Program
"A collaboration between Kouhei Matsunaga (who has worked with everyone from Sensational to Autechre and Asmus Tietchens) and the less prolific Toshio Munehiro, NHK’s ultra minimalist approach to techno may conjure memories of the late 90s/early 2000s glitch and microsound scenes, but their combination of erratic beats and digital expanses feels anything but dated, sounding entirely unique and fresh in 2015. I have always had a soft spot for that short lived era that was often full of derided la…
Sleepwalkers In A Cold Circus
On Sleepwalkers in a Cold Circus Belgian sound artist Koenraad Ecker creates a biotope of musical characters that is sober, delicate, complex and vivid, with a restrained intensity, a “cold fire.” The characters discuss, hesitate, fight, pull closer, push back. Through the use of microtonality and recordings of acoustic instruments it is the elusive sound of a somnambulistic travelogue. “I’m searching for ways to create an intricate narrative, switching perspectives and voices within one form, t…
Days
Triac is a new trio project led by Rossano Polidoro of former duo TU M' whose beautiful 2009 sold out LINE release Monochromes Vol.1 (LINE_040) garnered great acclaim. Days is an album of dazzling yet smooth distant drones that almost hover in the air. The sound of the slowest moving picture and subtle flickering lights beyond it. For listeners who appreciate the works of Celer, William Basinski, and Stephan Mathieu.Triac is a discrete electronic music trio formed in the end of 2011. Their work …
Whispers
‘Whispers’ was co-produced by Bob Gilmore, who sadly died before the disc was released. The CD is dedicated to Bob’s memory. Bob was a longstanding champion of Frank Denyer’s music, and wrote the notes both for this CD and for the previous Another Timbre release of Denyer’s Music for Shakuhachi.Here is an excerpt from Bob’s sleevenotes for the ‘Whispers’ CD:“The experience of listening to Frank Denyer’s music is extraordinary, quite distinct from other aspects of our contemporary musical lives. …
Extinguishment
In some experimental music circles melody is virtually verboten, but you have often embraced it in your work. Do you feel that you are to some extent going against the grain in this?AG: First off, I think melody can be defined separately from harmony. I think of melody as a single voice or layer, and with multiple layers, I like them to overlap in non-structured ways. I am interested in homophony more than polyphony or harmony, where if you take a cross-section through these independent lines y…
Sounds Of Iceland
This recording takes you on a round trip of Iceland. The aural journey starts westward from the island’s south in the cold early spring. After a side trip into the West Fjords, our route traverses the north of the country at the height of summer, followed by an excursion into the interior highlands before a short stop in the East Fjords. As the sound trip nears its geographical starting point, autumn and winter make their appearance before the journey comes full circle.The recordings do not feat…
We all mutate around the mountain
Louis Johnstone's Wanda Group project is on continuos evolving, a continuo research, aimed at expanding each time its borders. The result is a complex work, both musically and emotionally. We all mutate around the mountain is a dense march where the memories, the common sounds around us, are manipulated and rearranged to create a new story that draws liberally from real life. With his vocabulary and moods it has gone away forcefully, taking place in an abstract and timeless territory…
Prima del terzo
One of my favourite walk is in the harbour of my hometown, because of the sound brought by the wind. For long time I have day-dreamt about including that sound in my own music. I got to the point reading the poem Prologo al buio by Erri De Luca (from Opera sull’Acqua e altre poesie, Einaudi 2002). In the poem there is a Hebraic quote from Genesis, before the third verse (hence the title of my composition, the Italian for “before the third”): “vrúah Elohím merahèfet al penè hammàim”, that means, …
Untitled #274
Untitled #274 was composed by Francisco López and performed by Kasper T. Toeplitz at GRM Studios in Paris, France. Francisco López is internationally recognized as one of the major figures of sound art and experimental music. For more than thirty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from th…
The Syntape-Years 1981-83
Rüdiger Lorenz is a german electronic Synthesist and inventor of several modular synthesizer systems. In the likes and manner of Conrad Schnitzler , Edgar Froese, Dieter Moebius and Hans Joachim Roedelius he started producing unique, exceptional electronic soundscapes and experimental hard to find comparisons for.He is one of a very few outstanding artists that seem to never have receive the recognition and fame they should have deserved for their artistic output over 3 decades. Even more …
Summer Mix
The Automatics Group's dance-pop deconstruction, 'Summer Mix' is one of the uncanniest computer music releases of this decade - first issued as a limited CD edition by Entr'acte in 2011. In the time since then it’s quietly become a bit of an iconic reflection for a post-rave generation, presenting a non-trivial nostalgia trip that somehow sounds like a digitally diffused, skeletal take on Gas, Basic Channel or Ross 154. It was created by applying a mathematical process known as a discrete …
They made us climb up here
“They made us climb up here” is the third album from Satan is my Brother. Five tracks of noisy jazz, or jazzy noise or none of the two. Melodies built on sax and trombone, struggle to surface from layers of electronics, groovy bass lines and free form drumming.
Parazoan Mapping
With fifteen untitled vignettes and varying source material, Parazoan Mapping often feels like an aural scrapbook. And when looking through any scrapbook, the different photos and pieces of ephemera always point to something bigger: a sort of unraveling of the people contained within. The pictures of your family’s vacation from several years ago may not explicitly show it but you very well understand how then compares to now that feeling of joy when you conquered your first wave after hours…
Wave train
2015 remastered CD in digipak with 12-page booklet including liner notes written by the composer as well as diagrams and scores relating to the published works. Wave Train, originally released by Alga Marghen in 1998, collects experimental works by David Behrman recorded between 1959 and 1968, featuring the Sonic Arts Union. The CD starts with "Canons," a short piece created in Darmstadt over three weeks in the summer of 1959 with David Tudor on piano and Christoph Caskel on percussion. "Ricer…
Suijin
Komodo Haunts is the psychedelic drone solo project of Ollie Tutty (aka Mt. Tjhris), from Lincolnshire, UK. With his music he explores drone structure, sonic textures, meditative zones and personal fictions. Making use of analogue and digital technologies; tape jams playing on human familiarity, natural ambiances, faux-exotica, mythologies, "reality therapy".
Taking inspiration from drone masters and new age wanderers the Suijin album is all about getting into "the zone” and could be the so…
Wellenfeld
The grande finale of 'Extreme Rituals - A Schimpfluch Carnival', performed and recorded live at Arnolfini, Bristol UK on December 2nd 2012. Four leading figures of the international Noise circus team up for a unique performance, solely based on their brainwave activity. Each performer is wearing a wireless electroencephalograph (EEG) headset. The EEG signals sent from the stage are received by soundengineers, transformed from data into sound and processed to emerge through eight speakers …
Golden Ratio
Volume six in our Required Wreckers LP series, M Dwinell’s Golden Ratio offers the only documentation of Dwinell’s Just Intonation organ work. These pieces provide a pivotal shift away from his earlier Kraut-inspired rockbased improvisation with Boston’s Bright in the direction of his recent electronic-based compositional work with Brooklyn’s Forma (Spectrum Spools). Unlike either of these projects, however Golden Ratio focuses exclusively on a natural tuning system generated from the harmoni…
Deterrence
A year before exploding onto the electronic music scene in 2011with the critically acclaimed Progress Chance, Ricardo Donoso's debut release "Deterrence" was issued as an extremely limited cassette edition - a through-composed ambient piece, "Deterrence" is stripped of all the rhythmic flux which he has become known for. Considered by many in underground circles to be a true masterwork of the Dark Ambient genre, "Deterrence" is often times compared to works by artists such as Lustmord, Bi…
Quasar <-> Lanterns
Sergei Tcherepnin's "Quasar <-> Lanterns" was originally produced in 2009 as an 8-channel installation with Ei Arakawa at Künstlerhaus Stuttgart. Remixed to stereo for this release, Tcherepnin's trio of works combine analog synthesizer recordings and other instrumental sources with field recordings captured during the artists' travels to Turkey and Georgia. Each piece introduces a separate facet of Tcherepnin's compositional practice, respectively probing the boundaries between perception/halluc…
Electronic Music
"Electronic Music" is a meticulously crafted work of avant-garde electronics with attention towards unique timbres and acoustics. Spyros' previous releases can be found on labels Room40 and Senufo Editions among others.