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*2024 stock. 50 copies limited edition* "The second tape started to develop when I was looking for a way to play Tape Cuts live. A track was composed and its shapes were repeatedly explored. The final form was ultimately recorded in a single take on 1/4 inch tape, mirroring a live performance and celebrating one moment in time.
After completing this recording I was faced with a mass of tape loops left hanging on the wall, the wreckage of the composing process. Layers and layers of sound buried a…
*50 copies limited edition* "It was a slow growing body of work with material continuously transforming, being re-recorded and discarded, lost sounds emerging from forgotten loops and a few staple tracks dragging at me to dig deeper. I also found myself working on other music during this time and gradually the Blue Cut tapes went lingering into hibernation.
However, early spring brought me focus when I was unable to play music due to surgery I had undergone. Seemingly, the only way of creating m…
What if Coil would have gone playing Black Metal music? Well, we cannot say it for sure, but probably the outcome could have been something very similar to some of these last Teatro Satanico tracks. Heavily influenced by explicit occult and esoteric topics, “Enochian Musick For Beginners" is an unforeseen psychedelic journey beyond the frontiers of the usual post-industrial noise. A true original mixture of electric and electronic frequencies. It got something new, something that inspires awe, s…
After two demos and a trilogy of albums (on OEC, Tesco and Unrest) Böltorn decided to call it quits.The goals were achieved, there was nothing more to accomplish. In their wake they did however leave one recording behind; a "live in the studio" session recorded in January of 2022. These recordings are the most uncompromising ones the band ever did and fueled by anger, rage and alcohol in the company of good friends this is as hard and good as it gets.The live & final BØLTORN album. In one word: …
The summer of love is here...Claudio Frassine (MADEMOISELLE BISTOURI / NORTH CENTRAL) teams up with Henrik Nordvargr Björkk (FOLKSTORM / MZ. 412 / BØLTORN) to bring some seriously filthy noise to your dungeon.This is as extreme as it gets; blazing textures and walls of feedback collide with junk noise, roaring electronics and the commanding lyrics of Nordvargr.Harsh noise connoisseurs as well as power electronics fans take note - this is how it's done!A fantastic heavyweight debut.In a coupld of…
A limited CDr included with the A Castle Popping LP (R11, 2015). Tub of Deep Green Ink compliments the nature of the A Castle Popping, presenting ten tracks from 2011-2014. Ranging from layered string recordings, like the pastoral 2012 piece Inverness String Variations, to computerized-vocal experiments, as with ADR Aria & The Wind Sick (both from 2014). Human voice is dissected and stitched back together; examined under odd light. 2011’s Rooms of Night explores the interior of Sean’s old house …
Seeing Matthew Erickson perform live is an impressive experience. The sound he gets by blasting his saxophone through his Fender Twin literally shakes you to the core. Erickson has a great ear for experimental music; exercising tasteful timing and restraint, which I am finding to be more and more important. Whether performing in the sax-guitar duo Sudden Oak, or solo as Radiant Husk, his sonic presence has earned the respect of many.
Just when you think it's all over, along comes something completely unpredictable - in this case, a modest but uncompromisingly original confection that mixes latin brass arrangements (sort of), great drumming, medium wave radio and the many characters of the accordion. Simplicity, complexity, surprise, familiarity -and all without undue fuss but adding up to something exotic and new. Radio Banana is a record that wears its heart plainly on its sleeve. It doesn't play by genre rules, or fashion …
Polido has been fantasizing with the idea of free music throughout his artistic career. Free from restraints, logos, musical genres, but also from this modern obsession with narratives, plans, business plans, algorithms and bubble wrapped ideas for comfort of those of you that can’t breathe without everything making sense. “Hearing Smoke” has nothing of that. It has been four years since Holuzam released the double album “A Casa e os Cães / Sabor a Terra” and for four years I have been daydreami…
Contemporary music for tuba and a revelation of an under-utilised musical voice. For stretched and traditional techniques. Includes works by Lutz Glandien (Tuba and Tape), Morton Feldman, Igor Stravinsky and Michael himself. Excellent collection; and unusual.
First released in Hungary in 1987, this is an extraordinary work combining ensemble playing, documentary recording, studio manipulation, electronics and some stunning compositional conception. Featuring Marta Sebastjen, the Amaninda group, WYXOMPHONIC group, Mandel Quartet and a star gallery of other instrumentalists of all kinds. A unique work we worked years to acquire - a masterwork in every sense.
File under early Russian industrial rock/art; Harry Partch, incorporating primitive analogue electronics. A legend in art and industrial music circles, ZGA was formed under the old regime in Riga, Lavia, in 1984, by Nick Sudnik and Valery Dudkhin. Unable to rehearse acoustically because of the neighbours, they invented their own instruments from scrap and springs and shaped metal fitted with contact microphones; these were not just noise instruments, but ways of accessing complex pitches, strang…
A sound drama for tuba and electronics that constructs its own rich, twilit, rather alien, world. Only the sound of the tuba (sometimes), a few waves and a little thunder sound familiar, everything else is a mysterious presence; the electronics are not at all conventional and though much of the sound is clearly derived somehow from the tuba, it offers no foothold in a familiar place. If landscape were ever an appropriate metaphor for the product of a congeries of sounds, it would be applicable h…
1992 release ** A complete new work plus 'Death In The Blue Lake'. Combines playing and through-composition with manipulated and environmental sound in dramatic, narrative, psychological constructions. Quite unique. 'Death' based on a novel; texts in new works by Chris Cutler.
1992 release ** "The psychotic world of The Rosenberg family with violin music from the dentist, the shrink, the surgeon and other split personalities. A funny, typically nutty release by this internationally known troublemaker, instrument maker and violinist (not necessarily in that order). This is billed as `an opera perverse,' and includes Shelly Hirsch & Phil Minton."
With string orchestras, percussion, a motivating red guard and the severed embalmed arm of the great helmsman himself (maybe), Jon Pits the ethos of Mao's China - and in particular the mass production of the violin and it's use in life against the 'reductive cultural practice of our globalised world'. Well, that's what it says here and by golly I agree. Apart from that, this a large scale work that features fine and extensive writing for string orchestras, juxtaposed with (more or less) controll…
Sound artist Lauren Weinger documents and reworks one of her large scale installation events in giant grain silos in America. The massive sounds of gargantuan hoppers pouring grain, documentary moments of dialogue, local, archive and composed musics, mysterious traces of a country, a culture, an event where 2 Americas meet. Beautiful packing. Plus extra Video track (& software, if required, to play it). A unique document and powerful listening.
Derek Gedalecia’s latest creation brings us mutated electronic music from the extreme far out. A seemingly endless stream of synthetic gurgles, gulping, and goop in chaotic bursts of unpredictability. Includes a live audience/soundboard recording that delivers in the masterful live HB style.
Julian Gulyas (Cylindrical Habitat Modules label boss) delivers a refreshing suite of synth and tape explorations. Holding Hands references the early days of electronic music, while still maintaining a forward-thinking and modern abstract underground sound.