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Electronic /

Discordia
Talvihorros is the work of Scotland based composer and producer Ben Chatwin, working in the field of ambient electronics. Through his distinctive approach to analogue electronics, he crafts dense collages of sound that hint at the conflicting beauty and chaos of the cosmos. ‘Discordia’ and ‘Mechanica’ are the first new recordings to be released by Talvihorros since 2014’s ‘Eaten Alive’ an album that explored the darker recesses of life. Continuing along in that vein these two visceral pieces are…
MusikAutomatika
“Pioneers of electronic experimentation in Venezuela, Musikautomatika is one of the best kept secrets in Latin America’s experimental sound scene. They were formed in the late 70s by Luis Levin, Alvise Sacchi and Stefano Gramitto, and counted on the complicity of Mirella López and Gabriela Gamboa. They issued four albums (Musikautomatika -1983, Boston Tape - 1987, Kuba - 1987 y Frecuencias en peligro de extinción - 1993), which are nowadays highly sought after pieces among collectors from all ov…
Voyage Cerebral
"1979 follow-up to his Eclipse debut, Voyage Cerebral was the second effort by french synthetist Didier Bocquet. Like the first album, it was recorded on his own private studio and self-released, this time via legendary french custom label FVLM ("Faites Le Vous-Même", meaning "Do It Yourself"). Inspired by the first wave of german kosmische sound-travellers (Klaus Schulze and Tangerine Dream and the whole Berlin School spring inmediately to mind) but retaining that typical french urgency that pl…
Mulago Sound Studio
Visions Congo is yet another moniker from Discrepant's head honcho, Gonçalo F Cardoso, taking Africa as a starting point to evoke the memories and re-imagined experiences of his six-month stay there in 2015. Most of the recordings and compositions were done in the great lakes of the African regions of Uganda, Congo (DRC), Tanzania, and the island of Zanzibar. Mulago Sound Studio is a series of surreal and augmented field recordings that try to brace the listener with fresh alien authentici…
Bateau Feu
2025 stock ** Born in 1956, Dunkerque France, Frédéric Le Junter began in 1984 to construct instruments (strings, winds, percussions), with found objects, and then mechanical machines. He did also played with Pierre Berthet, Dominique Répécaud (Les Massifs de Fleurs), Silent Block, Marc Pichelin, Jean-Léon Pallandre. He also write songs. In Bateau Feu through the use of microphones we are completly inside the world of his sound machines. Powerfull, beautifull and unique !Highly recommended.
Wound Burner
Wound_Burner is an audio project based on field recordings which took place in various locations in New York, USA, Gotland, Sweden, Rio De Janeiro, Brazil, and the Greek countryside. The project consists of three main parts, and moves along high frequency slow-motion sentimental delirios to heavy bass ambient soundscapes, periodically colored by the voice of the soprano Irini Kyriakidou. Some of the sounds were constructed by using exclusively digital and electronic media. Wound_Burner demo…
The Awakening Dream
LP version. Bureau B present a reissue of Jurriaan Andriessen's The Awakening Dream, originally released in 1977. Jurriaan Andriessen (1925-1996) was a Dutch composer. Although he was actually at home in classical music, he recorded three synthesizer albums in the late 1970s, the first of which, The Awakening Dream, is an outstanding excursion into experimental ambient and minimal music. Andriessen himself, 52 years of age at the time, called it a "trance symphony". The music - perhaps su…
1
Radboud Mens and Matthijs Kouw have collaborated since 2001, when they started working on an album firmly rooted in the ‘clicks ’n cuts’ movement of way back when. After collecting source material using only feedback produced with a mixer and minidisc recorder that was broadcasted live on Amsterdam’s Radio 100 to unsuspecting listeners, they started working on their album ‘Mens/Kouw’ (2002), which features both rhythmic pieces and more abstract elements. With the passing of time, they found them…
Cathedrals
All songs written & produced by Bi Nostalgia. Recorded & Mixed at the Room, August 1986 excerpt.
Camo
Bartolomé Sanson and Félicia Atkinson’s amazing Shelter Press label keeps its boundaries fluid, porous with Camo; a bewildering and beguiling blend of field recordings and post-techno abstraction woven into uniquely polymetric, insectoid techno designs by Felicity Mangan and Stine Janvin Motland’s Native Instrument. Centred on Mangan and Gotland’s archive of fauna recordings made on location in Australia and North Europe, Camo works to a subtly ambiguous agenda, bending our perceptions between r…
Kevätjuhla
Finnish multimedia artist Jan Anderzén returns to Alter in characteristically singular style under his Tomutonttu guise. Kevätjuhla (translated as "Spring Celebration") is his second release for the label following a split 7" with Oneohtrix Point Never in 2010 (ALT02) and his first vinyl long player since 2011. Lately Jan has been busy within visual art, making mosaics, quilts and creating installation work for which the music of Kevätjuhla was initially composed. Inspired by the multitudes of…
Electroacoustic Works
Electroacoustic Works collects three major pieces from the early 21st century New York-based composer Dan Joseph. This double CD release includes Set Of Four, a group of fixed-media sound collages using the processed hammer dulcimer as the primary sound source, two live performances of Dulcimer Flight for electroacoustic hammer dulcimer, and a 64-minute version of Periodicity Piece #6, a mixed-media work that originated as a multi-channel sound installation. With roots in early minimalism, a…
Invisible​(​s) Archipelago​(​s) #1 – Serendib rhythms
"The Unfathomless Series returns with another pair of fine releases, whose moods are polar opposites. Five Elements Music‘s lokrum patterns draws the listener in, while Stéphane Marin’s Invisible(s) Archipelago(s) n°1 – Serendib rhythms contains sounds that many would choose to avoid. Now to Sri Lanka, a land of many islands, whose sounds have been worked into a single composition by Stéphane Marin. The title may be unwieldy (Invisible(s) Archipelago(s) #1 – Serendib rhythms), but the idea is no…
Lokrum Patterns
"The Unfathomless Series returns with another pair of fine releases, whose moods are polar opposites. Five Elements Music‘s lokrum patterns draws the listener in, while Stéphane Marin’s Invisible(s) Archipelago(s) n°1 – Serendib rhythms contains sounds that many would choose to avoid. Croatia’s Lokrum Island is a beautiful paradise of coves, beaches and azure green waters. But there’s a down side as well: it’s awfully close to shore. As such, it’s a wonderful getaway that too many people know ab…
Scare Me Not
Inveterate soundwalker Audrius Simkunas/Sala has revisited familiar places of his childhood where corroded soviet relicsare long asleep…from this winter intense trip reminiscent of Lovecraft’s universe, comes “scare me not“…
Aldaris
Rihards Bražinskis & Raitis Upens are long time associates operating in the sphere of the Baltic experimental music & art scene. They produced already some very fine field recordings/musique concrète under the collective moniker of Phonic Psychomimesis. Here they team up once again for a site-specific unique work around a famous Brewery, witness of Riga’s past industrial greatness…
At the Salt Museum
In December 2015, these three Melbourne musicians camped at Murray Sunset National Park in northern Victoria, Australia, sounding various sites and performing ritualistic actions. This album documents our interactions with rusted salt harvesting machinery discovered at the outdoor 'salt museum' on the shore of the Lake Crosbie saltpan.
Dimensione Sogno
Despite being something of a self-professed “Enthusiast” of exactly this kind of thing - privately-released LPs of minimal, experimental electronic music from the 1970s - I had literally never heard head nor hide of the storied Italian actor - he was in Roger Vadim’s wonderful Barbarella, Tinto Brass’ Attraction, and Vittorio de Sica’s Sunflower, something of a holy trifecta right there -  Umberto di Grazia’s lone musical outing, featuring a series of minimal, experimental electronic etudes real…
Elektronische Musik
Mr. P.C. C.P.’s handling of this 1981 “Private-Press” (c/o the Internationales Musikstudio - aka the Nürnberg vinyl pressing plant) abstract-synth stunner, comprised of three pieces composed during the mid 70s & early 80s by “Elektronische Musik im Unterricht” & “Musik aus Strom : Eine Einfuhrung in die Elektronische Musik” author & instrument designer (famously, he built the prototype of the “Synthi E” variant for EMS-Steinberg ... but a trail of custom-built analog designs like the “Doppelring…
Discurso aos Objectos #2
Two incredible, light-speed Musique Concrète pieces from the Brazilian composer & Grupo Um member Lelo Nazario. The first, “Discurso Aos Objectos #2” managing to shove in pretty much the entire universe of sound (loud, destruction-oriented sections of recorded action - spoken / shouted proclamations in “7 linguagens diferentes” - little blasts of instrumental & site-specific sonorities - short. automated “pure” electronic & synthesizer blurst - into a relatively short 8 minutes. Then, the second…