording by electro-acoustic music composer Jon Appleton is designed to take the listener to different musical landscapes. Appleton notes differences in context that will make the music more and less effective (“not everything I intended will be heard by the listener because no two listeners share the same aural experiences…because we are continually expanding our aural vocabulary, the sounds used assume a different significance as time passes”). Liner notes contain a b…
Visions - Music for Orchestra, 2 Pianos and Computer-Generated Tape
**2020 stock** This 1979 record is a five-movement composition for large chamber orchestra by David Cope. First presented by the Santa Cruz Chamber Symphony in 1978, the work attempts to demonstrate the relationships between sound and physical space and to translate them to recorded sound as well as performance. The tapes in the piece were composed at Stanford’s Artificial Intelligence Laboratory and were “spliced” digitally rather than physically. Liner notes contain drawings of the way that Co…
Israeli Electroacoustic Music
**2020 stock** Israeli Electroacoustic Music collects the works of six musicians from varied backgrounds, all recognized for their musical activity in electronic music and in Israel at the time of the album’s recording in 1981. These composers exemplify atonal 20th century music and musique concrete in a mixture of acoustic and electronic instrumentation, ranging from album producer Robin Julian Heifetz’s dark and frantic A Clear and Present Danger (which “attempts to symbolize the fear of a mot…
To Kill a Sunrise and La Ruche
**2020 stock** Turkish-born musician and composer Ilhan Mimaroglu worked extensively with electronic (tape) music. The two programmatic pieces paired here are "To Kill a Sunrise," a dirge subtitled "Requiem for Those Shot in the Back" with words borrowed from a poem by Guatemalan guerilla poet Marco Antonio Flores, composed in Columbia-Princeton Electronic Music Center (New-York, N.Y., 1974). And "La Ruche" composed at Groupe de Recherches Musicales (Paris, France, 1968) an experiment of reminis…
Navajo Dedications
**2020 stock** This 1976 Folkways release by David Cope presents modern music based on Cope’s intensive research into—and respect for—Navajo ceremonies, and Navajo music in particular. Ranging from pieces for large chamber ensemble to a work scored for a single performer, the four compositions are unique interpretations of Native American Indian myths and culture. The liner notes include detailed explanations of the inspiration, organization, and arrangement of each of these complex works. This …
s/t
**Released in a limited edition of 500 numbered copies** A compilation of live recordings specially released for a Die Stadt label night feat. Released in conjunction with a live performance on the 29. April 2012 on the MS Stubnitz in Bremen. Initial copies were given away for free to ticket holders on the night of the concert. Track listing: 1. Ditterich Von Euler-Donnersperg - Die Schnarrmaus Des Kleinen Fritz 5:372. Asmus Tietchens - L10RA 11:033. Thomas Köner - Le Bateau Ivre 3:48
Vanity Records CD Box-sets bundle
This bundle gathers together the four recently issued Vanity Records Box Sets, and includes 27 CDs in total:Various - Vanity Records 'Music, Tapes & Demos' (11CD Box)Various - Vanity Records 'Demos' (6CD Box)Various - The Vanity Box Vol. 1 (5CD Box)Tolerance - Vanity (5CD Box)Here's details about the contents of each box-set:Various - Vanity Records 'Music, Tapes & Demos' (11CD Box)CD-1 & CD-2 Various - Music 1 & 2Music (or Musik) was a compilation originally released in 1981 as a double vinyl b…
Clima-X
Fantastic debut LP from France's pioneer avant-electronic unit, Art & Technique. Clima-X was originally released in 1981 by Hi-Tech Records. Haunting obscure minimal electronic sounds, ambient and atmospheric ventures, minimal wave with some ethnic elements. And excellent use of rhythm boxes, sound generators and strange vocals, reminiscent of 23 Skidoo's "7 Songs", early Muslimgauze or O Yuki Conjugate's sound.
Horror Vacui
**Edition of 250** Music nowadays is a crime. The whole dark art consisting in whether the composer opts for death by suffocation (maximalism) or death by strangulation (the perennially fashionable anti-fashion that is minimalism). Jon Doe One’s debut record, Small Numbers, involved layer after layer of obsessive construction. Faced with its delirious palimpsest of rhythm and sound, listeners — those curious lost souls, I count myself amongst their ranks, alas — had no choice but to gag on the e…
Aural Illusions
**Limited edition of 500 copies on heavy clear vinyl in clear plastic cover** Based around digital lock grooves this work by Digital Terrestrial is also observed by composers like Steve Reich (Minimalist/Systems music) and will eventually be performed by a String Quartet. It could be thought of more as a piece of conceptual art rather than just a piece of music. This vinyl only release could well be described as 'a lock groove record without the lock grooves...'. Playing time over 38 minutes.  I…
Here and Elsewhere
Leaving the rigid beats behind this time, Richard H. Kirk introduces a new alias through a new (for him) label. The first Orchestra Terrestrial release comes from Die Stadt and is packaged exquisitely with a fold-out CD case and six prints of digital artwork representing six of the eight songs here (three by Naked Art, three by Designers Republic). While Kirk has has contrasted his usual style by creating an atmospheric soundbath with lengthy delays heavily absent of drum machines and thumping b…
From Backside Japan: Underground Music Scene In Niigata 1980s-90s
**Limited Edition. Including 36 page booklet** The first compilation album from Niigata, the prefecture on the Sea of Japan side. The Niigata underground music scene in 1980 to 90s was quite unique compared to other prefecture, but had never been compiled. Featuring 20 artists from all over the Niigata prefecture like as Ai To Makoto, Hirohito Taneguchi (aka. Seed Mouth). Including 36 page booklet: Geographical overview, consideration of the music scene and explanation of each artist (Japanese/E…
The Black Death
Original 1992 CD by Tatra "Coming out of the 1980s Norwegian post-punk scene, When is the solo project of Lars Pedersen. The first albums were in a similar landscape as what he was doing with industrial art-rock band Holy Toy, and his later works have veered into a wide range of territories, but in between all this we find his fourth album from 1992 -- The Black Death (titled Svartedauen in Norwegian) -- a decidedly darker creation. Inspired by Theodor Kittelsen's 1900 series of grim drawings de…
Horology 4 / Large Book +
320 page Book. Comprehensive Anthology of early Clock DVA 1976-1981 with 2x7inch in special seperate sleeve  7inch 1. Clock DVA A    Binaural Ratio (8:05) B    Treatment (8:08)  7inch 2 Clock DVA / The Future A    Transposition Reverberation Composition after Ussachevsky 9:27 B    Looking for a Black Haired Girl (first The Future version)    4:33
Tapes 1981-89
5LPs in heavy-duty box. Containing all 5 tape releases on Body Records from 1981-1989 incl. Untitled (Body001, 1981), Numbers (Body002,1982), Figures (Body003,1983), Live (Body004,1984), and Tracks (Body006,1989). Influenced by bands from the German and UK electronic scene, Dirk Ivens (synths & voice) formed Absolute Body Control early 1980, and was joined by Mark de Jonghe (synths) and Veerle de Schepper (backing vocals). After releasing a track on the "Blitzpop 1" compilation and the release o…