Electronic / All styles

Live set by Fabio Orsi at Kina in Rome on 31 May 2026, a ritual in three sections made alongside the a sad song for A. project, with samples by Hiseka; October 2026.

Electroacoustic collage by Anacleto Vitolo recorded live in five sections, between frenetic passages, drones and quiet pauses; CD in digisleeve, October 2026.

Short ambient-electronic tracks by Spielerei drawing on techno, IDM, downtempo, dub, glitch and Berlin School, mastered at Ultimae Studios; 200 copies.

Ambient and drone album by the Chinese sound artist Guofei (Oscpllex), from field recordings made in Venice during the 60th Biennale, in Milan and Florence, processed in Shanghai; 200 copies.

Dub alliance of Mystica Tribe (Taka Noda) and Scopeotaku (Scott Prentice) between dub, techno and psychedelic electronics; CD in digisleeve, 13, October 2026.

Recomposed by Carl Craig & Moritz von Oswald is an extraordinary album that combines classical music and electronic sound art in a fascinating way. The two electronic music pioneers draw on recordings of Ravel’s Boléro and Rhapsodie espagnole, as well as Mussorgsky’s Pictures at an Exhibition, conducted by Herbert von Karajan and performed by the Berlin Philharmonic, and use them to create an original, cohesive musical work. In doing so, Craig and von Oswald do not simply juxtapose classical and…

The album Friendship Survival Guide by the late Icelandic composer Jóhann Jóhannsson and his close friend and composer Adam Wiltzie features a number of collaborative orchestral psychedelic drone compositions. Wiltzie, co-founder of the now-legendary drone duo Stars of the Lid, and Jóhannsson, the award-winning composer and orchestrator, shared a decade-long friendship and creative partnership, writing, performing and recording together prior to the latter’s tragic passing in 2018. Friendship Su…

Intervals of waiting, in the in-between mind, strumming a keyboard as if for the first time. From sample to simple, child to child, womblike cocoon when awake, the world crumbling at night. They "dream the dream forward”, these lullabies. "Intervallo" is the second release by Teresa Cos on Futura Resistenza. It is no coincidence that it bears the same name as the last song in her previous one (Karnofsky's Score, RESCD005). What was then a reflection on the interval between diagnosis and death, i…

Nearly ten years of Ikue Mori's music and visual work: eight electronic pieces with Satoko Fujii, Natsuki Tamura, Koichi Makigami and Zeena Parkins, plus a DVD of her films with handmade dolls, puppets, animation and miniature sets. Tzadik.

"Still flying under the radar but already something of a cult figure, Baldruin has patiently shaped a singular musical world where mystical synth folk meets a deeply personal vision of traditional music, drawing equally from Eastern and Western sources. On Aventüren, Johannes Schebler expands this universe even further, offering a unique take on musical minimalism refracted through his own dreamlike aesthetic.Raised in the rectory of a small Bavarian village, Schebler spent his childhood as an a…

Moon Glyph Records head Steve Rosborough returns as Omni Gardens with a brand new album entitled “Golden Pear”. The fuzzy, warm and buoyant moog timbres of “Moss King” return but “Golden Pear” is a dreamier and more lush affair; incorporating a wider palette including mellotron flutes, vibraphones, marimbas and self-captured field recordings. A tranquil, pop atmosphere permeates the album as the songs flutter between bleary, unhurried tunes, warbly soundscapes and odes to lazy afternoons. Create…

Omni Gardens is the experimental ambient/new age project by Moon Glyph head Steve Rosborough. Recorded at home in Portland during the early days of covid, "Moss King" is relaxed home listening for difficult times. The first Omni Gardens release, “West Coast Escapism”, was expansive with a broad selection of soothing synth tones and morphing samples. In contrast, "Moss King" is a smaller, more intimate affair, full of fuzzy new age moog drifters and self-captured field recordings. The tracks boun…

It's taken almost 50 years for the long-lost original score and soundtrack to Abel Ferrara's 1979 grindhouse / video nasty "The Driller Killer" to finally be released. Composed by Joe Delia, it features contributions from Tony Coca-Cola And The Roosters, and classical pieces by J.S. Bach."Driller Killer was a crash course in real time to scoring music to picture. We sat around the Steenbeck scoring directly to Jackie's 2 track Tandberg deck. We had two synthesizers... an ARP odyssey and an ARP s…

The first-ever official reissue of the pioneering 1986 ambient work, produced in full cooperation with Hiroshi Yoshimura’s estate!

*100 copies limited edition* 180g black vinyl record housed in a full color, double-sided 350 GSM C2S board stock wraparound jacket. Anti-static, scratch-resistant inner sleeve. Full color center labels. Packaged in a premium protective poly bag. Includes a unique 35mm slide. Mixed and mastered by Brock Van Wey. Photographic compositing, layout, and design by zakè.

Remastered and sounding better than ever, ‘Compiled 2.0 / 1981-84’ wraps up the most indispensible bits by Gudrun Gut and co’s all-female German post-punk unit Malaria! - effectively Berlin’s answer to The Slits or The Raincoats and one of the key Neue Deutsche Welle and post-punk units of the era.

The complete Floating Frequencies / Intuitive Synthesis cycle on four cassettes: Eleh's three foundational volumes of pure analog tone (2006-2008), dedicated to La Monte Young, Charlemagne Palestine and Pauline Oliveros, plus Volume IV. Remastered by Tom Eaton in 2025, Cassauna.

The first band to make music with networked microcomputers: Jim Horton, John Bischoff, Rich Gold and Tim Perkis's KIM-1 recordings from the San Francisco Bay Area, 1978-1983. Limited double LP on Death Is Not The End.

Lorenzo Senni's first album in six years and his sixth overall: experimental trance and rave seen through hardcore punk, skateboarding and straightedge culture, with his own voice for the first time and guests Chad Muska, Jamie Thomas and Jamie Stewart of Xiu Xiu.

The Scholars did what they had to do. I knew too much, and it was too risky to keep me within the Walls. The Sacred Cycle cannot be touched, even by thought. But I had to know. I could not stop myself… They cast me out into the desert. After two days of walking, I found a small cave where I could rest for a while. I feel strange, as if my mind has been corrupted by the Sacred Cycle. The road through the desert seems to repeat itself in an endless loop. I was relieved to find this cave. Maybe it …