Electronic / All styles

Music for Real Airports is a multimedia art project by musicians the Black Dog and interactive artists Human which is presented in art galleries. It is also a new CD of music by the Black Dog. It is a response to the reality of occupying the semi-public space of an airport, and a contemporary reply to Brian Eno’s work from the ‘70s. Airports are important and revealing. They are dystopian microcosms of a possible future society. The necessity of safety requires that they be systems of human cont…

New Item is the debut album of Italonesian duo Arcibanda, composed of producers and musicians Roberto Chiurazzi and Kevin Silalahi (BAPAK, whoosah). With a unique attention to, and allure for, band-oriented approaches to digi-organic sound design and composition, the pair delivers nine tracks of pure, outbursting instrumental joy, traversing diverse constellations of sonic references and shifting across eras in ways that never feel tacky, as expert masters of their craft. Drawing inspiration fro…

“For the heads”. A pliable phrase to the point of cliché, but also one that happens to be particularly apt for Misha Hering’s debut LP under his own name, Cn[x]. The deep, exploratory music on Cn[x] was recorded in the aftermath of a heavy concussion that left Hering unable to do his day job as sound engineer at Holy Mountain studio on east London’s Hackney Road. With time to fill and daunting cognitive rehabilitation to complete, Hering returned to music making after a long absence. Cn[x] refer…

Ç (pronounced “cédilla”) is the name of a duo consisting of Italian-American audiovisual and performance artist Luciano Chessa and French multi-instrumentalist and sound explorer squncr (François Larini). It is also the title of their first, self-titled album, a scintillating collection of sound art, oddball orchestral movements and beautiful oeuvres électroniques. Each track unfolds with eerie precision, opening wide meditative sceneries. Ç was recorded in Monaco during Chessa's one-year artist…

Laure Boer & Franz Wrakhowitch did again. They left our lands, for being Édition d’Art, their free-floating project with no logic. This time harvesting industrialised drones, tones, n zones, where rhythm, melody, and the idea of musical form gets challenged. Some say, they say, that the album's concept was to create cut-ups from tea bag sayings, just to poke some fun at the effective and comforting healing of the soul. If “Déploiement de l’immuable” can heal, is yet to be decided. It can steal. …

*40 copies limited edition* On Lila, his debut LP, Moroccan artist Karim presents a series of undulating electronic rhythms laser-etched into tessellated form: drumless techno from the pre-Sahara, built for communal psychic expansion. Drumless, yes, but not percussionless. There are shakers, castanets, stabs, plonks, thuds. There are insistent basslines propelling forward, pulsing with energy, rippling in time. There are tones interlocking, rolling, fluttering, pattering. Dancing within, around,…

With its second release, Fleur Sauvage stays true to its opening premise: no calculated moves, no outside logic, only work that could not reasonably exist anywhere else. Daniel[i] has been part of the La Nature and NoName fabric for years, as co-curator, resident, and crew, one of those people whose presence shapes a space long before a set begins. This album is the natural continuation of that relationship, extended now into a more permanent form. Where FS001 captured the charge of a live momen…

*150 copies limited edition* On the website fancymoon.com, CON himself describes 'Windmills' as Electro Cosmic Metal Industrial. It comprises 33 tracks and represents a continuous body of electronic music. The album was recorded and performed in the same vein as 'III Kugeln', serving as its predecessor, and is made up of four “solo electric pieces”: Sack, Turbine, Raumknoten, and Fenster. As FdW noted in his review of 'III Kugeln', this is not ambient, not dance music, not musique concrète, not …

*150 copies limited edition* The music on 'Upwards' is constantly surprising and as always, it's expansive and incredibly captivating. The work comprises 19 "electric miniature" compositions, and one could say they all lead nowhere – and this is true, because CON has always valued ​​the journey itself rather than the destination. It is intensely rich and beautifully remastered by Guillermo Pizarro at Vitória Régia Studios.

*300 copies limited edition* Returning after the introspective descent of The Sarajevo Spiral, Cyclic Law presents Antimon, the latest ritual transmission from the long-standing collective Nam-Khar. Founded in 2009, the project has continuously navigated the liminal intersections between ritual ambient, psychoacoustic exploration and esoteric introspection, employing an arsenal of ethnic instrumentation, analog synthesis and immersive visual elements to construct deeply transformative sonic envi…

Ali O’May and Frazer Brown met in early 2018 at an Electronic Music Open Mic in Edinburgh and quickly discovered a shared musical sensibility. Ali later gave Frazer a USB of stems from his extensive modular system; over summer and autumn 2019 Frazer used about a dozen of those stems to shape tracks across techno, lo‑fi, breaks, acid house and ambient. This collaborative process—Ali supplying raw modular material and Frazer instinctively arranging and producing it—became the Dohnavúr method, driv…

When Eleh's debut Floating Frequencies/Intuitive Synthesis I was originally released it was praised as a powerful piece of new electronic minimalism. Twenty years later the artist's legacy has grown while Eleh continues to hypnotize new listeners with time stopping music. Critics, fans and neurologists have praised the music of Eleh as aiding attention and focus while seeming to slow time. Eleh's slow change drones are a state of flow hypnotizing listeners into meditative focus. From the origina…

*150 copies limitede edition* Originally released on Umor Rex on cassette a year ago, “El Sol de los Muertos” deeply shaped the evolution and vision of Mexican producer Concepción Huerta’s sonic work, becoming a reference point for a kind of experimental sound deeply connected to Latin American critical thought. This is the second album in a series of four special, limited reissues to be released in 2026 to mark the 20th anniversary of Umor Rex. Crafted entirely through subharmonic structures an…

*25 copies limited edition* Sound & vision by Shigyogan.

Incest Songs is the final chapter of the Murder Ballads trilogy, and its most fully realized expression. Where Drift and Passages explored the post-isolationist frame through voice and single instrument, this third volume dispenses with that approach entirely, opening instead onto a more labyrinthine sonic architecture - one built from overlapping, saturating, blurring voices, all of them Martyn Bates'. The decision feels both inevitable and quietly inspired. Bates' vocalizations unfold as layer…

Malasomma returns to Stochastic Resonance with his third full-length release, completing a conceptual journey that began with the remote isolation of Jura (2018) and the linguistic deconstruction of Neolingua (2024). While his previous records functioned as warnings inspired by George Orwell’s 1984, UMA is the sound of those prophecies coming to fruition. As we step into the blinding, digital glare of the present day, we no longer inhabit a hypothetical dystopia. We no longer need to imagine a B…

*100 copies limited edition* "Meldrop tells of the place I call home, my dogs, the forest and the lives within. It speaks of birth, life, and the end of it. It speaks of a realm where even death becomes solely a matter of sound and scent". The debut album by Iuga emerges as a deeply immersive work of cinematic ambient music, entirely created through analog and modular synthesizers. Built around dense textures, slow-moving tensions and emotionally charged atmospheres, the album explores the psych…

Originally released in 2008 on Ezekiel Honig’s own Anticipate Recordings, Surfaces of a Broken Marching Band finds the artist refining a compositional language rooted in the methodologies of musique concrete, ambient, and beat research. Working from a palette of environmental recordings, instrumental fragments, and soft electronic treatments, Honig pushes the source material into an array of sympathetic forms ranging from pillow-soft, lowercase ambient to diffuse downtempo and minimal house. For…

Shape of the Moon is the California based duo of Benjamin Burke and Bear Glass that explores existential headspaces beyond mundane frames of thought. Following streams of consciousness that contemplate the stardust that forms us to the very first human sound that reverberated through a cave, Shape of the Moon intertwines language and music into ambient dream-weaving narratives. When the land is laid bare forms a collection of recordings composed of Burke reciting his introspective poems and Glas…

Pure Motorised Instinct drives over to Dark Entries with At Last I’m Leaving the Earth, an LP of industrial-tinged ambient and new age. When legendary industrial outfit Nagamatzu went dormant in 1991, band member Stephen Jarvis moved forward with Pure Motorised Instinct, a name he pulled from a line in George Romero’s Dawn of the Dead. Throughout two cassette albums - 1991’s Between Intimacy and Elsewhere, and 1993’s Everything Is True - Jarvis pushed the Nagamatzu spirit in new directions. At L…

*110 copies limited edition* Yama is the Hindu god of Death and Justice, and is responsible for the dispensation of law and punishment of sinners. Yama is also one of the oldest deities in the pantheon and some of his earliest appearances are found in the Rigveda.

The next solo Project by Eric Van Wonterghem. This venture delves into the realm of experimental electronic music, featuring an combination of digitakt/korgms20 and effect pedals generating drones and feedback loops. Ambient industrial sound & visual art composition, brutalists industrial design of the future in sci-fi landscapes on Prodam youtube.

*2026 stock* The album features a mesmerizing live recording of Absolute Body Control captured at the historic Altes Stadtbad in Leipzig, Germany during the E‑Festival. Showcasing 11 standout tracks from the band's remarkable catalogue, the release delivers raw energy, atmospheric synth textures, and a powerful, intimate performance that highlights their signature blend of cold-wave minimalism and dark electronic intensity. Remastered for clarity, the recording preserves the venue's cavernous ac…

On New Year’s Day this year I set off from my home in Loughborough Junction to undertake a rather idiosyncratic journey. For a long time now I have wanted to try and trace a vertical trajectory in London – and New Year's Day with its connotations of renewal and starting-over seemed just the time to attempt to flee upwards, if you will. The spine of this album is that journey from roughly minus 20 metres below sea level to 240 metres above on that cold, short wintry day. It was a quiet day, by Lo…

On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.

Strategic electronics & static crash test748 cables arranged pseudo-randomly for a spectacular effectPost-scientific research electroacoustic minimalism

Recessed bass, effective concatenationPolyrhythmic electricity, dub stasis, glitchy technologyFirst solo album & special guestsOn-body cassette printing & informational insert

Recollections VII-VIII marks the fourth in a planned series of 7” releases, each built from Glonti’s expanding archive of Soviet-era recordings. The artwork by Dmytro Nikolaienko (Day Night) once again reflects the utilitarian aesthetic of Soviet-era record design. In 2018, Glonti started collecting LPs of Soviet-era Georgian composers at Tbilisi’s “Dry Bridge” flea market. The records mostly consisted of classical and chamber music released on Melodiya, the singular, state owned record label of…

Claire Rousay completes her trilogy with A Little Death, where field recordings intertwine with strings and piano like voices in a chamber ensemble. A return to her core practice after sentiment's pop forms, the album transforms tactile samples into emotional archaeology—fragile, honest, vital.

*2026 stock* Oval's album Popp started as a concept album. It was neither meant as a pop record nor as "the Markus Popp signature album". At first, Popp was all about playing around. And about changing the musical outlook from the earlier hyper-detailed, improvisational Oval style to straight-up sequencing, old-school glitch tricks and beat-making. Popp explains, "Working on these new 'club tracks' was like going from cucina povera (my 1990s student-budget glitch style) and hi-tech fusion cuisin…

Electronic Sound #137 bundled with an exclusive purple vinyl 7" by Doublespeak, the new synth supergroup of Vince Clarke, Neil Arthur and Benge. A widescreen cover of Fad Gadget's 'Back To Nature' on the A-side, the previously unreleased 'Sunset (Instrumental)' on the flip.

2007 release  **

2001 release  **  TCOB continue to create some great, minimal and intriguing music. Stripped bare, with very little going on, this is nevertheless a mighty work. ERIC KESNER, the guy behind TCOB, goes to great lengths to let people know that this is purely a guitar album with just one sample appearing on the last track. You may not think this worth mentioning, but when you hear this music you'll realise why. Mutated beyond nearly anything else you'll ever hear on this instrument, it's impossible…

2009 release  **  ÜL was formed in 2006 by Argentinians Alan Courtis (Reynols), Fernando Perales and Charly Zaragoza. They have performed live many times in Argentina and released two albums: "Astropecuario" on the Scottish label Pjorn Records and "II" on the Argentinian Facon Records. This is their third disk containing material recorded in 2007. The goal of ÜL is the exploration of timbric possibilities of electric guitars in their own way, combining elements of noise, drone music and free ato…

2000 release  **  clear platic sleeve.

2011 release  **  David Brown returns with the new Candlesnuffer album 'Nature Stands Aside', a collaboration with the Dutch guitarist Lukas Simonis recorded in Rotterdam two years ago. In co-operation with Lukas' record label z6, this album showcases Dave's extended guitar techniques head to head against the noise blasted manipulations from Mr Simonis. Inspired by Rosamund Purcell’s study 'Special Cases', the various improvisations that take shape throughout the course of the album express the …

2010 release  **  Special cardboard sleeve.  WK569 (Ezio Martinazzi- Federico Troncatti- Pier Enrico Villa), sound/visual composition with futurist echoes. Escape velocity, the second cosmic velocity of tangent dissipative force. Rolling, sliding friction, static rotations, rapid fixities of steel, cyclical involutions. Fading rhythms in dynamic curves contract and expand in multifaceted space-time, accelerating radiant yet immobile pulsations, as maximum radial energy dissipation, tending to ze…

From the edges of a hallucinatory torpor, Rue des Garderies continue their explorations in psychedelia — Femacosmé presents here a new piece recorded live at the Pe:rsona festival, at Domaine des Éveils in the summer of 2025. An adventure guided by blur, the intangible, the impermanent, where layers, voices, sounds, and organic and synthetic echoes resonate, emerge, then fade away — as if to deceive reality, or at least our perception of it. More than two semi-improvised hours in which Rue des G…

A new version of Nurse With Wound's Rock 'n' Roll Station, the 1994 album where Steven Stapleton's collage and musique concrète met Colin Potter's rhythmic studio work: an hour of loops, warped exotica and psychedelic grooves.

*200 copies limited edition. Carefully handcrafted case and a small booklet inside.* Spazio Notte is the result of Valerio Cosi's musical work, featuring the contribution of writer Angelo Ferracuti, who explores the theme of travel in his unpublished story, “Tra le nuvole e il nulla.” Cosi delves into what is known as the hauntological subculture, a dimension of reality that, as the term suggests (a combination of "haunting" and "ontology," coined by Jacques Derrida and later developed by Mark F…