Tape play
The Ten Tape Compositions: Fat Millie's Lament, The Wasting of Lucrecetzia, For Harry, Lemon Drops, Dante's Joynte, Rerun, Mouthpiece II, Hiss, Few (in collaboration with Henri Chopin), and Kyrie. "Over his career, Kenneth Gaburo (1926-1993) produced a lot of electronic music. However, works for tape alone are fairly rare in his output. Over about a thirty-year period, ten works for solo tape were produced. Of the ten tape pieces, five were created in the mid-1960s at the University of Illinois,…
Savage songs
Jorge Antunes (b. 1942, Rio de Janeiro) studied violin, composition and conducting at the University of Rio de Janeiro, as well as studying physics at the same institution. He further studied composition with Alberto Ginastera and Luis de Pablo. From 1970-71 he attended the University of Utrecht (Gotfried M. Koenig). From 1972-73 he worked with Groupe de Recherches Musicales in Paris. In 1962 he began his research in electronic music thus becoming a pioneer in the development of this field in Br…
Brombron 13: Bowl, Helicopter
Korm Plastics is proud to present the thirteenth release in the Brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative projec…
Our telluric conversation
'23five Incorporated proudly presents Our Telluric Conversation - the second collaborative album from John Duncan and Carl Michael von Hausswolff. This is an album which Duncan describes as having been galvanized by magnetism. In a semantic sleight of hand, Duncan and Hausswolff reveal magnetism through a duality of meanings. One on hand, they speak of the physical phenomenon of charged objects that exert an attraction or repulsion upon other objects; yet on the other, magnetism can be defined t…
Waste of songs
2006 release ** With Waste of Songs Joe Colley offers a series of events jumping between brutal noise, field recording, and (fake?) psychoacoustic tonal interactions. The result is a tightly edited collage journey through states of mental duress and negative reactions to an environment. There are sounds of broken or dying equipment, devices pushed to limits, attempts to coax out spontaneous reactions from feedback and linked cheap electronics. A strong statement, and an evolution showing the nex…
Pour Entrer Et Sortir d Un Conte - L'Eglise Oubliee
Two musique-concrete episodes from a larger work entitled Les Contes de la forêt profonde (Tales from the Deep Forest) sparse entries, with an emphasis on sliding shepard tones & digitally mutating concrète texturesPour entrer et sortir d'un conte (1990 - 21'05) the "entrance" is like passing through a maze. the elements are propelled by processes of repetition and recurrence and tend towards stagnation within a structure consisting of blocks set side by side and thick. compact, opaque masses. t…
Quatervois
2004 release ** Card sleeve. "Finally the overdue and long awaited re-release of Iovae’s Quatervois which came originally as a limited CD-R release on Drone Disco. Iovae, native of Cincinnati is a true alchemist, working out lo-fi tape collages and simple four track assemblages. He uses unusual sound sources and layers these into rather dense and industrial etudes of found sound. Iovae (Ron Orovitz) has been playing with sound in the culturally insular confines of Cincinnati Ohio since circa 198…
In Opposition To Our Acceleration
In Opposition to Our Acceleration mostly consists of soft, atmospheric sound art pieces, as usual fusing electronics, computer treatments, and improvisation on amplified objects. The characteristic mood swings of Illusion of Safety are nowhere to be found on this CD. Things develop slowly, softly, luring the listener into a catatonic state, an "illusion of safety" that endures throughout the disc's 74 minutes. The album has been put together from various live recordings ranging from quartet perf…
I, Angelica
Sounding like an archaic echo, If, Bwana could be the title of a Bob Hope-Bing Crosby vehicle that never got made. A little investigation reveals it as the oddly worded cover for Al Margolis, who is perhaps better known as a tireless activist in the 1980s American cassette underground and, later, as the co-founder of experimental music label Pogus Productions. Derived from an acronym for It's Funny, But We Are Not Amused, the name sticks out like a cartoon-swollen sore thumb alongside such artis…
La danse des tonneaux roulants et brisés
Le pionnier légendaire de La poésie sonore Henri Chopin (1922 - 2008) livre ici sa dernière composition datant de novembre 2003, réalisée chez lui à Dereham en Angleterre avec son micro et son Revox stéréo. Cette pièce de 51 minutes en trois volets témoigne de La vitalité et de La créativité dont faisait preuve Henri Chopin qui travailLait encore à plus de 82 ans !, avec acharnement et passion.
Ku
The act of conjuring remarkable sound from found objects is at the very heart of this recording from American musicians Greg Davis and Jeph Jerman. Having met in Arizona some years back, Davis and Jerman commenced working together on a series of recording projects. Improvising with a range of implements and devices ranging from sticks, stones and lo-fi electronics to prepared instruments, gongs and broken percussion, the pair sought to develop a personal language that reflected their individual …
Studio Retrospect
A collection of six compositions made in electronic music studios from 1959 to 1984. All were composed for concert hall or theater performance with choreography, as well as for distribution on recordings. Music from the Venezia Space Theatre, The Dresden Interleaf, and Echo-D were composed for quadraphonic theater systems, and were later spatially remodeled for release on stereophonic recordings. A collection of six compositions made in electronic music studios from 1959 to 1984. All were compos…
Defekt
Matchless Recordings presents a live performance by Furt. The album includes four tracks performed by Richard Barrett and Paul Obermayer - electronics.Track 1 - recorded in Berlin, December 2001Track 2 - produced in Watford, October 1997Track 3 - produced in AmsterdamTrack 4 - recorded in Amsterdam, 29 February 2000
Atolón
2004 release ** "Atolón, whose four tracks are further proof that the barriers that once existed between free improvisation and noise are coming down fast. And in the sunshine of Barcelona at that. Alfredo Costa Monteiro and Ferran Fages have released several albums as Cremaster (though not using the same instrumentation), and trumpeter Ruth Barberán previously teamed up with Costa Monteiro and Matt Davis in I Treni Inerti (now sadly disbanded, but not before leaving us the splendid Ura album on…
Songs of Milarepa
Five pieces in tribute to Milarepa, the eleventh century Tibetan poet and saint. Radigue on synthesizer, Robert Ashley reading in English and Lama Kunga Rinpoche in Tibetan, the last track running sixty-two minutes.
Et ses apparitions
2005 release ** "Edgar Olivier Charles doesn’t exist, it’s the alter-ego of Roger Tellier-Craig, who works as Et Sans, Le Fly Pan Am and Set Fire to Flames. So far so good. ‘Rediscovered music recorded in Montreal between september 2002 and january 2005, it says on the cover and rediscovered are three tracks. In each subtitle, to each track, a name is mentioned: Iannis, Karlheinz and John – so, I’d say Xenakis, Stockhausen and Cage (well, more likely than, say Adams? Lennon?). And maybe Edgar Ol…
Dubravko Detoni With Acezantez
Croatian composer and pianist Dubravko Detoni is a name barely familiar to even the most hardened and fanatical followers of avant-garde composition. Although he has managed to consistently escape almost all forms of wider public recognition, Detoni has, since 1970 -- both in the solo context and with his Acezantez ensemble -- doggedly pursued a singular and unique musical path. Drawing on the conventions and traditions of modern composition, avant-garde electronics, musique concrète and group a…
Chrysalide
In Bocalises, Denis Dufour explored with virtuosity the sound possibilities of a sole sound source, glass jars broken, crushed and mixed to themselves to infinity. Fifteen years later, he takes up the material and, with digital tools, presents a retouched and recoloured version to give a new power and poetic richness to the initial energy.
Neural synthesis n. 6-9
1995 release. Neural Synthesis Nos. 6-9 combines the art of music, the engineering of electronics, and the inspiration of biology. In it, David Tudor orchestrates electronic sound in ways analogous to our biological bodies' orchestration of consciousness. The performance originates from a neural-network synthesizer conceived and built especially for Tudor. He surrounds this synthesizer with his own unique collection of electronic devices, and in the recording on this CD made for headphone playba…
Three Works For Live Electronics
Originally released on Lovely Music as Pulsers / Untitled in 1984. This re-release includes an additional piece from David Tudor, Phonemes. Pulsers explores the world of rhythms created electronically by analog, rather than digital, circuitry. With analog circuitry, the time-base common to the rhythms can be varied in many different ways by a performer, and can eventually become unstable. Untitled is a part of a series of works composed in the 1970s that were developed through experiments in gen…