Maroon
Separated from both its reputation and its sleeve art, the music of Muslimgauze explores the relationship of visual sensations -- space, color, depth, illusion -- to the listening experience. The music on Maroon is dub-like inspired techno music, laidback with voices appearing randomly in the mix. The thick drums and rich found sounds that densely populate the soundscapes on Maroon give materiality to the warm presence of the synth washes. The music is so layered and textured that it ceases to b…
Eye For An Eye
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…
Hamas Arc
Originally released in 1993. The reissue contains remixed material from »Shekel Of Israeli Occupation«, which did never appear. Also on there are two remixes from tracks on »Vote Hezbollah«. From the original press release: »For over ten years this solitary voice from Manchester has created a unique sound drawn from a melange of Arabic and European instrumental music. From the very beginning the music has been based on drums and other percussion instruments. Recent advances have been attained th…
Lazhareem Ul Leper
Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban stylings with a technical deftness akin to the way a Shao-Lin monk wields weapons. Muslimgauze enthusiasts may recognize sounds from Izlamaphobia on the odd track as they were made roughly the same time, only Lazhareem is arranged differently and with more unique elements to form a …
Sycophant Of Purdah
Part of Staalplaat’s ongoing Muslimgauze archive series, Sycophant of Purdah was submitted in 1994 then “replaced” by another master Bryn Jones felt more fit for release. Sycophant then languished in the vaults until present, nearly a decade after Jones’ passing. It is no secret that Jones was a prolific artist and that numerous labels combined could not keep up with his output and will take several more years more for them to do so.
Sycophant opens with a radio broadcast on the on-going Palesti…
Kashmiri Queens
"Kashmiri Queens" presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. All the standard Muslimgauze elements present here, but this release sees a more steady approach to his sound. Far less of the abrupt cutting in and out he had favoured for a good while, and more of a concentrated approach to the music. He lets the …
Souk Bou Saada
Another Muslimgauze discovery in Staalplaat's reissue series, with eight rare tracks from the mind of Bryn Jones. Hefty slabs of beefy beats are seasoned with spicy South Asian melodies while mouth numbingly hot bass lines are smothered in distortion chutney; Souk Bou Saada was broiled in Machester's finest tandoor and is now served by Staalplaat. If you love East Indian flavors with a neo-bhangra beat, this disc will not disappoint, equally at home on the dancefloors of Bradistan, UK or Mumbai,…
Iranair Inflight Magazine
This is a mostly beat-driven album with little background noise, ambient space, or reverb. There is also no big emphasis on Middle Eastern sounds, which (and you should be figuring this out by now) is a frequently occurring theme in Bryn Jones' politically-driven music. Occasionally, there is some melodic material, or a touch of the Middle East sprinkled in, but it's played down in favor of beats that could best be described as very raw and closer to early Autechre minimalism than something from…
Il Giro Del Mondo In 80 Pezzi
2010 release ** Limited edition of 100 copies. Packaged in an oversize cardboard sleeve. ‘Il Giro Del Mondo In 80 Pezzi’, that is ‘around the world in 80 tracks’. That’s right, 80 tracks here, in seventy-seven minutes. All around a minute or less. A bit of worn out idea if you’d ask me, but to present this like a audio version of Jules Verne, is perhaps nice. Gasparin gets help from one Jacopo Andreini, with whom he has been active in the world of improvised since the early 90s. Together they a …
Heavy Fierce Brightness: Spells Of The Sun
2010 release ** Cardboard sleeve. "Heavy Fierce Brightness is the name of a project by the experimental music artist GOG (Michael Bjella), known for its dark ambient, blackened psychedelic doomdrift, and drone sounds. The project's work, such as the 2008 release Heavy Fierce Brightness - Spells Of The Sun, is part of a larger body of work by GOG that uses source sounds and immersive atmospheres to create "blackened psychedelic doomdrift dronelords."
Prescient / Legend
2019 release ** "The second Search Ensembles artifact sees the return of Cédric Peyronnet (Toy Bizarre, Kaon / Ingeos, Sechres Mound,), Cyril Herry (Ninth Desert, Sechres Mound), Phil Legard (Xenis Emputae Travelling Band, Hawthonn), Michael Northam, Alan Courtis (Anla Courtis, Reynols), Jani Hirvonen (Uton), Slavek Kwi (Artificial Memory Trace), Jon Tulchin and Dale Lloyd (and/OAR, Seattle Phonographers Union, Lucid), plus first time involvement from Eric Lanzillotta (Eye Music, Ri Be Xibalba,…
Organum Quadruplum - Ipotesi A - L'Opera Abbandonata (LP)
condition (disc/cover): M/M (still sealed) One of the holy grails of Italian electronic music! Vittorio Gelmetti (1926-2005) was a self-taught maverick who remained fiercely independent from the official avant-garde establishment while creating some of the most radical electroacoustic works of the 1960s and 70s. This exceedingly rare LP—essentially a private pressing on Premier, a label otherwise devoted to "liscio" dance music—documents three landmark pieces that defined his vision of "music ma…
The Wrong Echo
2010 release ** "Canadian sound artist Steve Bates works with hi- and lo-tech instrumentation and equipment to produce a restrained, delicately abstract electronica. ”Everywhere Little Explosions” encapsulates his methodology: a two-note piano motif is looped and fed through distorting baby monitors and computer software until it becomes a sort of psych-fuzz mantra. Bates favours sounds that confound the ear by occupying the exact midpoint between the synthetic and the natural, such as the digit…
DeepSpeeD / KeitaiDenwaChudoku
2005 release ** DeepSpeed is Yoshinori Tanaka, a Japanese musician active from the year 2000. Ran japanese Off Black record label. Mostly known for his Bastarbation project. 携帯電話中毒 is a Japanese noise project that used mobile phones as a baseline. It previously had a second member (around the time of their first CD on Dotsmark), one would operate mobile phones whilst the other would use effect pedals.t 06 of pure lo-fi (ocasionally monolithic) bizarro noise!!! Soundscapes to set up Absurd's cent…
Together We Shall Melt Mountains With Our Blood
2005 release ** Limited to 100 hand-numbered copies in tri-folded cardboard cover. "Intense drone from Portland, OR experimental musician Daniel Menche. A single piece of dissonant, rumbling drone whose sonic depth, volume, and intensity slowly ebb and flow over the course of 49-plus minutes."
Voices Of The Dead
2006 release ** Limited to 250 handnumbered copies with a booklet containing an article about EVP and is packed in a special cardboard sleeve. "Dedicated to the electronic voice phenomenon (EVP). Voices Of The Dead" is based on audio and video recordings made during Noises Of Russia concert on 17.05.2005 in "DOM" cultural center, Moscow. The short version of the film was shown as part of Masha Godovannaya's program "Tired Snow III" at the festivals "Autumn #2" (14.10.2005, Modern Art Center, St.…
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2011 release ** Edition of 15 hand-numbered copies in paste-on cardboard sleeve. Zorbiter was born in 2007, between feticism and drones ideas , electronic empirical experiments and protothypes and future post magnetic war experiences.
Sound As Language (CDr)
2008 release ** Plastic Boner Band (PBB) began making meditative harsh noise in Chicago (USA) in 2006.