Ponytail, Ponytales
Tommaso Clerico and Luca Sigurta' mixed noise, ambient, fake hip hop and weird techno: the new frontier of melanchofreak or if you prefer a ride on deformed flying horses. Second album full of guest stars, from the legend of American noise To Live and Shave in L.A. to the giants of no(w)wave Zeek Sheck and MC Trachiotomy, plus some incredible Italian artists such as Bologna Violenta, Madame P, IOIOI and Trashsound.
Get Lost
And yet another killer album from the ever-productive Mark McGuire (Emeralds). It just keeps getting better, as he delivers another fine set of tunes in his perfected style. A few more electronic elements than usual and even some voices, but still the unique blend of feel-good riffs, electric and acoustic loops and melodies that just stick in the head. This album is chockablock with short hits and one long jam of blissed-out McGuire ambience. Awesome. Electric and acoustic guitar, vocals,…
Maria Minerva's Cabaret Cixous
Over the course of a 12", cassette, and a stream of ace youtube vids, Maria Minerva has emerged as one of the most interesting artistes to come into leftfield-pop focus over the last 12 months. 'Cabaret Cixous' is her debut album, a coruscating water-bed of mottled '90s dance-pop memes writhing under blankets of slyly sexy new age synths while her dreamy vocals whisper and croon seductively suggestive lyrics. It's not quite aural soft porn, but there's an inescapably lascivious element to …
Transamorem - Transmortem
Transamorem - Transmortem was premiered on March 9, 1974 at The Kitchen in NYC, where the music programmer at the time was Rhys Chatham - this was right before his guitar phase. During this period, 'Transamorem - Transmortem' was presented along with other compositions by Eliane Radigue in a linear mode of listening, although the piece had originally been conceived, during its composition, as a sound installation. Of course, both modes of listening are possible, and each works marvelously in its…
Emeralds
Emeralds is the new album by guitarist/songwriter, producer and sound architect Robin Guthrie. Another uncompromising step along the path that is his vision, enveloping the listener with the aesthetic enchantment which has become his trademark. From the opening notes of ‘Digging for Gold’ to the last echoes of ‘The Little Light Fades’, Emeralds takes us on a voyage which moves our emotions, stimulates our senses and leaves us feeling that the world must be a better place seen throug…
Uffuff
12” with 1 new Quehenberger orginal (Uffuff) and a trio of near remixes from his lastest album Hazard (released as LATON 047 in 2009). Patrick Pulsinger tackles New Beat, in his unique future funk sound. A welcome return of Elin (who hasn’t been on a Mego record since 1995, check MEGO 003). He slurps out a version of Hey Gert, making it into an slamming slowed down twister of a track.This leaves the pumping exccess of Altroys (Minimal Soul) Keep Talking remix.
Heartland's Suite
More cosmic psychedelia on Aguirre now. Christelle Gualdi returns with Heartland's Suite, a compelling collection that compiles carefully selected works from the same fertile creative period that produced her acclaimed Trilogy Tapes release. This EP/LP showcases the breadth and depth of Stellar Om Source's distinctive sound, drawing from an expansive palette that spans new age tranquillity and experimental electronic innovation. The album represents a masterful exercise in sonic layering, where …
Lunar
Secret Colors offers up his latest, a bubbling album called ‘Lunar’. Homespun ambient soundscapes taking you on a space trek without any sort of cliche spacey noise. Glitchy without being abrasive, hollowed out yet wholly satisfying. You’ll find a new jungle planet with this as the soundtrack. Its about to get humid. (Leftist Nautical Antiques)
Civiltà Paleospaziale
Italian minimal synth & drum machine duo, another side project by Ottaven/Canedicoda, abstract dread sounds with elements of clinical drone and throbbing frequencies to a more introspective ambient chaos
The Deep Path
A monumental album featuring three impressive tracks in which Z'EV (mythical avant-garde experimental artist, percussion master and world wide performer), collects and exhibits brave and incredible sonic solutions, mixing and alternating enormous, deep and sometimes exploding and devastating sound masses based on low frequencies, to noisy metallic sounds, gongs and cymbal stratification... all oriented in temporary resounding "tunnels", where sonic elements are mixed through suggestive cyclic ec…
Lacunae
Sound and video artist MPLD works in a world of sentiment and detachment, creating a Lost & Found aesthetic uniquely his own. Lost are the old Kodachrome slides which make up the foundation of his work. Found are the feelings of misplaced memories the slides conjure, as well as the sounds — processed and amplified — of the projectors that bring those images back to life. What’s seen on lacunae is a straight shot of the screen during a rehearsal for a concert, although that might not be clear to …
Fragen
Kluster - Cluster - and now Qluster - an extraordinary shedding of skin of one of the most important german electronic groups. Hans-joachim roedelius was there from the beginning (kluster from 1969 on with conrad schnitzler and dieter moebius; cluster from 1971 on with dieter moebius; qluster with onnen bock since 2010). Little need be said about roedelius, whose collaborations with conrad schnitzler, cluster and harmonia earned him a worldwide reputation as a pioneer of electronic music. Onnen …
Dream request
'Bo Weavil presents a sublime duo recording from old sparring partners Oren Ambarchi and Robbie Aveniam recorded live in Tel Aviv in 2009. This is a single edit of the performance which perfectly captures the chemistry between Robbie's busy percussive maneuvers and Oren's textural overlay. A previous performance of the pair was documented on the 'Clockwork' CD (re-issued by room40) and prior to this the notorious 'The Alter Rebbe's Niggun' CD was released on Tzadik. Here, the two come together w…
Shadow of events
2011 release ** "Shadow Of Events is the third album by Oslo, Norway sound artist, producer and musician Alexander Rishaug, following his Asphodel CD Possible Landscape (2004) and 2001's Panorama on the Smalltown Supersound label. The album was recorded over a five year period and mixed in Berlin last year. Not unlike his previous albums but apparently more refined Shadow Of Events combines a warm and organic haunting quality blended with both abstract and concrete tones and subtle digital noise…
Okkupation
Thomas Rehnert lives and works in Berlin. He was deeply influenced by the European free jazz of the 1970s, and in West Berlin in the 1980s he played percussion in various punk bands. In the world of punk and experimental music of these years, he began to occupy himself with electro-acoustic music, machine music and automata. He builds sound machines from analogue modular synthesizer systems that are voltage- controlled and steer themselves.His formative principle of organization is variation by …
Hammond Pops
After hard and insisting work to revitalise the art of instrument bashing Golden Serenades has turned towards newer hunting grounds: the Organ. The queen of instruments - or more specifically the instrument as it sounds in the hands of organ master Sigbjørn Apeland - is the starting point for GS´s sonic experiments on "Hammond Pops". The result is a drone piece of highest quality. Slowly deveolping, massive sound breaking in and out of the source material from the organ. Always moving tow…
Feral
Daniel Menche has established himself as a musician with a sense of focus and determination uncharacteristic in a genre known for its randomness and chaotic structure.Rather than creating 'noise,' he strives for order and cohesiveness. His presentation of sonic structures is similar to the way a writer depicts a story, an allegory seems to arise, which uses confusion as a symbol for the imaginative process of total sound purity; aural intensity is not a representation of confusion or the chaotic…
Radian lines
Wet Hair heads Shawn Reed and Ryan Garbes have been jamming sideways strains of long-lensed electricity music for years now, but their trajectories as visual artists arc back even farther. So after a small infinity of J-cards and zines and LP sleeves designs, it’s a real pleasure to finally be able to present a preferential suite of some of their finest (and, till now, unseen) compositions in a glossy, full-color, pro-printed 22-panel art volume, bookended by a brand new black vinyl 33 RPM singl…
Whinny Muir
A single, long, deeply moving, slow and expanded drone-track, built on everchanging sonic masses, low frequencies, strong electric/electronic sounds, field recordings, feedbacks, buzzes, hisses, rough distortions, sunken organ chords, subdued inserts of strings orchestral parts. Alternation of progressive crescendos, ambiental stasis, sudden, dramatic and catching dynamic shocks... An involving and extraordinary "trip" across an obscure sonic path, convincingly assembled in collaborative form by…