We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
M_Sessions is offering a contemporary version of Mania D., Malaria and Matador’s music for the 40th anniversary plus the rare originals. Bringing the past into the now and into the future. Monika Werkstatt seemed the perfect choice for new interpretations. Founded in 2015, comprising female electronic musicians and producers from the entourage of Monika Enterprise and Moabit Musik. The loose collective played dozens of improvised concerts around Europe and released a studio album and live record…
Get Out by Pita unfolds as a seminal work in laptop-based experimental sound, capturing the raw interplay between digital entropy and sonic melody. Rehberg’s compositions navigate between turbulence and clarity, aided by precise electronic manipulations and a single-minded commitment to his artistic vision, setting a benchmark for subsequent generations of experimental musicians.
Tempo Livre is a collaboration between Pedro Tavares (funcionário) and Luís Neto, where progressive rock, ambient folk, experimental electronics, and pop intertwine in compositions that explore themes of memory, fear, and transformation. The album Terra Nova is a sonic journey divided into nine tracks that drift between ethereal passages and rhythmic explosions, where the delicacy of traditional acoustic instruments like santur, nyckelharpa, and duduk contrasts with eclectic drums, elastic bassl…
Creating what Iggy Pop described to Jim Jarmusch as “symphonies for people that don’t have a lot of time,” Sarah Lipstate has emerged as an innovative and defining voice in the world of music under the name Noveller. Wielding a guitar as her main instrument, Lipstate has pioneered a transcendent approach to composition through her mastery and integration of effects pedals and technology. Forming unexpected sonic routes, her songs are vivid and cinematic, telling intricate tales with each tone an…
2025 stock Carter Tutti Plays Chris & Cosey is available to download and is released on CD and double Vinyl and features eight brand new reinterpretations and re-workings of classic Chris & Cosey songs from the 1980s and 1990s. The idea for the album originated from their recent much requested, live performances of 'Carter Tutti Plays Chris & Cosey' which led to an unprecedented series of shows in the U.K., Europe, Scandinavia and North America from 2011 to 2014. These dates in turn instigated s…
2025 stock Coil’s cultishly acclaimed Worship The Glitch features the group in dialogue with the ghost in the machine, an element they named ELpH and considered as much a part of the group as any physical member. Aye, you’d probably be right in assuming they were taking a lot of drugs during the creation of Worship The Glitch, and consequently the results stand out among their trippiest releases, comparable with the rugged space of early Pan Sonic and slightly later Mika Vainio releases as much …
Universal Synthesizer Interface Vol III by Kristen Roos explores analog synthesizer landscapes with intricate sequencer programming and expansive rhythmic patterns. Released by We Are Busy Bodies, the album’s six tracks build lush, propulsive electronic architectures—melding modular arpeggios, pulsing bass, and shimmering effects into a hypnotic and meticulously detailed journey.
Synthetic: Season 4, the final installment in Rich Aucoin’s quadruple-album saga, is a landmark in ambitious electronic artistry. Recorded over five years and utilizing 103 vintage and rare synthesizers—including the Buchla Electric Music Box and Ondes Martenot—the album traverses cinematic ambient, analog-driven techno, and experimental pop across fifteen intricately crafted tracks.
Synthetic: Season 3 by Rich Aucoin continues the Canadian artist’s ambitious four-part electronic saga, zeroing in on dance and rave music influences with vintage synthesizer textures. Recorded across multiple studios between 2020 and 2024, the album features ten energetic tracks—a journey through nostalgic sounds, analog warmth, and kinetic club reverie.
Holy to Dogs, the newest album from The MIDI Janitor, is a haunted, downtempo odyssey of outsider electronics and dusty, dreamlike beats. Vancouver’s Jonathan Orr repurposes scavenged MIDI controllers and obsolete synths, producing spectral melodies, melancholy textures, and a pulsating DIY spirit that veers between ambient, hauntology, and rusted techno.
A Gradual Awakening by Danna and Clement is a landmark Canadian ambient album created in and with the wilds of Ontario during the early 1980s. Built with analog synthesizers and field recordings, the duo’s introspective soundscapes reflect deep environmental and personal connection, evoking both spirit and subtle change across gently unfolding musical landscapes.
The Tinnitus Chorus, a new album from Michael Scott Dawson, is a collaborative ambient project reflecting on his personal experience with tinnitus. Joining forces with an eclectic cast from the worlds of experimental folk, jazz, and electronics, Dawson weaves tape loops, gentle melodies, and field recordings into a quietly unified journey through sound and vulnerability.
Kokoro no Kibi, the new release by Shoko Igarashi, is an album of ambient and electronic meditations inspired by the Japanese phrase for “the delicate nuances of the heart”. The Brussels-based composer and saxophonist blends gentle analog textures, improvisation, and subtle harmonic landscapes.
"A Composition of Agitprop Music for Electromagnetic Tape" by İlhan Mimaroğlu is a collage of political sound art blending revolutionary texts, manipulated electronics, and the vocal performance of Tülay German. Recorded from 1972–74, it transforms agitprop tradition into a radical meditation on freedom and dissent.
Trio Xenakis – comprising percussionists Adélaïde Ferrière, Emmanuel Jacquet, and Rodolphe Théry – presents Xenakis-Reich (Live) on B Records, a rigorous examination of two foundational approaches to contemporary percussion composition. This vinyl edition documents live performances that illuminate both the technical demands and philosophical substrates of works by Iannis Xenakis (1922-2001) and Steve Reich (b. 1936). The program opens with Xenakis's Okho (12:47), a seminal work for three djembe…
**2025 Stock** Mountain of Fugitives invites the listener into a realm where ambient sound design and narrative instinct merge to form a deeply atmospheric, two-disc meditation on wandering, refuge, and landscape. Across eight long-form pieces, Valera Hip sculpts immersive environments that blur the boundary between documentary realism and imaginative reconstruction. Drawing upon authentic field recordings—rustling leaves, distant voices, shifting wind—as both texture and thematic anchor, the al…
**2025 Stock** Ritualer, Blot Och Botgöring stands as the uncompromising debut of Trepaneringsritualen—Thomas Martin Ekelund’s celebrated project that laces religious dread, magick, and esoteric sorrow into the very fabric of death industrial. Originally issued in 2008 with only 75 cassettes and later given a justified re-release on vinyl, the album draws listeners into its haunting landscapes from the first cavernous, echo-soaked textures of “Bloodletting Ritual.” Lo-fi, murky, and unapologetic…
**2025 Stock** The album The Trail of Genghis Khan, made by Cye Wood in collaboration with Lisa Gerrard is now officially released on vinyl by Infinite Fog Productions. Sourced from material that Lisa and Cye produced for the documentary series of the same name, The Trail of Genghis Khan is an emotive interpretation of Tim Cope’s epic journey on horseback from Mongolia to Hungary (on which the documentary is based). Drawing on inspiration from this rugged and majestic landscape and the culture …
Collected Works by raison d’être is a compilation of deeply atmospheric dark ambient tracks spanning 1999–2010. Encompassing sacral drones, ritual soundscapes, and mournful melodies, the album distills Peter Andersson’s vision: music as spiritual lamentation, shaped by textures, chants, and buried harmonies.