We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Electronic /

Whitby
David Boulter, best known as a long-time member of Tindersticks, returns to Clay Pipe Music with Whitby - an evocative mini album inspired by the stark beauty and unsettling calm of England’s North Yorkshire coast. Unlike the familiar seaside towns of his youth - Great Yarmouth, Scarborough, Filey - Whitby held no particular memories for Boulter until he visited with his family in the summer of 2024. "I’m constantly inspired by my surroundings, or memories of them," he says. "Sat on an almost de…
Northern Minimalism 4
Mat Handley returns to his South Yorkshire inspired Pulselovers project with a bold new chapter in the acclaimed Northern Minimalism series. What began as a deeply personal tribute to the region’s industrial, post-punk and synth-pop legacies has now evolved into a sprawling, 20-track remix project released via Castles in Space's new CD imprint, Lunar Module. The double CD includes remixes from a stellar cast of electronic artists: Aural Design, Apta, Pefkin, Grey Frequency/Blue Room, Sulk Rooms,…
Njurra Wänja
"The process of making music together in Hand to Earth is unlike any other we have experienced. It is not free improvisation but it is not composed either. It is somewhere in between, and it feels like ‘weaving.’ Through Hand to Earth, we weave the threads of our different histories, different lives, and different perspectives together, and become family.   Daniel weaves the ‘Manikay’ (public songs) in his first language, Wagiläk - into the syntax of our shared practices. He talks about the ‘rak…
Moonbuilding Summer 2025 (How Did We Get Here?) (Magazine + CD)
Good lord, Moonbuilding Issue 6 has taken its sweet time. But don’t look at us, this handsome A5 zine has a mind of its own. Magic like this is out of our hands. Or as ABC’s ‘Poison Arrow’ put it, “she comes when she comes”. But it’s here. Finally. And anyway, in the grand scheme it’s best not to ask how it’s happened, but how quickly you can get your hands on a copy. So what have we got? Well, taking pole position on the cover of the Summer 2025 issue is the utterly unique Loula Yorke. In our b…
WVLT
WVLT is the newest sonic addition from WNDFRM (Portland-based, Tim Westcott), an album of eight distinct explorations exploring the many facets of experimental IDM. Tim Westcott’s practice is rooted in an acute, nearly forensic attention to sound. Subtle tones, sculpted drones, and lean percussive gestures, always pursued with a patient ear and obsession with sound design. With previous releases on Prologue, Home Normal, and Dragon’s Eye Recordings, and several live performances at Mutek, a new …
Wrong Filament
Wrong Filament embodies Robert Piotrowicz’s creation of fictional traditional music — not studied but invented, a utopian and oniric construct that becomes tangible in sound. These imagined traditions act as communal forces of music-making, resisting dominant structures of power. The album unfolds in six dense compositions built on rhythm, repetition and minimal melodic gestures that draw on archetypal patterns of Eastern European traditions. Entirely synthetic yet strikingly instrumental in cha…
IX TAB
*100 copies limited edition* Ix Tab is an album dedicated to the mysterious Mayan deity, goddess of ropes and snares, and patroness of those who hang themselves. Originally released on cassette, the album was influenced not only by Mayan mysteries but also by Western and medieval esotericism (I.A.O., The Inquisition, etc.) and vampirism (Akhkharu). The artwork features glyphs and images of demons taken from the Dresden Codex, and the cover image specifically is a representation of Ix Tab, likely…
Surfing On Sine Waves
Originally released in 1993, Surfing On Sine Waves is the second album released under the Warp Artificial Intelligence series (the series also includes the two titular compilations, as well as contributions by Autechre, The Black Dog, F.U.S.E. and more). Surfing On Sine Waves is also the sole album released under Richard D. James’ (aka Aphex Twin’s) Polygon Window alias. The name “Polygon Window” originally appeared as a track name under Richard D. James’ other pseudonym The Dice Man, as the tra…
Classics
Undoubtedly one of the most important and influential electronic artists to have emerged in popular music, the sonic misfit from Cornwall, Aphex Twin, released a breathtaking slew of early singles and albums from 1991 onwards (and continues to present day). The first clutch of groundbreaking works came on the legendary Belgium label R&S Records and were collected on a compilation album ‘Classics’, released in 1995, and followed the global success of the timeless album ‘Selected Ambient Works 85-…
Convex Umbra
C. Lavender (Lavender Suarez) is an interdisciplinary sound artist, sound healing practitioner, and educator based in New York City. Bandcamp asserted that "C. Lavender makes music with curative powers, but it's also confrontational, primed to change you whether or not you want it to." She is the author of the insightful book "Transcendent Waves: How Listening Shapes Our Creative Lives." C. Lavender has albums and recordings featured on Editions Mego, iDEAL Recordings, Ecstatic Peace!, and RVNG …
xAj3z
SoiSong is the bright, stunning, and short-lived project conceived in 2007 by Ivan Pavlov (CoH) and Peter "Sleazy" Christopherson (of Coil). The duo combined Pavlov’s uncompromisingly-visceral digital aesthetics with Sleazy's decadent, dark and whimsical approach to creation. Primarily located on the Eastern Pacific Rim, the two named the project after the Thai word for ‘two’ (song), as well as the seedy red-light quarters ("gloomy Soi’s, or alley-ways") of Bangkok. Together, they developed a un…
White Souls In Black Suits
Available for first time in over 35 years, Clock DVA’s White Souls in Black Suits - originally released in 1980 as a limited-run cassette on Throbbing Gristle’s Industrial Records - now returns in a newly remastered edition on grey vinyl and CD, reissued via The Grey Area of Mute and expanded with four bonus tracks from the same era. Led by the visionary Adi Newton, Clock DVA remains one of the most enigmatic and shape-shifting acts to emerge from Sheffield. Their catalog spans mutant funk, noir…
I Can Feel The Fun
Zahgurim formed in 1983 and were early contributors to the Industrial Music scene associating with the Temple Ov Psychick Youth. They were invited by Konnex Records Manfred Schiek to record an album for his Berlin Atonal label resulting in Moral Rearmament produced at Julian Gilbert and Simon Crabs studio at the Old Ambulance Station on Londons Old Kent Road. It became Berlin Atonal’s fifth release. Live performances at Dimitri Hegemanns pioneering Berlin Atonal festival with Psychic TV, Test De…
Monotonprodukt 07
* 2025 lucky restock, totally sold out at the label. 300 copies on red vinyl. * A holy grail of electronic music reissued on vinyl for the first time in 30 years, originally issued by Konrad Becker aka Monoton in 1982 on a tiny run of 500 copies, this release has achieved certified holy grail status in the world of electronic music, marked out as a genuine milestone by successive waves of respected institutions and featuring in The Wire magazine's '100 Records That Set The World On Fire' and Woe…
Sheer Hellish Miasma
** 2025 repress, gatefold sleeve, gold pantone print, incl. hot foil stamping. Edition of 500 ** After more than two decades, one of experimental noise music's most uncompromising statements returns to vinyl. Mego presents the long-awaited reissue of Kevin Drumm's Sheer Hellish Miasma, first released on CD in 2002 on the original Mego label. This 2LP edition marks the return of a landmark album that has remained a ferocious document of Drumm at his most inventive and unrelenting. The history of …
Surface Disorder
Multi-instrumentalist, visual artist, and scene creator, Jonathan Uliel Saldanha, has been releasing music under various guises for two decades. With the successes of his moniker HHY (Nyege Nyege Tapes) whether in symbiosis with The Kampala Unit or the syncopationophilic big band of The Macumbas, Jonathan Uliel Saldanha's sonic signature continues to grow more and more singular. Ever synthetic and digital, Uliel Saldanha's work-ethic never eases—having recently started a label of his own, Horror…
Metamorphosis
*250 copies limited edition* Both unflinchingly experimental and undeniably listenable, Metamorphosis is a mid-career reinvention from masterful vocalist Holly Palmer. Conceived with producer / multi-instrumentalist Pete Min, and developed in the studio through improvisation and experimentation, the result is jazz-inflected art-pop, as warm, playful and inviting as it is uncategorizable, a record brimming with radiant supporting performances from heavyweights like Cuong Vu, Jeff Parker, Benny Bo…
We Do Recover
We Do Recover, the new album from Powell and his first album proper on his own Diagonal Records, is a vitalising record of recovery and a statement of reassurance. The music is intensely emotional and lean, and forms a uniquely expressive story that opens up new ground in the artists's bizarre continuum of synthesised sound — this time triggered by experiences of grief and addiction. The suicide of one of his life-long friends in 2024 was a life-changing loss which eternally altered Powell's lif…
Downriver
*50 copies limited edition* »Downriver« unfolds like a dérive through obscured geographies, echoing the psychogeographic journeys of Iain Sinclair. Just as Sinclair’s writing blurs the tangible and the imagined, Sequences, the project of Antwerp-based artist Niels Geybels, drifts into spaces where memory and environment overlap. Single-take recordings stretch into slowly mutating drones, fractured textures, and ghostlike voices that seem to seep in from unseen thresholds. The atmosphere is one o…
Letters Home
*100 copies limited edition* Letters Home is the first PITP full-length from Tennessee-based Slow Blink (aka Amanda Haswell), who aptly describes her compositions as “tape loop weather patterns”.  Across the arc of its two half-hour-long pieces, individual melodic elements build into dizzying, cyclical symphonies of melting colors and shapes.  Haswell cites bowed guitar, piano, bells, recorder, and toy synthesizers as her primary sound sources, but through her array of effects pedals and tape ma…