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Richard Scott’s ‘Several Circles’ is a seamless blend of improvised performances and forensically detailed electronic music that bristles, writhes and grows like some mutated living organism. Recorded between 2013 and 2015 in both Manchester and Berlin, this vital new album is a combination of instant, improvised performances and highly structured acousmatic compositions that have been, in Richard’s own words, “microscopically edited, constructed, layered and mixed over many hours in the studio.…
One of the most prolific artists of the Japanese experimental noise scene, Keiji Haino teams up for his 2nd album with the critically acclaimed ensemble Zeitkratzer. Frenetic musical material, wild and beautiful.On his second release with Zeitkratzer, the enigmatic icon of the Japanese noise experimental scene Keiji Haino concentrates solely on his voice. No electronics are used except for amplification. Nevertheless, this live recording is even more radical than the first one ('Electronic…
Pogus Productions is proud to release The Complete Gramavision Session by The World Casio Quartet, composer David First’s 1980s microtonal group. The members of the group were David First, Esther Sandrof, and Brian Charles, all playing Casio CZ-1000’s and Kevin Sparke on a Casio CZ-101. I had the opportunity to see them perform once or twice back then, and it was indeed a magical and mind-bending thing to experience. Now, finally, with this release, everyone can have a listen as well.Here’s what…
Long overdue second release by Renato for LVD. As with Horse Frenzy and his contributions to the Invisible Pyramid and Crows of the World comp, Renato shows his unique vision for what music can be; drawing comparisons to virtually nothing else out there. More varied that his previous Hoarse Frenzy, WSO integrates elements of folk, pure electronic experimentation, and even elements of jazz--building at times into highly satisfying complex structures, ebbing away creating new patterns. For thos…
“Time Out of Mind” represents a most important chapter in the recordings of Ora, during the years 1986-1994 and here almost all entirely unheard before. They represent unreleased studio pieces, field recordings and sketches, significantly made to portable recorder. This working method would become the basis of future and more elaborate studio pieces and in itself clarifies an important formative stage of the work of Ora, of often using outdoor performances and location sound in an entirely spont…
Recording between 2015 and 2016 in Venice during the 56th Biennale of International Art and in Pietrasanta at Molize Studio.Mastered by Riccardo Mazza.
Obscure deep drone audio-visual project run by Paolo Monti (The Star Pillow), Nicola Quiriconi (Vipcancro, Lisca Records), Simon Balestrazzi (T.A.C., Dream Weapon Ritual, Candor Chasma, AZOTH, etc).First album will be released soon on Metzger Therapie.
www.metzgertherapie.wordpress.com
Bastet is the second album of LCC (Ana Quiroga and Uge Pañeda). Bastet is a ritual study gliding the path from the rites of the ancient to the realm of the modern. Bastet is the name of the ancient Egyptian goddess closely linked to music and female power who coerced humans to entertain her in order to keep her untamed animalistic side in check. Whilst absorbing this legend the second LCC release presents itself as a vast canvas of ritual, restraint and spacious sonorities. Stark and unner…
CD edition. "Bayou Electric" is the final installment in an unplanned trilogy, with "Feel Free " and "Bridges" making up the first and second installments in the series, respectfully. All three works share similar characteristics, compositional processes, alternate tuning schemes, instrumentation and a certain ethos that the composer views as cohesive whole. There is a progression toward refinement over the course of this trilogy, in the overall "sound" of the albums and in their dependence on o…
Alexipharmaca, Mem1’s second full-length album, is a collection of improvised works that capture the allure of the forbidden and dangerous, and the modern fascination with things ancient and shrouded in mystery.The album’s title is taken from a set of poems written by Nicander of Colophon, a Greek pharmacologist (fl. 197-130 B.C.E.), whose textdeals with plant and animal poisons and their antidotes. Mem1’s music intoxicates with its rich textures and lavish soundscapes, but — like a beautiful ye…
A distillation of cultural memory through electronic process, James Place - the creative guise of New York native Phil Tortoroli, returns with his third release for Umor Rex. The sonic realization of love and loss, re-sculpted for the Post-Modern age, pursuing his glacial take on techno into newly intimate depths. Departing from a line in TS Elliot’s Four Quartets “the moment in and out of time”, its works take form through the haze of a dream. Over the course of several months Tortoroli t…
Talvihorros is the work of Scotland based composer and producer Ben Chatwin, working in the field of ambient electronics. Through his distinctive approach to analogue electronics, he crafts dense collages of sound that hint at the conflicting beauty and chaos of the cosmos. ‘Discordia’ and ‘Mechanica’ are the first new recordings to be released by Talvihorros since 2014’s ‘Eaten Alive’ an album that explored the darker recesses of life. Continuing along in that vein these two visceral pieces are…
“Pioneers of electronic experimentation in Venezuela, Musikautomatika is one of the best kept secrets in Latin America’s experimental sound scene. They were formed in the late 70s by Luis Levin, Alvise Sacchi and Stefano Gramitto, and counted on the complicity of Mirella López and Gabriela Gamboa. They issued four albums (Musikautomatika -1983, Boston Tape - 1987, Kuba - 1987 y Frecuencias en peligro de extinción - 1993), which are nowadays highly sought after pieces among collectors from all ov…
"1979 follow-up to his Eclipse debut, Voyage Cerebral was the second effort by french synthetist Didier Bocquet. Like the first album, it was recorded on his own private studio and self-released, this time via legendary french custom label FVLM ("Faites Le Vous-Même", meaning "Do It Yourself"). Inspired by the first wave of german kosmische sound-travellers (Klaus Schulze and Tangerine Dream and the whole Berlin School spring inmediately to mind) but retaining that typical french urgency that pl…
Visions Congo is yet another moniker from Discrepant's head honcho, Gonçalo F Cardoso, taking Africa as a starting point to evoke the memories and re-imagined experiences of his six-month stay there in 2015. Most of the recordings and compositions were done in the great lakes of the African regions of Uganda, Congo (DRC), Tanzania, and the island of Zanzibar. Mulago Sound Studio is a series of surreal and augmented field recordings that try to brace the listener with fresh alien authentici…
2025 stock ** Born in 1956, Dunkerque France, Frédéric Le Junter began in 1984 to construct instruments (strings, winds, percussions), with found objects, and then mechanical machines. He did also played with Pierre Berthet, Dominique Répécaud (Les Massifs de Fleurs), Silent Block, Marc Pichelin, Jean-Léon Pallandre. He also write songs. In Bateau Feu through the use of microphones we are completly inside the world of his sound machines. Powerfull, beautifull and unique !Highly recommended.
Wound_Burner is an audio project based on field recordings which took place in various locations in New York, USA, Gotland, Sweden, Rio De Janeiro, Brazil, and the Greek countryside. The project consists of three main parts, and moves along high frequency slow-motion sentimental delirios to heavy bass ambient soundscapes, periodically colored by the voice of the soprano Irini Kyriakidou. Some of the sounds were constructed by using exclusively digital and electronic media. Wound_Burner demo…
First issue of this previously unreleased Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. Nuits De Printemps is the third part of Abdou El Omari's Nuits-trilogy. This album contains dazzling instrumentals, spiced up here-and-there with some traditional vocals. While playing his fine melodies, Abdou switches swiftly from his Farfisa Professional mothership to an analog ARP synthesizer. This new sound and some funky wah guitar …
LP version. Bureau B present a reissue of Jurriaan Andriessen's The Awakening Dream, originally released in 1977. Jurriaan Andriessen (1925-1996) was a Dutch composer. Although he was actually at home in classical music, he recorded three synthesizer albums in the late 1970s, the first of which, The Awakening Dream, is an outstanding excursion into experimental ambient and minimal music. Andriessen himself, 52 years of age at the time, called it a "trance symphony". The music - perhaps su…
Radboud Mens and Matthijs Kouw have collaborated since 2001, when they started working on an album firmly rooted in the ‘clicks ’n cuts’ movement of way back when. After collecting source material using only feedback produced with a mixer and minidisc recorder that was broadcasted live on Amsterdam’s Radio 100 to unsuspecting listeners, they started working on their album ‘Mens/Kouw’ (2002), which features both rhythmic pieces and more abstract elements. With the passing of time, they found them…