Watching The Burning Bride
Long-awaited double cd reissue of the two Asmus Tietchens/Burrows collaborations which sound still remarkably fresh today. Watching The Burning Bride was originally released on Terry Burrows' label Hamster in 1986, while the second collaboration came out on Disaster Area in 1998. As usual the booklet reproduces the original lp sleeves and a lengthy text by Terry Burrows on how the collaboration between the two artists came about is also included. The release includes two short bonus tracks.
Hesaitix
Further departing from both the cinematic abstraction of Piteous Gate (PAN 066CD/LP, 2015) and the hectic drums of Damaged Merc (2016), Berlin producer M.E.S.H.'s new full-length, Hesaitix, is marked by its hyper-ornamented rhythms and a sense of pensive, moonlit spaces. The atmosphere has shifted; the radical deconstruction of previous releases has given way to subtler interventions, building new structures in strange territories. Shifting from the meditative to states of manic unease, Hes…
Satan Im Sattel
Skulking hardware cranks from Hamburg’s Fallbeil duo, cooking up 90 minutes of K-holing, atonal digital noise recursion on tape along with two slices of grot on vinyl, especially for Nina’s V I S label down by the docks in Hamburg. After first appearing on Helena Hauff’s Return To Disorder label with Ultima Ratio in 2016, and turns for Boidae, Hafenschlamm and Mannequin in the meantime, the Fallbeil duo have made no concession to higher fidelities and remain resolutely grubby and visceral on all…
Post Self
Post Self is simultaneously inventive and classic Godflesh. The blue and icy atmosphere of Post Self can reach levels touched on in the happenings of early '90s Norway innovations. From the opening track, it's clear that the vocal performance is Justin Broadrick's best in ages, utilizing new approaches ranging from higher tortured screams to truly brutal and barbaric low roars not heard since Streetcleaner (1989). Within those extremes, mystically effected vocals coming from an industrial …
Mercury's Rainbow
Zomby’s near-mythical Eski grime concept album was created over an intense two week period around 2008-2009 and features 16 uniquely formulated interpretations of Wiley’s seminal Eskibeat productions. It's been in hybernation ever since and, almost a decade later (and after many aborted attempts), is finally available for public consumption - still sounding like an ancient future. After nearly a decade in the making, Zomby finally dispatches his astonishing take on Wiley’s series of Eskibeat rel…
Echoes of Harmony - Early Music Reworked
All pieces of the Renaissance Repertoire come from Cancionero de Colombina (around 1470) or Cancionero de Palacio (around 1510). Both sources are well known for their typical Spanish repertoire of this period. Electronic music artist Sylvain Chauveau did new versions of several tracks and added also some drones to the program. Daniel Manhart did the compilation and the additional sound design and mixing. All pieces on this CD are hardly ever performed or recorded -- a fine, sensitive, inter…
Digital Dance 002
After the album Total Erasement (SR 366LP, 2014), that includes the more "professional" studio recordings of Digital Dance, Digital Dance 002 is the re-release of their last cassette tape, originally released in 1981, reflecting another side of their work and the beginnings of what was to come. Stéphan Barbery of Digital Dance on the release: As the first single of Digital Dance, "Radioactivity/Computer Rock" (1979), was far from convincing for us, we created our own label, Digital Records, and …
Expansion Galactica
Mental Experience present the first ever collected works of Guatemalan electronic experimental musician Emilio Aparicio, collecting five 45s he released from 1969-1971. Aparicio was an, a pioneer in using the Moog synth in Latin America. He released a series of private 45s, recorded at his home studio in collaboration with his patron and producer, the painter Roberto Abularach. It is from 1969-1971, when the recordings included here, were registered. Most of the tracks were written at the countr…
358 Oblique
Baltimore’s PJ Dorsey has traversed a lifelong journey delving into psychoactive music which can alter one’s cognitive and conscious state. He harnesses his experiences to create music as Tarotplane. Using guitar, effects and processing he produces time suspending soundscapes - immersive music for merging the mind and body. 358 Oblique is the follow up to First which was released on Aguirre Records in 2015. Find yourself adrift in the lapping waters of a slow unraveling sea of sound, a sp…
Cold War Night Life-Recordings 1981-84
One of Canada’s first synth-pop groups, Rational Youth was formed in the summer of 1981 by Tracy Howe (The Normals, Men Without Hats, Heaven Seventeen) and Bill Vorn (U, Sacred Noise). Inspired by the influential Kraut-rock band Kraftwerk, they set out to create their own brand of modern electronic music. Within months of their first meeting, Tracy and Bill, along with Mario Spezza, recorded and released their first 12” single “I Want To SeeThe Light” b/w “Coboloid Race” on the newly formed YUL …
086–087 Area
Nyantora — Koji Nakamura — is a prolific musician and producer whose work ranges from ambient music to scoring TV commercials and films. He was a member of renowned Japanese rock band Supercar from its inception in 1995 until its break-up in 2005. Based in Fukuoka, duenn is a sound artist and also operates the duennlabel cassette imprint. Together with the afore- mentioned Nyantora, he hosts events and produces music under the banner of Hardcore Ambience.
The Horde
Transistor formed in 2009 when Franck Vigroux was performing in NYC where Ben Miller led several projects. Vigroux was in a creative transition suggesting a stripped down electro-industrial sound with the latter as lead singer. Miller had sung in many bands before but never solely as a lead singer. The new challenge was intriguing. Shows were set up with Vigroux’s sub-bass and extreme frequencies blowing more than one PA system. They struck up an overseas collaboration releasing a self-titled EP…
Plays and Sings for Money
Kallabris is the project of Michael Anacker. Active since 1986, its work has been described as ‘electro-acoustic chamber music’ — a description which should be taken literally. Anacker’s main interest is a reflection on the electro-mechanical conditions of sound recording presented in everyday recording devices such as cheap home computers, dictaphones and answering machines. Thus, he is not interested in the limits of musical styles but in the limitations of sound (re)production.
“Songs. The fi…
Dawning Light
Jacques Bon motions through the day’s early energy of Dawning Light. True to the record’s title, Bon composed the four tracks for his debut EP on Beats In Space Records in the morning sun, reflecting and refracting the colors of daybreak from his compositions. Burning spheres aside, Bon draws inspiration from his past in Paris, where he slung records at Daphonics and started the record store Smallville with Pantha Du Prince, and his time in Hamburg, where he frequently helms the legendary decks …
Same Animal, Different Cages Vol. 3: Civil War Songs
"In the third volume of the Same Animal, Different Cages series, American composer David First does a 180 from the purely sound-for-sound's sake explorations of the first two volumes and gives eleven emotional outpourings performed exclusively on solo harmonica. Despite this minimalist single-instrument approach, First makes each of these songs sound fully realized; anything more would simply be crowding the sonic space. First has produced perhaps one of the first folk-music responses to …
The Object Isn't There
With The Object Isn't There, UK guitar player and producer Jack Allett has made a deeply personal masterpiece based around cyclical guitar parts and electronic percussion. Playing like a half-remembered fever dream with an aesthetic that is ragged, hypnotic, and spacey, its two side-long pieces touch on minimalism, kraut-infused dub, and euphoric dancefloor optimism. As comfortable being played after Manuel Göttsching's album E2-E4 (MGART 424CD) as right before a Terekke lo-fi house anthem, …
Scoprire le Orme
Limited clear vinyl, edition of 100. Mysterious, charming, and wavering, Scoprire Le Orme (Discover The Footsteps) represents a unique musical experience; a kind of Minimal Folk with far Eastern baroque influences. The work is a living entity, yet with a calm atmosphere interweaved with tension - the tradition here being redefined and transfigured in a very personal way with a touch of esotericism. Roberto Mazza (formerly a member of Telaio Magnetico, along with Franco Battiato, Lino “Capra” Vac…
The Rules Of The Game: Original Studio Recordings (1978-1996)
Into the Light Records continue to shine light on the undiscovered heritage of Greek electronic music, highlighting the work of prolific Greek composer George Theodorakis on the label's third archival release. "The Rules of the Game" features mostly unreleased studio recordings Theodorakis made between 1978 and 1996, with the addition of selected material taken from his sought-after 'Margo' and 'Sima' LPs.. George Theodorakis is the son of legendary Greek composer Mikis Theodorakis. Unlike…
Break At Home
Mad grab of styles from “Athens’ Best Kept Secret”, 2 Katara - including a handful of wicked, mutant disco bits, and an epic, 17 minute piece of prog funk ‘Greek Lady’ that’s practically worth the admission alone for any cosmic nuts.. “‘Break at Home’ is the collected recordings of the mysterious group ‘2 Katara’ which was formed in Athens, Greece in 1978 by George Theodorakis (keyboards, percussion, vocals) with his close friend Dimitris Papangelidis (bass, guitars, percussion, vocals). T…
Flieg
Mental Experience present a reissue of Kozmonaut's Fleig, originally released in 1986. Ultra-rare DIY minimal/synth-pop/industrial/dark wave album. Kozmonaut was the personal project of a young and talented Canadian musician called Michael Gutierrez, who moved to San Francisco in the early '80s. Influenced by Kraftwerk, German culture, and electronic music, Michael recorded the Flieg album all by himself at his garage studio, using the pseudonym of Hans Schiller. 1000 copies were pressed on …